Saul Bass (May 8, 1920 – April 25, 1996) was a graphic designer and filmmaker, perhaps best known for his design of film posters and title sequences.{{im:6831}}During his 40-year career Bass worked for some of Hollywood's greatest filmmakers, including Alfred Hitchcock, Stanley Kubrick, Otto Preminger, Billy Wilder, and Martin Scorsese. He became well-known in the film industry after creating the title sequence for Otto Preminger's The Man with the Golden Arm in 1955. For Alfred Hitchcock, Bass designed effective and memorable title sequences, inventing a new type of kinetic typography, for North by Northwest, Vertigo (working with John Whitney), and Psycho.Bass also designed some of the most iconic corporate logos in North America, including the original AT&T "bell" logo in 1969, as well as their later "globe" logo in 1983. He also designed Continental Airlines' 1968 "jetstream" logo and United Airlines' 1974 "tulip" logo which have become some of the most recognized logos of the era.In 1955, Elaine Makatura came to work with Saul Bass and after the opening title sequence to Spartacus in 1960, which Elaine co-directed and produced, the two were married. Much of Saul Bass's title design and film work thereafter was made in close collaboration with Elaine. After the birth of their children, Jennifer in 1964 and Jeffrey in 1967, the Basses concentrated on their family, short films, and title sequences. Their first joint venture into short filmmaking was with promotional films for pavilions at the 1964 World’s Fair, From Here to There for United Airlines and The Searching Eye for Eastman Kodak. In 1968, they made the short film Why Man Creates, which won an Oscar.{{im:8969}}From the mid-60s to the late 1980s, Saul and Elaine moved away from main titles to focus on filmmaking and their children. Of this time, Saul has said:"Elaine and I feel we are there to serve the film and to approach the task with a sense of responsibility. We saw a lot of pyrotechnics and fun and games and I suppose we lost interest. At the same time, an increasing number of directors now sought to open their own films in ambitious ways rather than hire someone else to do it. Whatever the reasons, the result was 'Fade Out.' We did not worry about it: we had too many other interesting projects to get on with. Equally, because we still loved the process of making titles, we were happy to take it up again when asked. 'Fade In'..."Toward the end of his career, Saul Bass was “rediscovered” by James L. Brooks and Martin Scorsese, who urged the Basses to return to main title design.For Scorsese, Elaine and Saul Bass created title sequences for Goodfellas, Cape Fear, The Age of Innocence, and Casino, their last title sequence.{{im:9627}}In a sense, all modern opening title sequences that introduce the mood or theme of a film are a legacy of the Basses' work.

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hmmm... these notes are right up my alley (maybe not the subject matter).

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I love the bright colors of Mexican folk art, and I love making little shrines, so these little matchbox shrine facades that just came out at Alpha Stamps make me so happy. For the past week or two, I have been busy making shrines. All the bright colors! The fronts are chipboard, while the little niches are matchboxes. (I have so many extra matches now!) The first shrine I did was all about Cosmopolitan martinis, so I painted the exterior a bright pink with a red border. It's embellished with polymer clay limes and pink leaves, and the niche features a miniature Cosmo drink (a tutorial for making the tiny Cosmo can be found here). The small metal saint is painted in Cosmo colors, and she's offering up a slice of lime! This shrine will be the perfect addition to the Cosmo shelf in my kitchen.  My next shrine was made before the Corona virus threat got real, but in light of all the news of the hour, I'm calling this one the "I See Coronavirus" shrine. I used a small loteria card for the niche, and a bright red eyeball at the top. The eye sits on a round filigree setting. I painted the tiny flowers on the filigree to match the colors of the shrine border. The perfect black lines are Dazzles Thin Line stickers. On this next shrine, I first painted the facade a bright turquoise and then searching for an image to feature in the niche. I found the perfect one on the Loteria Matchbox Shrines collage sheet. The saint was painted in the same light turquoise used for the interior of the niche. A bronze metal flower makes the perfect halo for the saint. Metal roses on the sides, along with polymer clay leaves give a bright pop of color. Oh no, it's the devil! This is another shrine where I chose the color first, and then the image. The flames were painted on chipboard, then cut out and glued to the front. I could not resist making a few tiny demons suffer in those flames.   This image of the Madonna is just so beautiful. It was the first thing I chose for this shrine. I then picked the paint colors to coordinate with the image. Gold Dresden trim and halos work perfectly with this heavenly theme. All these bright colors look so fun together. I think I'm going to need another set of facades so I can make more. For a list of supplies, click here.

Stampin' n Stuff, my blog where I share cards, tutorials and inspiration using Stampin' Up! Which are also available to purchase.

Dog Man fanart, Petey the cat fanart, dog man x petey fanart

CV sketches

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Explore Gary Troup's board "Bikes n stuff" on Pinterest.

This is Cabin in the Pines, the February Quilt of the Quarter that will ship this month. If you belong to the Quilt of the Quarter Club, y...

Only great cosplay items here with affordable prices. All welcome so get your costume gear on!

flames n' stuff designed by sarah beth morgan. Connect with them on Dribbble; the global community for designers and creative professionals.

Biblical Greek and Classical Latin for children. Verse-by-verse Bible studies.

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