Learn over 15 editorial terms and definitions you need to be familiar with if you are planning to design magazines. We will learn about kickers, stand-firsts, bylines, pull-quotes, and so much more by analysing the work of my favourite editorial designers and art directors.
Ripped from the pages of fashion magazines, Lillet Blanc’s giving major cool-girl vibes + typographic, editorial design. Big-impact typography, clean tones, black & white, and OMG moments throughout the design– she’s the perfect template for influencers, style bloggers, and anyone that needs an online space that’s as cool as they are.
The editorial layout and ad style of the late 80s is back! Design trends come back in cycles, and when they do, we’re usually faced with entirely unique
Discover beautiful, handcrafted WordPress theme that is easy to use and flexible for your blogging needs. Hello, we are happy to introduce you the version 4 of GutenVerse theme. We put together our knowledge and experience in magazine theme development and we prepared a brand new theme which is WordPress 6 + (Gutenberg) ready and includes support for well-known Elementor page builder (Psst: free version of Elementor is enough, Elementor Pro is not required). GutenVerse is a modular and flexible magazine and blog theme with a responsive layout and elegant styling. You have complete & unlimited control over the homepage. The theme includes lots of features. All functions and are based on solid backend framework. Content Managemen
We were given in our brief a few useful links and one of them was takes you straight to the Architectural Review magazine website. Here I was able to look through the interactive issue and get some…
Shot by Carmen Schiavone
Say hello to Awesome Serif 🙂 A dreamy multi-weight , multi height type family – In both Regular and Italic styles – 30 fonts in total. Two handy variable fonts are included if you have software that can read variable fonts. Awesome Font alternative : 1. Amaris – Nostalgic Serif Amaris is a nostalgic serif fonts features […]
Fall Pumpkins + Leaves designed by Christina Kwiek. Connect with them on Dribbble; the global community for designers and creative professionals.
Voici notre nouveau rapport d’activité ! Publié ce 06 juillet 2022, c’est le document à lire pour comprendre le travail, si varié, des équipes de l’Office national des forêts (ONF). Quels ont été les temps forts de la gestion durable des...
A collection of articles about Magazine from The New Yorker, including news, in-depth reporting, commentary, and analysis.
Neville Brody (1957) is an English graphic designer, typographer and art director. Neville Brody, born in Southgate, London, is an alumnus of the London College of Communication and Hornsey College of Art, and is known for his work on The Face magazine (1981–1986), Arena magazine (1987–1990), as well as for designing record covers for artists such as Cabaret Voltaire, The Bongos, and Depeche Mode. Neville Brody received his early education from Minchenden Grammar school focusing on A-Level Art. After graduation he attended Hornsey College of Art in 1975, to study Fine Art foundation course. A year later he enrolled himself at the London College of Printing for a three-year Bachelor of Arts degree in graphics. His designs were often condemned by his teachers for having ‘uncommercial’ quality to them. Late 1970s is marked as the era of punk rock, thus the trend highly influenced Brody’s work and motivation. However, his experimentation with punk rock was not met with encouraging remarks by his tutors. One of his queer postage stamp design that featured Queen’s head sideways, almost had him expelled from the college. Despite the threat of being expelled he continued to explore the new boundaries in graphic design. Therefore, his first-year thesis focused on the subject of comparison between Dadaism and pop art. During his college days he did a stint as a poster designer for student concerts, as well. Brody began his career as a record cover designer. However, his true success came from his distinguished work as an Art Director for The Face magazine. Henceforth, he gave direction to several international magazines and newspapers such as Arena, Lei, City Limits and Per Lui. He also redesigned the two leading English newspapers and magazines, The Guardian and The Observer, showcasing a radical look. Furthermore, his achievements include his input into visual communication that revolutionized the media. His experimental and challenging artwork gave new meaning to visual language. In 1994, Brody established his own design practice, Research Studios, in London in partnership with Fwa Richards. The success of his first studio led to the establishment of mutiple branches across Europe, such as in Paris, Barcelona and Berlin. The studio takes pride in creating unique visual languages for industries ranging from publishing to films. Other projects handled by the studio include innovative packaging, website design, on-screen graphics and corporate identity. Some of these clients include Kenzo, Homechoice and Paramount Studios. In recent years the firm has redesigned The Times (2006) and the BBC (2011). Furthermore, Brody is one of the founding members of Fontworks and the leading website the FontShop. He designed numerous notable typefaces for the website. A well-known FUSE project was also the result of his initiation which featured the fusion of a magazine, typeface and graphics design. Besides, he co-founded a typeface library, the FontFont, with Erik Spiekermann, in 1990. Currently, he is appointed at the Royal College of Art as the Head of the Communication Art & Design department. © 2018. All images are copyrighted © by Neville Brody. The use of any image from this site is prohibited unless prior written permission is obtained. Mr Neville Brody 1988, A Lesson In Typography, The Face 1988, A Lesson In Typography Channel 4 identity Coca-Cola Unity Coca-Cola Unity
The bell rings, the whistle blows, it’s 5 o’clock somewhere…now it’s YOUR time. Time to loosen the tie, grab an icy cold one or adult beverage on the rocks. You worked hard today (or pretended to) so
