Simultaneity of Centrifugal and Centripetal Groups (Woman at a Window), 1914, Gino Severini There's an ancient Chinese saying of dubio...

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Gino Severini. Dancer. 1912. Pastel on paper. 19 1/4 x 12 1/2" (49 x 32 cm). The Riklis Collection of McCrory Corporation. 954.1983. © 2025 Gino Severini / Artists Rights Society (ARS), New York / ADAGP, Paris. Drawings & Prints

View Natura morta By Severini Gino; Gouache on glass; 28.4 x 35.9cm (11 3/16 x 14 1/8in).; Signed; . Access more artwork lots and estimated & realized auction prices on MutualArt.

Discover all artworks by Gino Severini (Italian, 1883 - 1966) on MutualArt along with auctions, exhibitions and articles featuring the artist.

View Arlecchino con mandolino By Severini Gino; oil on cardboard; 39 x 29 cm; Signed; . Access more artwork lots and estimated & realized auction prices on MutualArt.

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View “Commedia dell’arte”, 1958 (1958) By Severini Gino; Lithograph in colours; 69×52 cm ; Signed; Edition. Access more artwork lots and estimated & realized auction prices on MutualArt.

Pierrot napolitain

View Melone su carta rosa (1948) By Severini Gino; oil on canvas; 46x55 cm; Signed; Edition. Access more artwork lots and estimated & realized auction prices on MutualArt.

Pierrot with guitar

View Arlecchino con il violino (1923) By Severini Gino; ink and watercolor on paper; 19 x 13.5 cm; Signed; . Access more artwork lots and estimated & realized auction prices on MutualArt.

Oil on canvas with sequins, 161.6 x 156.2 cm. The Museum Of Modern Art, New York Here a woman with brown curls and a white, blue, and pink flounced dress dances in the Paris nightclub Bal Tabarin. Elements of the work point to current events—the Arab riding a camel refers to the Turco-Italian War of 1911 and flags indicate sentiments of nationalism. In his depiction of Bal Tabarin the artist merges his interest in capturing the dynamism of motion, shared with fellow Futurists, with the integration of text and collage elements, such as sequins, influenced by his study of French Cubism. Severini was fascinated by the dancehall as a subject for the opportunity it offered for the depiction of multisensory experience. Here he pictures a woman with brown curls and a white, blue, and pink flounced dress as she dances to music in the Paris nightclub Bal Tabarin. Different elements of the work point to current events—the Arab riding a camel refers to the Turco-Italian War of 1911, and flags convey sentiments of nationalism. In his depiction of Bal Tabarin the artist merges the Futurists’ interest in capturing the dynamism of motion with the integration of text and collage elements, such as sequins, influenced by his study of French Cubism. Severini was a fervent Italian nationalist, but he insisted that his fellow Futurists come to Paris, as he had, to learn about the latest developments in modern art.

View TANGO ARGENTINO (ARGENTINIAN TANGO) (1913 - 1914) By Severini Gino; brush and ink, pastel and tempera on paper laid down on canvas; 107 by 58.6cm., 42 1/8 by 23in; Signed; . Access more artwork lots and estimated & realized auction prices on MutualArt.

Richard Morris: Art History in a Tweet @ahistoryinart · Three years after he painted this naturalistic self-portrait, in 1912, at the height of his involvement with Futurism, Gino Severini depicted himself (still) bespectacled but with his head fragmenting and disintegrating into a series of dynamic planes.

Gino Severini tra i nomi di punta del catalogo di Cambi

Gino Severini, The Chahuteuse, 1912