MONOCHROME COLOURS PASTELS CERAMICS IN THE GARDEN EARLY WORK
© Photography by Steve Speller
On lessons learned from four decades of surviving and thriving as a ceramic artist.
ONLINE EXHIBITION THE MONOCHROMES – Recent Ceramics & Relief Prints Part of Brighton Artists Open Houses Saturday 29th May – Sunday 27th June Please contact Carolyn if you are interested in any of the pieces or prints on [email protected] or ring her on 07778161133. If you would like to see a piece in more detail, Carolyn is happy […]
ONLINE EXHIBITION THE MONOCHROMES – Recent Ceramics & Relief Prints Part of Brighton Artists Open Houses Saturday 29th May – Sunday 27th June Please contact Carolyn if you are interested in any of the pieces or prints on [email protected] or ring her on 07778161133. If you would like to see a piece in more detail, Carolyn is happy […]
On lessons learned from four decades of surviving and thriving as a ceramic artist.
© Photography by Steve Speller
© Photography by Steve Speller
© Photography by Steve Speller
© Photography by Steve Speller
Vase with abstract bird motif by André Bioley 1950's Harris Cies handcrafted studio abstract vase Height -11 inches Dan mask detour In 1907, Picasso's fortuitous wrong turn at the Musée d’Ethnographie in Paris, led him to the sacred Dan masks of West Africa, which had a profound influence on his artistic vision. He later stated that ‘Painting isn’t an aesthetic operation,’ ‘It is a way of seizing the power by giving form to our terrors as well as our desires. Men had made these masks and other objects for a sacred purpose,
On lessons learned from four decades of surviving and thriving as a ceramic artist.
© Photography by Steve Speller
Vase with abstract bird motif by André Bioley 1950's Harris Cies handcrafted studio abstract vase Height -11 inches Dan mask detour In 1907, Picasso's fortuitous wrong turn at the Musée d’Ethnographie in Paris, led him to the sacred Dan masks of West Africa, which had a profound influence on his artistic vision. He later stated that ‘Painting isn’t an aesthetic operation,’ ‘It is a way of seizing the power by giving form to our terrors as well as our desires. Men had made these masks and other objects for a sacred purpose,
© Photography by Steve Speller
On lessons learned from four decades of surviving and thriving as a ceramic artist.
Masters of the ceramic arts : This post celebrates the potters and pottery companies that have been recognized for their contribution to the ceramic arts with their unique designs, innovations and classic creations and their influence in introducing new styles and movements in the field of ceramics. Artists that are less recognized but have created masterful pieces are also included. In some instances this might come from one of those days where moments of inspiration find their way into the studio and a unique piece of art is the outcome. Or maybe the kiln roulette just
© Photography by Steve Speller
© Photography by Steve Speller
ceramic artist Linda Starr makes unique contemporary pottery and sculpture with detours into cooking, travel, and gardening.
MONOCHROME COLOURS PASTELS CERAMICS IN THE GARDEN EARLY WORK
You know how I'm drawn to using colored slips in many of my pottery pieces. I noticed there's a workshop with Carolyn Genders at Lander's University in Greenwood, SC so I signed up. Carolyn is teaching her methods for making colorful vessels and forms for the first time in the United States. Carolyn is well known in Europe and the UK for her ceramic pieces and has been a ceramic artist for 30 years. Her work is handbuilt, primarily coiled, and her surfaces are painted with vitreous slips (engobes) or burnished terra sigillata slip. Carolyn is a Fellow of the Craft Potters Association of Great Britian. She is author of 'Sources of Inspiration' 2002 and 'Pattern, Colour & Form 2008, both published by A&C Black. I'm looking forward to slowly 'slipping' (pun intended) back into clay. This post is part of the Mud Colony what's happening in the studio. Thanks for reading and for all your comments.
Profile ARTIST STATEMENT My work comes from a place informed by my practice of looking and seeing – the interplay of colours, the counterbalance of textures, the energy of gestures and the constantly evolving pattern of my surroundings. My inspiration is internal, a conscious analytical series of responses to an ever expanding catalogue of understanding. […]
Contemporary Ceramics at Somerset House : The following gallery represents an excellent collection of ceramics based in London. Contemporary Ceramics has opened an exciting new exhibition space in Somerset House. The new location presents a unique and lively gallery in which both contemporary and traditional studio ceramics sit side by side. Contemporary Ceramics exhibits original and distinctive work, illustrating the current diversity of thought and making processes practised across this stimulating discipline.Once a month, a selection of new makers will be introduced. The new venue creates a setting where the vitality and everyday function of handmade mugs and bowls can
© Photography by Steve Speller
© Photography by Steve Speller
ONLINE EXHIBITION THE MONOCHROMES – Recent Ceramics & Relief Prints Part of Brighton Artists Open Houses Saturday 29th May – Sunday 27th June Please contact Carolyn if you are interested in any of the pieces or prints on [email protected] or ring her on 07778161133. If you would like to see a piece in more detail, Carolyn is happy […]
© Photography by Steve Speller
ONLINE EXHIBITION THE MONOCHROMES – Recent Ceramics & Relief Prints Part of Brighton Artists Open Houses Saturday 29th May – Sunday 27th June Please contact Carolyn if you are interested in any of the pieces or prints on [email protected] or ring her on 07778161133. If you would like to see a piece in more detail, Carolyn is happy […]
© Photography by Steve Speller
© Photography by Steve Speller
MONOCHROME COLOURS PASTELS CERAMICS IN THE GARDEN EARLY WORK
