Creating believable illusions is harder than it might look. For those who are interested, most of the movie DVDs feature the behind-the-scenes section, showing how the creators managed to deceive you. Even then, however, you seldom get to see the ‘true’ making of the film. To fill that gap, here are 30 awesome behind-the-scenes photos from famous movies.
The following video presents EN | D780 Product Tour: “Let your vision take flight with the new D780! The Nikon FX-format D780 delivers the same robust but agile body of the D750, while packin…
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In November 2015 Nikon trailed the news they would soon launch the D5, their latest FX-format digital SLR camera, positioned now as a flagship camera. The camera, which was eventually launched in celebratory style by the Tokyo-based camera manufacturer at CES 2016, is on the outside, largely similar to its predecessor, the D4. But the internal operations are…
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Errol Morris steps in front of the camera for this FX docuseries about Jeffrey MacDonald and the family he was convicted of murdering.
This new Kipon adapter will let you use Leica M lenses on the Hasselblad X1D medium format camera. New SHOTEN LM – FX M adapter with helicoid released (Leica M mount lens -> Fujifilm X mount camera). This new Artisan & Artist vanity pouch is available in three different sizes (available for pre-order at Leica […]
→ The Tokina 24-70mm F/2.8 AT-X Pro FX lens has a $120 mail-in rebate (download rebate form). → Nikon released firmware update version 1.4 for the Coolpix W100 waterproof camera. → The new Sigma EF-630 flash for Nikon cameras was officially released in Japan on May 19th. → New Yongnuo YN686EX-RT lithium-ion Nikon compatible flash announced […]
Riga, Latvia, august 2010. Zeiss Ikon Nettar (6x6) medium format camera with the Novar-Anastigmat 1:4,5 f=75mm lens and Ilford Delta, 120 black and white film, ISO 100. Paterson Fx-39 film developer, 1+9. Scanned negative. Toned in Silver Efex Pro.
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The AF-S Nikkor 35mm F1.8G DX is Nikon's latest lens, announced in February for PMA 2009. Its introduction came as something of a surprise to many observers, not because it's an updated 35mm lens with a built-in autofocus motor, but because the 'DX' designation indicates that it's designed for use on DX format bodies, and isn't fully compatible with Nikon's growing FX format camera range. According to Nikon, this has allowed the company to design a lens that is smaller, lighter and cheaper than it would have been had it offered full coverage of the FX image circle. In effect, the lens is primarily targeted as an inexpensive, large aperture option for users of the entry-level (D40 / D40X /D60) series of DSLRs.
Nikon designed back side illuminated (BSI) full frame image sensor with no optical low pass filter. 45.7 megapixels of extraordinary resolution, outstanding…
Back to basics! Erik shows you how to build your own DIY Camera Stabilizer for a Digital SLR camera. This rig will help stabilize your SLR camera when taki...
45.7MP Stacked CMOS sensor and EXPEED 7 image processing. Fast powerful AF that can keep up with the fastest subjects and frame rates. Subject detection uses deep learning to automatically detect and track people, cats, dogs, birds, cars, motorcycles, bicycles, trains and planes in still and video with no menu changes.
