Post with 498 views. Early office computer (1960s)

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Chefs aren’t the only ones scavenging for ingredients—more top designers are salvaging found objects and using them as decor

Blindman's Buff, 1898

the nails 88 lines about 44 women the bold chic of black and white Mademoiselle Ricci MELVIN SOKOLSKY The brash and fearless beauty – looking life as square-in-the-eye as a gunslinger – faces her fashion fortune without a quiver, looks great as all outdoors by day; goes full tilt into make-up, fantastic necklaces and rufflings of organdie by night. From the top of her shining head to her well-shaped foot, the brash beauty is heart-whole and candid, entirely and enticingly, unselfconscious, dashingly willing to be her self and be utterly attractive about it. the frosted coolness of white Gustave Tassell MELVIN SOKOLSKY double the splendor: black and white Larry Aldrich MELVIN SOKOLSKY Brash Beauty By Night Halston GLEB DERUJINSKY Brash Beauty By Night Bazaar’s brash and beautiful theory of summertime allure as practiced for the hours after dark. Fashion philosophy: fantaisie jewels, extravaganza evening hats Emily Wetherby stole GLEB DERUJINSKY fantaisie necklaces de Barentzen Boutique GLEB DERUJINSKY Trigere GLEB DERUJINSKY In Praise of Black Sheep Dylan Thomas Much-loved black sheep, Dylan has been the subject of a lot of lachrymose gabble. It was partly his own fault of course; he thoroughly enjoyed his legend, and even blackened his own fleece a bit. There were at least four Dylan’s: the domestic, the creative, the public and the private. From In Praise of Black Sheep By John Davenport Harper's Bazaar JUNE 1962 Photography: M. Morehouse pampering for private lives Vanity Fair HIRO WAKABAYASHI the new mink wrap-up Ritter Brothers Saga Pastel Mink HIRO WAKABAYASHI Revillon Umpa Natural Dark Ranch Mink HIRO WAKABAYASHI The embodiment of the lure and mystery of night. Yves Saint Laurent HIRO WAKABAYASHI Yvette Mimieux SAUL LEITER Yvette Mimieux, already noted for her subtle performance in The light in the Piazza, will soon be seen as the dancing princess in MGM’S The Wonderful World of the Brothers Grimm, the first feature film to be shot in Cinerama. Her fragile blossom beauty is complemented here by Yardley’s Sun Peach lipstick. Barbra Streisand DON HUNSTEIN Nineteen-year-old Barbra Streisand, the delightful comedienne making her Broadway debut as Miss Marmelstein in Jerome Weidman’s musical I Can Get It For You Wholesale. Her long fluid legs and wistfully whining voice, reminiscent of Fanny Brice, are the laugh of the show. The Outdoor Beauty Suzy Parker RICHARD AVEDON Sea Shell White Suzy Parker Ellen Brooke RICHARD AVEDON Suzy Parker Arbe RICHARD AVEDON breeze-blown beauty Suzy Parker RICHARD AVEDON the brash, beautiful coatdress Adele Simpson brash summer beauties Talmack brash and beautiful De De Johnson Photographed by Melvin Sokolsky on Huntington Hartford’s Paradise Island, Nassau in the Bahamas. hong kong: island allure Junior Sophisticates hair jewel Hattie Carnegie FRANCESCO SCAVULLO hong kong:the fish-scale organdies FRANCESCO SCAVULLO Hong Kong’s swarming market district beckons with treasures from all over the world at free port prices. hong kong: ruffles by night FRANCESCO SCAVULLO After dark, the port city of Hong Kong glitters like a great, fantastic carnival of lights. Two old friends working together, composer Igor Stravinsky and choreographer George Balanchine. Photograph by Martha Swope. Sondra Peterson Harper's Bazaar June 1962 SAUL LEITER

Texture and structure

“Suite with Piano”, print ad for Caesar’s Palace, mid 60′s.

A new book shows photographer Jimmy Nelson's work from some of the most far-flung destinations around the planet

Zygmunt Andrychiewicz (Polish, 1861 – 1943) - Absynt, 1890.

Unfortunately I don´t know the name of this woman. But that do not affect her looks, fortunately.

Bauhaus also known as International Style was the 20th centurys most influential school of art architecture and design.

One of the most valuable Maori artifacts that survive to this day are Mokomokai – the preserved heads of people with Moko. Often, the heads were those of family members or important tribe members, and were treated with the utmost respect and brought out on special occasions. But Mokomokai were also made from the heads […]

Would you live in a rock if it looked like this?

