Honda Car Advert - Designed by Richard Hooker - Created in 2009 - Titled ‘Hondamentalism’ - Inspired by constructivism - The car has been superimposed onto the ad - Limited colours; red, black and grey - Minimal use of geometric shapes - Use of space - Combination of photography and other design elements; meant to juxtapose two elements and disrupt conventional means of representation

author and original image are linkrot

Газеты и журналы. Московский период

El Lissitzky. Broom, vol. 5, no. 4. 1923. Journal with woodcut cover, letterpress printed. page (each): 10 3/4 × 7 13/16" (27.3 × 19.8 cm); overall (closed): 11 × 7 15/16 × 3/16" (27.9 × 20.2 × 0.5 cm). Broom, Berlin-New York. Gift of The Judith Rothschild Foundation. 216.2001.B. © 2025 Artists Rights Society (ARS), New York / VG Bild-Kunst, Bonn. Drawings & Prints

Ни­ко­лай Во­ро­нин. Лю­би­те и со­хра­няй­те па­мят­ни­ки древ­не­рус­ско­го ис­кус­ства. М.: Ис­кус­ство, 1960. Ти­туль­ный лист.

Editorial work based on Constructivism style.

A collection of some 50 items of graphic design by the great Dutch modernist designer Piet Zwart (1885-1977).  Among them are famous projects for the Nederlandsche Kabelfabriek Delft (NKF) — among them the 1929 English edition of the cable catalogue, his masterpiece, and proofs of classic advertisements — and for the Netherlands Post Office (PTT). The collection includes some extremely fine examples of early broadsides and small-format posters, and exceptional booklets and pamphlets, as well as a variety of advertising ephemera, such as a series of photomontage calendar cards for the manufacturers Bruynzeel. Also present are books and periodicals of his design, from early in his career to late. The collection is accompanied by a group of reference books and exhibition catalogues on Zwart and his work.

Details Introducing a retro grotesque called "Kooperativ" (Сooperative). Bring back to the Soviet era this font reproduces the classic Soviet posters letters.

Utopia: documentos da realidade , páginas do livro publicado na Bauhaus, 1921

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Anadolu Sanat

Fernand Léger. A vse-taki ona vertitsia (And All the Same the World Goes Round). 1922. Il'ia Erenburg. Book, letterpress printed. page: 7 7/8 × 5 13/16" (20 × 14.7 cm); overall (closed): 8 1/4 × 6 1/8 × 1/2" (20.9 × 15.6 × 1.2 cm). Gelikon, Moscow-Berlin. Gift of The Judith Rothschild Foundation. 555.2001. © 2025 Artists Rights Society (ARS), New York / ADAGP, Paris. Drawings & Prints

Anton Lavinskii. 13 let raboty, vol. 2. 1922. Vladimir Mayakovsky. Cover with letterpress lettering on front, back, and spine. Page: 7 1/4 x 4 1/2" (18.4 x 11.4 cm). VKhUTEMAS, Moscow. Gift of The Judith Rothschild Foundation. 186.2001.1-2. Drawings & Prints

Текст это­го пись­ма из­да­вал­ся два­жды. Впер­вые — в Моск­ве в 1995 го­ду в ка­та­ло­ге вы­став­ки «ParaType от А до Я», за­тем, в 1997 го­ду, он был пе­ре­ведён ав­то­ром на ан­глий­ский язык (Towards an open layout: A letter to Volodya Yefimov) для пер­во­го но­ме­ра жур­на­ла Type Меж­ду­на­род­ной ти­по­гра­фи­че­ской ас­со­ци­а­ции (ATypI). Пе­ред на­ми не до­ку­мен­таль­ное сви­де­тель­ство, най­ден­ное в ар­хи­вах. «Пись­мо» — это, ко­неч­но, жанр, поз­во­ля­ю­щий по­дроб­нее пред­ста­вить се­бе тот креп­чай­ший аб­сурд, окру­жав­ший ти­по­гра­фи­ку (и не толь­ко) в со­вет­ский пе­ри­од, и со­по­ста­вить это по­ни­ма­ние со след­стви­ем — на­шим днём. Ад­ре­сат пись­ма, Вла­ди­мир Ефи­мов, ушёл из жиз­ни два го­да на­зад, оста­вив нас всех на­еди­не с на­ши­ми не­за­дан­ны­ми во­про­са­ми.

Для голоса — Владимир Маяковский

Lettering made up of rules and furniture. Aleksei Gan (?) via Peter Gabor

Constructivist typeface inspired by Russian propaganda posters. Free to download for personal use.

My bedroom used to be covered in a lot of posters as a youngster and it's only recently that I've realised how awfully designed they all were. To be fair though, my eight-year-old self didn't really care about the type used on my _Smash Hits_ poster of the Spice Girls - it was their cheeky attitude and sisterhood principles I was most interested in.