Woodcut: Kepler’s Platonic solids model of the solar system from his Mysterium Cosmographicum, Tübingen 1596Design by Kepler. Realisation: Artist unknown, Woodcutter unknown.If you look at th…
Superior quality Print/Poster ready for framing • Available in 4 sizes: A4 = 210mm x 297mm or 8.3 x 11.7 inches. A3 = 297mm x 420mm or 11.7 x 16.5 inches A2 = 420mm x 594mm or 16.5 x 23.4 inches A1 = 594mm x 841mm or 23.4 x 33.1 inches • Printed on high quality 260gsm Satin Fine Art Papers • We use the latest 12 colour printing technology for vivid results • All prints are carefully rolled into secure cardboard tubes to help enable a damage free delivery • Artwork is printed edge to edge for a seamless finish • Arrives ready to be framed We welcome custom requests such as unique sizes to your own specification, alterations to the image for example, if you require a border, prefer the image to be Greyscale etc. Please send us a message before ordering so we can confirm any changes. Please note: We also offer all of our Prints available as a ready to hang gallery wrapped Canvas which is available in 3 sizes. Visit our Etsy shop and search by Artist name/ Title to view all options available. If you cant find what your looking for then send us a message and we are more than happy to make your required image available for you.
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JF Ptak Science Books Post 1123 The history of mapping the goods and ills, the past and present and the future on the human body must be about as old as writing, or older. Ever since you could draw geometric...
Original from 1515 A pivotal and iconic calendar woodcut from 1517 and first used in the 1502 of Sebastian Brandt’s edition of the works of Vergil. The four books of The Georgics are about the cultivation of land, orchards, animal husbandry and beekeeping. The poet described all the occupations of the farmer in accordance with the calendar and the order imposed by Nature reflected in the woodcut on offer. It was from the workshops associated with the Gruninger printing works that the artwork for the 1502 Edition was prepared and it was that reference that leaves us with the title the "Late Master of the Gruninger Workshops" for the artist who is responsible. The honorific, "Master" indicating the importance of the illustrations accompanying this suite.
We are now living through a post-Gutenberg moment. The advent of the world wide web has made it possible for individuals to publish and distribute their ideas at a cost that is quickly moving toward zero. So what does this mean for schools today?
Albrecht Dürer [German painter, printmaker, engraver, mathematician, and theorist, 1471 – 1528] Biography: en.wikipedia.org/wiki/Albrecht_D%C3%BCrer Watercolour on paper Musée Bonnat, France ___ Complete restoration by plumleaves The original was chipped and missing flakes of paint: www.artfinder.com/work/eight-studies-of-wild-flowers-albr....
Le Rhinocéros d’ Albrecht Dürer , gravé en 1515, est étonnant de vérité pour quelqu’un qui n’avait jamais vu l’animal ! Le modèle venait d’Inde ! En effet, Alfonso de Albuquerque , gouverneur de l’Inde Portugaise, à Goa, se vit offrir par un sultan...
It was the End of Days, or so it seemed. 1494, the artist Albrecht Dürer (1471-1528) travelled to Italy where he remained until the spring of 1495. He moved south to avoid the plague that was devastating his home city of Nuremberg. He spent most of his year in Italy studying and painting, inspired by … Continue reading "The End of Days: Albrecht Dürer’s Woodcuts for ‘The Apocalypse’ – 1498"
Superior quality Print/Poster ready for framing • Available in 4 sizes: A4 = 210mm x 297mm or 8.3 x 11.7 inches. A3 = 297mm x 420mm or 11.7 x 16.5 inches A2 = 420mm x 594mm or 16.5 x 23.4 inches A1 = 594mm x 841mm or 23.4 x 33.1 inches • Printed on high quality 260gsm Satin Fine Art Papers • We use the latest 12 colour printing technology for vivid results • All prints are carefully rolled into secure cardboard tubes to help enable a damage free delivery • Artwork is printed edge to edge for a seamless finish • Arrives ready to be framed We welcome custom requests such as unique sizes to your own specification, alterations to the image for example, if you require a border, prefer the image to be Greyscale etc. Please send us a message before ordering so we can confirm any changes. Please note: We also offer all of our Prints available as a ready to hang gallery wrapped Canvas which is available in 3 sizes. Visit our Etsy shop and search by Artist name/ Title to view all options available. If you cant find what your looking for then send us a message and we are more than happy to make your required image available for you.
Explore Valeria. V.'s 2363 photos on Flickr!