LIFE remembers the Surrealist poet, artist and filmmaker Jean Cocteau with a series of playful pictures made by Philippe Halsman in 1949.

For those less troubled by these current financial times, there is a good selection of architecturally significant townhouses for sale on Manhattan's Upper East Side. Among the current offerings are single family residences by some of the most famous architects of the twentieth century: McKim, Mead & White, C.P.H. Gilbert, Delano & Aldrich, and Paul Rudolph. The exterior of 973 Fifth Avenue, New York City. (The door knocker in the first image is a detail of the pair of front doors). Photo: New York Times. The limestone Renaissance Revival house at 973 Fifth Avenue was completed in 1907 to the design by the prestigous architectural firm McKim, Mead & White. Although there are some conflicting reports in current information, the house is believed to have been commissioned by Henry H. Cook, a railroad tycoon and banker who owned the whole block from Fifth Avenue to Madison Avenue, East 78th Street to East 79th Street. After several years of poor health, Cook died of pneumonia in 1905 at his Lennox, Massachusetts, estate "Wheatleigh" (by architects Peabody & Stearns with landscape by Frederick Law Olmstead), and the house was occupied on completion by one of his four daughters, Georgie (with stables at 103 East 77th Street, on the site where a Christian Scientist Church now stands). The Floor Plans of 973 Fifth Avenue. Image: Brown Harris Stevens. The next owner was Colonel Oliver Hazard Payne, a major partner in Standard Oil and a director of Chase National Bank along with numerous other interests. Colonel Payne gave the adjacent lot at 972 Fifth Avenue to his nephew Payne Whitney and his wife Helen Hay along with $600,000 towards construction of a house, also designed by McKim, Mead & White. Helen Whitney occupied that house until her death in 1944. Their children were Joan, Mrs. Charles Shipman Payson, and Jock, John Hay Whitney, whose homes will be discussed in future posts of The Devoted Classicist. The Entrance Hall of 973 Fifth Avenue. Photo: Brown Harris Stevens. The architectural firm of McKim, Mead & White was one of the most respected and prolific firms of the day. Real estate agents almost always attribute the design to Stanford White, but he did bring in many of the residential commissions and is actually very likely to be the responsible partner here. In any case, the interiors show some of the refined Renaissance and Louis XVI detailing for which he is well known. The Drawing Room of 973 Fifth Avenue. Photo: Brown Harris Stevens. After studying at the Ecole des Beaux-Arts, Charles Follen McKim worked at the office of Henry Hobson Richardson before going into partnership in 1873 with William Rutherford Mead who had studied the Renaissance in Florida. Stanford White, who also worked for Richardson, joined McKim and Mead in 1879 after a year and a half in Europe. One of the firm's most famous buildings in its day was the second Madison Square Garden, 1890-1925, where White was murdered in 1906, shot in the rooftop restaurant by millionaire Harry Kendall Thaw over the affair with Thaw's wife, the actress/model Evelyn Nesbit, with the story incorporated into a number of books and films including THE GIRL IN THE RED VELVET SWING and RAGTIME. Other Renaissance Revival Manhattan houses by McKim, Mead & White include the Joseph Pulitzer Mansion at 11 East 73rd Street, and the Villard Houses, a palazzo-like townhouse complex of six residences at 451, 453, 455 & 457 Madison Avenue and 24 & 26 East 51st Street, now offices and part of the Palace Hotel. The Dining Room of 973 Fifth Avenue. Photo: Brown Harris Stevens. The Staircase of 973 Fifth Avenue. Photo: Brown Harris Stevens. The seller is the estate of Victor Shafferman who died in 2009; he bought the house in the 1970s for $600,000 according to reports. Mr Shafferman was a businessman, partner in the ownership of commerical real estate and apartment buildings, believed to be born in Palestine (although Switzerland was sometimes given) and raised in Canada. This writer had met Mr Shafferman in a social context as we had several mutual acquaintances; the most memorable aspect of the meeting was that he almost immediately mentioned that he owned the last privately owned single family townhouse on Fifth Avenue, apparently a common practice. Neither I nor any of my friends were ever invited there, however, and no one ever knew of any entertaining there during this period in the 1980s and 90s. In fact, there was never any sign of life at the house, no open curtains or even a light on, although the exterior was at least moderately maintained. (Although details are murky, the late Mr Shafferman is believed to be the force behind The Foundation For Classical Architecture, Inc., which owns "Blairsden", a 38 room mansion designed by Carrere & Hastings on 50 prime acres in Peapack-Gladstone, New Jersey, currently listed for sale here.) The Library of 973 Fifth Avenue. Photo: Brown Harris Stevens. 973 Fifth Avenue is offered for sale for $49 million by Brown Harris Stevens and the details of the listing may be viewed here. 22 East 71st Street. Photo: Sotheby's International Realty. The forty-five feet wide limestone Renaissance Revival townhouse at 22 East 71st Street was completed in 1923 for Julius Forstmann, owner of the F Woolen Company in Passaic, New Jersey, designed by architect CPH Gilbert. In recent years, the house had been rented by Lawrence Salander for the Salander-O'Reilly Galleries for $154,000 per month until charges of fraud closed the business. The last use was for the 2009 Kips Bay Designer Showhouse with the theme being a tribute to long-time supporter of Kips Bay Boys and Girls Club, the legendary decorator Albert Hadley. The principal Drawing Room of 22 East 71st Street. Photo: Sotheby's International Realty. The principal Drawing Room as decorated by Bunny Williams for the Kips Bay Showhouse, 2009. Photo: House Beautiful magazine. The Floor Plans of 22 East 71st Street. Image: Sotheby's International Realty. Charles Pierrepont H. Gilbert studied at Columbia University and the Ecole des Beaux-Arts, practicing architecture in the Colorado and Arizona mining regions before returning to his hometown of New York City around 1885. After service in the Spanish-American War of 1898, he continued designing opulent townhouses and mansions with great success. Two of Gilbert's best known remaining residential commissions in Manhattan are the Joseph Raphael De Lamar House at 233 Madison Avenue, now the consulate for the government of Poland, and the Felix M. Warburg House at 1109 Fifth Avenue, now the Jewish Museum with a matching 1993 addition by Kevin Roche, John Dinkeloo & Associates. The entrance of 22 East 71st Street. Photo: Sotheby's International Realty. 