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21" x 28" Edmond H Osthaus Retrieving removable and repositionable peel and stick wall decal produced to meet museum quality standards. We present a comprehensive collection of exceptional wall decal reproductions by Edmond H Osthaus. Our wall decal stickers are produced using high-precision print technology for a more accurate reproduction printed with fade-resistant, archival inks, printed on high quality water-resistant satin cloth fabric backed with a repositionable, removable adhesive designed for easy, no hassle application to a wide variety of flat surfaces. Lightweight, easy-to-hang, no preparation needed, just peel off backing paper and stick on a flat surface; a great frame free alternative for exhibiting art prints. Lightweight, easy-to-hang, no preparation needed, just peel off backing paper and stick on a flat surface; a great frame free alternative for exhibiting art prints Material is a wrinkle-resistant, tear-resistant, water-resistant fabric, not water proof, intended for indoor use Made in the USA, at our Florida production facility, shipped unframed and rolled in a protective shipping tube.

Rosa Bonheur's workshop © Yann Gourvennec Rosa Bonheur was one of the most popular artists of the 19th Century. Not only was her work being sold and seen around the world, songs were composed about her and dolls were made in her image. Today, some of Paris’ most thriving bars and nightclubs are n

Frank Paton 1856-1909 Engeland

.css-1sgivba{display:-webkit-box;display:-webkit-flex;display:-ms-flexbox;display:flex;-webkit-align-items:center;-webkit-box-align:center;-ms-flex-align:center;align-items:center;-webkit-flex-direction:row;-ms-flex-direction:row;flex-direction:row;gap:0.5rem;margin-bottom:var(--chakra-space-2);} .css-cosgki{font-size:16px;font-weight:var(--chakra-fontWeights-bold);} Product Type: Giclee Print Print Size: 12" x 9" Finished Size: 12" x 9" .css-1336n79{display:-webkit-box;display:-webkit-flex;display:-ms-flexbox;display:flex;-webkit-align-items:center;-webkit-box-align:center;-ms-flex-align:center;align-items:center;-webkit-flex-direction:row;-ms-flex-direction:row;flex-direction:row;gap:0.5rem;margin-top:var(--chakra-space-8);margin-bottom:var(--chakra-space-8);} Product ID: 58926897283A

Cecil Charles Windsor Aldin 1870-1935 Engeland

• PRINT: Vintage Cecil Aldin Photo Print Visit our store to browse our full range of prints: https://www.etsy.com/uk/shop/RetrospectiveplaceUK 🌟 Get 25% OFF when you order 4 or more items. Discount automatically applied at checkout 🌟 All prints are reproductions and Frames are NOT included • PAPER: Professionally printed on High Quality 265GSM Satin Photo Paper. We print with fade resistant inks onto quality paper stocks, ensuring longer print life, deeper colours and greater water and scratch resistance. • PLEASE NOTE: Each poster is printed with a White Border around the edges. • SIZE: Our prints come in various sizes so please check measurements and choose from the drop down list above. The colour may vary very slightly from the image due to different monitor settings. • DELIVERY : UK orders are sent via Royal Mail and items are typically received within 2-3 working days. International orders to Europe generally take 5 to 16 business days. Estimated Delivery of international orders to the Rest of the World 7 to 20 business. These times are only estimates and are not guaranteed. • REFUNDS: All our prints are 100% guaranteed. If you're not happy with your order just send a message and we will accept the return up to 60 day’s after purchase. • PACKAGING: A4 prints and smaller are carefully packaged in protective cellophane sleeves and sent in board backed envelopes. All larger sizes are sent rolled in cardboard poster tubes. If there are any problems with your item please contact us immediately so we can resolve any issues. • QUESTIONS: Please feel free to contact me using the message button. We sell Artwork, Wall Art, Photos, Posters, Prints, Home Decor, Quotes, Maps, Propaganda, Nature, Japanese Prints and much much more.

