Queen Elizabeth. A George Vreeland Hill pin.

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Fur coats

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First a necessity then a status symbol and finally a fashion statement,interpreted in many ways these days,fur was the fabric men used to cover and adorn their bodies.Mink,sable,ermine chinchilla and other exotic skins were worn by the nobility while the common people wrapped themselves in lamb and calf to keep warm.Since exotic furs were hard to produce and come by they were ruinously expensive and could only be afforded by royalty,the nobility and the clergy.In the 13th c it is reported that "some barons were known to mortgage their lands to buy ermine for their wives".The white and black tail of the ermine was used for making royal ceremonial robes and the distinctive fur is symbol of royalty,nobility and high status Coronation of Louis VIII of France and Blanche of Castile,c. 1223 Louis VIII of France and Blanche of Castile,c 1220 Clementia of Habsburg,Queen of Hungary in c. 1250 by Antoni Boys Marguerite of Provence,Queen of France in c. 1250 Maria of Brabant,Queen of France at her coronation in c. 1275   Wedding of Edward II of England and Isabella of France,1308 by Jean Wavrin Wedding of Edward II of England and Isabella of France,det. Wedding of Charles IV of France and Marie of Luxembourg,c. 1320 by Jean Foquet Elisabeth Richeza of Poland,Queen of Bohemia in c.1330 by Antoni Boys Isabella of France Queen of England,c. 1350 The Queen of Sheba,c. 1405 A heroine,c. 1420 by Jacques Iverny A hero and a heroine in 1420 by Jaques Iverny When the bourgeois classes started getting wealthy in the 14th c and started to adopt the manners and ways of the aristocracy and dress themselves in expensive furs many countries passed sumptuary  laws forbidding the rising merchant classes to wear furs like sable and ermine,stipulating that is is reserved only for the nobility in a bid to differentiate the blue bloods form the plebs.The middle classes compensated by wearing furs from otters foxes and other small rodents.In the middle ages the blueish,gray and white fur of the squirrel as well as the skins of leopards,tigers other big cats were greatly appreciated and were used to trim dresses,capes and other garments. Blanche of Lancaster,Electress Palatine in 1430 Offering of the heart,early XV century Flemish tapestry Man wearing an ermine lined coat in the Capodlista Codex manuscript, early XVth century  Historie de Helayne,early XV illumination,French   Like many other sumptuary laws this one was obviously very hard to police and impose so it was not strictly observed.With the merchants getting wealthier and buying for themselves titles,lands and knighthoods the line between nobility and bourgeoisie  became thinner and thinner and by the end of the XVIII century such distinctions became obsolite.In fact the nobility became poorer in the coming centuries as the middle class became wealthier and so became main consumers of luxury goods. Arnolfini marriage,1434 by Jan van Eyck Arnolfini marriage,det. Barbara of Celje,Holy Roman Empress with her daughter Elizabeth of Luxembourg Queen of Bohemia behind ,c. 1440 by the Meister der Chronik des Konzils der Kostanz Seven Sacraments Altarpiece,c. 1440 by Rogier van der Weyden Jacqueline of Bavaria Countess of Hainaut,c. 1440 Dutch school John Talbot Earl of Shrewsbury in 1445 from the Shrewsbury Book  Marriage of Henry VI of England and Margaret of Anjou in 1445 from Vigiles de Charles VII Catherine of Cleves Duchess of Guelders in c 1450 from the Hours of Catherine of Cleves by Meester van Catharina van Kleef Ladislaus the Posthumous,Duke of Austria and Magdalena of France,1447 The presentation in the temple,1463 by Hans Memling The presentation in the temple,det. Eleanor of Portugal Holy Roman Empress,1468 by Hans Burgkmair the Elder Eleanor of Portugal,Holy Roman Empress in c. 1460 Renaud