A large antique, 19th century table with elegant palisander parquetry parquetry in string and diamond lozenge patterns, reminiscent of 18th century Italian table tops. It is set atop turned legs, with a double box stretcher and can easily be cut down to traditional 19 inch coffee table height. This is a real find for a large room. less

DETAILS Hand fashioned with a plank top over two drawers, this antique Chinese table features cloud-form spandrels beneath the top and the drawers; the motif echoed on the drawer fronts and corresponding panels on the back. The drawers sport brass ring pulls and florette escutcheons. Notice the mortised construction and the round, timbered legs. This piece would make a charming, provincial sideboard on console table. PLACE OF ORIGIN China | Asia PERIOD Qing Dynasty (1644-1911) | Mid 17th century DATE Circa 1650 DIMENSIONS Width 71.75 Depth 26 Height 35.75 inches less

This large and commodious writing table was fashioned with breadboard ends on the top and houses one very large and two smaller drawers; each with pierced, Chippendale style brasses. It sits atop boldly executed, cabriole legs, displaying crisply carved acanthus leaves on the knees and large, paw feet. Notice the gracefully shaped, scrolling apron with a beaded edge and central shell detail. It is a very decorative and serviceable desk. DIMENSIONS Width 86 Depth 45 Height 32 in. Apron: Height 20 in. less

This mid-century modern low table is crafted of solid teak with rectangular overhanging top, supported on angled, tapered legs joined on each side by a low cross stretcher. MAKER Pierre Jeanneret (Swiss, 1896-1967) BIOGRAPHY Architect and furniture designer Pierre Jeanneret worked for most of his life alongside his more famous cousin Le Corbusier (Charles-Edouard Jeanneret). Pierre partnered with his cousin in 1922 following his graduation from the École des Beaux-Arts, and they worked on a number of major building projects together. Le Corbusier and Jeanneret renewed their working relationship in the early 1950s to collaborate on the urban planning project in Chandigarh, India. Chandigarh was an experimental modernist city located approximately 150 miles north of New Delhi and serves as capital to two Indian states, Punjab and Haryana. There they created many low cost civic buildings that are now considered landmarks of modern architecture. To complement the buildings, Jeanneret also designed much of the furniture for these government offices and educational institutions. The furniture is functional and made of native materials by local craftsmen. His designs even extended to lampposts and manhole covers around the city. Le Corbusier left midway through the project and Jeanneret was subsequently appointed Chief Architect and Urban Planning Designer. Pierre stayed in Chandigarh for more than fifteen years even after the completion of the project. Buildings of note include most of the architecture in Chandigarh's university including the Ghandi Bhawan and the University Library. Jeanneret eventually returned to Geneva in 1965 in poor health. Upon his death two years later his ashes were scattered in Chandigarh's Sukhna Lake in accordance with his will. For Le Corbusier, Chandigarh was the first city he was able to plan and actually build. A renewed international interest in the work of Le Corbusier and his senior architects Pierre Jeanneret and husband and wife team Maxwell Fry and Jane B. Drew, has led Chandigarh city officials to recently apply for UNESCO World Heritage status. less

DETAILS Beautifully crafted in Louis XIV style, and in generous proportion, this antique armchair features finely turned arm supports, H-stretcher and a raised front stretcher in vase, cup and ring patterns. Note the strongly raked back, a desirable feature, and the warm, medium brown fruitwood color and patina. It will be an important piece in any room. STYLE Louis XIV Style COLOR(S) Yellow PLACE OF ORIGIN France | Europe PERIOD Mid 18th century DATE Circa 1760 DIMENSIONS Width 27 Depth 27 Height 41 inches Seat: Height 17 inches less

Hand fashioned, this small, antique table features an organic, egg-and-dart border on the top, with a foliate carved apron. The pedestal is richly carved with fluting, palmettes, a foliate knop and foliage around the apron of the triform base. It terminates on small, bun feet. It is a very decorative piece and a nice, usable size. less