22 East 71st Street is currently owned by developer Aby Rosen and offered for sale for $50 million, reduced from $75 million. The listing through Sotheby's International Realty may be viewed here. 120 East 78th Street Entrance. Photo: Brown Harris Stevens. An unusual townhouse by the architectural firm of Delano & Aldrich that had been long admired by The Devoted Classicist is located at 120 East 78th Street. In fact, the entrance is so unique that this writer has wondered if the house is an extensive renovation instead of a new construction by the famed architects, having to deal with the floor heights of an earlier townhouse. The real estate listing states the construction date of 1930, with the first owner being Harry Rogers Winthrop, a descendant of Governor Winthrop of the Massachusetts Bay Colony. Floor Plans of 120 East 78th Street. Note the unusual opportunity for the rear rooms to have windows to the west as well as to the south. Image: Brown Harris Stevens. The Entrance Hall of 120 East 78th Street features a fireplace and a view of the staircase. Photo: Brown Harris Stevens. The Library of 120 East 78th Street features Louis XV style panelling. Photo: Brown Harris Stevens. The Dining Room at 120 East 78th Street. The double hung windows extending to the floor are characteristic of features often seen in the work of architects Delano & Aldrich. Photo: Brown Harris Stevens. Both William Adams Delano and Chester Aldrich studied at Columbia University and the Ecole des Beaux-Arts; they met while working at Carrere & Hastings. With Aldrich's family connections (he was a relative of Jr's wife, Abby Aldrich Rockefeller), the office was renown for its remarkable country houses, both grand and more modest, but always in impeccable good taste. (See the home of legendary decorator Ruby Ross Woods in the August 25, 2011, post of The Devoted Classicist here). Other Manhattan houses by Delano & Aldrich include the Francis Palmer-George F. Baker Jr. House, a stately 3-phase mansion at 75 East 93rd Street with the main house and ballroom wing now owned by the Russian Othodox Church Outside of Russia and the garage/guest house now part of the residence of noted preservationist and classic house collector Dick Jenrette (whose Millford Plantation was featured here). And another great house is the Willard Straight Williams at 1130 Fifth Avenue, once occupied by the legendary hostess Mrs. Harrison Williams, the National Audubon Society, and the International Center of Photography before becoming a private residence again, now home to commodities tycoon Bruce Kovner. 120 East 78th Street is currently offered at $26 million. More information can be seen at the Brown Harris Stevens website here. 101 East 63rd Street. Photo: Trulia. Although not in the classical tradition, the townhouse at 101 East 63rd Street is none-the-less one of the favorites of The Devoted Classicist. Originally, it was a 19th century building that was completely renovated by architect Paul Rudolph as a very sleek, contemporary townhouse. Completed in 1966 for Alexander Hirsch and Lewis Turner, it features a garage, rooftop terrace, and a double-height living room. The house is most often associated with its next owner, the fashion designer known as Halston. In Rudolph's original design, there were no railings for the stairs, loft and cat-walk which must have really added to the drama of the celebrity gatherings during the Halston era. Renovation by the next owner, Gunter Sachs who bought it in 1990 (and briefly owned it in partnership with Gianni Agnelli before buying out his share) added glass balustrades, however, except for the stairs. 101 East 63rd Street Floor Plans. Image: Corcoran. A view of Halston's Living Room looking towards the greenhouse. Photo: New York Times. Halston, preparing to entertain at home. Google Images. Halston's Bedroom. Photo: New York Times. Halston's top floor Sitting Room. Architect Paul Rudolph was called back to make a few changes, including the addition of the stair balustrade of leather-covered rope shown here. Photo: New York Times. Paul Rudolph earned a bachelor degree in architecture from Auburn University in 1940, and a Master's from Harvard Graduate School of Design in 1947, interupted by three years in the Navy. For six years, he was dean of the Yale Art and Architecture School, located in the building he designed, his most famous work. His architecture was in the Brutalist Style and influenced many commercial and office buildings around the world. Rudolph died in 1997 at age 78 of peritoneal mesothelioma, a cancer linked to asbestos exposure, a fire-proofing material commonly used in his work with exposed interior structure. His own 1973 home, a penthouse at 23 Beekman Place, is visible from the FDR Drive along the East River; it is the private residence of Steve Campus. Rudolph's 1989 townhouse, which he shared with partner Ernst Wagner, is located at 246 East 58th Street, now home to the Paul Rudolph Foundation and occassionally open to the public. The estate of one of the original owners Lewis "Sonny" Turner made a gift of approximately 750 documents relating to the construction of the house to the Library of Congress. The documents include 19 groups of architectural drawings and renderings, 3 pen & ink drawings, and 109 photographs. At present, these documents are not digitized for on-line viewing, but may be seen by appointment. For more information, see the Hirsch/Turner/Halston Townhouse Documentation at http://www.loc.gov/pictures/item/2011661902/. Halston and Peke in the Living Room. The last owner Gunter Sachs, photographer, art collector and former husband of Brigitte Bardot, took his own life in May, 2011, at age 78, at his home in Gstaad, Switzerland, according to published reports. The property is offered by his estate for $38.5 million through Cocoran. Current photos of the interior and more information can be seen at the real estate website here. Decisions, decisions. Considering the architecture and the location, but disregarding all the financial factors, which Manhattan townhouse would you choose?