1852c Edwin Landseer by Sir Francis Grant Oil on board 30.2 x 25.4 cm National Portrait Gallery London Sir Edwin Henry Landseer (1802 – 1873) was an English artist best known for his animal paintings and sculptures. Landseer’s popularity in Victorian Britain was considerable, and his reputation as an animal painter was unrivalled. He is particularly associated with Scotland, which he first visited in 1824, and you will see that many of his works are of Scottish subjects. In 1858 the government commissioned Landseer to make four (now famous) bronze lions for the base of Nelson’s Column in Trafalgar Square. Edwin Landseer died in October 1873, and his death was widely marked in England. He was buried in St. Paul’s Cathedral, London. For fuller notes on Landseer see part 1, and for earlier works see parts 1 - 3 also. This part 4 of a 6 – part series on the works of Edwin Landseer: 1839c Highland Dogs Oil on metal 43.2 x 54.3 cm Tate, London 1839c Tethered Rams Oil on panel 45.7 x 58.4 cm Victoria and Albert Museum, London 1840 A Farmer Feeding his Pony in Geneva Pen and brown ink and watercolour with graphite on tan wove paper 16.7 x 25.1 cm Art Institute of Chicago, IL 1840 Horses Taken in to Bait Oil on canvas 70 x 89.5 cm Lake District National Trust, UK 1840 Laying Down the Law Oil on canvas 120.7 x 130.8 cm Chatsworth House, Bakewell, Derbyshire, UK 1840-41c Miss Ellen Power Pastel on paper 64 x 48.8 cm The Wallace Collection, London 1840-43 The bronze lions in Trafalgar Square, London 1840-43 Windsor Castle in Modern Times, 1840-43 Oil on canvas 113.3 x 144.5 cm Royal Collection, UK 1840-44 A Saluki Dog Oil on canvas 73.7 x 57.8 cm Towneley Hall Art Gallery and Museum, Burnley, UK 1840-45c Portrait of a Young Girl Black and white chalk and pastel on buff paper The J. Paul Getty Museum, Los Angeles, CA 1840-50c A Bellowing Stag Pen and brown ink over graphite on wove paper 19 x 24.6 cm National Gallery of Art, Washington, D.C. 1840c Lion Defending its Prey Oil on paper mounted on canvas 25.1 x 32.4 cm National Gallery of Art, Washington, D.C. 1840c Sir Francis Burdett, 5th Bt Oil on canvas 24.4 x 9.2 cm National Portrait Gallery London 1841 Eos (Prince Albert's favourite bitch) Oil on canvas 111.8 x 142.9 cm Royal Collection Trust, UK 1842 A Pair of Brazilian Monkeys, The Property of Her Majesty Oil on canvas 35.9 x 45.1 cm Royal Collection Trust, UK 1842 Queen Victoria and Prince Albert at the Bal Costumé of 12 May 1842 Oil on canvas 143 x 112 cm Royal Collection, UK 1842c The Sanctuary Oil on canvas 61 x 152.5 cm Royal Collection Trust, London 1842c There's No Place Like Home Oil on canvas 63.2 x 75.6 cm Victoria and Albert Museum, London 1842c Ziga, a Badger Dog Belonging to the Hereditary Prince of Saxe-Coburg-Gotha Oil on canvas 94 x 112cm 1843 Bony and Var (details not found) 1843 The Defeat of Comus Oil on canvas 88.9 x 168.9 cm Tate, London 1843 The Duchess of Bedford's Gamekeeper, J. Michie Oil on board 25.8 x 23.1 cm Birmingham Museum of Art, Alabama 1844 (exhibited) Shoeing Oil on canvas 142.2 x 11.8 cm Tate, London 1844c Coming Events Cast Their Shadow before Them (aka The Challenge) Oil on canvas 96.5 x 211 cm Private Collection 1844c The Otter Speared, the Earl of Aberdeen's Otterhounds Oil on canvas 200 x 153.7 cm Laing Art Gallery, Newcastle-upon-Tyne, UK 1845 King Charles Spaniels (‘The Cavalier’s Pets’) Oil on canvas 69.8 x 90.2 cm Tate, London 1845 Study of a Ruff Oil on canvas 33.1 x 24 cm Ashmolean Museum, University of Oxford, UK 1845 War Oil on canvas 31 x 41 cm Walker Art Gallery, Liverpool, UK 1845-65c Mare and Foal Oil on canvas 111.7 x 143 cm Walker Art Gallery, Liverpool, UK 1845c Decoyman's Dog and Duck Oil on canvas 45.1 x 80.7 cm Private Collection 1846-47 Portrait of Mr. Van Amburgh, As He Appeared with His Animals at the London Theatres Oil on