"Bunraku" original deckle edge color woodcut by Kiyoshi Saito, signed and titled at bottom in pencil. Size; 16-3/4" x 7-1/2"

Landscape abstract - fantasy Original etching, hand-printed on handmade paper with deckle edges by SILBERBURG Small, limited edition: 50 The motif is etched onto a copper plate in several work steps, colored with high-quality gravure ink, wiped out and printed by hand on the gravure press on handmade handmade paper with deckled edges - SILBERGURG - see photo Motif size: approx. 5 x 5 cm Only the printed sheet is sold, without a passe-partout, without a frame My goal is to be good for our planet. So I try to reuse shipping materials. The items may be delivered in a used or recycled bag. Filling material etc. made from biodegradable materials as far as possible. .................................................................. Etching - Original Prints - Etching Each of my prints is hand inked and individually hand printed on my large gravure press. Etching is a very old craft (since around 1515) and its execution has hardly changed to this day. Art and craft are combined here in a unique way. The motif is engraved on a copper plate and etched in many steps (up to 10 etching processes). After etching, the copper plate is colored with copper printing ink for each individual print and printed by hand on handmade paper in an etching press. Several prints are possible from each copper plate. The amount of the edition (usually 30 or 50) is written on the left below the motif in pencil (e.g. 1/50): in this case this is the 1st print of an edition of 50 sheets. Because each print is individually inked and run through the printing press, unique pieces are created that are never identical. I really hope that you share my enthusiasm for etching and would be happy if you mark my shop as a favorite and follow my new work constantly. You can find my motifs on ETSY and on my website: www.marleneneumann.jimdo.com Only the printed sheet is sold, without a passe-partout, without a frame My goal is to be good for our planet. So I try to reuse shipping materials. The items may be delivered in a used or recycled bag. Filling material etc. made from biodegradable materials as far as possible. https://www.etsy.com/de/shop/Xylistax?ref=seller-platform-mcnav https://www.etsy.com/de/shop/Xylistax?ref=seller-platform-mcnav A watermark on the high-quality printing paper is a quality feature, not a reason for complaint

7 colour screenprint Edition of 50 Hand printed by the artist onto Somerset satin paper 300gsm with deckle edge. A beautifully hand illustrated piece of artwork of the outside of a building with trees poking out from the garden wall which has been reproduced as a screen print. The piece has vibrant colour blocks printed over the illustration. Lead time may vary depending on location of artwork, stock levels and if they are currently on display as part of an exhibition- please email if you are in need of a quick turnaround. Shipping prices may vary depending on shipping location. Please get in touch for worldwide shipping quotes.

I've been asked a few times now, how to trim my paper and still keep that soft torn deckle edge effect, so here's my approach.

30*21, A4 Linoprint ink on handmade paper. Daphne, approx. 30gr/m2, deckle edge

Handmade paper looks lovely with its natural deckle (torn, not cut, edge). But what if you want to make your own lovely deckled edge? Maybe with different kinds of paper? You probably have one of t…

8 colour screen print depicting the Kyoto Garden in Holland Park. Image size 31x15cm, hand printed by the artist onto somerset satin paper 300gsm with deckle edge.

Meow, meow, meowshrooms! Pink and red and perfect for the cat lover in your life. "Meowshroom" is a limited edition, 2 color linocut print. Done is suicide block form, it can never be repeated. It is printed on stonehenge printmaking paper with torn, deckle, edges. 11x14, edition of 15.

The design stands for optimism in the face of adversity. Each of these prints are from an open edition. ✧ Details ✦ Paper size: 11.25 x 15", Print size: 8.5 x 11" ✦ Paper Type: 250gsm, satin white, 100% cotton, part deckle-edged paper by Rives BFK ✦ Printed from a Silk Screen, water-based ink ✦ Edition of 15 prints, signed and numbered in pencil by the artist Every piece arrives carefully packed in a solid cardboard packaging envelope.

11 x 14" Acrylic & Mixed Media on 100% Cotton Paper Signed on the back Deckle edge on two sides This painting on paper is available through On the Wall Framing. Click here to acquire this work >>

Double Base Playing Whale - Lino Print This is hand printed from my original lino block on handmade cream paper with deckle edges Paper size: A4 21 x 30 cm (approx) 130 GSM PLEASE NOTE: - All my prints are handmade and unique, that's why each print will look slightly different - Unframed print Thank you for visiting my shop!

2K views, 12 likes, 1 comments, 1 shares, Facebook Reels from Doodlecraft: Make your own deckled edge ruler! *save this reel* Get a hard plastic ruler and some needle nose pliers. Break off pieces...

30*21, A4 Linoprint ink on handmade paper. Daphne, approx. 30gr/m2, deckle edge

I often like to use deckle edged paper for many of my linocut prints. Today I explain the origins of deckle edges and why I choose to use them.

