Many may know of Carl Larsson, the famous Swedish Arts and Crafts painter who depicted many scenes of domestic life in the late 19th and early 20th centuries. However, his wife, Karin Larsson, was also an artist in her own right.

Carl Larsson in 1882 Carl Larsson (1853 – 1919) was born in 1853 in Stockholm, Sweden, to an extremely poor family, though his artistic talent emerged relatively early in his life. At the age of thirteen, his teacher at the school for the poor persuaded him to apply for enrolment at Principskolan, the preparatory department of the Swedish Royal Academy. During his first years there, he felt socially inferior, confused and shy. In 1869, aged sixteen, he was promoted to the “Antique School” of the same academy. There he gained confidence, and even became a central figure in student life; he also earned his first medal in life drawing. After the Academy Larsson worked as a caricaturist for the humorous paper Kaspar, and as a graphic artist for the newspaper Ny Ilustrerad Tidning. His annual income was sufficient to allow him to help his parents financially. After several years working as an illustrator of books, magazines and newspapers, he moved to Paris in 1877, where he spent several frustrating years as a hardworking artist, but without any success. Larsson was not eager to establish contact with the French progressive Impressionists; instead, along with other Swedish artists, he cut himself off from the radical movement of change. After two summers in Barbizon (in central France), the refuge of the plein-air painters, he settled down with his Swedish painter colleagues in 1882 in Grez-sur Loing, outside Paris, at a Scandinavian artists’ colony. It was there that he met the artist Karin Bergöö, who soon became his wife. This was to be a turning point in Larsson’s life. In Grez, he painted some of his most important works, now using watercolour, and very different from the oil painting technique he had previously employed. Karin Bergöö, artist and wife of Carl Larsson Carl and Karin had eight children and his family became Larsson’s favourite models. Many of the domestic interiors depicted were the work of Karin, who also worked as an interior designer. Their eight children were Suzanne (1884), Ulf (1887 – died aged 18), Pontus (1888), Lisbeth (1891), Brita (1893), Mats (1894 – died aged 2 months), Kersti (1896) and Esbjörn (1900). In 1888 the family was given a small house in Sundborn, Sweden by Karin’s father Adolf Bergöö. Carl and Karin decorated and furnished “Little Hyttnäs” according to their particular artistic taste. Through Larsson’s paintings and books “Little Hyttnäs” has become one of the most famous artist’s homes in the world. The house is now maintained by Larsson’s descendants and is open to tourists during the summer months. Sundborn Interior "Day is Done" by Carl Larsson pencil and watercolour Larsson’s popularity increased considerably with the development of colour reproduction technology in the 1890s. Swedish publisher Bonnier published “A Home” (1894) written and illustrated by Larsson containing full colour reproductions of his paintings of domestic life in “Little Hyttnäs”. However, the print runs of these rather expensive albums did not come close to that produced in 1909 by German publisher Karl Robert Langewiesche, entitled “The House in the Sun”. It became one of the German publishing industry’s best-sellers of the year, selling 40,000 copies in three months. By 2001 the book had enjoyed more than 40 print runs. 1899 Cover of "A Home" 24 Paintings by Carl Larsson Larsson considered his monumental works, such as frescoes in schools, museums and other public buildings, to be his most important works. His last monumental work, Midvinterblot (Midwinter Sacrifice), a 6 x 14 metre oil on canvas completed in 1915, had been commissioned for a wall in the National Museum in Stockholm (which already had several of his works adorning its walls). However, on completion it was rejected by the governing board of the museum. Decades later, the painting was purchased and placed in the National Museum. 