canvas 175.9 x 238.8 cm Yale Centre for British Art, New Haven, CT 1847 Queen Victoria at Loch Laggan Oil on panel, 33.9 x 49.9 cm Royal Collection Trust, UK 1848 (exhibited) Alexander and Diogenes Oil on canvas 112.4 x 142.9 cm Tate, London 1848 A Dog with a Slipper Oil on panel 43.8 x 63.8 cm Sudley House, Liverpool Museums, UK 1848 A Random Shot Oil on canvas 121 x 182 cm Bury Art Museum, Greater Manchester, UK 1848-51 Scene from A Midsummer Night's Dream. Titania and Bottom Oil on canvas 82 x 133 cm National Gallery of Victoria, Melbourne 1848c John George Landseer (the artist's father) Oil on canvas 91.4 x 70.5 cm National Portrait Gallery London 1849 The Desert Oil on canvas 177.4 x 270 cm Manchester Art Gallery, UK 1849-51c Sunset in Scotland Oil on canvas 23 x 33 cm Mottisfont Abbey, Romsey, Hampshire, UK

Vintage art is all a craze right now and I am all about it! I love adding pieces to my home that have that European moody vibe. It’s amazing how quickly my house can have so much added character with these select pieces of art. I’ve been wanting to have a personalized line of print […]

18" x 27" Wouter Verschuur A Moment of Rest gallery wrapped premium canvas print reproduced to meet museum quality standards. Our museum quality canvas prints are produced using high-precision print technology for a more accurate reproduction printed on high quality canvas with fade-resistant, archival inks. Our progressive business model allows us to offer works of art to you at the best wholesale pricing, significantly less than art gallery prices, affordable to all. This artwork is gallery wrapped by one of our expert framers, wrapped with 1.5" deep heavy duty wooden stretcher bars, to hang frameless for a high-end designer look. Our gallery wrapped canvas print comes with hardware, ready to hang on your wall. We present a comprehensive collection of exceptional canvas art reproductions by Wouter Verschuur.

1930 VINTAGE HOUND PRINT Art by Cecil Aldin Lovely vintage hound print which came from a 1930 book about dogs. The full page measures approximately 6 by 8.5 inches. The print is in very good condition and would look lovely framed. You are purchasing the original 1930 book page, not a copy, and the reverse side is blank. CECIL ALDIN PRINTS: https://etsy.me/3oljHHE OTHER DOG ART PRINTS: https://etsy.me/3hy3pmJ PRINT AND MAP COLLECTIONS IN MY SHOP: DOG ART PRINTS: https://etsy.me/3hy3pmJ HORSE ART PRINTS: https://etsy.me/3lxlVO9 CAT ART PRINTS: https://etsy.me/2DiVhqR BIRD PRINTS: http://etsy.me/1DnFta9 BEETLE PRINTS: http://etsy.me/1p6naU8 FISH ART PRINTS: http://etsy.me/1kfRF8s ORCHID PRINTS: http://etsy.me/1qgU2sz FLY FISHING PRINTS: http://etsy.me/1wiFrxK BUTTERFLY PRINTS - http://etsy.me/1qE0qq4 MOTH PRINTS: http://etsy.me/1AiWO0O CACTUS SUCCULENT PRINTS: http://etsy.me/1GXnfNa ASTRONOMY PRINTS: https://etsy.me/2GPHjOW RAILROAD MAPS: https://etsy.me/3pB9fXF MINIATURE MAPS: http://etsy.me/1I5UHER ANIMATED STATE PICTURE MAPS: http://etsy.me/1qUgnJs SWEET DEALS! Additional maps and prints ship for free within the US! Purchase two or more items from my store and save 10% with coupon code: TWOORMOREITEMSSAVE10

Thomas Blinks 1860-1912 Engeland

William Woodhouse 1857-1939 Engeland

Works included here under: Self-portrait, Varieté-Tänzerin, La croisée des chemins - The Crossroads, AU CIRQUE: DANS LES COULISSES - CIRCUS AT: BEHIND THE SCENES, Deux femmes valsant - Two women waltzing, Artilleur à cheval, vue de dos - Gunner on horseback, back view, CAVALIER DE CHASSE À COURRE RESSANGLANT SON CHEVAL, AU BOIS DE BOULOGNE, LE COUCHER or FEMME EN CHEMISE DEVANT UN LIT (MADAME POUPOULE) - THE WOMAN IN BEDROOM gold SHIRT TO BED (MADAME POUPOULE), MADAME ALINE GIBERT, Partie de campagne - Country Party, JANE AVRIL, La blanchisseuse - The Laundress, CHEVAL DE CHASSE A COURRE, La Partie de cartes - The