de Montauban,1462-1470 Adoration of the Kings by Hans Memling,1470 Janos Corvinus,1486 by Baldassare Estens Anne of Beaujeu,Duchess of Bourbon at prayer with her daughter Suzanne  in 1489-90 by the Master of Moulins Francesco di Bartolomeo Archinto,1494 by Ambrogio de Predis Tapisseries de la Vierge,XV century Tapisseries de la Vierge,XV century The Triumph of Death of the Three fates,early XIV century tapestry Wedding,early XVI century Anne of Brittany Queen of France,1503 Fortune teller with a Fool,1508-1510 by Lucas van Leyden Lorenzo de Medici Duke of Urbino,1520 by Raphael Sanzio    Isabella I Queen of Castile,1520 by Gerard David Madeleine of Saxony Electress of Brandebourg,1525 by Lucas Cranach the Elder Lucretia,1520s by Lucas Cranach Lucretia,c. 1520s by Lucas Cranach the Elder The Chess Players,1530 by Guilio Campi Charles V Holy Roman Emperor,1532 by Jacob Seissengger April,1530s by Simon Benning April,det. Early XVI century French                                                Portrait of a young woman,1530 by Parmigianino In the XVth century a curious fur garment became popular.The zibellino was made either of a whole skinned sable or a marten and was worn around the neck,the waist or it was simply held in the hand.The animal's face was made by a goldsmith with jewels for eyes and ears and paws hung with pearls.The main purpose is debated today but it's been thought that it acted as a distraction for fleas and kept them away from the body but not everyone is so sure that ladies wanted to advertise their vermin problem so publicly. . Etchings of a design for the head of a zibellino,1562 by Erasmus Hornick Jeweled head of a zibellino,1550 Italian Painted tablet,1533 by Martin Schaffner Giulia Gonzaga in mourning dress,1535 by Cristofano dell'Altissimo Isabella d'Este,1536 by Titian Portrait of a woman,1539 by Lucas Cranach the Elder Portrait of Count Fortunato Martinengo Cesaresco by Moretto da Brescia,1540-42  Edward VI of England,1550 by William Scrots Isota Brembati,1552 by Moroni Queen Mary I of England and Princess Elisabeth entering London,1553 Taufe Christi,1556 by Lucas Cranach the Elder Patrician Lady,1557 by Sofonsiba Anguissola Portrait of a woman,1560 by Francesco Beccaruzzi                                                                     Alessandro Farnese,1560 by Sofonsiba Anguissola. Alessandro Farnese,c. 1560 by Anthonis Mor Antonio Navagero,1565 by Moroni Venetian woman,1575 from Mores Italiae Frances Sydney,Countess of Sussex in 1570-75 Catharina MIchaela of Spain Duchess of Savoy,1577 by El Greco Anna Radziwill,1583 Elisabeth I in parliamentary robes,1585 by Marcus Gheerarets the Younger Lady,1588 from Album Amicorum of a German soldier.The lady has a white  zibellino possibly made of squirrel fur on her arm Lady form Padua,1595 from Album Amicorum of a German soldier French lady,1595 from Album Amicorum of a German soldier Lucy,Countess of Bedford in 1595 Elizabethan lady,1595 by William Segar Gonzaga Family at worship,1604 by Rubens  Isabella of Valois,Queen of Spain in 1605 by Juan Pantoja de la Cruz James I of England,1606 by John Critz Elisabeth Harnister,1611 Lucy Harrington,1616 Catherine Lady Stanhope,1636 by van Dyck Elisabeth,Lady Thimbleby,1637 Lucy Percy,1637 by van Dyck Henrietta Maria of France Queen of England,c. 1630          Portrait of a young girl as Flora,c. 1640 by Cornelis van Poelenbuch Portrait of Elisabeth von Werdt in a fur hat by Hanz Jacob Dunz,1642 Marie Jeanne,Duchess of Savoy in 1666 Catherine of Braganza,Queen of England in 1667 by Jacob Huysmans Portrait if a lady,c. 1670 by a follower of Beaubrun Archduchess Maria Anna Josepha of Austria,Princess Palatine,1678 Margahareta Fries,c. 1670 by Conrad Meyer Young lady,1672 by Frans van Mieris Mary II of England,1683 by Caspar Netscher Marie Caddene,1684 by Rigaud Cleophea Lavater,1686 by Conrad Meyer Duchess Violante Beatrice of Bavaria,1690 by Nicolo Cassana Daughters Henri