Sara Cwynar´s latest project, Accidental Archieves, is an accumulation, arrangement and documentation of images and objects, aimed to create an organized and material record of personal experience. Choosing from her own archive of saved objects, personal photographs and found images she creates densely-layered compositions, while they are simply categorized by color. But from this most […]

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The 70s, known for bold prints, big patterns and even bigger hair. But this collection of photographs from the Boeing archives show that the 70s were known for something else - the aeroplane lounge.

DJ Drew Groove currently resides in Portland, OR. Pop Culture Fanatic, Vintage Enthusiast, Record Collector, DJ. Like DJ Drew Groove on Facebook Follow DJ Drew Groove on Instagram

Ce n’est pas une clef pour toutes les portes de ma maison. Seulement pour certaines, et durant quelques années. Au temps de mon adolescence et de ma première jeunesse, la femme de mes rêves était longiligne, voyante et surtout pas intellectuelle – en fait l’exact opposé de ma mère (Sigmund Freud ne s’en serait pas étonné…).When I was young, the woman of my dreams was tall and slender, and certainly not an intellectual. In fact, someone the exact opposite of my mother. (Sigmund Freud wouldn’t be surprised.) So the world of fashion was a kind of Promised Land where every model I photographed seemed to have come from the same mold. Alas, they were covered in dresses, coats, hats and other junk rarely to my taste. But that’s what they were paid to wear and that’s what I was paid to shoot.