Card game, Au "Star", Le Havre (Miss Dolly, chanteuse anglaise) - At the "Star", Le Havre (Miss Dolly, English singer), Equipage au Bosc, Rene Princeteau dans son atelier, Au bal du Moulin de la Galette, TÊTE DE FILLE, VIEIL HOMME - RECTO VIEIL HOMME DE PROFIL - VERSO - OLD MAN - SIDE PROFILE OLD MAN, LE JOUEUR DE FLÛTE, PORTRAIT DE LOUIS PASCAL, DANSEUSE EN PIED VUE DE DOS, Nu dans l'atelier, PORTRAIT DE BÉATRICE TAPIÉ DE CÉLEYRAN, Deux chevaliers en armure - Two knights in armor, Paysage dans les environs de Céleyrans - Landscape around Céleyrans Henri Toulouse-Lautrec Self-portrait Date: 1882 Dimensions: 40.3 x 32.4 cm Henri-Marie Raymond de Toulouse-Lautrec-Montfa was born on November 24, 1864, in the town of Albi, in the south of France. He was the first child and heir of Alphonse Charlers Jean Marie (1838-1913), Count of Toulouse. Henri was probably first introduced to painting through his uncles, several of whom were amateur artists. He received his first tutelage in art from Rene Princeteau, a well-known sports-painter. Henri Toulouse-Lautrec Varieté-Tänzerin Medium: Oil on canvas Much of Henri's early childhood was spent in the Chateau de Celeyran, his mother's familial home, near the Mediterranean town of Narbonne, where he spent much time drawing and painting the life and landscape of the estate. In 1872, he was enrolled in the prestigious Lycee Fontanes in Paris for 3 years due to health reasons, and moved back to the south of France for the climate. Henri Toulouse-Lautrec La croisée des chemins - The Crossroads Dimensions: 19 X 23.5 in (48.26 X 59.69 cm) Medium: oil on canvas Creation Date: 1883 In 1878, Henri broke his left thigh as he was getting up out of a chair. Bed-ridden, he spent his time reading, drawing and painting. A year later and just barely recovered from his first injury, he broke his other thigh whilst taking a walk. The growth of his legs was stunted forever. His illness was never identified during his lifetime, and nothing would help. Henri Toulouse-Lautrec AU CIRQUE: DANS LES COULISSES - CIRCUS AT: BEHIND THE SCENES Dimensions: 26.25 X 23.37 in (66.68 X 59.36 cm) Medium: oil on canvas Creation Date: Circa 1888 Signed Henri continued to pursue art. By 1880, he had produced as many as two and a half thousand works, in a variety of techniques. Encouraged he returned to Paris to study art. In 1881, he set up residence in Princeteau's Paris studio. Henri Toulouse-Lautrec Deux femmes valsant - Two women waltzing Dimensions: 23.62 X 15.5 in (60.01 X 39.37 cm) Medium: oil on board Creation Date: 1894 Signed In 1882, he was accepted into the studio of the famous painter and art teacher Leon Bonnat. After Bonnat became a professor at the Paris Academy of Art, Lautrec began to study under Fernand Cormon. Cormon was a talented artist in his own right, and an enthusiastic teacher. Henri Toulouse-Lautrec Artilleur à cheval, vue de dos - Gunner on horseback, back view Dimensions: 9.33 X 5.5 in (23.7 X 13.97 cm) Medium: Oil on panel Creation Date: Circa 1881 The painter would have many affairs over the course of his rather brief life. All of them would be with women far below his station, and none of them were very long-lasting. Although the artist immersed himself in the life of the lower classes -- the cabarets, the dance halls and the brothels -- he always retained an aristocratic aloofness and a sense of his own superiority. He was not attempting to become part of that life: he was rather an unprejudiced observer; a doctor or a scientist, trying to dissect it and give it life, in his art. Lautrec moved into the Montmartre district in 1884 where he met Edgar Degas, whom he came to admire. He soon began to frequent the district's cabarets where he displayed his works. That year, he also had his first exhibition at the Pau. Henri Toulouse-Lautrec CAVALIER DE CHASSE