1914-15 Midwinter's Sacrifice oil on canvas 640 x 1360 cm Nationalmuseum, Stockholm, Sweden In his memoirs, published after his death, Larsson declared his bitterness and disappointment over the rejection of the painting he himself considered to be his greatest achievement: “The fate of Midvinterblot broke me! This I admit with dark anger. And still, it was probably the best thing that could have happened, because my intuition tells – once again! – that this painting, with all its weaknesses, will one day, when I am gone, be honoured with a far better placement.” Larsson admitted however, in the same memoirs, that the pictures of his family and home “became the most immediate and lasting part of my life’s work. For these pictures are of course a very genuine expression of my personality, of my deepest feelings, of all my limitless love for my wife and children.” Biographical notes adapted from Wikipedia This is part 1 of a 7-part post on the works of Carl Larsson: 1876 Woman Playing Strings watercolour 1877 Chiaroscuro oil on canvas 130 x 103 cm 1878 Landscape Study from Barbizon 1878 Music by the Stream oil on canvas 32.5 x 23.5 cm 1878 The Artist Carl Skånberg oil on canvas 63 x 46 cm Nationalmuseum, Stockholm, Sweden Note: I couldn't find dates for these early works (1870s - 1880s): Angel Watering Flowers Forbidden Fruit Girl by a Flowering Hawthorn Bush oil on canvas 36 x 45.5 cm Konstmuseum, Gothenburg, Sweden Girl Outdoors watercolour Idyll oil on canvas Nationalmuseum, Stockholm, Sweden Karin Light Interior in Mora Per Hasselberg indian ink on paper 16 x 12 cm The Glassblowers Toys in the Corner Vega 1880 Dödens Engel (Dodens Angel) illustrated by Carl Larsson: 1880 Dödens Engel by Johan Olof Wallin * * * * * A Bite 1881 Little Red Riding Hood and the Wolf in the Forest oil on canvas 37 x 45 cm 1881 ”I lövsprickningen” oil on canvas 50 x 61 cm 1882 Karin Relaxing watercolour 1882 November watercolour Konstmuseum, Gothenburg, Sweden 1882 October ( The Pumpkins ) 1882 Sewing 1883 Garden in Grez oil 1883 In the Kitchen Garden watercolour 61 x 93 cm Nationalmuseum, Stockholm 1883 The Bride 1883 The Old Man and the New Trees watercolour 93 x 61 cm Nationalmuseum, Stockholm, Sweden 1883 The Pond watercolour 1884 Autumn watercolour 1884 The Vine watercolour

'Gunlög utan Mamma' (Swedish for 'Gunlög without Mamma') is a watercolor painting made by Carl Larsson in 1913.  The original painting is in the collection of the American Swedish Institute. This postcard is a great souvenir of your visit to ASI, or great to add to that gift you bought to send along your greetings. Carl Larsson was a Swedish painter known mainly for his watercolors of family life.  Karin Bergöö Larsson was a groundbreaking artist whose approach to textiles and design ushered in a new era of interior design.  Many of Karin’s works were forever captured in husband Carl Larsson’s iconic paintings of Swedish life (like this one). It was Karin who designed and created Lilla Hyttnäs, the Larsson’s home just outside of Falun in Sundborn, Sweden, which was so often the subject of Carl’s paintings.

Crayfishing, c. 1895, by Carl Larsson (Swedish, 1853–1919) Born into poverty, Carl Larsson earned a scholarship at the Stockholm Academy of Fine Arts and supported himself in commercial illustration. His career in fine art, in which his ambitions tended toward the monumental and allegorical, was lackluster, but this changed when he met his future wife, artist Karin Bergöö. Under her influence he began to produce light, bright watercolors, modest in scale and subject. Karin’s father gave the newlyweds a small cottage in the rural village of Sundborn, and as their family expanded, the Larssons lavished energy on remodeling and decorating their home. Carl delighted in rendering the cottage and its inhabitants in loving, lighthearted watercolors that document the family’s idyllic country life. Crayfishing is one in a series of these paintings titled Ett hem (A Home), which was published in book form in 1899. Puzzle size: 29 x 20 in. Box size: 10 x 13 x 1⅞ in. WARNING: Choking hazard—small parts. Not suitable for children under 3 years.

