Mange er kommet til verden på dette tidspunkt i dens udvikling for at lette eller gennemføre store forandringer i de menneskelige samfund rundt om på jeres klode. De har hver især et indflydelsesområde, hver især deres egne talenter, hver især har de lidt under menneskets uvidenhed og grusomhed, men hver især har de bevaret deres medfødte venlighed og brugt den til at påvirke og støtte små grupper med en længsel - ikke bare en længsel, men en længsel efter forandring. © 2011 M.N. Hopkins Below is the link to the original writing in English that this quotation was a part of: https://mnhopkins.blogspot.com/2011/06/june-4-2011-message-for-all-who-will.html

Sjögren’s syndrome is easy to overlook or misdiagnose, making many patients feel frustrated. In this five-part video series, Dr. Alan Baer validates those who suffer from this disease, and informs […]

Coronary arteries supply blood to the heart muscle. There are two main coronary arteries: the right and the left.

These three monoprints were inspired by the woodcuts of Edna Boies Hopkins. However, they are not woodcuts but rather are watercolor monotype prints made with watercolor painted onto a frosted plexiglass plate. Each of these was made with two plates--the background color and texture--and the images on a separate plate. Each was run through the press one but one was pressed on top of the other. The titles are: "Red Clematis," "Hosta," and "Grapes."

Wondering which of the low carb flours is best for cooking and baking? Let's compare almond flour vs coconut flour so you can decide.

McNair's quote is part of a lengthy story on ESPN.com that is running in the Nov. 13...

It is now almost four years since I last posted on the Franco-German artist, Paul Leschhorn. Since then, quite a few new images of his colour woodcuts have been made available online and it's always good to see more of this still rather neglected printmaker's work. So, that is the first reason for another post. Secondly, the work of the British photographer, James Ravilious, featured in the last post, made me think over the way Leschhorn used snow in his work. He was the snowiest of all the pre-war printmakers; just like James Ravilious, he gives us the feel of snow. It was not just a matter of using snow to provide areas of white (as it was with quite a few of his contemporaries); Leschhorn was also a skier and mountaineer who knew the Vosges Mountains well. Yet his work showed some of the most unidentifiable places in by any of the German-speaking printmakers. Both artists also suffered considerably as a result of war. The plane that James Ravolious' father, Eric, was in was lost over the Atlantic near Iceland when James was only two years old, whilst the Alsatian countryside and mountains where Leschhorn grew up became a part of France again after its loss to Germany following the Franco-Prussian war. Snow allowed them both to build things up again from nothing, the way many other artists do, but in their own special and peculiar way. What I said in the previous post was there were many kinds of borders, many f them subtle, unacknowledged borders lost to the modern world but still affecting the way we act. I think the Vosges was one of them, much more than the Rhein and while not all Leschhorn's prints have the feeling of remoteness, these are the ones that I prefer. But even then, there are differences between them. For all their apparent similarities, Leshchhorn distinguished with care between one type of countryside and another and I think it's interesting that the closer he seems to get to regular human life, the more conventional he seemed to become. But then, I still don't know enough about the artist and his work to make very definite judgments about it. But the one thing I do like about the work of both Ravilious and Leschhorn is the way they take the photographic print and the woodcut back to their basics of black-and-white. It's paradoxical that the more monochrome they become, the more feeling enters into their work. It is the way they use shape that is so particular, both stark and blurred and, of course, it is snow that allows them to do that, to lose, freeze and to recover, all at one and the same moment.

Logo Marks and designs that we love, that didn't make the cut. A logomark is a logo centered around a symbolic image or icon.

Verse kruiden eten tegen muggen en muggenbeten helpt. Dat werd wetenschappelijk aangetoond door wetenschappers van de Johns Hopkins University in Baltimore. Muggen kunnen erg vervelend zijn, vooral in de zomermaanden. Ze komen af op onze lichaamsgeur en kunnen ons flink irriteren door hun gezoem, maar vooral door hun beten. Het is dan ook belangrijk om

The mind loves to think, and it never seems to want to stop. When you can't stop overthinking, remember these quotes to help you.

FAQ: Natural Therapies & Holistic Treatment Many A-Fib patients have questions about treatment alternatives such as naturopathic

Buy 3 and get one free! Place 4 of my patterns or ebooks in your cart and the 4th (least expensive) will be free! No code needed. Pattern is available in Knit Companion. Bandon-by-the-Sea is a perfect top for warmer weather and to wear over jeans, short or a skirt. The yoke lace is echoed in the gentle shirt-tail hemline and sleeve finishing. Choose either short sleeves as shown in sample photos or ¾ length sleeve option included in instructions. This top is worked top-down and in the round in a completely seamless manner with a nice balance between stockinette stitch and lace work. It starts with a lacy circular yoke that transitions into raglan seams for best fit. The lace is an easy one to learn and memorize. Both chart and written instructions for the lace are included. This design really shows off hand-dyed yarns and will look great in any DK yarn with good drape. A linen blend is perfect for warmer weather or to layer under a jacket or sweater as weather in cooler weather. Inspiration: Bandon or “Bandon-by-the-Sea” is a quintessential town on the southern Oregon Coast complete with beautiful beaches, a lighthouse, incredible viewpoints, and even a golf course. It was named after Bandon in County Cork in Ireland by an Irish immigrant. The instructions are written and charted, and the pattern has been professionally tech edited and tested.   FINISHED SIZES XS (S, S2, M, M2, L, L2, XL, XXL, XXXL) Designed to be worn with 2” ease at bust and 4” ease at hips. Choose size that is 2” larger than bust measurement. Finished Bust: 32(33, 35.25, 38, 39.25, 42, 45.75, 48, 50.25, 54.5) inches / 81.5(84, 89.5, 96.5, 100, 106.5, 116, 122, 127.5, 138.5)cm RECOMMENDED YARN Recommend heavy sport or DK weight with good drape and stitch definition. Shibui Knits Twig: Sport (46% Linen, 42% Recycled Silk, 12% Wool); 190 yds (174m)/1.76 oz (50g), shown in colors Shore and White. Estimated Yarn Required: MC: 600(675, 725, 800, 900, 1000, 1100, 1150, 1200, 1350) yds / 549(618, 663, 732, 823, 915, 1006, 1052, 1098, 1228)m. CC for Neckline Lace: 75 yds used in color white for sample size M2. Yarn usage will vary depending on gauge and specific yarn used as well as options chosen.   EXPERIENCE LEVEL: Accessible to an advanced beginner knitter with some lace experience.   Skills Used: Decreases, increases, basic lace stitches (yo, k2tog, ssk), German Short Rows (link to tutorial included). Note: The neckline lace is not totally symmetrical at each sleeve for some sizes. Testers deemed it a non-issue and advised to continue to work the yoke which provides perspective and any asymmetry is less noticeable. #kcdesign

South Africa, Durban, Zulu tribe mask-AF42 CMI0179 - Cindy Miller Hopkins Light Switch Cover is made of durable scratch resistant metal that will not fade, chip or peel. Featuring a high gloss finish, along with matching screws makes this cover the perfect finishing touch.

A revista de ilustração e cultura visual Zupi é uma publicação Brasileira de artes gráficas, criatividade e arte focada no registro de ideias e tendências.

Getting more exercise is one of the best things you can do for your heart. Johns Hopkins research recommends a simple approach to staying fit.

What does severe depression look like in photographs? The work of photographer Christian Hopkins may offer a clue. The 20-year-old photographer has been