À COURRE RESSANGLANT SON CHEVAL Dimensions: 9.25 X 6.5 in (23.5 X 16.51 cm) Medium: Oil on panel Creation Date: 1879 In 1886, Lautrec met Vincent Van Gogh at Cormon's studio, where the Dutch painter had come to study. They quickly became friends, though Lautrec left the studio only a few months later, his education there concluded. Henri Toulouse-Lautrec AU BOIS DE BOULOGNE Dimensions: 22 X 18.25 in (55.88 X 46.36 cm) Medium: oil on canvas Creation Date: 1901 By then Lautrec's art was beginning to attract greater notice. In 1887, he participated in an exhibition in Toulouse;and in Paris, he exhibited together with Van Gogh. He was invited to send some of his work to the les Vingt ("The Twenty") exhibition, taking place early in 1888, in Brussels. Van Gogh stayed with Lautrec in Paris, not long before his suicide in 1890. Henri Toulouse-Lautrec LE COUCHER or FEMME EN CHEMISE DEVANT UN LIT (MADAME POUPOULE) - THE WOMAN IN BEDROOM gold SHIRT TO BED (MADAME POUPOULE) Dimensions: 24 X 19.25 in (60.96 X 48.9 cm) Medium: oil on panel Creation Date: 1899 The protagonist of this composition is a beautiful prostitute whose name came from "poule" French popular name for girls dedicated to this office, a favorite theme for Toulouse-Lautrec. The woman seems to be deep in thought, mentally away from the sordid world around her. The similarity with Degas. The colors takes over the whole, highlighting its application based on short strokes that occupy the largest area of support. In 1889, Lautrec participated in the Salon des Independants for the first time and would become a frequent contributor to the Salon's exhibitions. He spent the summer on France's Atlantic coast, yachting. The cabaret Moulin Rouge in the Montmartre opened that year, and Lautrec immediately became a regular; he would often show his work at the establishment. The name Henri de Toulouse-Lautrec became inseparably linked to the Moulin Rouge, and some of his most iconic works were made there, including his notorious Moulin Rouge poster of 1891 (La Goulue), Valentin "the Boneless" Training the New Girls (1890), and others. Henri Toulouse-Lautrec MADAME ALINE GIBERT Dimensions: 24.5 X 19.75 in (62.23 X 50.16 cm) Medium: oil on canvas Creation Date: 1887 Around 1893, moved away from the cabarets and took an interest in literature and theater. He made his first engraving in 1891, and his later works include many lithographs, such as Les Ambassadeurs: Aristide Bruant (1892), May Milton (1895), The Jockey (1899). In 1893, he took part in an exhibition devoted to painters and engravers. That year he had his first solo exhibition at the gallery of Maurice Joyant. He was part of a modern trend for the celebration of individual artistic achievement. Henri Toulouse-Lautrec Partie de campagne - Country Party Dimensions: 18.37 X 15.5 in (46.66 X 39.37 cm) Lautrec spent a lot of the time between 1894 and 1897 travelling. He visited London, Madrid and Toledo in Spain, Brussels, Haarlem and Amsterdam. In England, the painter became acquainted with Whistler and Oscar Wilde, both of whom he saw as role models -- the former for his art, the latter for his lifestyle. In Spain, he took inspiration from the old masters: Velasquez, Goya and El Greco. In Holland, he studied Rembrandt, Bruegel and Hals. In Brussels, in 1895 and again in 1897, he took part in exhibitions organized by the group La Libre Esthetique (The Free Aesthetic), the successors to les Vingt, where his work was exhibited side-by-side with that of Cezanne, Signac, Gauguin and Van Gogh. Henri Toulouse-Lautrec JANE AVRIL Medium: watercolour and gouache Jane Avril (1868–1943) was a French can-can dancer made famous by Henri de Toulouse-Lautrec through his paintings. Extremely thin, 'given to jerky movements and sudden contortions', she was nicknamed La Mélinite, after an explosive. More