Prince of Conde,1690 by Gobert Sobieski family,1693 Lady and her daughter,1720-30 by Coypel Scene in woods,c. 1730 by Antoine Watteau Maria Amalia of Saxony Queen of Spain,1738 by Louis de Silvestre Princess Mary of England,Landgravine of Hesse Kassel,c. 1750 Mademoiselle Dumesnil,c. 1750 by Donatien Nonotte Farinelli and friends,1750-52 by Jacopo Amigioni Winter,1755 by Franocis Boucher Louis Dauphin of France,1765 by Roslin Franciska Krasinicka,c. 1760 Portrait of a gentlemen,c. 1760 by Guiseppe Baldrighi Ana Sheremetova,1768 by Ivan Argunov Gaetano Pugnani  by an artist of the Italian school,1755-70 Carl August of Grand Duke of Saxe-Weimar-Eisenach,1769 by Ziesenis John Scott Banks,1774 by Batoni Mary Lady Hervey,c 1770 by Zoffany Woman reading a letter,1775 by Pierre-Alexandre Wille Two young ladies,c. 1770 Ludwika Zamoyska,1780 by Bacciarelli                                                      Richard Miles,c. 1780 by Batoni Maria Amalia,Queen of Saxony  by an unknown Saxon painter,c. 1780 Portrarit of a couple,c. 1780 by Joseph Melling In the XVIII century fur,imported mainly from Russia,was used to line winter dresses,capes and coats and also muffs were made either entirely of fur or were lined with it to keep the hands warm.Fur hats were worn mainly by men,sometimes by women in Russia,but the ladies wore fur boas which they wrapped around their necks and shoulders. Madame de Villeneuve,1780-90 by Jean Louis le Barbier the Younger Johanna Sieveking,1784                                                          Sarah Siddons,c. 1785 by Gainsborough           Ignacy Potocki,1785 by  Anna Rijecka Lady Rowley,1785 by Hoppner Portrait of a lady,1785 by Alessandro Longhi Madame Mole-Reymond,1786 by Vigee Le Brun Madame Stroganova,1787 by Voille Marquise d'Aramon,c 1789 by Mosnier Queen Friederike Luise of Prussia,1780-90 Woman with a ruff,c. 1790 by Gauffier Mary Fagan,1790 Elizabeth Farren,1790 by Lawrence Archduke Joseph Palatine of Hungary,1800                            Lady reading,1886 by Gabriel Schachinger Natalie Barney,1896 by Pike Barney Zinaida Yusupova,1894 by Francois Flaming Camara,1890 by Paul Cesar Hilleu Ruby Miller,1890 by James Jebusa Shannon Peggy Lettelier,1895 by Paul Cesar Helleu Madmoiselle Vaughan,c. 1890 by Helleu Lady in fur wrap,c. 1890 by Clemens von Pausinger The fashion for carrying a zibellino had died out in the first few years of the XVIIth century but it made a slightly modified reappearance in the XIX and XX centuries with ladies wearing fox skins around their necks.Wearing of furs is still associated with wealth even today and it is highly frowned upon due to animal rights movements and the option faux fur becoming the more conscientious  way to get the sumptuous look. Johanna Staude,c. by 1900 Klimt Sybil Rocksavage,c. 1900 Girl form Moscow,1903 by Ryabushkin Lady,1905 by Leon Bakst Mrs Edward-Redfield,c. 1910 by Wiles Irving Ramsay Mrs.St George,c 1910-20 by William Orpen Portrait of a lady,c. 1920 by Nicolae Vermont Yvonne Legeay,1925 by Charles Gesmar Portrait of a lady,1935 by Marcello Dudovich

Great Gatsby Party Furs, Vintage Furs, Art Deco Inspired 1920's Furs, Vintage Wedding

View credits, reviews, tracks and shop for the 2002 CD release of "The Psychedelic Furs" on Discogs.

Abel Furs started as a small family business producing hand-made fur products and accessories. Currently the company is promoting its furs in Dubai.

Comperare una pelliccia di zibellino è un’esperienza unica e il miglior consiglio che si possa dare è quello di comperare pellicce così preziose solo in negozi riconosciuti e che propongano il prodotto accompagnandolo con certificazioni adeguate. Questi negozi sono infatti in grado di fornire tutte le informazioni su come si lavora una pelliccia di zibellino […]

One of hundreds of thousands of free digital items from The New York Public Library.

Millie the Model Annual Number 2, 1963

Russian Family - Early 1900's