Back in 2019 we were approached by Gareth Edwards and his Producer Jim Spencer to discuss Gareth’s new project, The Creator. An original sci-fi property doesn’t come around often, and we jumped at the opportunity to provide early blue sky visuals, and eventually the design and manufacture of specialty props and costumes. One of Gareth’s major philosophies from the outset was that he’d be shooting the film on-location, and digitally augmenting most of the footage in post-production. That said, the production still required physical props for the actors to interact with on set and on location. Working closely with Gareth we designed a combination of bespoke, one-off props such as the medical headgear and NOMAD explosive, as well as a series of props using real-world items as a base and augmenting them. We would comb the internet for weird and interesting looking tools, hardware and techie looking gear that we could purchase off the shelf, and then customize them to bring them into this retro-futuristic world. Art Director - Jeremy Hanna Production Manager - Brooklyn Dineen
Back in 2019 we were approached by Gareth Edwards and his Producer Jim Spencer to discuss Gareth’s new project, The Creator. An original sci-fi property doesn’t come around often, and we jumped at the opportunity to provide early blue sky visuals, and eventually the design and manufacture of specialty props and costumes. From the outset, we knew that Gareth would be shooting across multiple locations in South East Asia with a guerrilla crew, so the production had to be light on their feet. This presented a unique challenge for our team, and required a highly collaborative effort throughout the design and build, particularly when it came to the military weapons and costumes. A huge array of weapons were required for the various military factions, and a lot of thought had to be put into the look of the guns. To begin with, Gareth and keen to break conventions and no idea was too outlandish. Under Wētā Art Director Jeremy Hanna we explored curving bullets, rotating magazines, bizarre shapes and weird firing systems. In the end, to reduce the amount of items the crew would be carting around with them, we broke the weapons down in a modular way. We created a base system of guns that could be shared across the military factions, but with break-away panels, graphics and varying barrel shapes that could set them apart from one another. Art Director - Jeremy Hanna Production Manager - Brooklyn Dineen
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Різьба не для всіх. Накладка різьблена. Відеоурок. Friends, now you can support me on Patreon: https://www.patreon.com/S_Tech/communityТут ви можете мене під...
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For all questions: [email protected] Friends, my name is Eugene! I am the author of the channel. Do-it-yourself Ideas.On this channel, I present everythin...