While this camera is obviously not a "Contax" per se, it is produced by the same company (Kyocera) and uses the same lens mount. It is fully compatible with the line of Carl Zeiss lenses for Contax SLRs. I include this camera in my reviews of Contax bodies because it can fit nicely into the system of photographers who want to build their Contax system gradually or who have a limited budget. It might be particularly appropriate for those who are looking for a mechanical backup body for one of the Contax electronic models, but don't want to or can't spend the more than $1,000 it takes to purchase a new S2. During its production run, one could pick up an FX-2 Super 2000 new for perhaps USD 150. Actually, the FX-2 Super 2000 is quite well-made. The camera appears to contain the absolute minimum amount of metal, but it is nicely made to fine tolerances. It is good-looking in the spirit of black polycarbonate bodies, and is very light and small (only 445 g, plus the weight of the two tiny button batteries). It is not covered with the ugly titanium-colored paint which is found on some comparable cameras by other manufacturers. You will hardly notice it when it is kept in your camera bag with no lens attached. When one mounts one of the plastic Yashica lenses, the camera/lens combination feels very insubstantial. However, when you mount one of the Carl Zeiss lenses on the body, it feels much more comfortable and stable in one's hands. In my view, the camera looks and feels better made than either the better-known Pentax K-1000 or the Nikon FM-10, which are two of its closest equivalents. While I don't know for certain, I suspect that the camera has a mirror prism assembly instead of a true glass pentaprism which is found on the Contax-brand bodies. The other specifications are basically one-level down from the S2, but certainly more than serviceable. Shutter speeds range from 1 to 1/2000 second, and are set using a traditional dial on the top right of the camera. This dial also includes a ring which is used to manually set film ISO. Electronic flash synchronization is obtained by setting the shutter speed dial to 1/125 second or slower. The flash connects via a hot shoe on top of the viewfinder prism, but TTL flash control is not provided. The self timer is a traditional mechanical lever on the front of the body. It can be set to up to 10 seconds delay and doubles as a mirror lock-up mechanism. (This capability makes it one of only three bodies in the current Contax system with this capability. Mirror lock-up is probably more critical on this body than some of the more expensive models due to the relatively low damping provided by its lightweight construction.) Exposure metering is through-the-lens, full-aperture center-weighted averaging with a three-point red LED display on the right side of the viewfinder, similar to that of the Nikon FM2N. I actually find it easier to use than the manual exposure readouts in all other Contax bodies, except for the RX. The meter operates on two 1.5V alkaline or 1.55V silver-oxide batteries. With its fully mechanical shutter, the camera still has full function, except for the exposure meter, even when the batteries are depleted. The viewfinder has a slightly narrow 92% field of view, so the user needs to bear this in mind when composing images. The focusing screen is a non-interchangeable split-image/microprism design. Aside from the focusing aids, the only indicators visible in the viewfinder are the three exposure LEDs and a flash signal which indicates that the flash is fully charged. If you want to know your aperture and/or shutter speed, you will have to remove your eye from the viewfinder and look at the top of the camera. Film advance and rewind are performed manually with traditional style controls. The film advance lever is the single stoke type, but it works fine. One feature that is missing from this camera and which some users might want is a depth-of-field preview lever. Actually, I usually don't find this capability to be necessary when using Carl Zeiss lenses, because in my opinion, reading the clearly-marked depth-of-field directly off the lens and perhaps setting the hyperfocal distance is easier and more effective than peering through a greatly darkened viewfinder to judge the focus depth optically. Copyright © 1997 - 2016 Timothy A. Rogers. All rights reserved. (DSC_1596mod1BR25 Rev1)
Android: Camera ZOOM FX, our pick for the best Android camera app , shed its $3 price tag today, and is going free(mium). The free version comes with
I worked with Silver Spoon Animation to recreate Shyvana's Intro/Idle FX in Unreal Engine. This was made for the Wild Rift Icons 2022 Championship as part of their live competition broadcast as AR graphics. - Shyvana's dragon form was an interesting mix of swipes, impacts, and beams. The "stylized fire" sprite was a lucky find in the massive Wild Rift depot of textures they gave us. The tricky part of this one was the transition from dragon to humanoid form. The turntable used camera angles to hide the transition, but we didn't have this luxury. To make it look more natural, I tried messing with the timing a bit and adding more fiery elements to distract from the Shyvana's humanoid form literally rising out of the ground. - So proud of this work and the teams involved. You can find out more about this wild project on Silver Spoon Animation's post: https://silverspoonanimation.com/work/wild-rift/
Click here to view larger size photo on black It is clear that the full frame lenses from Nikkor (FX format) are bigger than the body of the Sony NEX5-N. I can imagine what my 300mm F.2,8 VR would look like with the camera body NEX5-N or NEX7: probably ridiculous! If the autofocus is not a must (it is a must for football/soccer game for example) then the NEX5-N looks really appealing: the NEX5-N equates - if not exceeds the D7000 in a much more compact format while same number of pixels - ideal for a second body.
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