Прилагательные для описания характера и эмоций / Неформальный Английский

Here I am halfway through Week 3 and I need your help, dear readers! Part of my homework this week is to draw some poses that convey "excitement" and then choose my favorite one to pose Stu, our AM rig, with (and keep in mind he doesn't have a face so this is strictly a posing/body language exercise). Here are the sketches I did: I did a few obviously excited poses and with others I tried to do more subdued types of excitement, always try to keep in mind why people get excited. Is it a reaction to something they've been told? Are they excited about some upcoming event? Are they good at containing their excitement? Not sure how many different kinds of excitement came through but I did have fun doing the drawings. After some feedback from my classmates, I picked four of the poses and translated them to Stu, trying (hopefully not in vain) to capture the essence of the drawings in his pose. The tough thing is that Stu has a gigantic head and a really long body, which I didn't really pay attention to in my drawings. That made it tough to pose his arms in the air without his arms going inside his head, and his feet are proportionally much larger than I drew them, so I missed out on some of the nicer silhouetting I drew with the feet/legs. But, I am happy with how they came out and would love to hear from you as to which one you think best conveys excitement. Of course, if you like one of the drawings better than these four, please let me know in the comments! I've got until Sunday so I can definitely put in a few more poses before I settle on a final one. And tomorrow, it's on to the bouncing ball!

Посты по теме «Еще куколки», добавленные пользователем Ирина Морозова на Постилу

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This class focused on the fundamentals of animation, like the 12 Priciples of Animation devised by Ollie Johnston and Frank Thomas and basic physics. Term: Winter 2011 Mentor: Paul Allen http://paulallenanimation.blogspot.com/ Section 1 Introductions were made between the mentor and students. Section 2 Public Sketches I went to a shopping mall to do a few pages of quick sketches, catching people behaving casually. The goal was to apply what was seen, paying attention to line of action and silhouette, and develop understanding of the other principles of posing like balance, negative space, while avoiding tangents and twinning. Public Stu Pose Section 3 Bouncing Ball Planning The goal was to learn the basics of momentum and arcs through how a ball bounces. Excitement Sketches The goal was to further familiarity with the Stu rig using IK and FK controls, and to further understand the principles of posing. Excitement Stu Pose Section 4 Bouncing Balls: Bowling Ball Vs. Exercise Ball Planning The goal was to learn and demonstrate an understanding of how weight and momentum affects movement. Section 5 Devastation Sketches Devastation Stu Pose Bonus Devastation Stu Pose Obstacle Course Planning I started by planning several different options using the sets provided by the school, modifying them as needed to create a unique course. The goal was to continue with what was learned from the previous ball shots, now incorporating squash and stretch and more complicated paths of action. Section 6 Pendulum Planning I slightly altered the school's Pendulum rig to allow for independent rotation between the block and tail. The goal was to take what was learned about momentum, and extend it to the concept of the successive breaking of joints. Section 7 Tailor & OneLeg Planning I used ramp shaders to give the Tailor rig a more realistic fluffy squirrel look, and modeled an acorn-like beanie hat and scout sash for the OneLeg rig. I also made the rest of the props for the scene. There were 2 goals for this shot. One was to continue with the bouncing ball motions, now applied with consciousness to both Tailor and OneLeg, not just physics. The other goal was to continue with the successive breaking of joints from the Pendulum shots, and apply it to the conscious character Tailor. Section 8 Strength Sketches Strength Stu Pose Walk Planning The goal was to animate a 'Vanilla' walk with the Ballie rig, as standard as possible, avoiding individual characterization. Section 9 Concern Sketches Concern Stu Pose Section 10 Character Walk: Trudge Planning The goal of this shot was to further what was learned with the 'Vanilla' Walk by incorporating individual emotion and personality. I chose a toe-dragging trudge. Exhausted Sketches Exhausted Stu Pose Section 11 Balance Sketches Balance Stu Pose Section 12 Progress Reel Shots: Character Walk: Trudge Walk Tailor & OneLeg Pendulum Obstacle Course Bouncing Balls: Bowling Ball Vs. Exercise Ball Bouncing Ball Stu Poses: Balance Exhausted Concern Strength Devastation Excitement Public

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