Wer da? Banners, bürgerlich Michael Joseph Nelson, ein englischer Singer/Songwriter und Popmusiker aus Liverpool. Und was macht der so für ‘nen Sound? Der

Brand PRS Model Horsemeat Transparent Overdrive Finish Black Year 2022 - 2024 Made In United States Categories Overdrive and Boost Pedals Pedal Format Standard Show More

Here's Vertex's Trainwreck-style pedal. Essentially a modified Ibanez SD-9. BJT input buffer, opamp gain stage, followed by hard clipping, a fixed BMP-style tonestack, and JFET output stage. Schematic over on PedalPCB.

Das revolutionäre Waza-Air kombiniert hochwertige Verstärker- und Effektsounds mit der bahnbrechenden BOSS Raumklang-Technologie und ermöglicht ein nie zuvor gekanntes Gitarrenerlebnis. Mit dem Personal-Verstärkersystem fühlt sich das Spielen über Kopfhörer verblüffend realistisch an. Dank Gyro-Sensor und lebendigem 3D-Raum klingt es, als stünde der Verstärker mit dir im Raum. Das Ergebnis ist ein voller, resonanter und immer wieder inspirierender Gitarrensound. Durch die komplett kabellose Verbindung kannst du Musik von deinem Smartphone übertragen und ohne störende Kabel wie mit einer Band auf einer grossen Bühne performen. Zudem kannst du über die BOSS Tone Studio App deine Sounds mit fünf verschiedenen Verstärker-Charakteren und mehr als 50 Effekten individuell anpassen. HIGHLIGHTS: - Over-Ear Kopfhörersystem für Gitarristen - Hochwertige Verstärker-, Effekt- und Drahtlos-Technologien, Bluetooth Audio Streaming und Soundeditierung via Smartphone - Moderne BOSS Raumklang-Technologie und integrierter Gyro-Sensor - Fünf einzigartige Verstärkermodelle aus der Katana Stage-Verstärkerserie - Zugang zu mehr als 50 anpassbaren Effekten über die BOSS Tone Studio App - Integrierte BOSS Drahtlos-Technologie für herausragende Soundqualität - Einfach zu bedienende Regler für Gitarrenlautstärke und Bluetooth Audio-Wiedergabe - Grosse 50 mm Custom-Treiber für eine hochwertige Audioqualität Lieferumfang: - 1 x WAZA-Air Kopfhörer - 1 x Transmitter - 1 x Micro-USB Kabel - 1 x Kurzanleitung

This one just got traced over on FSB. Apparently the heaviest of Bjorn's Honey designs. Here's the schematic for reference. Note: In the schematic the source and drain on Q1-2 are reversed from the way they are normally oriented, but I recently learned JFETs are generally symmetrical and will work either way. The original is built on a PCB that several of Bjorn's circuits can be built with and is laid out for TO-18 package JFETs with a different pinout than the TO-92 packaged 2N5952. I'm wondering/guessing it was easier to swap the drain and source legs when fitting the transistor to the PCB, but perhaps other/earlier versions of the circuit used TO-18 JFETs and had the drain and source oriented the "normal" way. That's my reasoning and as a result I've reversed them to the "standard" orientation in this layout. Also I altered the polarity protection method to fit on the board better. I'll shut up now.

The ValveLiTzer: Low-voltage Tube Booster: Here's a little tube booster project for guitarists. It colors the sound with some tube distortion (although it's more an overdrive than a distortion pedal), a little compression, and it boosts the signal, too. It's a "dirty boost," with the flavor …

Effect pedaal voor akoestische gitaren piezo pickups Herstelt in het gebruik van piezo pickups de natuurlijke akoestische resonantie van akoestische gitaren Zorgt voor een natuurlijker geluid Akoestisch live gitaar sound in studiokwaliteit Geïntegreerde feedback onderdrukking Gebruiksvriendelijk en uiterst compact True bypass Incl. voeding 30 30 dagen Money-back garantie 3 Drie jaar Thomann garantie Leverbaar sinds Augustus 2015 artikelnummer 368080 verkoopseenheid 1 stuk Modelling No Incl. Tuner No Expression Pedal No Headphone Output No USB Connection No MIDI Interface No Battery Operation No PSU included Yes

Collection of vero (stripboard) & tagboard layouts for 100s of popular guitar effects, with over 1000 verified designs. DIY your own boutique effects!

Another fun overdrive from Rockett, this time going for a Plexi sound. Think of it as the first half of a buffer-less Tube Screamer with an AMZ Stupidly Wonderful Tone Control 2. Here's the schematic for reference. Should be an easy fit in a 1590B.

Today's layout is the EQD Plumes. It's based on the Tube Screamer but with a load of tweaks, including the usual BJT buffers replaced with op amp buffers, selectable clipping, and a charge pump to provide a bipolar supply. Should fit nicely in a 1590B. Here's the schematic as requested:

I've held off in laying this one out just for the name alone (it was banned from Reverb for this very reason), but the circuit is fairly interesting so it was time. It features a MOSFET buffer into a pretty standard opamp gain stage with LED clipping into a MOSFET gain stage. Schematic and discussion over on FSB. I took a few liberties with the power section simplify it and make it all fit in a 1590B.

