Master bedroom functional planning idea

年輕的屋主夫妻倆，平時工作的場域位於繁華的商業大樓，需要大量地接觸人群。 回到家時，他們希望能夠跳脫出高壓的情境，回歸自然、平實的簡約氛圍。 我們依照他們所嚮往的居家風格，以現代、北歐做為關鍵字，刻畫出宜人的居住環境。

Place au style scandinave avec le bureau Miji. Très pratique grâce à son tiroir. Une création La Redoute Intérieurs. Description  •  MDF plaqué chêne, certifié FSC®  •  Poignée et pieds en chêne massif FSC®  •  Finition vernis nitrocellulosique Dimensions Totales  •  Largeur : 90 cm   •  Hauteur : 75 cm   •  Profondeur : 53 cm  •  Poids : 18 kg Utiles  •  Tiroir : L84 x P37 x H6 cm  •  Hauteur des pieds : 64 cm Livraison Ce produit est vendu prêt à monter. Il sera livré chez vous, sur rendez-vous.   Attention ! Veuillez vérifier que les ouvertures (portes, escaliers, ascenseurs) permettront le passage du colis lors de la livraison.   •   BOIS ISSU DE FORÊTS GÉRÉES PLUS DURABLEMENT. Le bois certifié FSC® est issu de forêts bien gérées sur le plan environnemental, social et économique. Dimensions et poids des colis     1 colis    •  L99 x H20 x P60 cm. 21 kg. Fiche produit relative aux qualités et caractéristiques environnementales • Produit totalement recyclable.

KIRK "CONSOLE" | CONSOLE TABLE - EN Designed to display accessories or as writing desks, the Kirk consoles - avail-able in two heights: 47 cm and 57 cm - are also just

The house is the essence, the courtyard is the Spiritual side. Then interdependent with each other, and finally integrated into one.

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叁醺酒市SANJI BAR品牌视觉设计 SERVICE PROVIDER ｜ 整点彩蛋SURPRISE 品牌客户｜八醺酒市SANJI BAR 服务内容｜品牌创意策略·品牌命名·品牌视觉识别系统 品牌创意策略·品牌名称·品牌视觉识别系统 品牌监制｜曲奇 DESIGN DIRECTOR｜ Thirteen 3D｜ Zhangji 90后、Z时代，越来越多年轻人正在拒绝“酒桌文化”。喝酒对于他们来说早已不是传统意义上的各类应酬的工具，更像是一种情绪催化剂，寻求一种全新的生活体验，是一种生活方式。 「三醺酒市」是一家多维度体验酒吧，致力于为饮酒爱好者和夜生活人群提供一个社交及饮酒综合体验空间。品牌名“三醺酒市”灵感来源于“酒过三巡”。表达了喝酒并非要酩酊大醉或是要达成何总目的，而是需要疲惫生活中的一点点微醺感，三醺也就像是年轻人情绪释放，叛逃生活的一个出口；「三醺过后忘记坏情绪」、「三醺过后忘记渣男」、「三醺过后交到新朋友」…由此整点彩蛋完成了三醺酒市的品牌定位/命名/理念/slogan/vi体系/各类设计周边等在内的一整套品牌建立。 More and more young people in the post-90s and Z-generation are rejecting the “drinking table culture.” For them, drinking is no longer a tool for social intercourse in the traditional sense, but more like an emotional catalyst.…

AI科技的发展突破人类的想象，对于未来办公生活方式的探索，新的觉察与思考打破“常规认知”，持续挖掘新的设计命题。这次在杭州万科黄龙中心的项目中，TOMO東木筑造从“显微镜”的诞生汲取灵感，开拓先锋的设计视角。Advancements in AI technology have surpassed human imagination, propelling the exploration of future office lifestyles and challenging conventional understanding while inspiring novel design explorations. In this project, TOMO Design draws inspiration from the emergence of "microscope" to pioneer an avant-garde design perspective.微的关系丨MICRO-RELATIONSHIPS微小尺度的效应会对整体体验和环境产生重要的影响，本项目遵循“微感拟界”的理念，通过细微的感知视角构建整体办公环境，从景观、建筑、室内、到人和绿植四重关系的微感渗透，循序渐进直至深度链接，从「微建筑」、「微景观」、「微室内」来理解新型办公环境带来人群的「微交互」，塑造“经典、轻松、睿智”的未来空间语境。Micro-scale effects can wield significant influence on overall experiences and environments. The concept of the project is to craft a comprehensive office environment through micro-perceptual perspectives, among landscape, architecture, interior, people, and greenery. It underscores the integration of micro-level relationships, from the perspectives of "micro-architecture," "micro-landscape," and "micro-interior," to evoke the "micro-interactions" among people in this new office environment. The aim is to create a future spatial context that is classic, relaxing, and inspiring.01 外与内的微边界 / Micro-boundary between exterior and interior大堂前厅丨LOBBY通过丰富外立面的造型以及多种材质的搭配，金属质地的反射作用和室内外铺装的相互延伸，消隐并穿透室内外场景的边界，实现多重界面的相互微感渗透，室内外空间不再是孤立的单元。Through the enrichment of facade shapes, the combination of various materials, the reflective properties of metal textures, and the seamless integration of indoor and outdoor pavings, the boundary between interior and exterior spaces blurs, fostering a sense of micro-interpenetration.室外植物从绿色调到黄色调的自然过渡追随四季流逝，愉悦心理与时间达到微感同频。The natural transition of outdoor foliage, from vibrant green to autumnal yellow, mirrors the passage of the four seasons, syncing emotional pleasure with the rhythm of time.巨大的屋檐出挑保持外立面的简约大气，灰度空间立体延续室内的视野，强化内外界限的穿透作用。The expansive overhanging eaves maintain the simplicity of the exterior facade, while the three-dimensional transition space extend the indoor view and intensify the permeability between interior and exterior.大堂中极具纵深建筑感的网格天花改变原本的流向，秩序感赋予空间强烈的性格，特殊手法模拟的天光强化出雕塑轮廓。The deep grid ceiling within the lobby add variations to the ceiling pattern, imparting a distinct character to the space with a sense of order. Additionally, the unique skylight-like lighting accentuates the space's sculptural contours.具有流动属性的前台与围合界面相互呼应，叠加空间社交行为的倾向性，使人发生自然而然的微交互。The fluid reception desk and the enclosure interfaces complement each other, fostering social interaction within the space and encouraging natural micro-interactions among people.光影落在条纹金属板墙面，明暗两面错动微肌理，对比之中光束延续到地面铺装，为空间塑造随时间变化的微质感。Light and shadow play across the striped metal sheet wall, creating dynamic micro-patterns as the light shifts. Meanwhile, the light beams extend to the floor, generating micro visual effects that evolve over time.一体融合的矮墙与前台互相错动，视觉焦点从轮廓感分明的天花层层降落到光滑地面，先锋未来属性传递变化丰富的微感知，将绿色微生态映衬得生机盎然。The integrated low wall and reception desk play with each other, guiding the sight to focus from the clearly defined ceiling to the sleek floor. These innovative and futuristic elements enrich micro perceptions and complement the lively green micro-ecology.02 人与场的微交互 / Micro-interaction between people and space 线性的波浪金属背板与古铜色不锈钢板的咬合突破原有的功能界限，微功能无限叠加。The interpenetration of the corrugated metal backplates and the bronze stainless steel panels transcends the functional boundaries, allowing for the infinite superimposition of micro-functions.底面的不锈钢与网格天花相互交错，距离之间碰撞出空间的韵律，触达无限伸展的方向。The stainless steel beneath interacts with the grid ceiling, creating a dynamic rhythm that extends boundlessly throughout the space.流型条纹金属板划分出适人的尺度，修长的木板与纤细的圆桌交叉，休憩与社交都动静相宜。Sleek striped metal plates create an appropriate scale. A slender wooden board intersects with a round table, catering to both relaxation and social interaction.像素化的导视标示在条纹金属板中予以自身辨识度，与空间关系的流向达成一致。Pixelated signage symbols offer a strong visual identity amidst the striped metal plates, maintaining consistency with the spatial circulation.灌木与苔藓生态搭配的微景观凸显未来生活方式的前景，将相互渗透的室外引入深处。The micro-landscape of shrubs and moss embodies a vision for future lifestyles, seamlessly integrating outdoor scenes into the interior.TOMO東木筑造创新设计的灯具坐落于空间一侧，通过标识性的金属圆盘反射灯光的方式，出奇打破真实感知，游走于未来感体验。