Artikel jag skrivit för Hufvudstadsbladets bilaga, Livsstil, som utkom i fredags, den 29.11.2019. I mitt barndomshem, ett hus från slutet på 1800-talet, på Västra Kyrkogatan i Karleby vilade en Carl och Karin Larsson anda, redan då man kom in i kvisten. Med alla rosa pelargoner på fönsterbrädena, trasmattorna och möblemangen. Den nationalromantiska inredningen i huset

Carl Larsson in 1882 Carl Larsson (1853 – 1919) was born in 1853 in Stockholm, Sweden, to an extremely poor family, though his artistic talent emerged relatively early in his life. At the age of thirteen, his teacher at the school for the poor persuaded him to apply for enrolment at Principskolan, the preparatory department of the Swedish Royal Academy. During his first years there, he felt socially inferior, confused and shy. In 1869, aged sixteen, he was promoted to the “Antique School” of the same academy. There he gained confidence, and even became a central figure in student life; he also earned his first medal in life drawing. After the Academy Larsson worked as a caricaturist for the humorous paper Kaspar, and as a graphic artist for the newspaper Ny Ilustrerad Tidning. His annual income was sufficient to allow him to help his parents financially. After several years working as an illustrator of books, magazines and newspapers, he moved to Paris in 1877, where he spent several frustrating years as a hardworking artist, but without any success. Larsson was not eager to establish contact with the French progressive Impressionists; instead, along with other Swedish artists, he cut himself off from the radical movement of change. After two summers in Barbizon (in central France), the refuge of the plein-air painters, he settled down with his Swedish painter colleagues in 1882 in Grez-sur Loing, outside Paris, at a Scandinavian artists’ colony. It was there that he met the artist Karin Bergöö, who soon became his wife. This was to be a turning point in Larsson’s life. In Grez, he painted some of his most important works, now using watercolour, and very different from the oil painting technique he had previously employed. Karin Bergöö, artist and wife of Carl Larsson Carl and Karin had eight children and his family became Larsson’s favourite models. Many of the domestic interiors depicted were the work of Karin, who also worked as an interior designer. Their eight children were Suzanne (1884), Ulf (1887 – died aged 18), Pontus (1888), Lisbeth (1891), Brita (1893), Mats (1894 – died aged 2 months), Kersti (1896) and Esbjörn (1900). In 1888 the family was given a small house in Sundborn, Sweden by Karin’s father Adolf Bergöö. Carl and Karin decorated and furnished “Little Hyttnäs” according to their particular artistic taste. Through Larsson’s paintings and books “Little Hyttnäs” has become one of the most famous artist’s homes in the world. The house is now maintained by Larsson’s descendants and is open to tourists during the summer months. Sundborn Interior "Day is Done" by Carl Larsson pencil and watercolour Larsson’s popularity increased considerably with the development of colour reproduction technology in the 1890s. Swedish publisher Bonnier published “A Home” (1894) written and illustrated by Larsson containing full colour reproductions of his paintings of domestic life in “Little Hyttnäs”. However, the print runs of these rather expensive albums did not come close to that produced in 1909 by German publisher Karl Robert Langewiesche, entitled “The House in the Sun”. It became one of the German publishing industry’s best-sellers of the year, selling 40,000 copies in three months. By 2001 the book had enjoyed more