Crafted with a single drawer, this rustic antique table features rounded corners on the rectangular top, straight, round legs and block feet. With wide, thick plank top. less

This large, antique Chinese altar table was hand fashioned with everted flanges on the long, wide plank top. The straight legs frame finely carved reticulated phoenix birds and peony floral panels. It retains much of an old, black lacquered finish. less

DETAILS Antique folding solid teak bi-fold doors with frame. With original hinges. PLACE OF ORIGIN India PERIOD Mid 19th century DATE Circa 1850 DIMENSIONS Width 54.25 Depth 5.5 Height 94.5 inches Doors: Width 47.75 Height 89.5 inches less

This small antique, French dining table has an oval, moulded edge top with drop-leaves and is made of unusual, pale walnut (noyer blond) in wide planks. The gate-leg base features six slender, tapered, round legs with a ring detail at the top, and terminates on brass sabots with casters. DIMENSIONS Width 45 Depth 24/44 Height 28 in. less

Hand fashioned, this small antique table features an organic, egg-and-dart border on the top, with a foliate carved apron. The pedestal is richly carved with fluting, palmettes, a foliate knop and foliage around the apron of the triform base. It terminates on small, bun feet. It is a very decorative piece and a nice, usable size. less

This vintage, mid-century modern table is crafted of solid teak with a rectangular, overhanging top over a base with a plain frieze on tapering squared and splayed legs. It would also make a lovely desk. MAKER Pierre Jeanneret (Swiss, 1896-1967) LITERATURE E. Touchaleaume, Le Corbusier Pierre Jeanneret: The Indian Adventure, Paris, 2010, p. 584 (example illustrated). BIOGRAPHY Architect and furniture designer Pierre Jeanneret worked for most of his life alongside his more famous cousin Le Corbusier (Charles-Edouard Jeanneret). Pierre partnered with his cousin in 1922 following his graduation from the École des Beaux-Arts, and they worked on a number of major building projects together. Le Corbusier and Jeanneret renewed their working relationship in the early 1950s to collaborate on the urban planning project in Chandigarh, India. Chandigarh was an experimental modernist city located approximately 150 miles north of New Delhi and serves as capital to two Indian states, Punjab and Haryana. There they created many low cost civic buildings that are now considered landmarks of modern architecture. To complement the buildings, Jeanneret also designed much of the furniture for these government offices and educational institutions. The furniture is functional and made of native materials by local craftsmen. His designs even extended to lampposts and manhole covers around the city. Le Corbusier left midway through the project and Jeanneret was subsequently appointed Chief Architect and Urban Planning Designer. Pierre stayed in Chandigarh for more than fifteen years even after the completion of the project. Buildings of note include most of the architecture in Chandigarh's university including the Ghandi Bhawan and the University Library. Jeanneret eventually returned to Geneva in 1965 in poor health. Upon his death two years later his ashes were scattered in Chandigarh's Sukhna Lake in accordance with his will. For Le Corbusier, Chandigarh was the first city he was able to plan and actually build. A renewed international interest in the work of Le Corbusier and his senior architects Pierre Jeanneret and husband and wife team Maxwell Fry and Jane B. Drew, has led Chandigarh city officials to recently apply for UNESCO World Heritage status. less

Hand crafted, this pretty, little antique pedestal table features a gadroon edge to the square top and a nicely moulded apron. The graceful pedestal displays a tapering, reeded top with an urn form, over a foliate carved knop at the base, above a triform stand with carved, paw feet. Its diminutive size makes it adaptable to many places in the home. less

DETAILS An antique, architectural temple carving with three standing figures in the center representing the Hindu deity trinity, Lord Brahma (Brama) flanked by shorter attendants. PLACE OF ORIGIN India DATE 19th century DIMENSIONS Width 10.5 Depth 5 Height 20 inches CONDITION Note: base only. No socket. Requires rewiring. less