Innovatively designed lamps are positioned on one side of the space, reflecting light through iconic metal discs and unexpectedly creating a futuristic experience.大堂中悬挂的金属icon聚合空间视觉焦点，弧形沙发蜿蜒其下，拉开空间的高低层次的张力，使微感知产生艺术关联。The iconic metallic art installation suspended in the lobby captures visual attention, and fosters a sense of tension between the vertical and horizontal dimensions with the curved sofa beneath it, evoking an artistic dialogue at micro-perceptual level.苔藓跟随沙发的形式植入可触及的范围，微景观除却人际距离感，保持生活的包容与自由开放。Moss follows the contours of the sofa, carefully embedded within reach. This micro-landscape brings people closer, nurturing a vibe of inclusiveness, freedom, and openness.通过不同入座形式的打造，社交空间的潜力得到充分挖掘，微交互使体验切换至有序状态。By introducing various seating configurations, the design fully explores the social potential of the space, encouraging micro-interactions in an orderly setting.灌木与苔藓搭配而成的绿色生态微介入沙发和台椅，银色雾面金属与古铜色不锈钢拓宽社交的先锋属性，触发新型微社交的协作方式。Micro-landscape of shrubs and moss is integrated into sofa and table, complemented by silver matte metal and bronze stainless steel. These elements amplify the pioneering spirit of social engagement, ushering in new forms of micro-social collaboration.电梯厅 / ELEVATOR HALL在统一的空间构建不同的运动场域，重新构建交通空间的场景特性，微建筑牵引未来生活的可能事态。The design creates diverse movement areas within a unified space, redefining the scenography of traffic space and employing micro-architecture approach to breed potential future lifestyles.石材在空间一侧划分出空间轮廓的力量感，在富于变化的大堂之中维持安定，与多形式应用的金属板面和融统一。On one side of the elevator hall, stone materials define a sense of strength and stability, blending seamlessly with the diverse metal panels.竖纹墙体与银色条纹金属的处理雕刻建筑体块的造型，细腻且微妙，满足未来生活的高品质追求。Vertically textured walls with silver striped metal give the structural blocks a sense of sculpture, embodying the pursuit of refined quality in future life.附着于墙面的像素化导视系统有趣且清晰，自由分布，打破空间规整的秩序，穿透流动的细微触觉。The pixelated signage system attached to the walls adds interest and clarity, breaking free from conventional spatial order and facilitating fluid movement.光洁的雾感金属框与网纹石材墙面相互交织，错动的体积重塑电梯厅的纵深序列感。The smooth matte metal frames intertwine with the striped stone wall, creating staggered volumes that redefine depth and sequence in the elevator hall.03 建筑与室内的微体验 / Micro-experience between architecture and interior盥洗室 / WASHROOM整个对称的空间布局中设置拱形天花，光线得以柔和散射，融入整体橡木材质界面的庇护感。The bathroom space, with its symmetrical layout, features a vaulted ceiling that facilitates soft light diffusion, harmonizing with the sheltered ambiance generated by the oak wood veneers.浅色颗粒水磨石与橡木相似相差，随着不同角落的光线调动微感知，将私密的氛围充分渗透。The light-colored granular terrazzo resembles oak wood, delicately engaging micro-perception along with varying light in distinct corners, thus enriching the private atmosphere.长条隔板与悬浮体块感的洗手台重新分隔空间比例，收束整体视觉，在小空间内实现界面的进退互动。Long partitions and suspended block-like washbasins redefine spatial proportions, creating a harmonious visual effect and strengthening interaction between surfaces within the compact space.在盥洗室的另一侧则使用经典暗色调搭配橡木，传递沉稳依旧统一有序的风格。On the opposite end of the bathroom, classic dark tones, complemented by oak wood accents, establish a serene yet harmoniously organized environment.地下车库 / GARAGE绿色生态的理念延续到地下车库，使得原本消极的空间获得新鲜的感官冲击，激活未来生态的微观感知流动领域。The concept of green ecology extends to the underground garage, transforming an originally negative space into an area with a fresh sensory impact, activating the micro perception of future ecology.干净纯粹的顶面悬浮于绿色生态之上，使用极简的手法营造未来高级感，为空间叙事铺垫先锋的先导印象。Above the greenery is a clean and pure ceiling, employing minimalist techniques to evoke a futuristic and upscale ambiance, setting the stage for an avant-garde spatial narrative.苔藓创新性的植入丰富近距离的触觉体验，使人与生态发生似是而非的微交互，创造全新的休憩行为方式。The innovative incorporation of moss enhances the intimate tactile experience, fostering unique micro-interactions between people and the ecology, and introducing a novel way of relaxation.自然与粗糙的悬浮条纹石材相互微渗透，整体与银色雾感金属强烈对比，衬托出空间的细致与精美。Greenery echoes with rugged suspended linear stone seating, creating a strong contrast with the matte silver metal, together producing a refined aesthetic.即使科技让如今的办公形式有了更多的选择，但办公室仍然是建立信任、培养归属感和展示企业文化的关键场所。TOMO東木筑造将先锋基因贯通空间微观感知，重塑景观、建筑、室内与人的链接与交互，探索自然与建筑、人与空间“微”关系，挖掘空间的“微”体验，从而找到触动人心的“微”感受。While technology expands the possibilities for modern workplaces, office remains crucial for nurturing trust, fostering a sense of belonging, and embodying corporate culture. In this project, TOMO Design redefines micro spatial perceptions with avant-garde elements, reshaping the connections between landscape, architecture, interior, and human. The design delves into the micro-relationships between nature and architecture, individuals and space, to explore micro-experiences within the space and discover the micro-emotions that truly resonate with people.以未来科技智能与自然生态的办公生活方式为引，为人群的“微”交互营造具有低碳生态场景的“微”绿意。TOMO对“微”型社交办公的理解，或许将引导全新的设计命题。Grounded in an office lifestyle guided by future technological intelligence and natural ecology, the design team crafted low-carbon "micro" landscape scenes to stimulate interactions among people. TOMO's insights into "micro" social offices are expected to inspire more design innovations in the future.

MR.MAIMAi 麦丘梵面包店测试（二）   项目：MR.MAIMAi麦丘梵面包店 属性：新的面包店铺类型、包含咖啡、西点 位置：中国，杭州 摄影：刘宇杰   Project: Ka Wah International store of MR.MAIMAi Feature: a new type of bakery that offers coffee and desserts Location: Hangzhou, China Photo by Yujie Liu   这是MR.MAIMAi麦丘梵品牌的另一个空间，位于杭州一个写字楼的二楼，可乘坐户外扶梯到达。主要针对写字楼的上班族，在工作之余静享面包和咖啡， “休憩似乎是一种静态” 。   对于一个60平米的周正的方形空间，我们希望用 “动态的翻转的曲线” ，对功能区域进行形式化。   我们在就餐区、通道做了相应的曲线设计，在不干扰通行的情况下，在人们活动的一侧或上方，导入那些动态的线条，设置 “铜的 1/4 弧形和石材的 1/4 弧形” ； 我们希望使用大理石来处理这些动态的线条，石材在曲面部分翻转之后产生一种 “小落差的序列视觉” ，整体空间动态静止。   在动态的大理石的边缘，用铜结构作为勾勒线，嵌入大理石体块中，利用铜的造型缝合这一种动态；并且与大理石柜台上的铜制垃圾桶和纸巾盒做组合。   柜台背景基本是一个平立的体块，同样用动态的线条，在这个体块上形成一种动态。   我们设置了铜管扶手，来区隔购买区和就餐区。落座工业复古的铜桌椅，和铜制公园长椅，客人就餐时， “入眼皆是风景” ，享受安静与精致。   在材料上使用一种常规的搭配—— 大理石与黄铜组合，以及黑色石材 。 大面积的黄铜吊顶，空调出风口用黄铜包裹，有一面整体的黑色石材墙体，和到腰线的1.3米墙体，其余保留原始的铝合金玻璃窗立面。   动态的体块填充整个空间，精致优雅，同时又描述了趣味和细节。     The new space of MR.MAIMAi bakery is located on the second floor of an office building in Hangzhou, accessible via an outdoor escalator. The bakery provides white-collar office workers with a place to enjoy bread and coffee on a busy work day. Taking a break can be seen as entering a tranquil state.   