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You’ve definitely heard her play guitar and bass. Statistically, you’re likely to own albums she played on. Your parents almost certainly did. According to her, she is responsible for many of the famous Motown bass lines usually attributed to James Jamerson, including “Bernadette,” “Reach Out,” “I Can’t Help Myself” and “I Was Made to Love Her.” She influenced The Beatles’ musical direction from Revolver onward. And it’s quite probable that you’ve never even heard her name. Carol Kaye was one of the most prolific session musicians in American music in the ‘60s and ‘70s....
Learn from the Best Bass Players - Carol Kaye - Greatest Bassists of All Time - Carol Kaye Songs, Skills, Methods, Techniques, Records
Bob Bain at Universal Stage 10 with Carol Kaye, Siantra's arranger Don Costas and Universals Joseph Gershenson.
In March 2018, the legendary Carol Kaye, who was an original member of the Wrecking Crew, helped to develop Phil Spector's "Wall of Sound" and an
Smooth Jazz star Carol Albert
In The Marvelous Mrs. Maisel season 3, we're introduced to Carole Keen, the sole female musician in Shy Baldwin’s band. Here's what you need to know about the real-life bassist Carol Kaye who she's based on.
Reconstructing the History of Motown Session Musicians: The Carol Kaye/James Jamerson Controversy - Volume 13 Issue 1
Kiss bassist and singer Gene Simmons elected in an interview with Q104.3 New York his top 5 best bass players of all time.
Bassist Carol Kaye blazed her own trail, as the only female studio musician to record some of the greatest songs of the ’60s and ’70s
What sucks about the entertainment industry is that usually a very small group of very pretty people get all of the credit for work done by an army of talented folks behind the scenes.
Celebrating the top 10 female bassists of all time, including legends like Carol Kaye, Suzi Quatro, and Kim Gordon.
60’s & 70’s Studio Ace
This sentimental documentary revolves around a cabal of versatile Los Angeles session musicians fluent in rock, soul, country and getting out of the way.
Rarely credited on record, the Wrecking Crew played for and with nearly every prominent American pop performer of the nineteen-sixties.