Renaissance is Albrecht Dürer (1471-1528). We know his life better than the lives of other artists of his time. Dürer traveled, and found, he says, more appreciation abroad than at home. The Italian influence on his art was of a particularly Venetian strain, through the great Bellini, who, by the time Dürer met him, was…
Dutch tulips, French lilies and Japanese cherry blossom feature among Laura Cumming's selection
‘Swart’ in Nederland – Afrikanen en Creolen in de Noordelijke Nederlanden vanaf de middeleeuwen tot de twintigste eeuw Carl Haarnack en Dienke Hondius Door de eeuwen heen hebben veel zwarte mensen …
Adventures in Experiential Anthropology
Goldin+Senneby are working with the Whitworth museum to monetize an original impression in the museum's collection.
1493 Self-portrait aged 22 oil on linen, transferred to vellum 57 x 45 cm Musée du Louvre, Paris Albrecht Dürer (1471-1528) was a German painter, engraver, printmaker, mathematician and theorist. Dürer revolutionised printmaking, elevating it to an independent art form. His high quality woodcuts established his reputation and influence across Europe when he was still in his twenties, and he is regarded as the greatest artist of the Northern Renaissance. His vast body of works include altarpieces and other religious works, numerous portraits and self-portraits, and copper engravings. For more biographical notes see part 1. For earlier works see parts 1 - 2 also. This is part 3 of a 9-part post on the works of Albrecht Dürer: 1497-98 The Revelation of St John (Apocalypse) The Revelation of St John: Title page to the edition of 1498 woodcut 39 x 28 cm S taatliche Kunsthalle, Karlsruhe The Revelation of St John: Frontispiece to the Apocalypse woodcut The Metropolitan Museum of Art, New York The Revelation of St John: The Virgin and St. John title page to the second Latin Edition of 1511 woodcut 39 x 28 cm The Metropolitan Museum of Art, New York The Revelation of St John: The Martyrdom of St. John woodcut The Metropolitan Museum of Art, New York The Revelation of St John: The Vision of the Seven Candlesticks woodcut 39.4 x 28.6 cm The Metropolitan Museum of Art, New York The Revelation of St John: St. John before God and the Elders woodcut 39.2 x 27.9 cm The Metropolitan Museum of Art, New York The Revelation of St John: The Four Horsemen woodcut 38.8 x 29.1 cm The Metropolitan Museum of Art, New York The Revelation of St John: The Opening of the Fifth and Sixth Seals woodcut The Metropolitan Museum of Art, New York The Revelation of St John: The Four Angels Restraining the Winds woodcut The Metropolitan Museum of Art, New York The Revelation of St John: Seven Angels with Trumpets woodcut The Metropolitan Museum of Art, New York The Revelation of St John: Four Avenging Angels woodcut The Metropolitan Museum of Art, New York The Revelation of St John: St. John Devouring the Book woodcut The Metropolitan Museum of Art, New York The Revelation of St John: St. Michael Fighting the Dragon woodcut 39.2 x 28.3 cm The Metropolitan Museum of Art, New York The Revelation of St John: The Apocalyptic Woman woodcut 39.3 x 28 cm The Metropolitan Museum of Art, New York The Revelation of St John: The Beast with the two Horns like a Lamb. Latin edition 1511 woodcut 39 x 27.7 cm The Metropolitan Museum of Art, New York The Revelation of St John: The Adoration of the Lamb woodcut Metropolitan Museum of Art, New York The Revelation of St John: The Whore of Babylon woodcut 39.5 x 28.6 cm The Metropolitan Museum of Art, New York The Revelation of St John: Angel with the Key to the Bottomless Pit woodcut The Metropolitan Museum of Art, New York The Revelation of St John: Four Horsemen of the Apocalypse woodcut The Metropolitan Museum of Art, New York * * * * * 1498c The Sea Monster engraving 24.8 x 18.9 cm The Metropolitan Museum of Art, New York 1499 Felicitas Tucher, née Rieter oil on panel 28 x 24 cm Schlossmuseum, Weimar 1499 Hans Tucher oil on panel 28 x 24 cm Schlossmuseum, Weimar 1499 Elsbeth Tucher oil on wood 29 x 23 cm Staatliche Kunstsammlungen, Kassel 1499 Portrait of Oswolt Krel oil on panel 50 x 39 cm ( centre panel ) 50 x 16 cm ( outer panels ) Alte Pinakothek, Munich 1499 Portrait of Oswolt Krel centre panel, oil on panel 50 x 39 cm Alte Pinakothek, Munich 1499 Portrait of Oswolt Krel ( outer panels ) "Sylvan Men" with