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This week it was reported that Prince Harry and his soon to be wife Meghan Markle are planning a quick visit to Dublin shortly after their May wedding. Although what's being dubbed their "mini-moon", will only be two days there's still plenty of sites the Royal couple could take in.

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Stained glass window by the Harry Clarke studios at "John's Lane" Church, Dublin. The saints are, from left to right; St. Lawrence O'Toole, Archbisop of Dublin when the Normans invaded in 1170 AD, St Patrick, St. Bridgid, and St. Kevin of Glendalough. View on black by clicking image. HARRY CLARKE: Harrry Clarke was born 1889 son of Joshua Clarke, a craftsman. The youngster was exposed to art (and in particular Art Nouveau) at an early age. He went to school in Belvedere College in Dublin and by his late teens was studying stained glass at the Dublin Art School. Whilst there he won a Gold Medal for stained glass work in the 1910 Board of Education National Competition. Completing his education in his main field, Clarke travelled to London, where he sought employment as a book illustrator. Picked up by London publisher Harrap, he started with two commissions which were never completed: Samuel Taylor Coleridge's The Rime of the Ancient Mariner (his work on which was destroyed during the 1916 Easter Rising.) and an illustrated edition of Alexander Pope's The Rape of the Lock. Difficulties with these projects made Hans Christian Andersen's Fairy Tales by Hans Christian Andersen his first printed work. His reputation as a book illustrator was made by illustrations for an edition of Edgar Allen Poe's Tale of Mystery and Imagination. All the while he had been working away hard in stained glass, producing more than 130 windows, he and his brother, Walter, having taken over his father's studio after his death in 1921. Stained glass is central to Clarke's career. His glass is distinguished by the finesse of its drawing, unusual in the medium, his use of rich colours (inspired by an early visit to see the stained glass of the Cathedral of Chartres, he was especially fond of deep blues), and an innovative integration of the window leading as part of the overall design (his use of heavy lines in his black and white book illustrations is probably derived from his glass techniques). Harry Clarke's stained glass work includes many religious windows, but also much secular stained glass. Highlights of the former include the windows of the Honan Chapel in University College Cork, of the latter, a window illustrating John Keats' The Eve of St. Agnes (Now in the Hugh Lane Municipal Gallery in Dublin) and the Geneva Window. Perhaps his most seen work were the windows of Bewley's Cafe on Dublin's Grafton Street. Unfortunately, ill health plagued both the Clarke brothers, and worn down by the pace of their work, and perhaps the toxin chemicals used in stained glass production, both died within a year of each other -- Walter first and then Harry in early 1931, of tuberculosis while trying to recuperate in Switzerland. He was only 41 years old. Clarke's work was influenced by both the passing Art Nouveau and the coming Art Deco movements.