＊Reference Bibliography Catalogue Raisonné · S: Pierre Matisse, Kay Sage (eds.), Yves Tanguy: Un recueil de ses œuvres / A Summary of His Works, Pierre Matisse, New York, 1963. Others · AB: André Breton (ed.), Yves Tanguy, Pierre Matisse, New York, 1946. · JS: James Thrall Soby (ed.), Yves Tanguy (exh.cat.), The Museum of Modern Art, New York, 1955. · GD: Exhibition of Gouaches and Drawings by Yves Tanguy, Pierre Matisse Gallery, 1963, unpagenated. · DM: Daniel Marchesseau, Yves Tanguy, Filipacchi, Paris, 1973. · PW: Patrick Waldberg, Yves Tanguy, André de Rache, Bruxelle, 1977. · KS: Katharina Schmidt (ed.), Yves Tanguy (exh.cat.), Staatliche Kunsthalle Baden-Baden, Prestel-Verlag München, 1982. · TP: Patrick Waldberg, Tanguy: Peintures, L’Autre Musée, 1984. · RP: Yves Tanguy: Rétrospective 1925-1955 (exh.cat.), Musée national d’art moderne, Centre Geoges Pompidou, Paris, 1982. · DA: Dawn Ades (ed.), Surrealist Art, the Lindy and Edwin Bergman Collection, the Art Institute of Chicago, Thames and Hudson, 1997. · VI: Victòria Izquierdo (ed.), Klee, Tanguy, Miró. Drei Annäherungen an die Landshaft (exh.cat.), Palais Liechtenstein, Museum moderner Kunst Stiftung Ludwig, Vienna, 2000. · RB: René Le Bihan, Renée Mabin, Martica Sawin, Yves Tanguy, Palantines, Quimper, 2001. · KM: Karin von Maur (ed.), John Brownjohn, John S. Southard (tr.), Yves Tanguy and Surrealism (exh.cat.), The Menil Collection (Houston), Hatje Canz, Ostfildern-Ruit, 2001. · GM: René le Bihan et al., Yves Tanguy (exh.cat.), Galerie Daniel Malingue, Paris, 15 mai-12 juillet 2002. · AC: André Cariou (ed.), Yves Tanguy: L’univers surréaliste (exh.cat.), Musée des beaux-arts, Quimper, Somogy, Paris, 2007. · SD: Susan Davidson (ed.), Tanguy Calder: Between Surrealism and Abstraction (exh.cat.), L&M Arts, 2010. · KY: Double Solitaire: The Surreal Worlds of Kay Sage and Yves Tanguy, Katonah Museum of Art, Katonah, The Mint Museum Charlotte, North Carolina, 2011. 1950 01, 51 x 37, 5, S14-15 (color plate); GD unpagenated. 02, Watercolor, Collage, 34,2 x 30,2, Collection David Ilya and Daria Brandt, New York, AC204. c.1950 01, "To Jane," 35 x 28, Private Collection, AC204. 1952 01, 56 x 71, Private Collection, AC208; GM92-93; KM169, 238; VI125, 166; RP152-153; KS243, 260; GD unpagenated. 02, 55,9 x 68,6, Private Collection, AC209; GD unpagenated: JS61. c.1952 01, Composition, 44 x 40,3, Private Collection, GM90-91; KM167, 238. 1953 01, Couple, 35,3 x 28, Private Collection, AC211. 02, 19 3/4 x 25 3/4, GD unpagenated. 03, 22 1/4 x 28 1/8 in., Collection Mrs. Yves Tanguy, Woodbury Conn., JS65. 04, 22 1/4 x 28 1/8 in., GD unpagenated; JS62. ＊Date Unknown 01, 31 x 23 02, 26 x 22,2, VI87, 166. 03, 31 x 23, DM54. 04, 30,2 x 28,6, VI99, 166. 05, 32,4 x 28,6, VI86, 166. 06, PW10.