Heraldic Shields oil on panel 50 x 16 cm ( each panel ) Alte Pinakothek, Munich 1499-1503 Saint Eustace engraving 35 x 25.9 cm The Metropolitan Museum of Art, New York 1499-1503 St. Sebastian tied to a Tree engraving The Metropolitan Museum of Art, New York 1499c Portrait of St Sebastian with an Arrow oil on panel 52 x 40 cm Accademia Carrara, Bergamo 1500 Astronomer woodcut British Museum, London 1500 Design for a Gothic Table Fountain 56 x 35.8 cm British Museum, London 1500 Heracles and the Stymphalian Birds oil on canvas 87 x 110 cm Germanisches Nationalmuseum 1500 Illustration from Revelationes Sancte Birgitte woodcut British Museum, London 1500 Illustration from Revelations Sancte Birgitte, Koberger Nuremberg woodcut 23.2 x 14.9 cm The Metropolitan Museum of Art, New York 1500 Man of Sorrows with Arms Outstretched engraving The Metropolitan Museum of Art, New York 1500 Nuremberg Woman Dressed for Church pen and ink and watercolour on paper 32.5 x 21.8 cm Graphische Sammlung Albertina, Vienna 1500 Portrait of a Young Man oil on panel 50 x 39 cm Alte Pinakothek, Munich 1500-01c A Greyhound brush and ink 14.8 c 19.8 cm Royal Collection Trust © Her Majesty Queen Elizabeth II 1500-02 The Virgin with the Infant Christ and St. Anne engraving The Metropolitan Museum of Art, New York 1500-03 Coat of Arms with a Lion and a Cock engraving The Metropolitan Museum of Art, New York 1500-03 Lamentation for Christ oil on panel 151 x 121 cm Alte Pinakothek, Munich 1500-03 Lamentation for Christ detail ( see above ) 1500-04 The Visit of St. Anthony to St. Paul the Hermit woodcut 21.4 x 14.2 cm The Metropolitan Museum of Art, New York 1500-05 St. George Standing engraving The Metropolitan Museum of Art, New York 1500-12 Left Wing of a BlueRoller watercolour and gouache on vellum heightened with white 19.6 x 20 cm Graphische Sammlung Albertina, Vienna 1500c Angel's Mass pen and ink Musée des Beaux-Arts, Rennes 1500c Paumgartner Altar oil on lime panel 151 x 61 cm ( outer panels ) 155 x 126 cm ( centre panel ) Alte Pinakothek, Munich 1500c Paumgartner Altar left panel, oil on lime panel 151 x 61 cm Alte Pinakothek, Munich 1500c Paumgartner Altar centre panel, oil on lime panel 155 x 126 cm Alte Pinakothek, Munich 1500c Paumgartner Altar right panel, oil on lime panel 151 x 61 cm Alte Pinakothek, Munich 1501 The Arms of Ferdinand I, King of Hungary and Bohemia woodcut 25.6 x 14.9 cm The Metropolitan Museum of Art, New York 1501-02 Nemesis ( The Great Fortune ) engraving second state of two 33.3 x 23.1 ( sheet ) Metropolitan Museum of Art, New York 1501-03 Standing Male Nude Holding a Bow ( "Poynter Apollo" ) pen and brown and black ink 21.9 x 14.5 cm The Metropolitan Museum of Art, New York 1501-04 St. George and the Dragon woodcut 21 x 14.1 cm The Metropolitan Museum of Art, New York 1501-06 Apollo and Diana engraving The Metropolitan Museum of Art, New York 1501c Rosvitha Presenting the Comedies to the Emperor Otto I. Illustration from the Opera Hrosvita, 1501 woodcut 21.6 x 14.6 cm ( image ) The Metropolitan Museum of Art, New York 1501c St. Eustace engraving 36 x 26 cm Albertina, Vienna 1502 The Book Plate of Wilibald Pirckheimer woodcut 14.9 x 11.9 cm The Metropolitan Museum of Art, New York 1502 Young Hare watercolour and gouache on paper 25.1 x 22.6 cm Graphische Sammlung Albertina, Vienna 1502-03 The Standard Bearer engraving The Metropolitan Museum of Art, New York 1502-04c Muzzle of an Ox watercolour 19.7 x 15.8 cm British Museum, London 1502c Coat of Arms with Cock engraving 18.8 x 10.3 cm The Metropolitan Museum of Art, New York 1502c Nude Woman with the Zodiac woodcut Private Collection 1503 Coat of Arms with a Skull engraving 22.1 x 15.8 cm The Metropolitan Museum of Art, New York 1503 The Great Piece of Turf watercolour and gouache on heightened with white on paper mounted on cardboard 41 x 31.5 cm Graphische Sammlung Albertina, Vienna 1503 Virgin and Child on a Grassy Bench engraving 11.5 x 7.1 cm ( plate ) The Metropolitan Museum of Art, New York 1503 Virgin Suckling the Child oil on panel 224 x 18 cm Kunsthistorisches Museum, Vienna
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In Ego: The Strange and Wonderful World of Self-Portraits, last night on BBC4, Laura Cumming, the Observer art critic, presented an absorbing survey of the self-portrait. She began with Durer̵…