Learn about Eco Printing on Paper in this step by step tutorial. Discover how to create unique eco dyed papers using leaves and flowers
This e-book is my 3rd tutorial of botanical imprints making (also known as eco-printing or contact printing) to enhance bounty of nature with natural resources, leaves, buds, roots, barks, stems etc. to make imprints on leather and the idea of making purses from the printed leathers. With my clear step-by-step illustration of 26 pages and more than 100 images of process and samples, I show how to make pretty botanical imprints on leather in my way of simple, easy, less time, less energy, just in 30 or less minutes with all natural dyes and colour of prints all from plants pigments. Features of the tutorial : ~ No mordant on leather ~ Simple mordant of cotton ~ Clear prints, background shades or outlines of plants ~ Make mirror prints on leather and cotton fabrics in one go Botanical printing is very interesting. Result varies from areas depends on the plants used. Water, weather and soil all make different. Each time you make it you’ll have unique piece of shades and patterns of local colours which will never be exactly duplicated. I show my failure of prints I done before I managed to control now the delicate prints but those printed leather are made into pretty purses. Such ideas of turning something good. This is a basic botanical imprints on leather without mordant. I have another listed tutorial of leather imprints with mordant techniques to do more vivid prints and inspired ideas of making use of the swatches of experiments into purses, fashion accessories and book cover as well cover skills of making paper prints. You will receive your product as a PDF attachment instantly after payment received. No shipping costs! This is a digital product and non refundable once you received. The tutorial is intended for personal use. Duplication is prohibited. Using photographs from the tutorial is prohibited for further publication. All rights reserved @2019 TerLing Creations. Thank you for visiting! Please feel free to ask any questions regarding this e-book. To see more of my other products please go to https://www.etsy.com/hk-en/shop/TerLingCreations?ref=pr_shop_more To get inspired from my blog here’s the link http://terriekwong.blogspot.com
Get more from Alina Lupu on Patreon
Al een paar maanden studeer ik op plantaardige verven voor katoen. Is minder eenvoudig dan wol of zijde en toch wil ik geen hele zware chemicaliën inzetten. Gelukkig is er her en der wel wat te vinden (o.a. bij India Flint en Kimberly Baxter Packwood) en nadat ik de nodige kennis bij elkaar gesprokkeld had, lukte het me zondag om ecoprints op katoen te maken: In de basis is het heel eenvoudig. In een emmer per liter water 1 eetlepel soda-ash (of pH Plus), en 100 ml. Sojamelk mengen. Daarin leg je de (schone) katoen (hoe gladder, hoe scherper de print, ik heb de Poplin PFD gebruikt). Ben er nog niet uit of 20 minuten net zo goed werkt als 24 uur weken of dat koken in deze oplossing nog beter is, maar wel dat deze stap veel doet voor het eindresultaat! Vervolgens leg je de uitgewrongen (maar niet uitgespoelde lap) op tafel en vult deze met verse blaadjes. Dubbelvouwen of tweede lap erop, en oprollen op een latje of stokje. Niet te strak, en niet te strak afbinden. Dan breng je een pan water aan de kook met daarin 1 theelepel ijzer(II)sulfaat per liter water (dat middel tegen mos inderdaad van de foto). Als het kookt, laat je de bundeltjes erin zakken en dit laat je ongeveer 1 a 2 uur sudderen / tegen de kook aan. Moet ik er nog bij zeggen dat je hier een niet-voor-kookdoeleinden-in-gebruik-zijnde pan voor moet gebruiken? Ik heb de weckketel van het wolverven maar aangezet, dan had ik lekker veel ruimte! Overigens lees ik her en der dat je ook roestig materiaal op de bodem van de pan zou kunnen leggen ipv. IJzer (II) Sulfaat, ook dat wil ik nog eens uitproberen. En dan het moment supreme: Uitpakken. Hier zie je hoe de afdruk tot stand is gekomen! Omdat het ijzer best sterk ruikt en wellicht later nog voor roestvorming zorgt als het niet goed uitgespoeld is, heb ik de lappen even op de hand gewassen met lauwwarm water en wat zeep. Mijn favoriete resultaten: Van mijn mislukte galappelexperiment van de dag ervoor, had ik nog een galappelthee met een roestige spijker erin staan, waar twee lapjes verdrietig op mij hadden gewacht. Die ook maar in de pan gedaan, en kijk, dat levert nog sterkere afdrukken op. Links is trouwens een lapje zonder voorweken in soda/soja, zie je gelijk dat dat effect heeft. Galappel is een bekend voorbeitsmiddel dus dit had ik kunnen/moeten weten! En er stond nog een verdrietig emmertje met diezelfde galappelthee en een theelepel IJzer (II) Sulfaat, ook met twee lapjes erin, die gaven na een kookbeurt in de weckketel, een nog krachtiger resultaat. Even op een rij om te onthouden: 1. Katoen voorweken in soja/soda oplossing geeft betere resultaten 2. Diezelfde katoen vervolgens voorweken in galappeltjes thee geeft nog betere resultaten 3. Extra gladde katoen als poplin geeft de beste resultaten. 4. Mooiste effect kreeg ik met tuingeranium bladeren, ooievaarsbek volgens de expert. Maar in principe zouden heel veel typen bladeren moeten werken met deze techniek. Het leuke van deze techniek is dat je niet veel bijzonders in huis hoeft te hebben, en dat het met gewone tuinplanten of boombladeren kan. Veel plezier ermee!