than 40 print runs. 1899 Cover of "A Home" 24 Paintings by Carl Larsson Larsson considered his monumental works, such as frescoes in schools, museums and other public buildings, to be his most important works. His last monumental work, Midvinterblot (Midwinter Sacrifice), a 6 x 14 metre oil on canvas completed in 1915, had been commissioned for a wall in the National Museum in Stockholm (which already had several of his works adorning its walls). However, on completion it was rejected by the governing board of the museum. Decades later, the painting was purchased and placed in the National Museum. 1914-15 Midwinter's Sacrifice oil on canvas 640 x 1360 cm Nationalmuseum, Stockholm, Sweden In his memoirs, published after his death, Larsson declared his bitterness and disappointment over the rejection of the painting he himself considered to be his greatest achievement: “The fate of Midvinterblot broke me! This I admit with dark anger. And still, it was probably the best thing that could have happened, because my intuition tells – once again! – that this painting, with all its weaknesses, will one day, when I am gone, be honoured with a far better placement.” Larsson admitted however, in the same memoirs, that the pictures of his family and home “became the most immediate and lasting part of my life’s work. For these pictures are of course a very genuine expression of my personality, of my deepest feelings, of all my limitless love for my wife and children.” Biographical notes adapted from Wikipedia This is part 1 of a 7-part post on the works of Carl Larsson: 1876 Woman Playing Strings watercolour 1877 Chiaroscuro oil on canvas 130 x 103 cm 1878 Landscape Study from Barbizon 1878 Music by the Stream oil on canvas 32.5 x 23.5 cm 1878 The Artist Carl Skånberg oil on canvas 63 x 46 cm Nationalmuseum, Stockholm, Sweden Note: I couldn't find dates for these early works (1870s - 1880s): Angel Watering Flowers Forbidden Fruit Girl by a Flowering Hawthorn Bush oil on canvas 36 x 45.5 cm Konstmuseum, Gothenburg, Sweden Girl Outdoors watercolour Idyll oil on canvas Nationalmuseum, Stockholm, Sweden Karin Light Interior in Mora Per Hasselberg indian ink on paper 16 x 12 cm The Glassblowers Toys in the Corner Vega 1880 Dödens Engel (Dodens Angel) illustrated by Carl Larsson: 1880 Dödens Engel by Johan Olof Wallin * * * * * A Bite 1881 Little Red Riding Hood and the Wolf in the Forest oil on canvas 37 x 45 cm 1881 ”I lövsprickningen” oil on canvas 50 x 61 cm 1882 Karin Relaxing watercolour 1882 November watercolour Konstmuseum, Gothenburg, Sweden 1882 October ( The Pumpkins ) 1882 Sewing 1883 Garden in Grez oil 1883 In the Kitchen Garden watercolour 61 x 93 cm Nationalmuseum, Stockholm 1883 The Bride 1883 The Old Man and the New Trees watercolour 93 x 61 cm Nationalmuseum, Stockholm, Sweden 1883 The Pond watercolour 1884 Autumn watercolour 1884 The Vine watercolour

Karin Bergöö Larsson (October 3, 1859-February 18, 1928) was a Swedish artist and designer who collaborated with her husband, artist Carl Larsson, as well as being often depicted in his paintings.B…