In this originally square space of 60 m2, we intend to apply dynamic and rolling curves that divide the space into several functional sections.   The curve design is used in the seating area and aisle space. Without interfering with the flow of customers, dynamic lines are incorporated into the space high up on the ceiling or to the side, in the shape of 1/4 arcs, made from brass or marble. Here we use marble to form the dynamic lines. The curved surface area demonstrates a cascade of sequenced elements that makes the whole space dynamic yet static.      The bottom edge of the dynamic marble design arc incorporates a brass structure that outlines the design and echoes its dynamic aspect with the brass trash can and tissue box on the marble counter.    Behind the counter stands a flat block which also adopts moving lines to achieve a dynamic environment.   Brass handrails are used to separate the order section from the seating area. Customers may take a seat at the brass table and chair representing a vintage industrial style, or on the brass park bench, where they can take in all the nice views while enjoying a moment of tranquility and exquisiteness.    For materials, we have followed the common combination of marble and brass as well as dark stone materials.   The ceiling is largely covered by brass, so is the air conditioner outlet. Inside the bakery, there is one whole wall and one wall of 1.3m high that are made of dark stone materials. The rest remains original with aluminum framed windows.      Dynamic blocks fill the space with exquisiteness and elegance, while leaving many interesting details to explore.     完成：2017年1月 面积：60 m2 Completion: Jan.2017 Floor area: 60m2

结构布局与空间线条，共同构成了建筑的骨骼框架，而立体鲜明、流畅简洁的空间骨架，无疑是成就多元美学空间的基础。在这个位于上海的110㎡老房改造项目中，设计师以理性内敛的包豪斯主义风格为基础，重构开放灵活的洄游式空间布局，让硬朗锋利的直线与纯粹的平面形成正面“交锋”，从而在不同区域内构建起丰富的几何面体以及严谨的秩序，赋予空间体量明晰的美学效果。同时，借由工业感的金属材质与木质、小众石材等自然材质的混搭，以及局部克制的色彩添加，“解放”极简秩序主导下的“紧张感”，平衡中古怀旧与现代摩登，让住宅展现出一种不受时间、风格限制，历久弥新的丰富性。重塑灵活的洄游动线：承重墙变身多功能中轴线，实现一步一景重塑空间秩序，将功能布局合理化，是老房改造中至关重要的一环。这个110㎡的上海老宅原始户型是传统的三房结构，存在空间闭塞，采光不足，面积有效利用率低等老户型通病。针对这些布局缺陷，再考虑到业主是独自居住的单身女性，从她对空间功能的实际使用需求出发，设计师对原始布局进行了大刀阔斧地改造，把所有空间全部打通，形成一个简单的开放式洄游结构。打通临近厨房的卧室，与厨房合而为一，扩充餐厨区的面积，大大提升了公共区域的采光和通风性。随着结构的打开，原本由客厅通往卧室的狭长走廊也随之消失，进而消除了空间内无功能、无采光的“死角区”，让所有区域都能拥有优渥的自然采光，同时改善了空间的利用率。原始结构中存在两个卫浴间，设计师将不常使用的主卫从卧室转移出来，且仅保留盥洗台，与相邻的卫浴间各司其职，形成一个完全干湿分离的卫浴空间。空间打通后，一面正对入户的承重墙恰好处于整个洄游动线的中轴。这面看似多余的“不速之客”，反而巧妙地串联起流畅的空间动线，并随着功能区的转换，塑造出不断变化的空间场景画面，实现一步一景。不只是对于视觉和空间结构层次的划分，它还取代了玄关，承担起对于内部私人空间私密性的庇护。设计师还赋予这面墙体强大的双面功能。正对入户的一侧，通过在墙体中间嵌入金属隔板，设计成一个展示型书架。纤薄的金属板材，平衡了整面实墙厚重的体量感，让空间画面显得更为轻盈利落，且弱化自身的存在感，以谦逊低调的姿态让书架上陈列的书籍、艺术摆件成为主角。墙体的背后是一组储物衣柜，完善空间的收纳功能。几何序列与空间减法：以直线为主导，构建纯粹简明的视觉逻辑明快的直线是贯穿整个住宅空间的视觉符号，它在不同空间维度自由地对平面进行切割，构成立体且规整的几何面体。在开放式餐厨功能区内，设计师让直线成为主导，在干净素雅的纯白基底之上，用线条和几何体块定义空间规则，塑造强大的视觉表现力。与卧室合并后的厨房拥有宽敞的空间和充沛的自然采光。设计师沿着墙体设计了一个L型的厨房操作台面，盥洗区和烹饪区分列两端，两种功能互不干扰。橱柜设计别具巧思，用米白色柜板搭配少见的黑色包边骨骼线，在黑与白的色彩碰撞中，线条与平面、体块与体块间的界限泾渭分明，描摹出立体鲜明的几何结构。且对比常见的木色、棕色包边，黑色的线条更加前卫摩登，用现代感的视觉元素适当中和厨房空间的中古氛围。直线型吊柜与L型橱柜分别存在于高低不同平面，并且拥有不同的体量结构，体块间的对比与呼应，制造富有层次和节律感的视觉冲击力。厨房杂物和电器严丝合缝地收纳于橱柜之中，妥善地隐藏了芜杂的烟火气。白色百叶窗允许自然光影对空间氛围的随意调节，有光的加入，也让整体以白色为主的空间显得更加明亮通透。厨房区域一些精巧的设计细节同样值得玩味。橱柜采用中古设计感的金属把手，质感精致考究，小巧的身形又不会破坏橱柜板面的平整度。墙面铺贴手工长条砖，纯白色基底自然地成为体块间的过渡地带，细细端详，又会惊喜发现，几何元素实则是被暗藏于细腻的墙面肌理之中。用餐区聚集了一些有趣的“异类”，打破原本的空间规则。Fritz Hansen的超椭圆桌搭配拥有完美曲线的蚂蚁椅，圆润有机的线条与大面积分布于餐厨区域的方正几何体块形成对比，中和了直线条的冷冽硬朗气质。PH5吊灯呼应了餐椅的颜色，奔放明媚的红色，小面积的出现，恰到好处地改变了单一的空间色彩结构，为空间增加几许热烈和暖意。中岛位于正对入户的位置，且与客厅相连通，所以设计师希望它可以具有美观性，功能上又能兼顾客厅空间的需求。设计师别出心裁地用白色USM柜代替传统的定制岛台，模糊它的厨房属性，增加储物、办公等功能，作为客厅的延伸。USM柜本身在设计上就很强调体块的组合叠加，而金属的柜体框架又与橱柜的黑色骨骼线制造微妙的差异。整墙的多功能储物柜，完美消化了业主对于鞋履、日常杂物和厨房用具等多样化的收纳需求，功能强大。餐厨空间严格遵循了包豪斯主义风格的严谨、简约、以几何造型为主的美学逻辑。同时，用意想不到的细节处理，追求规则之下的变化与创新。材质与体量的多维平衡：极简之下的历久弥新不同于餐厨区逻辑严谨的“理性思维”，客厅更偏向于跳跃式的“感性思维”，在硬装上做减法，关注家具软装之间体块与材质的大胆碰撞，以及由此带来的具有差异感的多元化空间造型。B&B的Camaleonda模块式沙发凭借扎实的体量成为客厅的视觉焦点。沙发正方形的座椅模块与流线的圆形衬垫之间形成了一种奇妙的平衡。Camaleonda沙发的最大魅力源自它所提供的无限可能性，既可以呈现充满解构美学的不规则雕塑感形态，也可以是简约的直线造型。沙发选择了白色布艺款，呼应空间主色调的同时，气质更加柔软温和。客厅其他家具软装则围绕着沙发主体，在多元之中寻得相互平衡的切入点。Artek的Screen 100屏风波浪式的有机曲线搭配木质的肌理，自然灵动，且温润舒展。屏风前方的是来自Louis Poulsen的Panthella落地灯，灯罩也是圆润的线条，材质上更加轻盈，夜晚它所投射出的光影，将与后侧的屏风形成亲密的互动。Classicon的Adjustable Table和Hay的Slit Table两款边几，同样是以圆形为原点的几何感造型，在材质和色彩上形成强烈的反差。两款石材边几则采用棱角分明的矩形体块，立体鲜明的框架更符合石材硬朗的气质。用于打造茶几的石材是一款市面少见的稀有品种大理石——七彩玛瑙大理石，石材表面的彩色纹理层次分明，跳跃的色块如波浪般绵延起伏，纹理间夹杂着的裂痕是来自自然的馈赠，散发一种割裂的残缺美，好像是金缮技艺中的那道被修复的疤痕，身负荣光。跳脱风格的波斯西部中古地毯，用古老的图腾纹样为空间增添异域情调，而它大面积的红色代替木地板，成为沙发区地面的色彩主导，在黑白色调为主的空间，制造充满冲突感的视觉张力。黑色USM柜与餐区岛台相呼应，选择黑色款既是同餐区相区别，同时与沙发区的红色达成经典的配色组合，红色热情张扬，黑色内敛深沉，形成绝妙的平衡。客厅空间融合了不同形态的几何体块，以及丰富多元的材质组合，它们既相互对立，又相互包容，从而达到一种崭新的平衡关系，赋予空间耐人寻味的深刻美感。家具大多是经典的传世之作，它们的设计是经得起时间考量，不受潮流左右，历久弥新。去繁就简，功能溯源私密空间在设计上摒弃多余的装饰性，关注于功能区最原始的使用需求。主卧剥离了其他功能，回归睡眠这一纯粹的空间目的。延续公共区域奶白色墙面和木地板的轻盈基调，在此基础上围绕睡眠功能去陈列家具布局，将无功能性的装饰品压缩到最小限度。窗帘和床品全部选择白色，与空间主色相融合，减少色彩对视觉的干扰。黑色的床板将床垫置空，去掉床头板等装饰，真正做到了仅关注功能。床头的Tolomeo金属壁灯小巧的灯头搭配线型金属灯臂，造型简洁又不失设计感，金属元素也是与公共区域相呼应。床头茶几采用了客厅同款的七彩玛瑙大理石，切割成纤薄的板面，组合成小体量的几何结构，既为空间注入自然肌理，又不会喧宾夺主。宁静至简的空间氛围，让人可以专注于只属于自己的疗愈时光。另一间多功能房结合了衣帽间、书房和办公室等功能。深受功能主义喜爱的Vitsoe 606壁挂系统将多样的收纳功能融为一体，且搭载了桌板，从而完善了整体功能性。多功能房承担了住宅中的主要收纳功能。开放式衣柜隐匿于白色帘幕之后，用帘子代替传统门扉，减少了门板开合对于空间的占用，且柔软轻盈的质感很好地平衡了对侧壁挂系统生硬的工业感。编织肌理独立的盥洗区在墙面大面积运用七彩玛瑙大理石，自然悠远的纹理在更加开阔的平面得以展开，洋洋洒洒尽显灵动。矩形的洗面台将石材图案进行切割，制造视觉层次和延展感。龙头和镜面框体均采用不锈钢材质，细腻光滑的质感与石材天然肌理形成对比。公共区域开放式书架的设计形式缩小体量后，被搬进卫浴间用于置物。嵌入式设计，保证了平面维度上的完整性。墙面用手工长条砖搭配七彩玛瑙大理石，低调内敛的肌理与壮阔绚烂的纹理共处于同一平面，赋予空间犹如艺术画作般优雅高级之美。卫浴间在设计手法上相当克制，而所有的元素实则都是在与公共区域低调呼应。NOTHING DESIGN成立于2021年，提供高品质高审美的空间设计服务,公司目前在北京、上海均设有办公室。至今做过上百套高品质的独立住宅和工装项目。设计偏好简洁无冗余，在此基础上呈现出高审美的艺术性。 作品常被顶尖家居杂志和国外知名网站收录发布，团队致力于让每套作品都能带来引领时代的意义。 我们致力于融合家居、设计、艺术、文化等多元概念，积极传播居住美学理念，使其成为当代社会共识。NOTHING DESIGN, founded in 2021, specializes in providing high-quality and aesthetically pleasing spatial design services. The company currently operates offices in both Beijing and Shanghai. To date, we have completed over a hundred projects, including high-quality independent residences and commercial interiors. Our design philosophy emphasizes simplicity and avoids unnecessary complexity, while also showcasing a refined sense of artistic aesthetics. Our works are frequently featured and published in top home decor magazines and well-known international websites. Our team is dedicated to ensuring that each project carries a significance that resonates with the spirit of the times. We are committed to integrating diverse concepts from home living, design, art, and culture, actively promoting the philosophy of residential aesthetics, and making it a consensus in contemporary society.