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8 colour screen print showing a reverse viewpoint of Festival Hall. Image size 23x23cm, hand printed by the artist onto somerset satin paper 300gsm with deckle edge.

Guitar playing Panther - Lino Print This is hand printed from my original lino block on handmade cream paper with deckle edges Paper size: A5 14 x 21 cm (approx) 130 GSM PLEASE NOTE: - All my prints are handmade and unique, that's why each print will look slightly different - Unframed print Thank you for visiting my shop!

KÄTHE KOLLWITZ 'Schlafende Mit Kind '. (1929). Original in Städel Museum, Frankfurt am Main. Printed on handmade deckle edge cotton paper (150gsm) ideally suited to this style of print. A4 sized. Beautifully presented in biodegradable cello bag backed by recycled card. Will be also sent in cardboard reinforced DO NOT BEND envelope. Please note that this is a modern reprint. Originals have come up for auction about a dozen times in recent years and habitually sell for thousands. We include photo 2 as an example only-this does not form part of the sale. The paper on which this image is printed is a 100% cotton sheet, hand made using traditional practices and dried in the sun. For this reason, the sheets are not perfect rectangles as in manufactured paper. The edge of the print may not line up perfectly with the edge of the paper-this will not be seen once the print is mounted/framed. Our usual packaging: Beautifully presented in cello bag backed by acid-free card. Will be also sent in cardboard reinforced DO NOT BEND envelope. Where possible, we also include a sheet with information about the print.

Van Donna - Happy Fine Art Print Ink on Canvas Limited Edition of 25. Hand-Signed & Numbered. Custom-framed in white wooden floating frame. *Most sizes are custom made from new, as well as custom framed, with production time of 5- 7 days. AVAILABLE IN 4 SIZES. CHOOSE YOURS FROM THE MENU BELOW.

Flamingo fine art print will stand out in any room. *after pas_draws Prints made with dye and pigment inks (for giclee prints). Pigment based inks last over 100 years. The print is available in following sizes 8.5x11 Giclee on Epson Velvet Fine Art 13x19 Giclee on Epson Velvet Fine Art 8.5x12 Giclee Handmade Cotton Paper With Deckle Edge From the Manufacturer: Epson Velvet Fine Art Paper is an acid-free, cotton rag paper perfect for archival fine art reproduction. This specialty paper dries instantly, has enhanced 1440 dpi printing for high quality output.

✔️ HANDMADE BY ARTISANS - blank 100% cotton paper sheets, hand made using traditional practices passed through generations dating back to 14th century India. This paper is made with the style of homemade paper. Dried in the sun, this gorgeous textured paper is a timeless and inspiring alternative to ordinary paper. May also be referred to as rag paper, cotton rag paper, raw edge, rough edge or torn edge. ✔️ The Wanderings handmade watercolor paper comes in 2 different paper weights, depending on the size: A3 and 12x10 are 300gsm, the rest are 150gsm. It can be used with typewriters and home printers. ✔️ TREE-FREE, ACID-FREE, CHEMICAL-FREE - Wanderings eco-friendly deckled edge hand-made paper sheets for painting are conscientiously and sustainably sourced using 100% recycled cotton with remnants from the local garment industry. Archival quality for long-term preservation. ✔️ Blank RECYCLED cotton paper that is acid-free, chemical-free and tree-free. This gorgeous, HAND MADE paper (rough-edge) prevents bleed-through and feels amazing. Environmentally sensitive and watercolor friendly. ✔️ WRITE, DRAW, SKETCH, PAINT - these one-of-a-kind handmade paper sheets are a great alternative to traditional watercolor paper or writing paper. Supports most media including watercolor, acrylic, gouache, ink, gel pen, marker, pencil and charcoal. Perfect for crafts, doodling, bookbinding, letters, artwork, or maps for hidden treasures. ✔️ PRINTER FRIENDLY on home printers when fed one sheet at a time in the manual feed tray of the printer. Printer settings and tolerances vary, so please try with a sample first. CREATE to your heart's content with 25 or 50 sheets of paper. ✔️ PROUDLY PROTECTING ARTISANS - We are Sedex SMETA audit certified - protecting workers from unsafe conditions, overwork, discrimination, low pay and forced labour. Also available in other colors: https://www.etsy.com/listing/1630170882

9X12” Varied edition of ‘Awakening’, hand carved block print featuring daffodil blooms on handmade paper. Edition varies by ink and paper color. Handmade paper features full deckle edges. Printed with professional oil based relief inks. Each print is made by hand one at a time. Slight variations are present in each print making them all truly unique. I have done my best to represent the colors as accurately as possible. Please keep in mind that every screen will show colors with slight variation and may change depending on the device or screen you are using the view images. Natural variations in ink color may also exist as inks are mixed by hand. Each print is titled, numbered, and signed. *PRINTS DO NOT COME FRAMED* Prints may be shipped flat or rolled, depending on size. Prints are hand carved and printed by Kate Crisanti in her Portland, Oregon studio.

