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La fin des terres 2014/2015 Isabelle Menin Where does it ends? Are 10 images enough to reach the end of the earth? Isabelle Menin Join me on Facebook
#art #streetphotography #streetart #puertoricogram #puertorico #muralist
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Joseph Bellows Gallery was established in 1998. The gallery maintains an inventory of important vintage and contemporary photographs, with a special interest in American work from the 1970s. The gallery's program features rotating solo and group exhibitions of both 20th Century and contemporary photography.
A moving memorial to the fallen and missing from WWI trenches.
After her formal studies Isabelle Menin explored painting for 10 years. Her recurrent subject matter has been nature, particularly flora. After several exhibitions in Belgium, she decided to quit painting and to work with digital photography. Taking pictures, scanning fragments of nature, she plays with texture and color, transforming and mixing them to reconstitute a rich and gorgeous faux nature. "I call my work “inland photographs and disordered landscapes” in reference to nature’s strange complexity that looks to me like human strange complexity. The uncontrolled forces, the shapes’ complexity, the interweavings and the synergy of the elements, they all look to me like a mirror of human spirit. We are no straight lines, we are like nature, a very large network of interferences that work together to produce something which sometimes looks accomplished and then gets destroyed in a perpetual coming and going between order and disorder." Muriel Guepin Gallery (NYC/USA)
Belgian photographer Isabelle Menin creates portraits of flowers that are not only gorgeous in form and color, but also uniquely expressive. Fresh blossoms and withering blooms melt into each other in dreamy washes of color and hazy drips and swirls. Hues and flowers are reflected in pools of water, as forms disintegrate and reappear in trickles and indistinct glimmers of light. The resulting images are breathtaking interplays of light and shadow, form and reflections, and breathtaking colors and textures. Looking at Menin's vibrant and organic work, it isn't surprising to learn that she has a background in painting. After working with paint for over a decade, the artist turned to digital photography instead. With rich colors, bold textures, and a stunning abstract quality, her creations look more like masterful illustrations and paintings than conventional photographs. Part of this is due to the digital manipulation that Menin loves using to transform and blend photos in order to create her beautifully moody images. Menin calls her work "inland photographs and disordered landscapes" in reference to the strange complexity of nature, which reminds her of human complexity. She says, "The uncontrolled forces, the shapes’ complexity, the interweavings and the synergy of the elements, they all look to me like a mirror of human spirit. We are no straight lines, we are like nature, a very large network of interferences that work together to produce something which sometimes looks accomplished and then gets destroyed in a perpetual coming and going between order and disorder." By Jenny G.Zhang In the past five years, Isabelle Menin has had numerous exhibitions in Europe and internationally -both at art fairs and museums. These include the Belgium Modern Art Exhibition , Hongqiao Museum in Shanghai, China, OFF Art Fair – Brussels, Kunstraï – Amsterdam, MIA Fair - Milan – Italy, Setup Contemporary Art Fair, Bologna – Italy, Fotofever - Carrousel du Louvre - Paris - France , The Perception of Beauty - Group show - Sophie Marée Gallery (La Haye), Femmes de Belgique - Group Show - Sophie Marée Gallery (La Haye), and « FLORA » , Musée des Beaux-Arts, Mons, Belgium . Isabelle Menin lives and works in Brussels, Belgium and is represented by the Muriel Guépin Gallery.
Lost in Adorata
Possibly 1919, but the Lakenhalle ruins, through the arch, look a bit too complete to me, so who knows. This is now the heart of the Great War industry, a place where hundreds of thousands of men, stamped out that last fag and tramped on out into the Salient, and as such, whatever Sassoon thought of it (he thought it was shite basically, and I suspect he would have probably used a similar word, but it may have rhymed a bit) it's a fairly poignant reminder of all those men, one of whom may well be a great-uncle or great great grandfather, one of them is my Grandfather, just on the left. Original copyright unknown/expired.