该住宅位于杭州历史人文浓厚的良渚，选择在此定居是一种避世离俗，注重自我的生活态度，但旧房原有的室内呈现与我们理想大相径庭，设计师在原有基础上进行大量拆除改造。The residence is located in Liangzhu, a historical and humanistic area of Hangzhou. Choosing to settle here is a life attitude of escaping from the world and focusing on self. However, the original interior decoration is different from our ideal, and the designer has done a lot of demolition and transformation on the original basis.作为改善型住宅，设计需要在合理地规划空间及功能之外，还需要呈现空间的品质和艺术性。追求自然触感、建筑内外融合也是DNA邸内设计一直以来贯彻的核心理念，设计师选用了许多天然材料来呈现居住空间的包容性，又通过对材质粗糙和细腻的两种不同处理，让距离感和亲和力这种矛盾的差异同时存在，这种恰到好处的陌生感正是现代人隔绝生活与工作的屏障，也是对我们所熟悉的都市生活若近若离的新的生活态度。As an improved residence, the design should not only reasonably plan the space and function, but also present the quality and artistry of the space. The pursuit of natural touch and the integration of the interior and exterior of the building are also the core concepts of DNA. The designer chose natural materials to present the inclusiveness of the living space, and through two different treatments of rough and delicate materials, the contradictory differences of distance and affinity exist at the same time. This appropriate strangeness is the barrier that separates modern people from life and work, as well as a new attitude towards the urban life.客厅融入书桌功能增加空间的情景多样性，同时可以更好地聚焦家庭成员在此共同活动。The living room is integrated into the function of the desk, which increases the diversity of the space, at the same time, it can better focus on the common activities of family members here.对于孩子在成长阶段的家庭来说，需要保证充足的活动动线满足孩子的嬉戏，为此我们没有刻意放置地毯和茶几来确定客厅的功能，而是可自由拆分的沙发模块，来满足不同场景的变换使用。For families with children in the growing stage, it is necessary to ensure sufficient activity lines to meet the children's play. For this purpose, we did not deliberately place carpets and coffee tables to determine the function of the living room, but a sofa module that can be freely split to meet the changing use of different scenes.拆除原本阳台的墙体后，沙发后方得到一个活动区域，在这里可以更加靠近自然和阳光，以满足午后憩息，亦或者陪伴孩子阅读或玩耍的情景。After demolishing the original balcony wall, there is an activity area behind the sofa, where it can be closer to nature and sunlight, to satisfy the sight of resting in the afternoon, or accompany the children to read or play.拆除后的梁体结构也被保留了下来，并结合金属陈列架成为空间的装饰结构。After the demolition, the beam structure was also preserved and combined with the metal display rack became the decorative structure of the space.沙发的后方及侧面设计了许多陈列的隔板，用于放置书籍或陈设；红色天然石材的运用，与沙发的蓝色面料形成鲜明的对比，为空间增添了一些生命力。The sides of the sofa are designed with partition plates for placing books or furnishings,the use of red natural stone contrasts with the blue fabric of the sofa to increase the life force to the space.来自B&B ITALIA的Tufty-Time系列沙发可以通过拆合底部的连接件，实现自由变化组合。The Tufty-Time series sofa from B&B ITALIA can be freely changed and combined by disassembling the connecting pieces at the bottom.米白色的莱姆石由客厅一直延向餐厅，将原本被过道分离两个空间重新组合起来。The white limestone extend from the living room to the dining room, reuniting the two Spaces that were separated by a corridor.石材和木材的轮廓线有序地递进，缓解视觉上的疲劳感。The outline of stone and wood are orderly and progressive to relieve visual fatigue.餐厅吊灯是来自Louis poulsen的Enigma 425，它通过不同大小的环状，将光源逐步递进到桌面，呈现出柔美的间接照明，其设计师内山昭一一直致力于创造无眩光的间接照明灯具，让物体变得美丽，让人们感受到物体的质感和深度。The dining room ceiling lamp is from Louis Poulsen's Enigma 425. It gradually advances the light source to the table through the ring shape of different sizes, presenting a soft and beautiful indirect lighting. Designer Shoichi Uchiyama is committed to creating glare free indirect lighting fixtures that make objects beautiful and give people a sense of texture and depth.独立的入户玄关，设计了不同大小的收纳柜以及独立的储物间，来增加未来居住的可持续性。The separate porch is designed with storage cabinets of different sizes and independent storage space to increase the sustainability of future living.我们将原本常用于室外的黑色莱姆石铺设满整个过道以及卧室内部，让人仿佛走过林间汀步，来到无人的静谧之地，以此隔绝身后的喧嚣。转身处的净衣区也让情景转换增添了一份仪式感。We covered the entire corridor and the interior of the bedroom with black limestone, which is usually used outdoors, to make people feel like walking through the woods to a quiet place where no one is left behind, so as to isolate the hustle and bustle behind you. The clean clothes area at the turn also adds a sense of ritual to the scene transition.在材质的统一后，立面的功能变换并没有打乱某种秩序。After the unification of the material, the functional transformation of the facade does not disturb a certain order.

意形回溯 / Meaning Backtracking趋势正反的两极性，当空间回归物性本质，且同时空间向观念展开。空间通过思想潜在的对话流动，实现叙事转向段落华彩起伏的交响性，填补了阵营对立的缝隙。当趋势审美单一走向同一统合，意义便逐渐消亡。Subject to the principle of polarity, i.e., the positive and negative  trends of all things, when space returns to its physical nature, its  conceptual construction starts. Through  invisible dialogues with the mind, space flows and  narrates, like playing a magnificent symphony that soothes resistance  between the opposites. But once the monotonous aesthetic trends start to  converge and unity, the meaning will gradually die away.意义的产生不只是一个线性的、内在的、必然的进程，不单一特定指向自某个初始内核逐渐展开。意义是对惯性安稳和潜存颠覆的双重期待，这被看成了某种意义上的反抗和自我重建，即意义的回溯性：实现意图与意识相交，使隐微义的层次，向诗学式的意义展开。Meaning is generated not just through a linear, internal, and  inevitable process, nor is it simply developed from a specific  core initially. It is a contradictory expectation for both sticking  to and possibly, breaking away from routine. In a certain sense, it can be  interpreted as a struggle for self-reconstruction, that is, the backtracking  nature of meaning: to unify purpose with subconsciousness and upgrade implicit  meaning to magnificent poetical significance.LAK木地板，作为秉承欧洲高端制造工艺传统的先锋品牌，十年间在国内重点城市发展其商业版图，先后完成30+线下门店的发展迭代，专注独特工艺品质内核价值和环保产品力理念。PONE普利策设计应邀为其全新概念店创作展陈空间"观念的解构"，以展开对物料展览空间的设计实践，呼应品牌对物料本质探索与基因实现互联与突破。LAK Wood Flooring is a leading brand adhering to traditional high-end  manufacturing technology of Europe. Committed to the core value  of unique technology and quality, and the philosophy of eco-friendly  product capacity, LAK has expanded its business to key cities in China in the  past decade, establishing and upgrading more than 30 physical stores.  PONE Architecture was entrusted to curate the exhibition space “Conceptual  Deconstruction” of LAK’s new concept store, and carry out design practice in a  material exhibition space to showcase the LAK brand’s exploration of material  nature and gene interaction for breakthroughs.项目所在地为亚洲500强Louvre Art  Center广州罗浮宫艺术商圈，拥有15万㎡多品牌集聚的场域条件、业态资源特征及辐射105个国家及地区的商业潜力。如何帮助LAK品牌从多赛道扩张的全球竞争中实现战略突围，践行工艺制造纲领型品牌的新商业布局和创新愿景，成为设计的破题关键。The project is sited in Louvre Art Center, Guangzhou. Ranking among the Asia  Top 500 brands, the 150,000 ㎡ center gathers various brands, business  forms and resources, with the potential to exert business influence over 105  countries and regions. Therefore, how to help LAK achieve a strategic  breakthrough amidst numerous global competitors and accomplish its new  business blueprint and innovation vision as a leading brand of manufacturing  technology is the key to the design.策略 / Strategy项目以空间体验和哲学性思考作为基点。从十九世纪德国思辨哲学教父黑格尔的绝对精神中正反合推论，载入当下国际营商环境的激荡与优化中的空间交响性实验与建构研究。辩证逻辑从主体基点不断变形，贯穿LAK品牌工艺与质感语境。设计从三部分展开思考动机发展：Taking spatial experience and philosophical thinking as the initial  consideration, the project integrates the dialectics in the Philosophy of  Absolute Spirit of Hegel, the German godfather of speculative philosophy in  the 19th century, into the symphonic space experiment and construction  research in the context of a torrent yet constantly improving international  business environment. The dialectical logic keeps evolving and varying from  the initial consideration, but always in alignment with the LAK context of  brand, technology and quality. The design considers the motivation for  development from three aspects:01 品牌策略定位的递进与抵达01 Upgrading and fulfilling strategic brand positioning02 观念的进化路径 与 趋势正反02 Conceptual refinement and the dialectics03 空间的交响性 与 非决定性对立协奏03 Space symphony and non-conclusive opposition in harmony前奏（Les Préludes）/ Prelude门、轴、岛、孔，四要素构「序」。场地引入全开放、无主入口、无主路径的设定。建构内退出灰空间，间隔细分出门和廊，巷与间。并平移以增量强调秩序定向。「轴」，顶部弧型的坠落感，分离阵列建构切割，门轴与支点在对抗中取得支撑。相邻维度的展陈与预设，合轴共构意识阔值。The door, axis, island, and opening are four elements constituting  the「prelude」. The venue features a fully open setting without either the  main entrance or the main circulation route. Grey spaces are withdrawn from  inside the building, enabling the further division into doors and corridors,  passages and rooms. The paralleling duplication enhances the sense of order  and orientation. The「axes」, with a sense of parabolic downfall at the  top, dissects the matrix and realizes division, while the door shaft and the  fulcrum realize mutual support through resistance.  The axes shared  by adjacent exhibitions and displays jointly define the limen of  consciousness.门户开合正反，完成平面关系指向空间进深关系的切换，相对公共向相对内部的转化。