You can shop Benjamin Thomas Taylor's limited edition art from printclublondon.com

Winter white with an iridescent shimmer. full deckle edge A7 & A9 200 gsm 100% cotton fibers Winter Collection papers are non-refundable.

Today is my friend Stan Ziegler’s birthday. Stan played a role in the psychodrama that was my second junior-year Whiffenpoof tap. (They audition today.) Admittedly, it was a very difficult choice that year. Ironically, I may have ended up creating the formula they reportedly used. The problem was there were too many musically qualified Spizzwinks. I think we had nine. And my changing classes had made it even worse than it would have been. Today there are many more informal singing groups at Yale. But then there were seven all-male groups, I believe. The unwritten rule, was that at least one singer would be selected from each group. Since there were fourteen Whiffs, if all nine Spizzwinks were tapped that would exclude one of the other groups. It was a politically impossible situation. I remember Jon Nygaard came to see me in my dorm room, to use me as a sounding board. I said it was obvious: the highest number of Spizzwinks they could select would be seven. They couldn't take all. And it would be cruel to take all but one. Then I casually let drop: “If it came to a choice between Stan Ziegler and me, I would prefer they take Stan.” I figured I was the most obvious choice to be tapped as a Whiffenpoof. After all, the people selecting were from my own original class. And I had previously been pre-tapped to be pitchpipe (director) of that group. I thought I had sufficient leverage to make a difference. When Marie Bronson (my 79 year old friend and summer landlord, whose husband Clarence had been Yale Class of 1900) heard what I had said, she implored: "Don't do that Rob. It will impact all your class reunions. You'll end up regretting it for the rest of your life." I thought I had leverage. They heard: I really wasn't interested. I had taken them off the hook—and inadvertently ended up sinking George Hardy’s chances too. The reason I said what I did about Stan was that he was out of the country and needed, I felt, to be connected with some organization on his return. Stan was taking a Junior Year Abroad, studying with Anna Freud in London and with another woman psychologist in Norway. Yale didn't have a Junior Year Abroad Program for credit. As my brother Sherry had studied in Paris for a year on his own, and then had to continue for two more years at Princeton, so Stan would normally have been required to take two more years at Yale. But Stan –as anybody who knew him—had chutzpah up the kazoo. He had a New York State disability scholarship for his asthma. He used to run around the block before his annual interview, in order to be sufficiently winded. When he was accepted at Cornell –and should have been required to attend to get the New York Scholarship— he got his sister –who was a senior at Cornell, and a student member of the admissions committee— to get him unselected. He then pleaded his case to the scholarship board, and talked his way to a New York sponsored scholarship out of state. I should have known Stan could take care of himself. He ended up getting full credit for his year in Norway (where he also learned how to knit – I still have mufflers and mittens he designed and knit for me). The reason I made my offer was that just before spring break, Stan's father had committed suicide on the second anniversary of Stan's mother's natural, if painful and unexpected death. I thought it absolutely essential that Stan not be alone his senior year. As it turned out, Stan already had other people advocating for him. My offer was a futile and unnecessary gesture. He even had one of the slots in Skull and Bones. Then senior year he was so busy…I never saw him. But after college, he became one of my best friends and maintained that special relationship with Mrs. Bronson until her death at the age of ninety-seven. Stan later became a successful teen psychologist with a celebrity clientele, which included Jason Gould and Greg Louganis. (Once he talked to me about autistic patients. Not familiar with the term, I thought: can there be art without neurosis?) He was a friend of Paul Petersen, who had been Jeff on the Donna Reed Show. Paul had formed a support group for former movie and TV child stars—a group for which Stan was a consultant. He also had been a guest on several TV talk shows, including Oprah. The last time I saw Stan, I visited him at his new home in West Hollywood, when he took a group of troubled teens to Tippi Hedren's Big Cat Shambala Preserve. The final time we talked was Christmas Eve 1994, when I was home between services. Stan and I were friends until his death – can it be?—nearly seventeen years ago. I went to his memorial service in West Hollywood. George and I were asked to join the Whiffs there in singing the Whiffenpoof song. It was only the second time I had ever sung it. (At Yale, only Whiffs sing it.) The first was back in the summer of 1969, on the first Spizzwink tour to California. It was in a VW bug with Russ Thomas and Bill Correll, who had just been tapped for the Whiffs of 1970, and Jon Nygaard, who along with me was considered likely for the Whiffs of ‘71. We realized that we had a quartet, so up in the hills above Saratoga, we sang: "To the tables down at Morys……" (BTW I finally became a member of the Whiffs of '72 when I went back to my 40th Class Reunion in New Haven last June. My official Whiff name now is Rob "More Cow" Bell -- a reference to a classic Saturday Night Live skit.) Stan had been very sick for years with Crohn’s disease. I think it had originally manifested after his mother's death. He was valiant, and put up with excruciating pain. At his memorial service, his own therapist implied that Stan had committed a passive form of suicide. Evidently, he had had a major attack, and decided not to call for help. He had been in the hospital so many times, he just didn't want to go through it again. I can't begrudge him that. At the memorial service, I saw his sister and met his nephew. Stan had had a troubled relationship with his only nephew. Both parents were brilliant. The boy was rather dull. Stan's sister was a deputy district attorney in Brooklyn and a law professor. Her ex-husband had been the chief prosecutor in the ABSCAM case, and had worked on the defense team for Claus von Bulow. Only a few weeks after Stan's service, I heard from John Rouse, I think, that tragedy had struck again. Stan's nephew had been learning how to drive with his father at the Westport, Connecticut Yacht Club. Evidently, he put the car in reverse by mistake, and backed off the dock. His dad got out. He drowned. I wrote a note to Stan's sister. But what can you say?