Here's a new one from Catalinbread for #fuzzfriday. The Katzenkönig–the cat king for those of you who don't sprechen sie Deutsch–is a silicon tonebender-type fuzz with some RAT features thrown in. Catalinbread was kind enough to publish the schematic in the manual for this effect. Pots can all be board mounted using right angle PCB pots mounted from the solder-side of the board. The exact transistors used in this effects weren't published in the manual schematic, but lower gain NPN silicons should do the trick. Socket and experiment with your favorites. Edit Oct. 14: Original transistors are BC550B, in the 300-400 hfe range. 2N3904s will work well also.

Got a request to make a layout for this schematic, and it turns out it's the BYOC Reverb 2. You can use 9mm pots and board mount them from the component side if you like. There are a few jumpers, though one of them (the one by the lower IC) can be eliminated if you just stretch out that 22k resistor. Also, the electrolytic caps are folded down on their side so things will fit with board mounted 9mm pots. The Belton BTDR-2H can also be board mounted from the solder side. Don't feel like making the board yourself? You can buy a PCB or a complete kit from BYOC.

The XB-70 is a clone of the Captain's personal '77(?) Guild Foxy Lady, which were built by Electro Harmonix and generally very similar to Ram's Head Big Muffs. In the Captain's own words, "It sounds like torn leather soaked in piss and salt smushed lovingly into ears... It is a brute of a pedal, has a really intense roar at full tilt, like any good Big Muff really." I used my old Ram's Head layout as the starting point, but altered the pot placement and it should be a nice fit in a 125B now.

Multieffektgeräte hatten früher unter Gitarristen einen schlechten Ruf. Sie galten als Einsteigergeräte, denen es an Klangqualität mangelte. Heute können die

The ValveLiTzer: Low-voltage Tube Booster: Here's a little tube booster project for guitarists. It colors the sound with some tube distortion (although it's more an overdrive than a distortion pedal), a little compression, and it boosts the signal, too. It's a "dirty boost," with the flavor …

It was a friend's 44th birthday a while back, so I decided to make a quick pedal for him. I'd been wanting to try out a Brian May treble booster based pedal for a while, and I found this one at http://147pedals.blogspot.com/2010/11/simple-tone-control-brian-may-treble.html. Veroboard is also known as stripboard or perf board, and looks something like this: Whichever terminology you use, make sure you get a board with lines/strips of copper and NOT one that has each hole insulated from the next like this: I like building circuits on Veroboard, since it’s simply a case of following the picture. You don’t even need to understand how circuits work (although it would obviously be helpful for trouble shooting). Anyway, here are the simple steps to making a Veroboard pedal. 1. Cut your Veroboard to size (in my case 12x5, erm, holes). EDIT: In hindsight it would have been better to make this 14x5 which would allow an extra hole either side of C1 to attach the wires to the tone switch. So learn from my mistake and make yours 14x5. 2. Now "cut" the tracks wherever you are instructed to do so (you are just cutting through the copper, not the whole board). In the case of this particular circuit, between the pins under R1, C1, R4, and R6. The result after cutting would look something like this: 3. Solder the components on. Note that the copper strips are on the underside of the board, and the soldering is just like when you get a pre-made circuit board. Here's what mine looks like after soldering. Please ignore the fact that I'd also added some cables before taking this photo. 4. Finally, you need to wire up the enclosure. This circuit was so simple that wiring up the enclosure was the hard bit. If you are unsure how to wire up a stomp box enclosure, then have a look at my blog post over here: http://diystrat.blogspot.com/2009/06/buhow-to-wire-up-stomp-box-effects.html 5. Here’s the finished result. I didn’t have any time to make the enclosure itself look good this time around. My apologies in advance for the silly name. Veroboard is very cheap and there are a LOAD of good circuits out there that use it. Here's just one example of a site that has a few: http://www.generalguitargadgets.com/richardo/perfboard/index.html As you can see, the Veroboard layout is much easier to follow than trying to read a circuit diagram, kinda like reading guitar tabs when you can't read music. Some of the projects don't even need you to cut any of the tracks. This Brian-May-style treble booster was a very simple circuit to build and works extremely well. In fact I think I may build one for myself too.

Collection of vero (stripboard) & tagboard layouts for 100s of popular guitar effects, with over 500 verified designs. DIY your own boutique effects!

Collection of vero (stripboard) & tagboard layouts for 100s of popular guitar effects, with over 1000 verified designs. DIY your own boutique effects!