Every opening and closing of doors in opposite directions signals a switch  from the planar  relationship to spatial depth, and a transition from the  public to relatively internal space.起始暗淡，转到中央大厅明亮回暖。完成物理空间的灰度属性向观众心理预期过渡。主动调度，空间小调引出空间大调舒展。贯穿其中的公共回路，启发积极的心理暗示。The initial dimness immediately switches back to the warm and bright tone at  the central hall, completing a transition from gray physical space to the one  anticipated by visitors. The minor space, actively leading the way, introduces  the relaxing major space, while the circulating public route running  throughout the space gives positive mental inspiration.外立面一侧，内嵌三角结构，尽端的光轴和横向贯穿木柱。纵横虚实交叠，形成对进入场地之前的观念正反辩证合题。On the façade, a triangular structure is embedded, with a light axis at the  further end and a round timber placed horizontally. The interlaced horizontal  and vertical elements, as well as the overlapped voidness and solidness,  create the theme of conceptual dialectics before visitors enter the venue.闭合 / Closing 「墙」平图的均质关系，化约至二维静定图式。门轴与光孔构序对内部的喻示。同义反复，旋律横向扩充并延时期待。The homogeneous「wall」plan is reduced to a two-dimensional static graph. The  door axis and the light opening construct the prelude to the interior. As the  tautology repeats, the melody expands horizontally and delays expectations.交响诗重奏 / Symphonic Ensemble  绝对精神恒自内在否定深刻揭示，扎根于深厚的诗化哲学文脉调性：潜含观念连续性建构模式，是思想进论在挣脱价值失范中演化确立，对既定僵化教条的突破和检验，重构范式。重奏偏离暗示自由、解放为旨归，为主体动机塑造先导提供条件。旋律曲体要义同构，使空间交响性具有隐微潜力。The Absolute Spirit, which originates from constant internal negation, takes  root in the profound and poetic philosophic, context and tonality. It contains  the underlying mode for continuous conceptual construction, which is the  development and establishment of ideological evolution in breaking away from  the anomie of value, the breakthrough and test of the established rigid dogma,  and the reconstruction of paradigm. The deviation of the ensemble signifies  the pursuit of freedom and liberation, and provides conditions for motivating  the making of a leader. Key meanings are repeated in the melody, endowing the  space symphony some implicit potential.空间通过情绪调度、抽象性内在赋型。调性对峙倾向，在协和与不协和拉扯之间获得动力，生成丰富动机和功能扩充多义性，潜存空间独特听感。空间主旋律主题变形，细节和声主干回旋，渐进离调形成空间交响诗。The space is so styled to manipulate emotions in an abstract manner. The  conflicting tonality derives power from between the concord and discord,  generates strong motivation and varied functions, unwittingly creating a  unique musical sense of the space. As the main melody of the space varies, the  harmonic details resonate, gradually deviating into a space symphony.回响空间 / Space Resonation中央大厅顶部以反向倒置收拢的三角光体，滤光结构形成虚拟天窗引入光线，控制光线流出的路径。光从中间主轴向两边方向淡出，通过调节光的照度和色温变化，为展厅提供适宜的照度。The ceiling of the central hall is mounted with inverted triangular lighting  fixtures, with light filter to simulate daylighting from real skylights and  control the path of light flow. Light fades out from the central axis to both  sides, and provides appropriate illumination for the exhibition hall through  proper adjustment of illuminance and color temperature.光，作为空间的秩序定向。光轴勾勒空间脊梁，轻盈纤细的骨感，赋予弥漫扩散的基调。神圣感和崇高纪念性，成为中央大厅的焦点，物理结构下行，精神上行的感受洗礼，两者相互渗透获得更深刻反向弥补。Light gives order and orientation to the space. The light axis, which outlines  the space ridge, delivers a sense of lightweight and neatness while setting a  diffusive tone. This divine, sublime and monumental scene makes the central  hall the focal point, where the downward trend of physical structure and  upward trend of spiritual baptism are even more significantly enhanced through  mutual penetration.连续体量，靠光线的反向造就明暗的交替。骨感和通透，接近线性的框架。单个杆件组合，强调杆件与元素之间的等级制和秩序。The continuous volume generates the alternation of light and darkness through  light reflection. In a neat and transparent manner, individual rods are  combined into an almost linear frame, highlighting the hierarchy and order  between the rods and elements.节点要素 空间旋律 / Key Notes of Space Melody空间规划采用从-主-从对称的回旋式结构布局，以局部决定整体，细节为空间带来丰富的表情。细部比喻为空间五线谱里的音符附点，构成场所旋律和声的基础要素。既让旋律在和谐里分裂，也使和声在协同中侵扰。旋律与节拍，索引与离合，细部在拉扯之间对抗，基面流变。使空间从平和转调，对弈和协同。让空间显映玄秘变奏，成为镶嵌细部情绪的空间织体。The space is planned in a secondary-primary-secondary symmetrical and repeated  structural layout, where parts define the whole and details bring rich  expressions to the space. The details, like notes in the space stave,  constitute the basic elements of the melody and harmony of the place, allowing  melody to split in harmony and harmony to be interrupted in melody. Melody and  beat, index and clutch, are details attracting and opposing each other,  creating base surface rheology. The calm space is then transitioned to  opposition and coordination, creating mysterious variations, like a spatial  texture inlaid with emotional details.再现古典精神 / Recreation of Classical Spirit古典性 结构性的理性主义 / Classic Structural Rationalism古典建筑的纪念性 / Monumentality in Classic Architecture不同的古典传承 / Classic Inheritance in Varied Forms源于纪念性诉求的古典建筑秩序，表现为线性和向心性的空间秩序。不同古典时期有其对应的空间观念。维持空间主轴关系，重现古典秩序，建筑中寰宇性的精神信仰。The classical architectural order in pursuit of monumentality is represented  by linear and centripetal spatial order. Different classical periods are  accompanied with corresponding spatial concepts. The relationship with the  main spatial axis is maintained to recreate classical order and universal  spiritual belief in architecture.长桌在中世纪是分级和集权、信任和团结的象征性符号。社会地位分配链和政治权力结构会在长桌上得到深刻体现，并创造出互相依存的关系。围绕长桌，张扬或伪装，恭顺或抵制，论资排辈或攀比高低，产生决策或制造混乱。In the Middle Ages, the long table, as a symbol of hierarchy and power, trust  and unity, profoundly reflected the chain of social status and the structure  of political power, and nourished their interdependent relationships. Around  the long table, people displayed or disguised, complied or resisted, ranked or  compared, made decisions or confusions.意义营造 / Meaning Construction中央大厅的岛台长桌，在这里被转化为集中交流的空间象征，是展示统合和分配的焦点。岛台可以收纳展示过百款产品样板，具备极强的集中性收纳与抽拉开启显示。把手将台面拉开，层板拓展变成多功能的会议台，抽屉层板拉手嵌入LAK品牌金属拓印。马蹄铁台脚，并置与支撑。拉手特征强化，从传统的功能建造到意义营造。Here the long island table in the central hall is rendered as a spatial symbol  for centralized communication, and a centerpiece signifying unity and  distribution. The island table, which can store and display more than 100  product samples, has a strong capacity for centralized storage, with pull open  display. By turning the handle, the table top can be pulled apart and expanded  for a multi-functional meeting, and the drawer handle is embedded with metal  rubbing of the LAK logo. The horseshoe-shaped table bases are set in parallel  to provide support. Handle features are highlighted to realize the transition  from traditional functional focus to meaning construction.焦点 / Focus木圆柱抽桶，抽拉式工艺架，展示楼梯步级90度木拼角工艺。方圆对比嵌套，潜藏深度、重量以及尺度。夸张的比例钢材把手，扩张力预设区位焦点，超越功能本身而蕴涵象征性意义中心。A cylinder-shaped wooden drawer with a pull-out metal frame is designed for  displaying 90-degree wood splices of the stairs. The cube and the cylinder  sheathed in it present a contrast, with the depth, weight and size all  concealed. The steel handle is made in a much exaggerated size to draw focus  to this pre-set tension area, more to demonstrate its symbolic significance  than to meet its functional purpose. 等级秩序 / Hierarchy不单一通过基本意义来表现结构，而是把结构和空间创造结合起来，同时形成秩序并建立等级。「集中式」和「单元拼合」，两种最基本的从空间组织贯穿到营造的建筑原型：蕴含aba间隔秩序、主从空间的组织策略以及双轴对称的中心式空间模式。赋予对材料特性和结构体系表达的注重，空间和形式组合的秩序，是古典精神的超脱再现。宏观整体对称均衡，但细部对抗反和谐。The structure, rather than being expressed merely through the basic meaning,  is combined with spatial creation, while order and hierarchy are established  at the same time. 「Centralization」and「unit integration」, two most basic  forms of spatial organization, run throughout the architectural prototype: the  aba-alternating sequence, the primary-secondary spatial organization strategy,  and the biaxial symmetry of the central spatial pattern. Emphasis is thus  given to material properties and the expression of the structural system, the  order of space and form combination, manifesting a transcendental recreation  of the classical spirit. At the macro level is a symmetrical and balanced  whole, while at the micro level are contrasting and contradicting details.剪裁 / Cutting空间的展览由10个对称的三角岛构成，承载了  LAK上百个欧洲木地板品类，支持扩容替换，是展览的系统。断面内向中厅，对位对称阵列，多向展示界面梳理过滤出随机动线和展陈的线条，抵达潜在的剩余目的。The exhibition space is composed of 10 symmetrical triangular islands loaded  with hundreds of types of European wood flooring in LAK’s catalogue, and this  exhibition system allows for expansion and replacement. The cut surfaces,  which face internally to the central hall, are placed in symmetry opposite  each other. They display the interface in multiple directions, creating and  filtering out random lines and exhibition routes leading to the possible  remaining destinations.展览集成木箱，比喻为舞台道具。每一块地板，是集中的限定窗口。归纳和刻意裁剪限制后，更好传达每一块木地板内在气质和张力释放，推动情节。A series of wooden boxes, like stage props, are integrated for the exhibition.  Each single piece of the flooring is a centralized window for specific sales.  