Carl Larsson (1853-1919) Karin reading (1904) Karin is de tweede vrouw van Carl Larsson, een Zweedse schilder. Zijn eerste vrouw, Vilhelmina Holmgren, stierf in het kraambed bij de geboorte van hun tweede kind. Ook de twee kinderen uit dit eerste huwelijk stierven jong. Carl Larsson en Karin Larsson-Bergöö Karin Larsson, geboren Bergöö was kunstenares. Zij schilderde, weefde, ontwierp meubels en hield zich bezig met binnenhuisarchitectuur. Ze leerde Carl kennen in de kunstenaarskolonie in het Franse Grez-surLoing, net buiten Parijs. Uit die tijd een schilderij van Carl Larsson van een beeldenpark en één van de bouw van de Eiffeltoren die zojuist was begonnen. Van Karin heb ik één aquarel kunnen vinden. Karin Larsson-Bergöö, Boerin op het land Veel meer bekend zijn haar weef- en borduurproducten, zoals tafellakens, gordijnen, kussens, die ook terugkomen op de schilderijen van haar man. Hier een aantal voorbeelden uit hun huis in Sundborn Karin achter haar weefgetouw Tenslotte nog een voorbeeld van haar meubelontwerpen. Een schommelstoel ontworpen door Karin Larsson-Bergöö Het ontwerp is, in iets gewijzigde vorm nog steeds te verkrijgen bij IKEA Karin met één van haar kinderen Carl en Karin Hoewel haar man Carl veel meer bekendheid heeft verworven is er voor het leven van Karin toch ook nog steeds belangstelling. In 2009 verscheen over haar een biografie, Karin Larssons värld, geschreven door Lena Rydin. Samen kregen Karin en Carl, links een zelfportret, acht kinderen: Suzanne, Ulf, Pontus, Lisbeth, Brita, Matts, Kersti en Esbjörn. Door de kinderen kwam het kunstenaarschap van Karin op een laag pitje te staan. Wel bleef zij bezig met weven en de inrichting van hun eigen woonhuis. In Frankrijk had Larsson weinig succes, dus keerde het echtpaar terug naar Zweden. Larsson werd directeur van de kunstopleiding in Göteborg. Later verhuisde het gezin naar Lilla Hyttnäs (kleine hut) in Sundborn. Het huis was een geschenk van de de vader van Karin. Lilla Hyttnäs geschilderd door Carl Lilla Hyttnäs zoals het er nu uit interieur Lilla Hyttnäs Larsson (links) heeft veel aquarellen geschilderd, maar maakte ook muurschilderingen. Voor het Nationalmuseum in Stockholm maakte hij het monumentale schilderij Midvinterblot, dat teruggaat tot de Noorse mythologie waarbij de koning geofferd werd om een einde aan de hongersnood te maken. Het ontwerp viel eerst niet in de smaak. Het museum wilde het niet eens gratis hebben, zodat het uiteindelijk verkocht is aan een Japanner. Veel later is het weer teruggekocht en bevindt zich nu in het museum te Stockholm, waarvoor het bedoeld was. Midvinterblot Midvinterblot in het Nationalmuseum Stockholm De stijl van Carl Larsson is naturalistisch en doet mij soms denken aan de illustraties van Rie Cramer en Anton Pieck. Carl werkte in zijn begintijd ook als illustrator van boeken om de kost te verdienen. Op veel van zijn schilderijen figureerden zijn vrouw en kinderen. Ze zijn licht en vrolijk van kleur, in tegenstelling tot zijn gemoedstoestand. Carl had regelmatig last van depressies, die begonnen na de dood van zijn eerste vrouw en kinderen. De eerste woorden van zijn autobiografie Jag (Ik), die twaalf jaar na zijn overlijden verscheen luidden alsvolgt: “In het jaar 1853 kwam ik als doodgeboren kindje ter wereld. Toen wat later op de dag – het was 28 mei – het lijkje door een wat onvoorzichtige behandeling aan het huilen werd gebracht, kreeg men er iets meer belangstelling voor, en in de loop der jaren is die nog toegenomen.” Geen vrolijke Frans, zo te horen. Misschien juist door zijn sombere inslag, genoot hij extra van zijn tweede vrouw en schare kinderen. Dat lees ik in ieder geval af uit onderstaand schilderij. Zelfportret met dochter Brita Carl Larsson was een veelschilder. Lezende figuren, meestal zijn vrouw en kinderen, kwamen op nogal wat aquarellen en schilderijen voor. Karin met de oudste dochter Suzanne De jongste zoon Esbjörn met een oudere zus Esbjörn, lezen tijdens de bof Esbjörn Esbjörn wat jaren later Lisbeth Hier nog wat werken van Larsson waarbij niet wordt gelezen maar wel mensen met een boek of krant zijn afgebeeld. Suzanne, de oudste dochter van Carl en Karin