Turntable - Lino Print This is hand printed from my original Lino block on handmade cream paper with deckle edges Paper size: A5 14 x 21cm (approx) 130 GSM PLEASE NOTE: - All my prints are handmade and unique that’s why each print will be slightly different - Unframed print Thank you for visiting my shop!

Here is my grasshopper linocut printed in varient greens on off-white smooth paper called Awagami Kitakata paper. * Edition of 50 * Unframed * Hand carved from grey hessian backed lino * Hand printed onto Awagami kitakata paper * The paper has been hand torn with a deckle edge ruler * Paper size is A6,15x10 cm * Print can be framed with a mount or with edges exposed as paper has ruffle edges. * Due to the hand printed nature each print is unique and will have slight variation from pictures * Each print is signed and numbered Prints can be framed with 15x10cm (A6) frames that you can easily find or bigger frames to show of the ruffle edges. I try to be as mindful as I can with the environment and wrap my prints with recycled tissue paper backed with card and send them of in a 'do not bend' envelope.

Beautiful Cow Hide Leather Journals Soft and Durable Dark Brown Genuine Leather, - No glue used. - Hand Stitched. - Binding diary (paper is not refillable). - Real Leather scent. - Deckle Edge paper - each journal is very special Size - (length) 7” x (Hight) 5” x (width) 2” inch. A perfect combination of luxurious leather cover and perfect quality paper. OUR DARK BROWN LEATHERBOUND NOTEBOOKS MAKE HEARTWARMING BIRTHDAY, ANNIVERSARY, VALENTINE’S, GRADUATIONS, ENGAGEMENT, WEDDING GIFTS, CHRISTMAS PRESENT OR GIFT FOR HER. FREE LEATHER BOOKMARK OR A GIFT ALSO.

Arches Natural White Watercolor Roll, 140lb Rough, 44-1/2" x 10yd - This Arches Aquarelle watercolor paper roll is one of the finest art papers in the world. You too can bring this historical, artist quality paper to your own works with these convenient, pre-stretched rolls! Arches paper rolls are not just for watercolors. Use them for drawing, calligraphy, gouache, printmaking, acrylics, and even digital printing. Manufactured from pure cotton fiber, they are so durable that they will remain beautiful and vibrant for centuries without conservation.

« Le petit chat noir II » 5 x 7 pouces / 13 x 18 cm Linogravure originale imprimée à la main (pas une impression reproduite numériquement) Encre d'archives à base d'huile Papier légion Stonehenge déchiré à la main (100 % coton) Édition libre, signée par l'artiste Sans cadre Fabriqué dans le Vermont aux États-Unis Processus : Chaque impression commence dans mon carnet de croquis. Ensuite, je sculpte le motif dans un bloc de linoléum. L'espace négatif est ce qui est découpé et la surface restante est ce qui est encré. J'appuie mon papier contre le bloc et frotte le dos avec une cuillère jusqu'à ce que l'image apparaisse. Ensuite, je fais sécher les impressions réussies pendant quelques jours - l'encre à base d'huile prend une éternité ! Pour finir, je signe chaque impression avec un crayon. L'image est imprimée à la main par l'artiste. Le papier est déchiré par les mêmes mains. Veuillez prévoir de petites variations dans l'image imprimée et la taille du papier. C'est ce qui les rend spéciaux :) N'hésitez pas à me contacter par messages. J'ai une autre boutique Etsy où je vends des carnets de croquis reliés à la main avec du papier d'artiste professionnel. N'hésitez pas à consulter les avis de clients satisfaits :) https://www.etsy.com/shop/TrueMidnight