After customization and tailored cutting, it can better showcase the inherent  quality and resilience of each wood flooring, and in this way, promote  subsequent sales scenarios.细节诗释 / Poetic Detail实心钢板T型构建的灯，和展陈系统的木盒，以卯合形式出现成为展品照度的补充要素。不同单元组合和界面接合的连接器，并置阵列的点阵光，赋予从内部署向外延伸的细节诗释。The T-shaped lamps made of solid steel and the wooden boxes for exhibition are  connected via rabbets to provide extra illumination for the exhibits. The  connectors joining different units and interfaces and the juxtaposed arrays of  light matrix interpret the poetic details of internal extension to the  external.支撑 / Support家具本质是对人体的支撑。原型以稳定的三角支撑荷载。强调厚度、重量感、稳固、利落和细节，共同构成家具的关键要素。用错位结构表达工艺折面，组建与卯合结构细部。表达支点元素的均衡统一，最大限度关注每一个细节的相对独立性。家具构造和空间构造相辅相成，以个体的状态联合构成空间质量，是功能本质的转译和回归再发展。Furniture, in essence, is to provide support for the human body. The  prototype, secured by a solid triangular base, highlights thickness, weight,  stability, and neat details, which together constitute the key features of  furniture. The folded surface is expressed by misplaced structures, and  structural details are created via rabbets to express the balance and unity of  the fulcrum, and each detail is given maximum independence. Furniture  structure and space construction complement each other and individually, they  constitute the overall space quality, fulfilling the translation and  regression of essential functions.雏形 / Prototype椅子，发展到当下结构多元引申广义，依然保持着作为原始凳子基因的母体雏形，即对人体最本质的支撑功能，一直没有变。在厚度比例、物料搭配和细节构造上，则保持了持续进化的路径。The stool, with a broad range of diversified structures nowadays, still  maintains its original function as the prototype, that is, to provide the  basic support for the human body. Though in respect of thickness  proportioning, material composition and detail construction, it has been  continuously upgraded.H 丨椅子  三角凳脚和T型肢体形成结构稳固支撑。以一种极简解构方式完成既成观念的解放，借以表达功能本原的可持续确立与再创造。H 丨Stool  The triangular stool base and the T-shaped stool body form  solid structural support. This minimal style of structural construction  signifies an escape from stereotyped concept, and demonstrates the  sustainability and re-creation of the original function.线构 骨感 / Linear Structure and Neat Style空间中一个独特的织体语言。️纤细的牵引线触发空间秩序互联在厚重古典精神回应中再现轻盈和谐的语境。接近线纤细骨感，是空间分段分切的对应轴。续联与转换，以一种极弱极细的方式反映贯穿。趋势牵引，空间古典性的迁移与思辨的意义索引。A unique textural language defines the space, where thin wires trigger an  interconnected network of space order and create a light and harmonious  context in response to the solemn classical spirit. The neat thin lines serve  as the axes for space division and segmentation. They extend and transform,  running throughout the space unheeded. They lead and guide movement in the  classical space, and gives meaning to speculative thinking.趋势正反 / Dialectics 内在属性，本质矛盾的两面，由正反命题，因为冲突而驱动。趋势正反的两极性，当空间回归物性本质，且同时空间向观念展开。空间填补了阵营对立的缝隙。而否定在过程中的重要意义，以颠覆性对前阶段的否定。趋势则有了不循环且无限拓展的量能。The intrinsic properties, which have two contradictory aspects, are driven by  conflicts. Subject to the principle of polarity, i.e., positive and negative,  when space returns to its physical nature, its conceptual construction starts.  Space soothes the resistance between opposites. And the importance of negation  in the process is its subversion and negation of the previous stage. In this  way, a non-repeating yet infinitely expanding trend of quantitative energy is  established.桥接 / Bridging摒弃传统意义吧台形式，不以独立体量存在。吧台以空间之间关联的桥接部件设定，横向延伸左右两端的茶室连贯在一起。茶室墙体开口，穿透边界局限和视线贯穿。Instead of adopting the traditional form of bar counter, which existed  independently, the bar is designed with bridging components for space  connection. It extends horizontally and connects the pantries on the left and  right sides. The opening in the pantry wall breaks the boundary limit and  realize visual connection.黄金支点 / Golden SupportY 丨吧凳   以三组金字塔式凳脚的稳定性，支撑起倒锥型底座。立体的图底关系和正负形结构截面，切分嵌套成高度统合的黄金支点。Y 丨Bar seat  The seat is an inverted cone supported by a solid three-leg  pyramid. The multi-layer figure ground and the cross section of positive and  negative shapes are cut and spliced into a highly integrated golden fulcrum.填补空缺 / FillingO 丨茶几   符号O+田+V，相互填补空缺。玻璃台面和不锈钢V架、Foreso芙瑞板，轻重体量交错的组合支撑体系。建立强烈构造对比的结构系统，保证放置强度、质感对比和视觉的通透。O 丨Tea table   The O+ square lattice +V shapes are design for  mutual complementation. Glass counter, stainless steel V frame, Foreso board,  and the supporting system with the alternation of light and heavy volumes  create a structural system in strong contrast, while ensuring the loading  capacity, texture contrast and visual transparency.一般观念 与 抽象性辩证模型 / General Concept VS. Abstract Dialectic Model具有普遍意义的本质，和人为的目的设定，混淆了关系的一般观念。有绝对划分的局限性。绝对排他，主张阵营对立。辩证不是指向完成和定论，而是转为一种回溯行为，一个关键性的转换，对事物内在潜能的激发和扩展。事物所蕴含的共在循环，非决定性的对立。其特质不指向绝对相反两极，而潜存多要素贯通。The universal nature and human purpose have confounded the general idea of  relationship, subject to the limitation of absolute division, exclusion, and  opposition. Dialectics is never intended for completion or conclusion, but for  backtracking, for a critical reversion to stimulate and expand the inner  potential of all things, and to realize the internal symbiosis and  non-conclusive opposition of all things. Impartial to either opposite side, it  allows for the potential coexistence of all.其辩证过程的目的不是一个去除了任何质料之剩余的绝对形式。随机性和严谨性的分裂，将现象和观念分离的鸿沟。因为没有先验和添补阵营的裂痕的绝对对立和绝对断层。潜在的逻辑必然性只有在偶然性事件的相互作用中被升华。坚持绝对的原初的现实性，即探寻从现实中抽象出来的可能性条件，并将它们放在一个理性向感性的根据上重构。The dialectical process is never intended to realize anything absolute by  disconnecting it with others, such as the split between randomness and rigor,  the chasm that separates phenomenon from ideas, or any absolute opposition and  separation subject to no prior experience or supplementation. The  inevitability of the underlying logics can only be sublimated in the  interaction of contingency events. The only thing absolute to adhere to is the  original reality, that is, to explore possible conditions abstracted from  reality and reconstruct them on a rational to perceptual basis.空间创作中尝试脱离单纯建筑学建构方法制约局限，用哲学智慧融入古典音乐创作的调式，重现空间旋律和声的协奏交响。在古典结构理性主义基础上升华，空间节奏旋律复合演绎的空间交响诗。传承与创新，观念解构的先锋性实践。To break away from restriction and limitation of the stereotyped architectural  construction methodology, the space design integrates philosophical wisdom  into classical music creation to recreate the symphony of space melody and  harmony. On the basis of rational sublimation from classical structure, a  symphonic poem is created by the rhythm and melody of the space. The  inheritance and innovation combine to enable a pioneering practice of  conceptual deconstruction. 音乐的空间感 Spatial Sense of Music空间的哲学性 Philosophical Nature of Space反向解构 Reverse Deconstruction并持续反应 Continuous Reaction    PONE以LAK旗下英国Foreso芙瑞板为主材，设计了HOY全新系列家具。芙瑞板是以碎木与混合物凝固而成的环保微固材料，重焕废弃木屑生机。该系列为PONE  2022 原创家具设计专利之一。PONE designed HOY's new collection of furniture with LAK's Foreso  board as the main material. Foreso board, as an eco-friendly micro-solid  material made of solidified wood scraps and mixtures, revives the vitality of  discarded wood chips. The series is listed as one of PONE’s original furniture  design patents of 2022.产品设计和项目创作并行，当产品回归物性，且同时向观念展开。支撑为功能起点，并成为本项目象征性的新本体。Product design goes hand in hand with project creation. When products return  to their physical nature, its conceptual construction starts. The supporting  function is taken as the starting point, and developed into a symbolic new  subject of the project.PONE普利策，由何思玮先生和梁穗明女士共同创立的创意先锋团队。专注于建筑、空间设计、商业品牌创新、办公、展览等。独特的视觉与思考，打破固有规则与认知。不断创新，以执着纯粹感知力全新定义设计的边界。PONE Architecture is a creative and pioneering team co-founded by Mr. Golden  Ho and Ms. Ming Lueng. PONE focuses on architecture, space design, commercial  brand innovation, office, exhibition and so on. With unique vision and  thinking, PONE breaks inherent rules and cognition, and through continuous  innovation, it is defining a new design boundary with its persistent and pure  perception.成立至今已获得385个国际大奖，先后获得德国红点设计至尊奖Best of the  Best、德国iF年度最佳设计奖、美国《室内设计》杂志年度最佳设计奖Winner、世界建筑节WAF设计奖、加拿大AZ奖全球类别最佳、英国Dezeen  awards设计大奖、世界室内新闻奖WIN Winner、意大利建筑杂志The  Plan最佳设计、香港APIDA设计金奖及评审之选、美国Gold Nugget  awards金块奖最终大奖、台湾TID室内设计金奖、香港DFA亚洲最具影响力设计奖、意大利A'Design  Award最高荣誉铂金奖、荷兰Frame  Awards等全球设计荣誉。2019年，PONE普利策团队被广州市人民政府授予「高端专业技术奖」。Since establishment, PONE has won 385 international awards, including the Red  Dot: Best of the Best, Germany; iF Design Awards, Germany; Interior  Design—Best of Year Winner, the United States; WAF Design Award; Best Winner  of AZ Awards, Canada; Dezeen Award, the United Kingdom; WIN Winner; Italian  Architecture: The Plan Awards; APIDA Gold Award and Judge’s Choice, Hong Kong;  Gold Nugget Awards, USA; TID Gold Award, Taiwan; the DFA Design for Asia  Awards, Hong Kong; A'Design Award Platinum Edition, Italy; Frame Awards,  Netherlands and other international design honors. In 2019, the PONE  Architecture team was given the “High-end Professional Technology Award” by  the Guangzhou Municipal People’s Government.