Pastel. Carl Olaf Larsson was born on May, 28th 1853 at Stockholm. His parents were farmers at Gamla Stan, he had an unhappy infancy because his family was poor. After a school for poor people he lived in Paris and worked as an illustrator for books or newspapers. In 1882 in a community of artist at Grez sur Loing he met his model and wife, a swedish painter, Karin Bergöö. He became a Professor of "Beau arts" school on 1889 at Gôteborg. He was a very indepedent painter with social ideas and didn't belong to a precise movement. He painted a lot of paintings for 20 years like : Fille d'Ève, Devant la glace, La route du village or Petite fille dans une chambre d'enfant . He used a lot of differents technics in his works : Watercolor, Charcoal, Chalk and ink. Furthemore he became famous in all Europe. He died on January 22 nd 1919 at Sundborn at 65 years old. en.wikipedia.org/wiki/Carl_Larsson

1906 Self-Portrait "Self-Recognition" oil on canvas 95.5 x 61.5 cm Polo Museum, Florence Carl Larsson (1853 – 1919) was a Swedish artist representative of the Arts and Crafts movement. His many works include oils, watercolours and frescoes. He considered his finest work to be Midvinterblot (Midwinter Sacrifice), a large wall mural now displayed in the Swedish National Museum of Fine Arts. For full biographical notes on Larsson see part 1. For earlier works see parts 1 - 4 also. This is part 5 of a 7-part post on the works of Carl Larsson: 1905 Kersti in Black watercolour 1909 Kersti in Black etching 14.7 x 19.9 ( plate ) © Finnish National Gallery, Helsinki 1905 Kersti's Friend Visiting pencil and watercolour 33 x 22.5 cm 1905 My Yard pencil and watercolour 1905 On the Farm pencil and watercolour 1905 Pastor C. F. Petterson in Sundborn watercolour 1905 Potato Harvest pencil and watercolour 1905 The Antiquity Room pencil and watercolour 1905 The Evening Meal pencil and watercolour 1905 The Guardian Angel etching 15.2 x 19.7 cm ( plate ) Minneapolis Institute of Arts, MN ( and others ) 1906 At the Scaffold Painter 1906 Author Carl Gustaf Lawrence etching 11.8 x 15.9 cm ( plate ) © Finnish National Gallery, Helsinki 1906 Azaleas pencil and watercolour Thiel Gallery, Stockholm 1906 Bo pencil and watercolour 1906 Children of the Carpenter Helberg watercolour 1906 Cowgirl in the Meadow pencil and watercolour 1906 Karin At The Linen Cupboard pencil and watercolour 1906 Karin pencil and watercolour 1906 Model Writing Postcards watercolour 68 x 100cm Thiel Gallery, Stockholm 1906 Oscar Levertin oil on canvas 1906 Oscar Levertin 1906 Red and Black pencil and watercolour 1906 Rose and Back pencil and watercolour 1906 The Cowshed pencil and watercolour 1906 The Future Diva pencil and watercolour 1906 The Manure Pile watercolour 1906 The Model on the Table 1906 Threshing pencil and watercolour 1906 Woodcutters in the Forest pencil and watercolour 1907 Girl Weaving Red Gold Ribbon pencil and watercolour 1907 Greta Arnbom pencil and watercolour 54.3 x 75 cm Malmö Konstmuseum, Sweden 1907 Kersti with Breadbasket 1907 Minni and Essi pencil and watercolour 1907 Now it's Christmas Again watercolour 1907-08 The Entry of King Gustav Vasa of Sweden into Stockholm, 1523 oil on canvas 700 x 1400 cm Nationalmuseum, Stockholm photo: Creative Commons Licence 2 1908 After the Dance pencil and watercolour 1908 Brita at the Piano pencil and watercolour 1908 In Mum's Bed pencil and watercolour 1908 Ingrid E. watercolour 1908 Karin on the Shore pencil and watercolour 54.3 x 75 cm Malmö Konstmuseum, Sweden 1908 Lisbeth and Peonies pencil and watercolour 1908 Lisbeth and the Lily pencil and watercolour 1908 Lisbeth in her Sundborn Dress pencil and watercolour 