He was becoming increasingly so as a result of his drinking, which was rapidly spiraling out of control. In 1894 he moved into one of the brothels he frequented and lived there for some time. Some works painted from his experience there include Rue de Moulins (1894), Prostitutes Around a Dinner Table (1894), Two Friends(1894-95), In 1897, he had an attack of delirium tremens, while on summer vacation at Villeneuve-sur-Yonne. His artistic output and his health decreased sharply, as most of his days were spent in various states of intoxication. In 1899, he was confined to a mental hospital. Henri Toulouse-Lautrec La blanchisseuse - The Laundress Dimensions: 36.5 X 29.5 in (92.71 X 74.93 cm) The Laundress is a picture painted in 1884 by Henri de Toulouse-Lautrec . It measures 193 over 75 cm. It is kept in a private collection. It represents Carmen Gaudin, who was one of his models. He died on September 9th, 1901, at the age of 36, at his mother's homes in Malrome. His last two paintings were "Admiral Viaud" and "An Examination at the Faculty of Medicine". (Biography by Yuri Mataev). After Toulouse-Lautrec’s death, his mother, the Comtesse Adèle Toulouse-Lautrec, and Maurice Lautrec Monogram Joyant, his art dealer, promoted his art. His mother contributed funds for a museum to be built in Albi, his birthplace, to house his works. As of 2005, his paintings had sold for as much as US$14.5 million. Henri Toulouse-Lautrec CHEVAL DE CHASSE A COURRE Medium: oil on panel Henri Toulouse-Lautrec La Partie de cartes - The Card game Dimensions: 22.5 X 18 in (57.15 X 45.72 cm) Medium: Oil and peinture à l'essence on board Creation Date: 1893 Henri Toulouse-Lautrec Au "Star", Le Havre (Miss Dolly, chanteuse anglaise) - At the "Star", Le Havre (Miss Dolly, English singer) Dimensions: 10.12 X 8.5 in (25.7 X 21.59 cm) "In Le Havre the sailors were often English, as were the barmaids who sang and danced in the taproom and might sometimes be persuaded to leave with a customer. A new furia struck Henry--a passion for Miss Dolly, the blonde English girl who served drinks at the Star, where the year before he had done a couple of lithographs of performers leading the audience of sailors and dockers in English songs. Once again Henry both seduced and possessed his conquest, not physically, but through his art. He wrote to Joyant asking him to send paints and brushes" (in Toulouse-Lautrec: A Life, London, 1994, p. 478). In a letter dated 11 July, Lautrec wrote that he had completed a sanguine drawing of "an English girl at the Star" (S. D. Schimmel, ed., The Letters of Henri de Toulouse-Lautrec, Oxford, 1991, letter 578, p. 355). A week later the artist again wrote to Joyant, advising him that he had just sent "a panel with the head of the Barmaid at the Star" (Letter 579, p. 356). These works are, respectively, Dortu nos. D.4.445 and P. 684; both are in the Musée Toulouse-Lautrec, Albi. The barmaid's name might have gone unrecorded, but Joyant knew her identity. More Henri Toulouse-Lautrec Equipage au Bosc Dimensions: 10.5 X 9.62 in (26.67 X 24.45 cm) Medium: oil on paper laid down on canvas Creation Date: 1881 Signed Henri Toulouse-Lautrec Rene Princeteau dans son atelier Dimensions: 21.25 X 18 in (53.98 X 45.72 cm) Medium: oil on canvas Creation Date: 1881 Signed Born into a prominent family rich with castles and vineyards, René Princeteau was deaf and dumb from birth. He studied at the National Institute for Young Deaf in Paris . After taking sculpture classes at Bordeaux in 1865 he enrolled at the Imperial School of Fine Arts in Paris, where he studied under the direction of Auguste Dumont. Friend of Alphonse de Toulouse-Lautrec, he first as a student and then his brother Odo became the first master of Henri de Toulouse-Lautrec from 1871. During the War of 1870 , he enlisted in the artillery of the Army