Jacinth magical properties tie with the legend of its origin and the image of Apollo. As the god of beauty and art, he endowed the stone with the ability to help people of creative professions. Jacinth brings inspiration, recognition, and fame to writers, artists, musicians...
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Jacinta & Jarred, 6th October 2015, Sheraton Fiji resort – Photographer Yoshi Kawai Let our Craftsmanship tell your Story…
Sicut Myrrha electa
Lee "Fortunata y Jacinta" de Benito Pérez Galdós disponible en Rakuten Kobo. Fortunata y Jacinta es una de las novelas más conocidas de Benito Pérez Galdós. Se la considera una novela total de su a...
Vamos a aprender, durante esta quincena, esta canción a modo de poesía: La mona Jacinta Aquí podéis escucharla:
hi i wanted to make fan art of my favorite environment from genshin impact which is the vanarana area!! i really wanted to see if i could truly replicate a style of a game I've never tried to attempt and show that i can easily adapt to a new pipeline. my goals for this project were to handpaint because i love handpainting and it's been a minute and also learn substance designer. i also took some baby steps into blender! i know how to use that thing now lol practicing the things i learned from my last projects was a lot of fun too! we building on that knowledge, our brains have more folds and wrinkles. my worst enemy is not turning off srgb on non color textures and also nanite i hate nanite so much ❤️ every time my shader was broken it was because my meshes had nanite enabled even though i wasn't even using nanite at all!! BOOO!! YOU STINK!!!! i want to thank kevin sorensen https://www.artstation.com/trashkev for helping me with all things tech art and also teaching me math things because wtf i understand nodes now?? martin de graaf https://www.artstation.com/martindegraaf for teaching me substance designer and holding my hand through that experience, my materials would not have looked as good without u, mark ehlen https://www.artstation.com/markdidit for teaching me how to sculpt rocks good and making me more confident in my zbrush skills and courtney millman https://www.artstation.com/courtneyfayart for being my best friend and making the aranaras, they definitely helped because I'm no character artist! i also want to thank all my homies who helped me body double because my sleep schedule is so bad right now 😔 and i really needed the homies there thank u song: melody of sprouting flowers by hoyo-mix from the forest of jnana and vidya album!
Benito Pérez Galdós
Fragmentos del cine español donde se han empleado corralas como localizaciones.
hi these are my props and foliage that i created for my genshin impact fanart of my favorite area, vanarana! included in this post i have renders of all the things, set dressing breakdowns as well as how i approached handpainting and shaders i used rvt to blend between the green grass, the yellow grass and the blue grass as well as the dirt and dirt with pebbles variations. also used it to blend my rocks and cliff meshes into the ground and give it some dirt and poop. i also added that to my pots and wood fences so there's dirt everywhere. we love blending. also utilizing rvt, i made the grass occlude, so as it gets closer to the dirt the smaller it gets. i used the same method to make the grass avoid certain objects like my vases. for the set dressing portion, i would highly suggest looking at how other games do these groupings too because a lot of them have similar languages. its really interesting because that's how it is in nature too!! when you apply that knowledge to your environments, your pieces will grow and look more visually interesting to look at! for many of the things i couldn't figure out i used so many of prismaticadev (on youtube) tutorials! the cloud shader is from tyler smith on artstation with some minor tweaks and the genshin character shader is from ben ayers which is also on artstation. once again want to thank kevin sorensen https://www.artstation.com/trashkev for helping me make all my tech things and helped me learn, martin de graaf https://www.artstation.com/martindegraaf for teaching me how to use substance designer and watching me make materials, mark ehlen https://www.artstation.com/markdidit for helping me push my forms in my rock sculpts and courtney millman https://www.artstation.com/courtneyfayart for making the aranaras! i couldn't have done it without my friends!
Os santos Francisco e Jacinta Marto, irmãos videntes de Nossa Senhora de Fátima. A vida desses dois pastorinhos de Nossa Senhora, nos indica um bonito caminho de santidade: amor a Deus e à Virgem Maria, oração, penitência e cuidado com o próximo. #aliancademisericordia #santododia
a product of love of a little over 2 years! i started this project a little bit before the pandemic started and then was immediately hit with the postgraduate burnout which I think was sped up because of being alone in my thoughts and honestly making art throughout this entire time was really hard! i let myself take multiple several month-long breaks while working on this and it really helped in a sense that whenever I came back to it, I was able to look at it with fresh eyes and new perspective. i wasn't doing the thing where you fiddle and change every little thing. i learned how to drop thing things that weren't as important because you literally can't see them anyways (SCOPE!!!!) AND most importantly I fell in love with doing art again. i had a lot of fun finishing this up and honestly. I'm free now!! another thing that gave me grief was because I was taking really long breaks before I would work on my project again, my lighting would change ever so slightly which you can see in the progress gif... it was so painful.. but HERE WE ARE!! AT THE FINISH LINE!! WE'RE FREE!! I WON!! don't start a project in UE4.26 and then move to EA UE5 and then UE5 don't be like me. my benchmarks for this project were to learn unreal (check), learn how to make trim sheets (I know how to do that good now), and practice modularity! i succeeded in all that and I think I went above and beyond what I was originally looking for :D big big thank you to Ryan Benno for mentoring me, teaching me Unreal, pushing me to do something fun with lighting, especially in RTX when I originally wanted to hand paint the project, Lexi White for sculpting the statue (the amazing focal point), John O'Really for helping on the tech art side (god rays, cool materials, teaching me unreal basics... jacinta turn off srgb on non base color texture maps stupid), Cheryl Young for pushing me to expand on the concept and creating something even better than it was originally, Ben Hale and Adrian Campos for teaching me how to make trim sheets and answering all my questions, Edward Dodd for helping me with all my lighting grievances (literally every time my lighting broke he was there to save me), Ashley Wade, Ovie Mukoro, Jeryce Dianingana, Courtney Millman, Sabrina Echouafni, Santeri Soininen, Matthieu Mouthon, Jesse L and all my friends at The Club discord server for pushing me to add more polys and giving me all your feedback, love and support. I am on my hands and knees thankful for all of you for helping me get out of the burnout hell that i was in and im out !! and you all helped me get there. I could not have gotten there without you. thank you! also i started this project around the same time i started to become friends with ash and being done with it feels really surreal because now we can move on and talk about bigger and better things the amazing original concept art from STAR CG: https://www.artstation.com/artwork/OyYeZv give them some love please!!
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