1908 Ludvig Looström 1908 Model in Front of the Stove etching 16.4 x 12 cm ( plate ) © Finnish National Gallery, Helsinki 1908 Omakuva etching 16.5 x 23.7 cm ( plate ) © Finnish National Gallery, Helsinki 1908 Rovasti C. F. Pettersson etching 17.9 x 12 cm ( plate ) © Finnish National Gallery, Helsinki 1908 Selma Lagerlöf oil on canvas Bonnierska Porträttsamlingen, Stockholm 1909 Dagmar Grill in the Garden pencil and watercolour 66 x 56 cm 1909 Friends from the Towm - Dining Room Scene watercolour 1909 Karin and Brita with Cactus pencil and watercolour 1909 Karin and Esbjörn pencil and watercolour 1909 Kersti's Birthday pencil and watercolour 1909 Lisbet Playing the Accordion 1909 Our Guardian Angel pencil and watercolour 1909 The Cottage in Snow pencil and watercolour 1909c The Falun Yard watercolour Private Collection 1910 Brita pencil and watercolour 1910 Esbjörn oil on canvas 70 x 100 cm 1910 Lisbeth's New Hat pencil and watercolour 1910 Self-Portrait in Landscape pencil and watercolour 1910 Suzanne as a Red Cross Nurse pencil and watercolour 1910 Suzanne on the Porch pencil and watercolour 1910c Schoolgirl in an Interior ( Kersti ) pencil and watercolour 50.8 x 71.8 cm Brooklyn Museum, New York 1911 Brother and Sister watercolour pencil and watercolour 1911 Girl on Skis pencil and watercolour 74 x 52.5 cm

Carl Larsson is an iconic Swedish Artist. If you travel to Sweden, you will find the reproduction of many of his prints and artwork on various products. He is

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1895 Self-Portrait pencil and watercolour Carl Larsson (1853 – 1919) was a Swedish artist representative of the Arts and Crafts movement. His many works include oils, watercolours and frescoes. He considered his finest work to be Midvinterblot (Midwinter Sacrifice), a large wall mural now displayed in the Swedish National Museum of Fine Arts. For full biographical notes on Larsson see part 1. For earlier works see parts 1 - 2 also. This is part 3 of a 7-part post on the works of Carl Larsson: 1894 - 1899 "Ett Hem" (At Home) book: 1899 Cover of "A Home 24 Paintings" 1894 Between Christmas and New Year ( from "A Home" series ) pencil and watercolour 1894 Cosy Corner ( from "A Home" series ) pencil and watercolour 32 x 43 cm Nationalmuseum, Stockholm 1894 In the Corner ( from "A Home" series ) pencil and watercolour Nationalmuseum, Stockholm 1894c Flowers on the Windowsill ( from "A Home series ) pencil watercolour 32 x 43 cm Nationalmuseum, Stockholm 1895c A Good Place for Swimming ( from "A Home" series ) pencil and watercolour 1895c Breakfast under the Big Birch ( from "A Home" series ) pencil and watercolour 32 x 43 cm Nationalmuseum, Stockholm 1895c Brita's Forty Winks ( from "A Home" series ) pencil and watercolour 32 x 43 cm Nationalmuseum, Stockholm 1895c Father's Room ( from "a Home" series ) watercolour Nationalmuseum, Stockholm 1895c Lisbeth Fishing ( from "A Home" series ) pencil and watercolour Nationalmuseum, Stockholm 1895c Nameday at the Storage House ( from "A Home" series ) pencil and watercolour 32 x 43 cm Nationalmuseum, Stockholm 1895c Old Anna ( from "A Home" series ) pencil and watercolour 32 x 43 cm Nationalmuseum, Stockholm 1895c Old Sundborn Church ( from "A Home" series ) watercolour 32 x 43 cm Nationalmuseum, Stockholm 1895c The Bridge ( from "A Home" series) pencil and watercolour 1895c The Crayfish Season Opens ( from "A Home" series ) pencil and watercolour 1895c The Dining Room ( from "A Home" series ) pencil and watercolour 1895c The Gate ( from "A Home" series ) pencil and watercolour 1895c The Kitchen ( from "A Home" series ) watercolour 