SELF PORTRAIT on Chrissie White Photography
On inwardness, aloneness, and obsession in generations of only children.
Flowers contain the art of inwardness. The magnificence of their beauty can penetrate even the most chaotic life.
The poet is often taken to be a subspecies of the memoirist, stirred to write about her own experiences—the more intense or “authentic,” the better. Thanks to the Romantics we believe that inwardness is truth, truth inwardness. This aesthetic can produce great lyric poetry, but it also tends to blanket many contemporary poems with a …
"The written word, obviously, is very inward, and when we're reading, we're thinking. It's a sort of spiritual, meditative activity. When we're looking at visual objects, I think our eyes are obviously directed outward, so there's not as much reflective time. And it's the reflectiveness and the spiritual inwardness about reading that appeals to me."
Libido and mortido are the two powers that accompany us through life since our birth. Libido is aspiration for creativity and art or desire to live. But everything that moves is restricted and cannot be endless. Mortido is the power restricting libido, it is aspiration for death or aspiration for endless life out of the bounds of the body. Throughout life one suffers these powers fighting. The inward mortido destroys the libido, so it is destructive and self-destructive. Sabina Spielrein speaks of aspiration for death as the primitive instinct of human being. Nevertheless we cannot regard libido and mortido as fighting antitheses. They are more like dialectical opposites interpenetrating each other. The individual senses the interaction of these two powers and being influenced by their interaction tries to find some balance inside to preserve oneself. And while the inward mortido causes destructive changes of the personality, that is the process of destroying the personality, the libido directed to the self leads to the cognition of one’s true self. In the photographs the figure of a woman is used as a symbol, as reflection of the human consciousness being at the boundary of the two concepts of creation and destruction. It is a woman’s figure that is depicted because it is associated with the concept of the Anima introduced by the psychologist Jung. It implies the feminine archetype that is the influence of emotions, moods and inwardness. The masculine archetype, the Animus, is characterized by outwardness and tough overriding decisions. In the techniques we make use of the experience of such great experimentalists as František Drtikol, Erwin Blumenfeld and Victor Skrebneski. Through the use of contrasting light and shadows we show the two antitheses coexisting in the human consciousness. And the fighting of these two antitheses is shown through the use of optical deflections.