＊Reference Bibliography Catalogue Raisonné · S: Pierre Matisse, Kay Sage (eds.), Yves Tanguy: Un recueil de ses œuvres / A Summary of His Works, Pierre Matisse, New York, 1963. Others · AB: André Breton (ed.), Yves Tanguy, Pierre Matisse, New York, 1946. · JS: James Thrall Soby (ed.), Yves Tanguy (exh.cat.), The Museum of Modern Art, New York, 1955. · GD: Exhibition of Gouaches and Drawings by Yves Tanguy, Pierre Matisse Gallery, 1963, unpagenated. · DM: Daniel Marchesseau, Yves Tanguy, Filipacchi, Paris, 1973. · PW: Patrick Waldberg, Yves Tanguy, André de Rache, Bruxelle, 1977. · KS: Katharina Schmidt (ed.), Yves Tanguy (exh.cat.), Staatliche Kunsthalle Baden-Baden, Prestel-Verlag München, 1982. · TP: Patrick Waldberg, Tanguy: Peintures, L’Autre Musée, 1984. · RP: Yves Tanguy: Rétrospective 1925-1955 (exh.cat.), Musée national d’art moderne, Centre Geoges Pompidou, Paris, 1982. · DA: Dawn Ades (ed.), Surrealist Art, the Lindy and Edwin Bergman Collection, the Art Institute of Chicago, Thames and Hudson, 1997. · VI: Victòria Izquierdo (ed.), Klee, Tanguy, Miró. Drei Annäherungen an die Landshaft (exh.cat.), Palais Liechtenstein, Museum moderner Kunst Stiftung Ludwig, Vienna, 2000. · RB: René Le Bihan, Renée Mabin, Martica Sawin, Yves Tanguy, Palantines, Quimper, 2001. · KM: Karin von Maur (ed.), John Brownjohn, John S. Southard (tr.), Yves Tanguy and Surrealism (exh.cat.), The Menil Collection (Houston), Hatje Canz, Ostfildern-Ruit, 2001. · GM: René le Bihan et al., Yves Tanguy (exh.cat.), Galerie Daniel Malingue, Paris, 15 mai-12 juillet 2002. · AC: André Cariou (ed.), Yves Tanguy: L’univers surréaliste (exh.cat.), Musée des beaux-arts, Quimper, Somogy, Paris, 2007. · SD: Susan Davidson (ed.), Tanguy Calder: Between Surrealism and Abstraction (exh.cat.), L&M Arts, 2010. · KY: Double Solitaire: The Surreal Worlds of Kay Sage and Yves Tanguy, Katonah Museum of Art, Katonah, The Mint Museum Charlotte, North Carolina, 2011. 1950 01, 51 x 37, 5, S14-15 (color plate); GD unpagenated. 02, Watercolor, Collage, 34,2 x 30,2, Collection David Ilya and Daria Brandt, New York, AC204. c.1950 01, "To Jane," 35 x 28, Private Collection, AC204. 1952 01, 56 x 71, Private Collection, AC208; GM92-93; KM169, 238; VI125, 166; RP152-153; KS243, 260; GD unpagenated. 02, 55,9 x 68,6, Private Collection, AC209; GD unpagenated: JS61. c.1952 01, Composition, 44 x 40,3, Private Collection, GM90-91; KM167, 238. 1953 01, Couple, 35,3 x 28, Private Collection, AC211. 02, 19 3/4 x 25 3/4, GD unpagenated. 03, 22 1/4 x 28 1/8 in., Collection Mrs. Yves Tanguy, Woodbury Conn., JS65. 04, 22 1/4 x 28 1/8 in., GD unpagenated; JS62. ＊Date Unknown 01, 31 x 23 02, 26 x 22,2, VI87, 166. 03, 31 x 23, DM54. 04, 30,2 x 28,6, VI99, 166. 05, 32,4 x 28,6, VI86, 166. 06, PW10.
Silkscreen on 280 gm M2 gloss paper. Good condition. Notes: From the folio, Progressions II, 1972. Published and printed by Éditions du Griffon, Neuchâtel, Switzerland, 1972. VICTOR VASARELY (1908-1997) Internationally recognized as one of the most important artists of the 20th century. He is the acknowledged leader of the Op Art movement, and perhaps as synonymous with its founding as Picasso is with the founding of Cubism. Vasarely’s innovations in color and optical illusion have had a strong influence on generations of contemporary artists. He devoted himself to his lifelong fascination with linear patterning, which led him to draw figurative and abstract patterned subjects, and multi-dimensional works of art by super-imposing patterned layers on one another to attain the illusion of depth.
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Bouchardon, Edme, 1698-1762. Vade Mecum at Rome: Sketchbook in 2 volumes & 1 small unbound gathering of 147 drawings & sketches from ancient statues & paintings, 18th C, v. II, fol. 2, recto, 2006.16:2 (2006.16:1-3)
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About The Artwork It is about time and the way it leaves prints in our memory and also about the way that human memory plays with time. The memory decomposes the complete image transforming it into an incomplete puzzle and then it plays with into the imaginary field trying to recompose the image. It is about transposing the material into immaterial by creating a new identity and vice versa. I am fascinated by space and memory, either physical or imaginary, and by their virtual existence Original Created: 2007 Subjects: Body Materials: Canvas Styles: Expressionism Fine Art Mediums: Oil Details & Dimensions Painting: Oil on Canvas Original: One-of-a-kind Artwork Size: 39.4 W x 54.3 H x 1.2 D in Frame: Not Framed Ready to Hang: Not applicable Packaging: Ships in a Crate
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Silkscreen on 280 gm M2 gloss paper. Good condition. Notes: From the folio, Progressions II, 1972. Published and printed by Éditions du Griffon, Neuchâtel, Switzerland, 1972. VICTOR VASARELY (1908-1997) Internationally recognized as one of the most important artists of the 20th century. He is the acknowledged leader of the Op Art movement, and perhaps as synonymous with its founding as Picasso is with the founding of Cubism. Vasarely’s innovations in color and optical illusion have had a strong influence on generations of contemporary artists. He devoted himself to his lifelong fascination with linear patterning, which led him to draw figurative and abstract patterned subjects, and multi-dimensional works of art by super-imposing patterned layers on one another to attain the illusion of depth.
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