32 x 43 cm Nationalmuseum, Stockhom 1895c The Studio ( from "A Home series ) pencil and watercolour Nationalmuseum, Stockholm 1895c The Studio ( from "A Home series ) pencil and watercolour Nationalmuseum, Stockholm 1895c The Timber Chute ( from "A Home series ) pencil and watercolour 1895c The Verandah ( from "A Home series ) pencil and watercolour 32 x 43 cm Nationalmuseum, Stockholm The Verandah of Larsson's house today: 1895c The Yard and Wash-House ( from "A Home" series ) pencil and watercolour 32 x 43 cm Nationalmuseum, Stockholm 1897 Mamma's and the Small Girls' Room ( from "A Home" series ) pencil and watercolour 32 x 43 cm Nationalmuseum, Stockholm 1899 Open-Air Studio ( from "A Home" series ) pencil and watercolour Nationalmuseum, Stockholm 1899c The Cottage ( from "A Home" series ) pencil and watercolour 32 x 43 cm National Museum, Stockholm "The Cottage" at Sundborn today: 1894 Gustaf Upmark pencil and watercolour 1896 Eva Upmark pencil and watercolour 1894 Lisbeth Eats Porridge 1894 Lisbeth pencil and watercolour 1894 Lisbeth with Yellow Tulips pencil and watercolour 55.5 x 33 cm 1894 Suzanne pencil and watercolour 1894 Ulf and Pontus pencil and watercolour 1894 Ulf pencil and watercolour 1894 Ulla watercolour 1895 Anna Pettersson watercolour 45 x 61 cm Nationalmuseum, Stockholm 1895 Mirror Image with Brita on my Knee watercolour 1895 Self Portrait with Daughter Brita watercolour Nationalmuseum, Stockholm 1895 Stina watercolour 91.5 x 60 cm 1895 The Virgin Mary with Baby Jesus watercolour and pen on paper 26 x 19 cm 1895-96 The Art of Sculpture. Carl Michael Bellman in Sergel's Studio. Cartoon for Fresco in the Lower Hall of the National Museum, Stockholm 625 x 371 cm 1896 The Construction of the Royal Palace with the Architects Nicodemus Tessin and Carl Hårleman oil on canvas Nationalmuseum, Stockholm 1897 A Nap Outdoors pencil and watercolour 1897 A Swedish Fairytale diptych with oil on canvas, relief panel, and frame Nationalmuseum, Stockholm, Sweden 1897 A Young Girl with a Doll pencil, pencil, pen and ink, watercolour 1897 Birgit watercolour 1897 Brita in the Flowerbed pencil and watercolour 1897 Lisbeth in the Atelier pencil and watercolour 1897 Lisbeth 1897 Pontus At The Etching Press 1898 Apple Tree in Blossom pencil and watercolour 1898 Duties pencil and watercolour 1898 Eva Åkerlund India ink on paper 62 x 39 cm 1898 Gösta pencil and watercolour 1898 Karin and Kersti watercolour 1898 Playing Scales pencil and watercolour 1898 Portrait of the Architect Jacob Ahrenberg pencil, ink, watercolour and gouache 53.5 x 36 cm © Finnish National Gallery, Helsinki 1898 Spring Princess pencil and watercolour Private Collection 1898 Ulf Goes Swimming pencil and watercolour 1899 A Fairy or Kersti and a View of a Meadow 1899 August Strindberg charcoal and oil on canvas 56 x 39 cm Nationalmuseum, Stockholm 1899 For Karin's Name Day watercolour The old Swedish "Name Day" Calendar was, and still is, a celebration of personal names as well as traditional and religious feasts. It is now a big celebration in Sweden accompanied by parties and presents. (Karin: 2 August) 1899 Kersti 1899 Spring Sonnet pencil and watercolour 28 x 19.5 cm 1899c Convalescence watercolour 52 x 66 cm Nationalmuseum, Stockholm 1900 Around the Lamp pencil and watercolour

Автор - affinity4you . Это цитата этого сообщения Шведский художник Карл Улоф Ларссон (Carl Larsson)- считается самым известным шведским живописцем. Его идиллические полотна, акварели и рисунки изображают жизнь его семьи. Вместе с женой Карин у него было восемь детей. Карл и Карина считаются…

Carl Larsson 1853-1919 Zweden

Art and Artists, