Today’s stitch is oh so sweet to me as it includes everything I love about a stitch. It’s an open stitch with groups of stitches in opposite directions giving it perfect balance and set off with a combo of matte and metallic threads. It simply makes me smile.
こぎん刺しのクロス。1枚目に続いて、2枚目も完成しました16種類の模様。こぎん刺し＝古風な文様と思っていたら、それだけではございません！と、モダンな文様も沢山…
SALVE RAGAZZE, continuo con piacere a farvi vedere altri fondini, dell'imparaticcio antico, vi ricordo che nella foto si vedono in...
こぎん刺しのクロス。1枚目に続いて、2枚目も完成しました16種類の模様。こぎん刺し＝古風な文様と思っていたら、それだけではございません！と、モダンな文様も沢山…
こぎん刺しのクロス。1枚目に続いて、2枚目も完成しました16種類の模様。こぎん刺し＝古風な文様と思っていたら、それだけではございません！と、モダンな文様も沢山…
....li adoro e li vorrei mettere da tante parti. Così mi è venuto in mente di preparare una striscia e posizionare in modo sparso dei quadrati con retini diversi. All'inizio non pensavo di dare un certo ordine ma poi il risultato non mi piaceva ... e così li ho sistemati con una certa simmetria ... probabilmente la capisco solo io, ma vi assicuro che esiste una certa regola. Questo è l'insieme con un orlo prillino che delimita la greca a fili tirati un retino a punto spirito uno a zig zag un altro ad onde e qualche altro ..... niente di inventato, d'altronde libri e riviste in giro ce ne sono in abbondanza e basta copiare
OI AMIGAS estou aprendendo a bordar hardanger , fiz uma amostra com os principais pontos utilizados. estou amando bordar . tem muita cois...
category: Limet-Filling pattern stitches used: Lazy Daisy and Rose stitches center: intersection of withdrawn thread lines (in other shapes or motifs: longitudinal axis = withdrawn thread line) The last filling pattern on my blog was number 481. Since then I published the Star book that contains 58 different star filling patterns. So the next filling pattern on my blog is number 540. First, establish a Limet grid by cutting 1, leaving 3, vertically and horizontally. Bring the needle up in the center hole and pull the thread through. Lay the thread in a loop to the left and down. Insert the needle again in the center hole and bring it up 1 square diagonally left down (3 threads down and 3 threads to the left). Lay the loop beneath the needle. Pull the thread through and tighten it a little bit drawing it in the direction of the loop. Be careful to not tighten too much – the loop should keep its hoof shape. Cross over 1 square diagonally left down, insert the needle and bring it back up through the center hole. Work 3 more Lazy Daisy stitches counterclockwise in the established way. When one round (one element) is complete, continue to work the row of elements by crossing diagonally under 2 squares to bring the needle up in the next center. In the established way work rows up and down until the entire shape is filled. Now start to work Rose stitches in diagonal rows, 1 in each of the spaces that remain between the Lazy Daisy elements. Another easy to work and attractive pattern is established.
I keep talking about my embroidery but never put many examples of my own work up. Problem is, my scanner is on the blink. But after a comment from Lorelei I have got my act together and started to scan...
#зерновий вивід #декоративнийшов #декоративнішви #вишиванкажіноча #вишиванкаручнаробота#вишиванка #вишивка #вишиванки #вишивкахрестиком...
Toalha para cozinha Detalhe do trabalho com linha brisa.
こぎん刺しのクロス。1枚目に続いて、2枚目も完成しました16種類の模様。こぎん刺し＝古風な文様と思っていたら、それだけではございません！と、モダンな文様も沢山…
Nr. 480 category: Limet-Filling pattern stitches used: bars of 6 Satin stitches over 1 square in the width and Daisy stitches center: intersection of withdrawn-thread lines (in other shapes or motifs: longitudinal axis = withdrawn-thread line) The filling pattern shown here is a practice exercise only. You can see it used in a shape in the previous post. It will also be featured in a future post. First, work a Limet grid by alternately withdrawing 1 and leaving 3 threads both horizontally and vertically. In the established Limet grid, work a grid of Satin stitches. Work Satin stitch bars over one square (3 threads) in the width and over 2 squares (6 stitches) in the length either in a stair-step manner (please see pattern 469; second and third pictures from the top) or in straight rows as here shown. Work the rows of Satin stitch bars up and back by turning the piece 180° and keeping a distance of 2 squares between the bars. Work rows of Satin stitch bars vertically and horizontally to establish the Satin stitch grid. Bring the needle up in a center of any established square, lay the working thread around a corner of this square, insert the needle in the center again, and bring it up in that corner with the loop beneath the needle. Tighten the thread in the direction of the loop. A Chain stitch is established. It is secured by inserting the needle just beyond the intersection of fabric threads adjacent to the corner space. Bring the needle up in the center again to work the next Chain stitch at the next corner. Work a Chain stitch at each corner of a square (4 Chain stitches per square). Make sure to work clockwise or counterclockwise; this method will keep the center hole well defined and open. Sometimes it is necessary to slide the working thread through the stitches on the back to arrive at the next starting point. Work 4 Chain stitches in the established way like a checkerboard over the entire shape. All other squares remain unembroidered. There is a rule in the Schwalm: every Limet square must be embroidered in some way. For example, a Rose stitch could be worked into each of the remaining squares. However, the pattern shown here looks nicer, I think, and if it is used for projects such as Lavender bags, which will not be laundered too often, the pattern will keep for many decades. Washed, starched and ironed the pattern gets its full charm. This example was worked on 13.5/cm thread-count Weddigen linen with coton à broder No. 20.
This listing is for a digital copy of the instructions to make the pictured table centerpiece - no other supplies are included. Dolcetti is a table centerpiece in the Italian form of needlework known as Punto Antico embroidery that works up at 17"x17" when worked on the recommended 32 count fabric. The pattern includes detailed instructions for all of the stitches, diagrams for all stitches and various charts to aid in stitching this piece. Other supplies that will be required (but are not included) are 32 count fabric (I used antique white Belfast linen), #8 and #12 perle cottons, Caron Wildflowers, embroidery scissors and various needles (#24 and 26 tapestry needles and a #7 milliners needle). To complete this design as shown in the cover photo, you will need the following additional supplies: • 22”x22” White Belfast linen, 32 count (plus an optional smaller piece for a “doodle” or practice cloth) • 2 balls each of #8 and #12 perle cotton, #B5200 or White (but make sure that all are the same color) • 1 ball of #12 perle cotton, #211 • 2 skeins of Caron Wildflowers “Dawn” (same dye lot) • Needles: #24 and #26 tapestry, #7 Milliners; sharp, fine-pointed embroidery scissors • Basting thread (medium shade of sewing thread – not black or red
For the April challenge I started with doing some pulled thread work, because I never did that before.
SALVE RAGAZZE, continuo con piacere a farvi vedere altri fondini, dell'imparaticcio antico, vi ricordo che nella foto si vedono ingrandite, ma ogni quadratino misura poco più di 2 cm. Proprio stamane ho ritrovato una piccola strisciolina con alcune mie prove come vedete non è punto croce metto il rovescio del campione sopra Buona giornata Silvana