Drawing over the top of eco-printed paper is a lovely project to do with all the samples that accumulate. It can be a meditative process, and can also inspire new ways of drawing. Even if you don…
Mogi is always in a comfort zone. He finds safe and pampered. He is my best creative director and spokesperson. He draws eye balls. Such a brat makes me happy. He played with autumn windfalls while I played magic with those plants around. Mogi，我家碧眼小靈精是我最佳創作總監，晨早已躲在小天地把弄，剛剛印好又縫了的皮包我愛不釋手，尤其那非洲菊印一次很細緻，再用多一次仍然那麼清晰，這皮包包還用上幾種自己種植的花朵印染，更顯獨特，提著包包走在沙灘或街上拍過照...... "See what mum has done other than fabric prints........" A bag of botanical imprints from handles to body, front and back are leather. Inner lining also of botanical prints. This is the layout of plants on leather which I sewed into the bag. The two main flowers are gerbra (非洲菊), one is fresh and the other is the second time of using. The middle one is Rhododendron hubrida (比利時杜鵑) Two bundles in the pot My open kitchen in town, some ingredients with own gown. After a while steaming beautiful and delicate prints of gerbra on leather. This is one of the leather bundles with lac background. Blueish purple from begonia heracleifolia Gerbra is the ever pretty prints on leather. Ever used for the second time is so clean and clear. Unwrapping is excited The left image is fresh print of Gerbra and the left one is the second time printing, looks delicate but a bit smaller on the second time. Mounted to dry to make it flat and smooth. Before & After of the leather prints Two pieces of the leather prints of gerbra and other plants. I cut the right size to sew with other cochinael dyed leather for the bag. The other part of the leather sewed with other previously prune leaf printed scrap to make a purse. A woman always in her own natural botanical wear A set of leather prints - purse and bag. This is the purse one side printed with prune leaves I done in France workshop for the demo. I like the very strong prints of prune. "Hey, everywhere with mum's natural printing. I like most the canopy Anyone likes to play around natural botanical imprints, here is instant download pdf tutorial on my ETSY.
Julia has been painting botanical watercolours since 1998 when she joined an adult education class in South London. Hooked from day one, she loves to depict the beauty and detail of nature and is particularly drawn to specimens that are less than perfect such as autumn leaves, seed heads and fading flowers. She starts most of her paintings using layers of wet-in-wet techniques to create form. Detail and texture is then added using drier painting methods. Her subjects are often depicted larger than life. Julia is an experienced tutor of some fifteen years and runs Botanical Art classes in and around the beautiful city of Bath as well as leading workshops for botanical art groups around the UK. Exhibiting regularly, Julia has work in collections… Read more
Eryngium, watercolour
How to EcoPrint on Paper: How to EcoPrint on Paper a FiberArtsy.com tutorial Learn how to print beautiful papers using leaves and flowers with this step by step Eco Printing Tutorial Last year, I started my venture into eco printing with leaves, stems and flowers gathered…
My nephew is getting married on 30 Dec and I made own dress for the banquet to wrap up my creation of 2018 This is what I designed when I was in Israel two months ago attending Irit Dulman's natural prints workshop in her country. I picked some leaves in the vineyard and laid out the pattern. I made the prints on my logwood dyed silk. The video shows the prints from scratch to a garment finished. I first dyed in logwood with appropriate mordant according to Irit's instruction. Then laid the leaves mainly of nandina, melia, quisqualis indica and vine leaves. All leaves printed so nice. I'm quite pleased with all the fabrics in the workshop, not only silk but bamboo, viscose, wool and cotton are very strong and bold. Nandina and quisqualis indica are just amazing Melia is also good A fruitful workshop with shades of purple. When I back Hong Kong I took the fabric to have custom made cheongsam by professional tailor (Customize Tailor Culture Collection 紫羅坊 ). Polly Po is so nice to make it in my short notice and it fits perfect. I asked my daughter to model it with my nuno felt shawl. Here comes the images........ Polly is very efficient and professional in designing chinoiserie garment. I'm glad to have this one-of-a-kind chenogsam with my own surface design. What's more is the pattern so that I can make a few with my eco printed fabrics.
creating Tutorials on Drawing, Ink Illustration & Botanical Jour
plant dye, ecoprint, paper, paper art, rust, book art, handmade, plant dyed papers, book binding, natural dyes, nature, art, craft, artisan, bundles, create
. . . …
Ecoprint with Flowers on Paper. Learn about flower printing with the eco printing process using rust water and without.
A studio visit with botanical artist Anne ten Donkelaar
Eco-printing on paper is a fast, easy and satisfying way to get started with this wonderful craft process. You don’t need much in the way of special tools or equipment and you can experiment …
#крашение_эко_текстиль_вязаниеRebecca Yeomans
Interviewed by media who I am admiring, without hesitation I said Irit Dulman . She's a master whom I've been following and inspirin...
creating Tutorials on Drawing, Ink Illustration & Botanical Jour
What is eco printing? A direct contact dye technique which coaxes the natural pigments from plants with heat. The key is to EXPERIMENT with local plants.
