Artist Alex Proba spent four years designing a poster a day based on questions asked to the public and now it's an exhibition of 1460 posters.
The website of Babette Herschberger
In some ways, it seems fate that Dutch designer Lex Pott would end up working in a studio housed in an old shipyard in the northern precincts of Amsterdam. As a child growing up in Hilversum, 30 miles outside the city, Pott was obsessed with boats, constantly crafting miniature ones from the natural debris he’d find in the forest around his house, and using old plastic bags as sails. And in the short time since he set up his studio, after graduating from Design Academy Eindhoven in 2009, he’s built up a small body of work centered around the very phenomenon that’s known to wreak havoc on seafaring vessels: oxidation. Pott has shot to fame in recent months on the basis of Transience, a series of silvered geometric mirrors designed in collaboration with fellow Eindhoven grad David Derksen. But the project that started it all, True Colours, was less a product than an investigation into the nature of color: Pott took standard sheets of industrial metals — copper, brass, steel, and aluminum — and played with oxidizing them by various methods, in the process creating a highly individualized palette he could, in theory, apply to any metal object.
Design and material studies with transparent coloured foil and paper on cardboard – translated into a series of graphic visualizations. By sketching with the format as a single frame, the material determines the ever-changing compositions itself. All designs show the various, almost innumerable possibilities of the mixing and matching of colours. These works reflect the way we think: in colour and basic shapes.
Breathing SpacePersonal Experimental Project OMARAQIL CRStudio
Jai Vasicek
Éminence grise Michele Caniato is the president of Material ConneXion and is responsible for many colossal decisions in the design industry.
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