DETAILS Hand fashioned, with a wide two plank top, this antique dining table features a deep apron and stout, turned and reeded legs that terminate on round, block feet. It makes a nice dining table for six people, or a library table or computer and writing desk. STYLE English style | Anglo Indian PLACE OF ORIGIN India PERIOD 19th century DATE Circa 1840 DIMENSIONS Width 72 Depth 29 Height 30.5 inches less

DETAILS Crafted of solid teak with a round caned seat supported on four tapered legs joined by an X-stretcher. Two available to make a pair of counter or bar stools. MAKER Pierre Jeanneret (Swiss, 1896-1967) LITERATURE E. Touchaleaume & Moreau, Le Corbusier Pierre Jeanneret: The Indian Adventure, Design-Art-Architecture, Paris, 2010, p.559. STYLE Mid Century Modern PERIOD Mid 20th century DATE Circa 1952-56 DIMENSIONS Width 18 Depth 18 Height 27.75 inches Seat: Width 15 inches less

DETAILS Hand carved in Baroque style and exhibiting the original painted and parcel gilt finish, this antique candlestick retains the original drip pan. It was hand carved in the traditional, Portuguese style with fleur-de-lis decoration on the triform body. PERIOD Late 18th century DATE Circa 1790 DIMENSIONS Width 7.5 Depth 8 Height 25.25 inches less

DETAILS This antique, Indian bidri spitoon (Peekdaan or Thookadaan) is cast as an opposing double bell-shape, with the exterior decorated with oval reserves of stylized, poppies, a common motif in bidriware. PLACE OF ORIGIN Deccan, Bidar, Karnataka, Southern India DATE 18th century DIMENSIONS Width 4.5 Depth 4.5 Height 5.5 inches less

DETAILS A rare, antique, 18th century altar stick made in the Portuguese colony of Goa in India but shows a strong influence of the European Baroque style. It is meant to be viewed from the front on an altar so it is carved on only one side. Notice the old painted finish. DATE Circa 1750 ORIGIN: Asia • Asian less

DETAILS An antique Scandinavian dining table crafted in oak and pine with a painted base retaining the original brown and gold paint. The legs feature an unusual floating ball in a crown. The thick, rectangular oak top with the original unfinished surface. It has pullout arms that could support leaves at both ends. It could be used as a desk. STYLE Celtic Revival PLACE OF ORIGIN Sweden | Europe DATE Early 20th century DIMENSIONS Width 58 Depth 37 Height 31 inches (2) Arms: Depth 17.5 inches (no leaves) Apron: Height 24.25 inches CONDITION Note: no leaves. Only slide out arms. less

Hand crafted in richly colored rosewood, this antique table features drawers, with turned pulls, on both ends of the rectangular top and sits atop nicely turned baluster legs with trumpet turnings. It is most notable for the unusual stretcher arrangement with a baluster turned cross stretcher within a box stretcher. It is a sturdy looking piece, but of comfortable, smaller size. less

DETAILS Found in India, these antique architectural hand carved teak figural brackets once graced a temple or home. They are in the form of standing female musicians and winged angels, each deftly hand carved with a crown, a draped robe, and is painted with brightly painted traditional colors. Each arm is outstretched and one holds a stringed sarangi musical instrument. A sarangi is a stringed instrument originating in Northern India. PLACE OF ORIGIN India WEIGHT 25 lbs. each PERIOD Mid 19th century DATE Circa 1850 DIMENSIONS (2) Width 14 Depth 12 Height 37 inches less

Displaying a well patinated, verdigris finish, the antique brass palm was hand fashioned with overall chased details and a pierced pattern on the stem. Now mounted on a wooden base, and electrified as a graceful, casual table lamp, it presents a nice presence for use in many settings. PLACE OF ORIGIN India DATE 18th century and later DIMENSIONS Width 8 Depth 8 Height 24 inches CONDITION Note: recently rewired. less

An unusual form, these antique bow-front corner tables feature pierced galleries in foliate designs, atop tall, turned and reeded legs that support lower, open shelves. They offer wonderful decorating possibilities and make good use of often difficult corners. less