“表面是饮食男女，内里却藏着山河岁月，时代变迁。”——王家卫"On the surface, it's about men and women's diets, but inside, it hides the vicissitudes of the mountains and rivers, and the changes of the times."--Wong Kar-wai世界上绝少有一个地方能像外滩一样，短短百年，在江边千余米的堤岸上，浓缩着万国建筑与文化的精粹，传统与新潮碰撞，西式与中式交融，包容创新、自成一派。Few places in the world can condense the essence of global architecture and culture, with traditional and trendy elements colliding, Western and Chinese styles blending, embracing innovation, and forming a unique school of thought, along the bank of a river spanning over a thousand meters in just a hundred years, like the Bund.在这气韵之上，于黄浦江与苏州河交汇处、外白渡桥旁，曾有始建于1984年的海鸥酒店伫立此间，被誉为浦江两岸资源独占的最佳观景酒店。几年前，绮丽新生，出落成「海鸥丽晶酒店」，承载着永恒经典和艺术价值，续写海派时尚传奇盛宴。Located at the intersection of Huangpu River and Suzhou Creek, next to Garden Bridge, the former Seagull Hotel, which was first established in 1984, stood tall, boasting the best view of the resources on both sides of the Huangpu River. A few years ago, it was reborn as the "Seagull Regent Hotel", carrying the timeless classic and artistic value, and continuing the legendary feast of Shanghai fashion.坐落于黄浦路60号，北外滩黄金地标。室内设计由CCD操刀主理，以繁花之名，写尽上海繁华盛景，开启静谧私享之境。Located at No. 60 Huangpu Road, it stands as a golden landmark in the North Bund. The interior design is undertaken by CCD, which writes out the prosperity of Shanghai in the name of flowers, and opens up a quiet and private realm.精致绝伦的玻璃盒子，与浦江三岸建筑交相辉映。海鸥丽晶酒店的建筑，外立面如同镶满水晶与黄铜，闪耀舒展于一江一河交汇处。呈扇形绽开的南立面正对滨江观景平台、外滩历史建筑群和充满未来感陆家嘴天际线，显华美之姿。This exquisite glass box complements the buildings on the three banks of the Huangpu River, creating a breathtaking view.The facade of the Seagull Regent Hotel, adorned with crystal and brass, shines prominently at the intersection of Huangpu River and Suzhou Creek. The fan-shaped south facade faces the riverside viewing platform, the historic buildings of the Bund, and the futuristic skyline of Lujiazui, exuding an exquisite elegance.海鸥丽晶酒店，正是以这份历史积淀和独特的文化基因，让每位旅人寻得自己的上海故事，从城市第一会客厅，开启华丽摩登之旅。With its rich historical background and unique cultural heritage, the Seagull Regent Hotel invites every traveler to discover their own Shanghai story, embarking on a glamorous and modern journey from the city's premier reception hall.01 晶彩时刻，重塑海鸥传奇 / Crystal Moments, Reshaping the Legend of the Seagull“繁华落尽，方显人生本色；世事变迁，始见真情永恒。”——金宇澄"Only when the prosperity fades away, can one's true colors be revealed; only through the vicissitudes of the world, can one witness the eternity of true feelings." -- Jin Yucheng设计从不是摒弃历史，而是在传承中创新。CCD以海派格调、老海鸥酒店、丽晶品牌故事为纲，沁入东方视角，重新定义现代优雅。Design is never about discarding history, but rather innovating while preserving traditions. CCD, taking Shanghai style, the history of the old Seagull Hotel, and the Regent brand story as its guiding principles, infuses an Eastern perspective to redefine modern elegance.再现城市第一会客厅 / Reviving the City's Premier Reception Hall海鸥丽晶酒店的主入口，花荫绿篱，有着私密花园般尊贵的仪式和秩序性，将熙攘的街道与酒店动静分隔开，给宾客带来归家的腔调。The main entrance of the Seagull Regent Hotel, adorned with floral shades and green hedges, offers a prestigious and orderly atmosphere reminiscent of a private garden, separating the bustling streets from the tranquility of the hotel, and imparting a sense of homecoming to its guests.大堂双开式大门则更具仪式感，门扇的设计以老上海窗格为灵感，复古精致中，穿越风雅过往与今日悠然。The double-opening doors of the lobby exude a sense of ceremony, with their design inspired by the window grilles of old Shanghai, blending retro elegance with a graceful transition between the past and the present.进入玄关，一幅高3米的艺术画作立现，由传统大漆工匠历时6个月制作完成，图案以上海市花「玉兰」为形，表面斑驳工艺映射出岁月痕迹，将浓郁沪韵娓娓道来。Upon entering the entrance hall, a 3-meter-tall artwork immediately catches the eye, crafted by a traditional lacquer artist over a period of six months. The design features the magnolia, the municipal flower of Shanghai, with a mottled surface that reflects the passage of time, narrating the rich culture and charm of the city.而抵达大堂中央的动线，就像是细观一朵玉兰花慢慢绽放开来的过程。圆形内凹式天花设计，呼应花苞形吊灯，这件名为“逐光”的艺术装置，由几何水晶块拼接成钻石外观，于光影流转间，映射出繁花盛开的四时景象。The path to the center of the lobby resembles the gradual blooming of a magnolia flower. The concave circular ceiling design echoes the flower-shaped chandelier, an artistic installation titled "Chasing Light," which is composed of geometric crystal blocks arranged in a diamond-like pattern. As light and shadows dance, it reflects the changing seasons and the prosperity of flowers in full bloom.而另一侧的镂空屏风，以一弯优雅弧线和端景，让舟车劳顿的身心有了温柔安定的形状。On the other side, the hollowed-out screen, with an elegant arc and end view, gives the weary body and mind a gentle and peaceful shape.大堂中亦保留了原海鸥饭店经典的百年钢琴与旋转楼梯，整体白色石材搭配黑色序列感墙面与钻石切割式天花，扭转向上通往宴会厅，以此婉约的笔触致敬岁月迭代，为新故事铺就框架。The lobby also retains the classic centenary piano and spiral staircase of the former Sea Gull Hotel. The overall design features white stone materials paired with black walls and diamond-cut ceilings, twisting upwards towards the banquet hall. This elegant touch pays tribute to the passing of time and lays the framework for new stories.这是独属于上海的腔调，注重细节、讲求格调、傲而不骄、自有分寸。This is the unique tone of Shanghai, emphasizing details, pursuing elegance, being proud without arrogance, and having a sense of propriety.再往大堂深处去是接待厅，流光溢彩的透光石吧台，与顶部花芯般的立体天花吊饰形成对话，安心坐落式的入住办理，更让特定的感知被唤醒，昔时旧忆如倾倒的光珠，温柔地散落进现世美学的内里。Further into the lobby is the reception hall, where the shimmering translucent stone bar counter forms a dialogue with the floral-shaped three-dimensional ceiling pendant at the top. The comfortable seated check-in process awakens specific senses, and memories from the past, like poured light beads, gently scatter into the interior of modern aesthetics.无论是安然静谧的大堂休憩区，还是宝石般精妙绝伦的甜品吧，都将上海的“咖啡语茶”文化和海鸥饭店中海员俱乐部的昔日氛围相融汇，呢喃过往名流穿梭，觥筹交错间，现辉煌。Both the serene lobby lounge area and the exquisite gem-like dessert bar blend the "coffee and tea" culture of Shanghai with the nostalgic atmosphere of the sailors' club in the former Sea Gull Hotel, whispering of the past celebrities shuffling through, and revealing glory amidst the clinking of glasses.02.随心变幻，与时间俱繁华 / Transform at Will, Prosperity Alongside Time繁花，是氛围意境，是时代美学，是欲说还休，是千回百转。Flowers represent atmosphere, aesthetics of the times, an unspoken longing, and a myriad of emotions.全日餐厅--绣 | 绿野仙踪与秩序美学 / The Wizard of Oz and the Aesthetics of Order不同的组合形式、不同的色彩，造就梦幻多元的公共空间，这也正契合丽晶酒店“随心变幻”的品牌个性，也是向繁花，向时间，向38岁的海鸥致敬。Different combinations and colors create a dreamy and diverse public space, which is in line with Regent Hotel's brand personality of "Transform at Will" and also pays tribute to the flowers, time, and the 38-year-old Sea Gull Hotel.全日特色餐厅内部延续了建筑的序列感，斜梁结构卡座沿大窗依次排开，加之窗外的城市天际与江河自然，平添了宏大叙事风范。The interior of the all-day specialty restaurant continues the architectural sequence, with sloping beam structure booths arranged along the large windows, adding a grand narrative style amidst the urban skyline and natural river scenery outside the windows.全日特色餐厅内部延续了建筑的序列感，斜梁结构卡座沿大窗依次排开，加之窗外的城市天际与江河自然，平添了宏大叙事风范。The interior of the all-day specialty restaurant continues the architectural sequence, with sloping beam structure booths arranged along the large windows, adding a grand narrative style amidst the urban skyline and natural river scenery outside the windows.厨房区域的墙面和天花设计则采用镜面与磨砂材质，通过钻石切割的手法重组，这也延续了大堂的艺术元素。The design of the walls and ceilings in the kitchen area utilizes a combination of mirrored and frosted materials, which are rearranged through diamond-cutting techniques, continuing the artistic elements of the lobby.在观赏性与实用性交融的各个角落，一举一动的生活细节都被精心雕琢，并非取媚，而是审美的温柔关照。In every corner where aesthetics and practicality blend seamlessly, every detail of daily life is meticulously crafted, not to please, but as a gentle aesthetic consideration.空间的装饰隔帘更融入上海摩登质感，专属定制的红色与绿色渐变天鹅绒，将东方温润哲学意蕴揉入，确也点亮了海派的典雅和高贵。The decorative curtains in the space further integrate the modern elegance of Shanghai, with exclusively customized red and green gradient velvet that incorporates the gentle philosophy of the East, truly illuminating the elegance and nobility of Shanghai style.中餐厅--锦鳞 | 上海弄堂的岁月长卷 / The long scroll of Shanghai's alley life如果说外滩是反映海派风貌的一扇门，那么以石库门为代表的人文烟火就是它的一扇窗。If the Bund is a door reflecting the style of Shanghai, then the humanistic atmosphere represented by Shikumen (stone-framed gate) is its window.譬如锦鳞中餐厅的入口，就似走进老上海的风雅长卷，整体以红色渐变金属和黑色橡木为主调，再用隔断营造层层递进的视效，象征着岁月迭代新生。For example, the entrance of the Jinlin Chinese Restaurant feels like stepping into an elegant scroll painting of old Shanghai. The overall design is dominated by red gradient metal and black oak, with partitions creating a layered visual effect that symbolizes the renewal of time.廊间的花艺装置作品呼应“繁花映繁华”的主题，蔓延生长的状态牵引出场域的至臻美学。The floral installations in the corridors resonate with the theme of "Flowers Reflecting Prosperity", with their sprawling growth drawing out the ultimate aesthetics of the space.用餐区则以环环相扣的天花设计展开界面，每一个圆对应着一席餐桌，垂下的宝蓝色网帘可随意围起打开，形成半开放式包厢，打造私密性的同时，更与开放式厨房构成逸趣对话。The dining area features an interconnected ceiling design, with each circle corresponding to a dining table. The hanging royal blue mesh curtains can be easily closed or opened to create semi-private booths, enhancing privacy while also fostering an interesting dialogue with the open kitchen.从悬挂的剪纸艺术到水晶花朵倒悬的吊灯，种种细节，无不透露着石库门风情与法式优雅的和谐共生，演绎匠心独运的空间魅力。From the suspended paper-cutting art to the crystal flower chandeliers hanging upside down, every detail reveals the harmonious coexistence of Shikumen charm and French elegance, showcasing the unique spatial charm crafted with ingenuity.瞰景酒吧 | 未来感视觉宇宙 / Futuristic Visual Universe行至此间，横向展开的大窗引入上海独一无二的全景都市风貌，并可内外联动，切换通透无阻、步移景异的格局。Walking through this space, the large horizontal windows bring in Shanghai's unique panoramic urban scenery, and can be interconnected internally and externally to switch between a transparent and unobstructed layout, with changing scenery as one moves.空间中泛着时间光泽的黑色做旧金属板、几何形体叠加组合出未来感。舒适简约的家具与流动感艺术装饰，象征着柔和与硬朗、东方与西方的融会贯通。The space glimmers with the patina of time, as black distressed metal plates and overlapping geometric shapes create a futuristic feel. The comfortable and minimalist furniture paired with fluid artistic decorations symbolize the harmonious integration of softness and strength, as well as the East and the West.设计师通过此种前卫方式，为前来的宾客打开一扇穿越时空之门，再次刷新人们对于餐饮空间的定义。Through this avant-garde approach, the designer opens a door for guests to traverse time and space, once again redefining people's perceptions of dining spaces.03.私享之境，于画中枕月听涛 / A private retreat, where one can rest under the moonlight and listen to the waves amidst the painting.不响，不代表沉默，它是一种留白。——《繁花》Silence is not the absence of sound, but rather an act of leaving blank spaces. — 《Flowers》每每回望旧时岁月的考究优雅，亦可沉醉于现下的精巧安然，这便是居停体验中最好的状态。Every time we look back at the refined elegance of the past, we can also indulge in the delicate tranquility of the present. This is the best state of mind in the experience of staying.在海鸥丽晶酒店，便如是，随处可遇见画报里的老上海，亦可遇见如画风景中悠然的自己。At the Seagull Regency Hotel, one can encounter the old Shanghai depicted in picture albums everywhere, as well as the leisurely self amidst picturesque scenery.套房 | 共鸣城市璀璨 / Resonating with the Glittering City从公共空间到私享之境，是一场回归的旅程，可以在城市璀璨的风景之中，好好顾及内心种种所需。From the public space to the private retreat, it is a journey of return, allowing one to attend to the various needs of the heart amidst the dazzling urban landscape.海鸥丽晶酒店的套房，更是对海派豪门风尚和生活腔调的品味延承，老上海风情百叶窗、流线型圆角沙发、花漾吊灯、精巧纹饰……尽数镌刻岁月鎏金。The suites at the Seagull Regency Hotel further embody the elegance and lifestyle of the Shanghai aristocracy, with touches like the vintage Shanghai-style shutters, streamlined rounded sofas, floral chandeliers, and delicate embellishments, all etched with the golden memories of time.套房更兼顾功能和美学，瞰景客厅、休憩茶歇空间、步入式衣帽间、静谧和光卧室，以及开阔视限的阳台，流动衔接。The suites strike a balance between functionality and aesthetics, with seamlessly connected spaces including a panoramic living room, a relaxing tea break area, a walk-in closet, a serene and well-lit bedroom, and a spacious balcony offering panoramic views.更可在彩霞漫天时，享受临窗而浴的私汤时刻，饱览浦东天际繁华与外滩万国建筑博览群。艺术气息汇聚，更融入这座城独有的视觉文脉之中，乐享典雅。During the magnificent sunset, guests can indulge in a private bath by the window, taking in the panoramic view of Pudong's skyline and the Bund's architectural marvels. This convergence of artistic atmosphere blends seamlessly into the unique visual heritage of the city, offering an elegant and enjoyable experience.客房 | 里弄风华,续写城市印记 / The elegance of Lilong, continuing the imprint of the city而奢华客房，在空间表达上延续海派建筑语汇，提取“里弄”的人文元素、生活肌理，甚至经典色彩，探寻这座城自成一体的复古与新潮、古典与摩登意象。The luxurious guestrooms continue the architectural vocabulary of the Shanghai style, incorporating the humanistic elements, lifestyle textures, and even classic colors of the "alleyways," exploring the city's unique blend of retro and trendy, classical and modern imagery.K1户型采用了全新的空间布局方式：将浴缸置于窗边，居者可在江畔夜景前沐浴、小酌、听潮起潮落，还能与客厅诸事互动……颇有海派美学与法式生活的玩赏底色。The K1 floor plan adopts a brand-new spatial layout, placing the bathtub by the window so that residents can bathe, sip, and listen to the tides while enjoying the riverfront nightscape, all while interacting with the living room... This design captures the essence of Shanghai aesthetics and French lifestyle.纯色空间基调中，更使用浓郁的色彩做装饰搭配，沙发座椅取用经典旗袍印花元素，加之幻美的屏风一双，极具婉转风姿，奠定了房间舒雅奢华的格调。Within the monochrome backdrop of the space, rich colors are used as decorative accents. The sofa and chairs incorporate classic cheongsam print elements, complemented by a pair of exquisite screens, creating an elegant and luxurious ambiance imbued with grace and charm.K2户型则以洄游动线的方式，以半开放式隔断划分开睡眠区与洗浴间，居者可正对落地窗外的江畔之滨，枕于床塌之侧，于半梦半醒间感受百年风情之城的交织变幻。The K2 floor plan employs a circulating layout, utilizing semi-open partitions to separate the sleeping area from the bathroom. Residents can face the riverside through the floor-to-ceiling windows, lying on the side of the bed, and experience the intertwining transformations of this city rich in a century of charm, between slumber and wakefulness.于此同时，还有偌大的步入式阳台，以及贯穿于客房的各类图案、织物、颜色……都涵纳着丰盈的历史底蕴，这便让旅居体验更有温馨家氛围，赋予酒店客房焕然一新的生命力，带来强烈的亲和力和怀旧气息。At the same time, the spacious walk-in balcony, along with the various patterns, fabrics, and colors throughout the guestrooms, all embody a rich historical heritage, enhancing the warm and homely ambiance of the travel experience. This imparts a renewed vitality to the hotel guestrooms, bringing a strong sense of intimacy and nostalgia.康体泳池 | 绮浪寻香,褪去一点燥 / Seeking fragrance amidst the waves, shedding a bit of restlessness游泳空间的设计，回归自然秘境，去除繁复的色彩和装饰，犹如一片盎然的水光花园，褪去一点燥，得来一点静。墙面以绿色石材为主，配合数个悬浮的苔藓花球，阳光泻入，于波光间映下一片灵动绿影。The design of the swimming space embraces the essence of nature, eschewing intricate colors and decorations, akin to a vibrant aquatic garden that alleviates the heat and fosters tranquility. The walls are dominated by green stone, complemented by several suspended moss balls, allowing sunlight to filter in, casting a lively green hue amidst the shimmering waves.空间柱体以花瓣的形态逐一展开，包含“生长绽放”之意，间或会有水雾流下，若影若幻间，可感受到都市特有的诗意浪漫，亦温柔亦坚毅。The spatial columns unfold in the shape of petals, embodying the concept of "growth and blooming." Occasionally, mist flows down, creating a dreamlike atmosphere that imbues the urban space with a unique poetic romance, blending tenderness with resilience.上海海鸥丽景酒店，就如同那幅专门为它定制的插画：三只海鸥飞翔于云端，致敬曾经的海员俱乐部，展现出自由与和平；八朵上海市花白玉兰则象征着万象更新；而居于其间的飞马寓意着活力成功，在世界级黄金水岸线之上，一路驰骋，勇往直前。The Shanghai Seagull Regency Hotel is like a tailored illustration featuring three seagulls soaring in the clouds, paying homage to the former sailors' club and embodying freedom and peace. The eight white magnolias, the city flower of Shanghai, symbolize rejuvenation and renewal. The flying horse amidst them represents vitality and success, galloping fearlessly along the world-class golden waterfront.CCD香港郑中设计事务所（Cheng Chung Design）创始人、董事长。郑忠先生曾担任“CTBUH世界高层建筑与都市人居学会首届室内设计评委会主席”、“Frame Awards酒店设计类别评委”，并被誉为“资本圈第一时尚先生”，被授予“联合国文化大使”、“中国设计年度人物”、“Hall of Fame名人堂成员”、广州美术学院客座教授、2019年胡润百富“产业领袖”等多个至高荣誉头衔。郑忠先生以“东意西境”的设计理念享誉国际酒店室内设计领域，带领CCD从创立至今已获得包括室内设计界最高荣誉——“Gold Key Awards（金钥匙奖）”最佳酒店设计奖项在内的百项顶级国际大奖，是首位囊括全系列酒店设计大奖的华人设计公司。2020年CCD荣登“亚洲品牌500强”，2020年荣登“中国500最具价值品牌”， 均成为第一个也是唯一上榜的设计品牌。Mr. Joe Cheng is the Founder of Cheng Chung Design Hong Kong, and the President of ATG. He has served as CTBUH's first jury chair for the category of interior design, Frame Awards jury for the category of hospitality design, and has been named as 'Mr. Fashion' in the capital market. He has also been honored numerous titles such as UN Cultural Ambassador, Chinese Design of the Year, Member of Hall of Fame, Professor of Guangzhou Academy of Fine Arts, Winner of  Industry Achievement Award of 2019 Hurun Report and so on. With his design concept of 'Eastern artistic conception in Western form', which has become popular around the world, CCD has received over 87 top-notched international design awards including the highest honor in the interior design field –'Gold Key Awards'. CCD has been recognized as one of the "Asia's 500 Most Influential Brands" in 2019, and "China's 500 Most Valuable Brands" in 2020, which was the first and theonly design brand on both list.