Möchtest du deins verkaufen? Jeder kann bei Reverb verkaufen. Stelle dein(e) Radial X-Amp Studio Reamper noch heute ein, damit Tausende von Augen schnell und einfach einen Blick darauf werfen können. Mehr erfahren im Verkäufer-Portal.Verkaufe dein Exemplar noch heute

Wer sagt, dass herausragende Rockmusik so klingen muss wie ein gut geölter Elektromotor, der hat sich das nächste Bier schon einmal nicht verdient.Knarzen muss es! Jaulen und zerren - ehrlicher Gitarrensound, eine Tracht Drum-Prügel in der Magengrube und eine erdige Rock-Quetschn, dass sind Hättiwari Band: HättiWariAlb

The ValveLiTzer: Low-voltage Tube Booster: Here's a little tube booster project for guitarists. It colors the sound with some tube distortion (although it's more an overdrive than a distortion pedal), a little compression, and it boosts the signal, too. It's a "dirty boost," with the flavor …

Here's an interesting opamp-based fuzz from Demeter for Fuzz Friday. I imagine other dual opamps can be used in place of the LF442, so socket and experiment. The trimmer in the original seems to be set at 2.5k. Schematic can be found here.

Here's a cool overdrive circuit designed by Martin from SoulSonic FX. It's said to be a "Klon Killer," so if you've been disappointed by that circuit, give this one a go. Signal goes through a buffer then is split between clean out put and the rest of the effect. So not a true-bypass effect, but having a buffer in your signal chain won't kill you. And the buffer on this thing is really top notch. For switching use one side of a DPDT for the effect, and the other for the LED indicator. For more info and the schematic, check out the thread on FSB.

The Pantheon is Brian Wampler's take on the classic Bluesbreaker circuit. It adds some of the mods from the King of Tone as well as a Baxendall tone stack for the Bass control (the would be treble control of the Baxendall is fixed) and a gain switch to set different min/max settings of the Drive pot. Fits in a 125B like the original. If you're not feeling like etching or grabbing the perfboard, there are boards available on the store.

Collection of vero (stripboard) & tagboard layouts for 100s of popular guitar effects, with over 1000 verified designs. DIY your own boutique effects!

Here's another design by Martin from Soul Sonic FX. Here's what he had to say about it over on FreeStompboxes: It's a cool little hybrid combo of an opamp driving a MOSFET. It has a great range of drive, from light and crunchy to thick and heavy. At it's highest settings, some people might consider it a distortion, I guess it just depends on how hot your pickups are. You can see some fun tricks used in this circuit; subtle things that give it the special charm it has.

For Fuzz Friday, here's the original Fuzz War from Death by Audio. It's essentially 5 gain stages going into a Big Muff-esque tone stack, into a clipping stage and a final gain stage. Here's the schematic for reference. Original models have the Fuzz control as a trimmer internally, but I've laid that out as an external control for more versatility. Pots can be board mounted using right angle PCB mount pots and it should fit in a 1590B (though personally I'd put it in a 125B).

Here's my take on the ZVex Fuzz Factory. The originals have the pots mounted to the board as well, but ZVex uses the little square pots which are more expensive. I wanted a layout that used regular 16mm pots, which are easier to come by and what you probably already have in your parts stash. Q2-3 originally were AC128s, but any PNP germaniums should work fine. I believe ZVex has used a variety of different germaniums over the years. Hfe ranges should be around 70-100 and 100-150 respectively (much like a Fuzz Face). For what it's worth, most of my layouts with onboard pots are meant to be mounted from the solder side of the board, like this: You can do the same for this layout, but it's designed for the pots to be on the same side as the rest of the components, like this: This way, the board will be vertical inside the enclosure, and the controls will be aligned like the original:

I've had a couple requests for a 1590A friendly Tube Screamer, and lately I've really been enjoying laying out 1590A boards, so here it is. Since there's 3 potentiometers, you'll need to use 9mm pots, and the 3PDT footswitch is board mounted. I would suggest using small profile jacks for this like these, or just measure really carefully when drilling the enclosure. Note that the 100uF power filter capacitor is folded on it's side for space purposes.

It's New Years Eve and time for the last layout of 2019 and I'm pretty sure it's the 800th on the blog! So here's the Mostortion. Why is it called that? The CA3260E opamp at it's core is MOSFET based. Unfortunately, this chip has been discontinued, so building a straight clone may be a little difficult, but a regular dual opamp like a JRC4558 or TL072 will work just fine as well. It's pretty similar to a TS10, just with a MOSFET chip and 3-band EQ, which is pretty handy. Schematic and more info here. Should be able to squeeze it into a 1590B.

For Fuzz Friday, here's the original Fuzz War from Death by Audio. It's essentially 5 gain stages going into a Big Muff-esque tone stack, into a clipping stage and a final gain stage. Here's the schematic for reference. Original models have the Fuzz control as a trimmer internally, but I've laid that out as an external control for more versatility. Pots can be board mounted using right angle PCB mount pots and it should fit in a 1590B (though personally I'd put it in a 125B).

The Keeley 4-Knob Compressor is a modified Ross Compressor and is highly regarded in the stompbox world. It's only down side is the use of the obsolete CA3080 chip. These can be hard to find and a little pricy. However if you're unable to find one, or unwilling to pay for one, use the LM13700 chip (which is 2 3080s in one) and this conversion daughter board. The schematic can be found here. If you have a hard time getting 150k pots, use a 250k pot with a 390k resistor in parallel (between lugs 1 and 3).