Found in Sweden, this antique German Black Forest bracket shelf finely carved with two charming monkeys as figural brackets. Perhaps displaying the proverb Hear No Evil, Speak No Evil. MARKS Signed and dated: 19 KSA 04. less

This large pair of antique Anglo Indian consoles were hand fashioned in the Rococo Revival style. They feature robustly designed and carved cabriole legs in C and S-scroll patterns. The pierced aprons feature a central shell carving each; a theme echoed on the legs. Finished in a rich, dark tone, these tables are complete with ogee shaped, mottled gray, marble tops. less

Spiral twist legs. Wide oak planks. Wood peg construction. DIMENSIONS Width 68 Depth 52 Height 29 inches Closed: Depth 19.5 inches

Sporting an ebonized finish, these hand carved, antique, Anglo Indian, 19th century wall console tables were fashioned in a scalloped, bowed form. Each features beautifully a carved and pierced apron of scrolling foliage, and medallion and floral spray on the knee of the central, curved-back single leg, ending with a scrolled foot. Beveled, shaped, mirrored tops complete the pieces; an unusual and interesting treatment. less

This antique, mahogany table features robustly carved melon ribbed legs and squared supports. MAKER J. M. Edmond & Company (Calcutta, India, 19th century) MARKS Stamped: J.M. Edmond / Calcutta. DIMENSIONS Width 55.5 Depth 40 Height 30.5 in. Apron: Height 24 in. less

DETAILS This antique, British Colonial era door is traditionally crafted in the Georgian style with six rectangular, fielded panels. Hand carved of thick, solid teak, it has been recently refinished and comes complete with the door jamb. STYLE Anglo Indian | Georgian style PLACE OF ORIGIN India PERIOD Mid 19th century DATE Circa 1850 DIMENSIONS Width 43 Depth 4 Height 90.25 inches Doors: Width 37 Depth 1.5 Height 84 inches less

DETAILS An antique Jacobean style, low side chair retaining the original floral needlework seat and back. STYLE Jacobean Revival | Victorian COLOR(S) Red, tan PLACE OF ORIGIN England | United Kingdom MARKS Together with paper note: The chair was hand made by a Sharratt ancestor, probably by Thomas Sampson Sharratt (1812-1888) of Rugeley, England. PERIOD Mid 19th century DATE Circa 1860 DIMENSIONS Width 15 Depth 16 Height 34 inches Seat: Height 14 inches CONDITION Note: made for a child or the legs were possibly reduced in height. less

DETAILS An antique, late 17th century, Chinese cast iron cooking / brazier with floral designs in relief. Today it would make an attractive planter or decorative garden accessory. PLACE OF ORIGIN China PERIOD Qing Dynasty (1644-1911) PERIOD Late 17th century DATE Circa 1690 DIMENSIONS Width 34 Depth 34 Height 15 inches CONDITION Note: restored foot. It is not suitable for a fire pit. less

This early antique, carved bracket formerly supported a coffered ceiling. Now forms the support for a wall bracket shelf.

This antique, 19th century Indian altarstick is topped by a large iron pricket. It is mounted with sheet silver over a teak base and is embossed and chased with scrolled, foliate edges and palmette motifs. DATE Circa 1820 DIMENSIONS Width 8 Depth 5 Height 21.5 inches less

DETAILS Possibly from Bordeaux, one of the centers of ecuelle making, this ecuelle has a traditional form of a shallow circular bowl flanked by a pair of flat handles or ears. The handles of this example are decorated with palmettes, flaming hearts and a strapwork border. In other countries it is called a porringer or a brandy bowl. MARKS Stamped (underside of ears): touch mark and LP. PERIOD Louis XV (1715-74) DATE 18th century DIMENSIONS Width 12 Depth 6.75 Height 2 inches less