of the Loire. He accumulated a lot of notes and drawings. He rose to prominence with his horse paintings Salon 1885. He produced many paintings of the hunt, racing, as well as landscapes and equestrian portraits. In 1883 Princeteau leaves Paris for Libourne where he originates. This period marks the beginning of his great compositions celebrating rural life. He settled in the castle of Pontus near Fronsac on the banks of the Isle. Henri Toulouse-Lautrec Au bal du Moulin de la Galette Dimensions: 16.22 X 12.87 in (41.2 X 32.7 cm) Medium: oil on panel Creation Date: 1889 Henri Toulouse-Lautrec TÊTE DE FILLE Dimensions: 11.22 X 9.37 in (28.5 X 23.8 cm) Medium: oil on canvas Creation Date: 1892 Henri Toulouse-Lautrec VIEIL HOMME - RECTO VIEIL HOMME DE PROFIL - VERSO - OLD MAN - SIDE PROFILE OLD MAN Dimensions: 9.37 X 5.91 in (23.8 X 15 cm) Medium: oil on panel Henri Toulouse-Lautrec LE JOUEUR DE FLÛTE Dimensions: 15.75 X 12.68 in (40 X 32.2 cm) Medium: oil on canvas Creation Date: 1884 Signed Henri Toulouse-Lautrec PORTRAIT DE LOUIS PASCAL Dimensions: 24.12 X 19.88 in (61.28 X 50.48 cm) Medium: Oil on canvas Creation Date: 1887 LOUIS PASCAL. Born in Paris, Pascal was taught at the École nationale supérieure des Beaux-Arts by Émile Gilbert and Charles-Auguste Questel. He won the Grand Prix de Rome for Architecture in 1866, which put him in residency at the Villa Medici in Rome from 1867 through 1870. After brief service in the Franco-Prussian War, he returned to Paris to assist Hector Lefuel with the restoration of the Louvre, and succeeded Questel as the head of his own old atelier. In 1875, his star rising in the academy system, Pascal was appointed the head architect for the National Library of France. Pascal brought this long project nearly to completion, contributing interiors and exteriors, the Oval Room, the Salon Voltaire, the periodical room, and the grand staircase. In 1914 Pascal was awarded both the American AIA Gold Medal in 1914 (the fourth ever awarded) and the Royal Gold Medal of the Royal Institute of British Architects. He died in Paris. More Henri Toulouse-Lautrec DANSEUSE EN PIED VUE DE DOS Dimensions: 26.75 X 20.25 in (67.95 X 51.44 cm) Medium: oil on board Creation Date: 1890 Signed Henri Toulouse-Lautrec Nu dans l'atelier Dimensions: 80.5 x 60 cm Medium: oil on canvas Creation Date: Circa 1890 Henri Toulouse-Lautrec PORTRAIT DE BÉATRICE TAPIÉ DE CÉLEYRAN Dimensions: 9.75 X 6.87 in (24.76 X 17.45 cm) Medium: Oil on panel Creation Date: 1897 Signed The present work depicts Béatrice Taipé de Céleyran, the artist’s first cousin and goddaughter, and is one of two portraits he painted of her during a family visit in 1897. Unlike his second portrait of Béatrice in which she is seated in a garden and painted from behind her right shoulder (fig. 1), this version shows her in a three-quarter profile at bust length in a non-descript interior. The composition of the portrait and Toulouse-Lautrec’s direct, intimate observation of Béatrice recall the fifteenth-century Netherlandish portraits he frequently studied . Despite the traditional structure of his composition, Toulouse-Lautrec’s depiction of her is candid. In his endeavor to answer Charles Baudelaire’s call to paint the modern life, he sought to evoke the emotions underlying the human experience. Here, through the loose brushstrokes composing her dress and the soft pink and blue overtones, he removes the formality implied in her pose and creates an honest and endearing rendering of his beloved cousin. More Henri Toulouse-Lautrec Deux chevaliers en armure - Two knights in armor Dimensions: 25.62 X 32 in (65.07 X 81.28 cm) Medium: Oil on canvas Creation Date: 1898 Henri Toulouse-Lautrec Paysage dans les environs de Céleyrans - Landscape around Céleyrans Dimensions: 24 x 17 cm Medium: oil on panel Creation Date: Circa 1880