Drainage lymphatique selon les régions anatomiques Adénopathies palpables et non-palpables Adénopathies palpables et non-palpables Localisation des adénopathies palpables et non-palpables Adénopathies de la tête et du cou palpables et non-palpables Plan musculaire superficiel du cou : Aires ganglionnaires Sous-mandibulaires Joues, nez, lèvre inférieure, gencives, portion
A new book on the artist paints Spies as an indefatigable, happy, and resourceful young man whose story is framed by two world wars.
mount Pangrango as seen from Bogor Botanicals. Lithograph by Josias Cornelis Rappard (1824-1898)
3D Artist / Designer, who create imageries inspired by captivating physics, tactile materials, and abstract ideas.
Hinduism after being branded as a single' religion' is often visually seen through the imageries of Shiva, Vishnu, Krishna, Ram, Hanuman, Ganesh, Kali...
Danish photographer Léa Nielsen creates beautiful fashion imageries that often experiment with collage techniques and graphic elements. Influenced by architecture, art and film, Nielsen’s work...
Here are some beer logos that set excellent examples of how brand identities are essential in communicating the brand message even when they have entirely relevant imageries.
Extraits de l'album à illustrer CALCO-COLOR. Jesco-imageries. coll.pers. Un livre de lecture dont les illustrations sont à compléter de décalcomanies à découper et à coller.
Influenced by the aesthetic and visual codes of Richard Avedon and Irving Penn’s imageries, this campaign marks the third collaboration of AMI with photographer Michael Bailey-Gates.
Many of the best-written poems capture emotions, experiences, or imageries in a lyrical language. But what exactly is a poem, how is it different from a prose, and how should we approach it?
I fell a little bit speechless when I stumbled upon the gorgeous embroideries by Takashi Iwasaki earlier this week. So many colors, so many details.. all created out of thread, hand-embroidered into the most amazing, eyecatching shapes and figures. MAGIC! Born in Japan & currently based in Canada, Takashi Iwasaki is a multimedia artist who creates imageries from things […]
BITZER Velocommute Bike [Sphinx Gold] Bitzer; the purveyor of rugged luxury is designed and rebuilt from a classic collector’s 1950s Raleigh Roadster. With imageries of wild rides over sand dunes and sunsets, Bitzer is made for high speeds with a firm control. Fitted with the best vintage British, European and Japanese components, including a NOS Czech made coaster hub brake, a Brooks Swallow saddle together with a D-Shaped saddle bag, this regal roadster is ready to roar!
p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 11.0px Arial} p.p2 {margin: 0.0px 0.0px 0.0px 0.0px; font: 11.0px Arial; min-height: 12.0px} Jack Hanley Gallery is pleased to announce Roger Herman’s first solo exhibition at the gallery, presenting ceramic vessels from the past six years. Herman’s ceramics continually shift between abstraction and figuration, pair vivid palettes with dark colors and shiny bright surfaces with matte earthy tones. This range of technique is held together by a gestural rawness and vibrancy that is inherent to each sculpture: drips of paint run down the exteriors of the hefty vessels and bowls with occasional window-like holes, sharply cut open. Herman’s imagery reads like an archeology of styles; it is equally drawn from pop culture and a variety of art historical tropes: mangas, erotica, surrealism or Paleolithic cave paintings. Like an exquisite corpse, the only prevailing constant is the randomness of choice, the embrace of chance with an inexhaustible curiosity for the renewing nature of the painting process in itself. Among the variety of imageries, the human body is pervasive throughout Herman’s sculptural work, whether it’s the recurring vanitas motif of the skull, the bodily shape of the vessel, or painted faces with protruding noses or ears. Haptic and sensual, their immanent physicality also reflects the corporeal act of painting and building up the clay. The painted figures and faces call to mind ancient cave paintings and just like them, they leave their mark and emphasize the presence in its vivid materiality.
The availability of high-resolution Digital Surface Models of coastal environments is of increasing interest for scientists involved in the study of the coastal system processes. Among the range of terrestrial and aerial methods available to produce such a dataset, this study tests the utility of the Structure from Motion (SfM) approach to low-altitude aerial imageries collected by Unmanned Aerial Vehicle (UAV). The SfM image-based approach was selected whilst searching for a rapid, inexpensive, and highly automated method, able to produce 3D information from unstructured aerial images. In particular, it was used to generate a dense point cloud and successively a high-resolution Digital Surface Models (DSM) of a beach dune system in Marina di Ravenna (Italy). The quality of the elevation dataset produced by the UAV-SfM was initially evaluated by comparison with point cloud generated by a Terrestrial Laser Scanning (TLS) surveys. Such a comparison served to highlight an average difference in the vertical values of 0.05 m (RMS = 0.19 m). However, although the points cloud comparison is the best approach to investigate the absolute or relative correspondence between UAV and TLS methods, the assessment of geomorphic features is usually based on multi-temporal surfaces analysis, where an interpolation process is required. DSMs were therefore generated from UAV and TLS points clouds and vertical absolute accuracies assessed by comparison with a Global Navigation Satellite System (GNSS) survey. The vertical comparison of UAV and TLS DSMs with respect to GNSS measurements pointed out an average distance at cm-level (RMS = 0.011 m). The successive point by point direct comparison between UAV and TLS elevations show a very small average distance, 0.015 m, with RMS = 0.220 m. Larger values are encountered in areas where sudden changes in topography are present. The UAV-based approach was demonstrated to be a straightforward one and accuracy of the vertical dataset was comparable with results obtained by TLS technology.