DETAILS Crafted of solid teak with a round caned seat supported on four tapered legs joined by an X-stretcher. Two available to make a pair of counter or bar stools. MAKER Pierre Jeanneret (Swiss, 1896-1967) LITERATURE E. Touchaleaume & Moreau, Le Corbusier Pierre Jeanneret: The Indian Adventure, Design-Art-Architecture, Paris, 2010, p.559. STYLE Mid Century Modern PERIOD Mid 20th century DATE Circa 1952-56 DIMENSIONS Width 18 Depth 18.5 Height 27 inches Seat: Width 15 inches less

DETAILS Hand carved, this generously sized antique stone temple figure depicts a Hindu mythical animal with elephant head and a leonine body. The head portrays a domestic elephant, complete with trimmed tusks. Notice the carved details of his headpiece, and ear coverings. This statue is a great piece of folk art and will make a wonderful accessory in the garden, or home decor. COLOR(S) White PLACE OF ORIGIN India WEIGHT 63 pounds 11 ounces DATE 19th century DIMENSIONS Width 7 Depth 21 Height 18 inches less

DETAILS Antique jelly serving spoon. STYLE Victorian PATTERN/MODEL Chrysanthemum (Issued: 1893-1991, discontinued) PLACE OF ORIGIN United States MAKER William B. Durgin Company (Concord, New Hampshire/Providence, Rhode Island, 1853-circa 1940) | Retailer: Mermod & Jaccard Jewelry Company (Saint Louis, Missouri, 1864-) MARKS Stamped: D / Sterling / 925/1000 / Patent / Mermod & Jaccard Jewelry Co. MONOGRAM / INSCRIPTION No monogram WEIGHT 76.2 grams PERIOD Late 19th century DATE Circa 1893 DIMENSIONS Width 2 Depth 7.5 Height 1 inches CONDITION Note: some spots (bowl). less

Beautifully conceived, this generously sized antique frame was hand crafted with silver overlay on a hand carved teakwood frame. It features foliate details on all sides, with an inner, chased border outlined in beading. The bottom displays small feet that would make the piece appropriate to use as an easel frame for a mirror. PERIOD Mid 19th century DATE Circa 1850, later mirror DIMENSIONS Width 20.5 Depth 1 Height 19 inches less

This small antique frame is hand crafted of hammered and cast sheet silver with pierced designs and flowerhead decoration and is mounted on teak. The design is clearly European, but it was made in the Goa area of southern India. It probably came from a church and features a removable cross finial. PERIOD Mid 19th century DATE Circa 1850 DIMENSIONS Width 9 Depth 1 Height 14 inches Opening: Width 6.5 Height 8 inches less

This small antique frame is hand crafted of hammered and cast sheet solid silver. The design is clearly European, but it was made in the Goa area of India. It probably came from a church and once held a portrait of a saint. PERIOD Mid 19th century DATE Circa 1850 DIMENSIONS Width 9 Depth 1 Height 12.5 inches less

DETAILS Rare orange decoration antique Chinese Export lidded serving tureen. PATTERN/MODEL Sacred Bird and Butterfly PLACE OF ORIGIN China | Asia MARKS Unmarked PERIOD Qing Dynasty (1644-1911) | Early 19th century DATE Circa 1820 DIMENSIONS Width 8.25 Depth 7 Height 5 inches Base: Height 2.5 inches CONDITION Note: chips. less

DETAILS An antique Rococo period chest of drawers, with serpentine (arbalete) double crossbow front and recessed cartouche panels surrounding the brass handles and escutcheons. The dresser supports a conforming variegated grey and white marble top with three long drawers and raised on short cabriole legs. Commodes en arbalete were made only by very skilled cabinetmakers as it is difficult to carve this serpentine shape from one piece of wood. PLACE OF ORIGIN France | Europe PERIOD Louis XV (1715-74) | Mid 18th century DATE Circa 1760 DIMENSIONS Width 51.5 Depth 26 Height 36.75 inches CONDITION Note: later hardware. Second drawer is a bit tight. Would benefit from sanding to slide easier. less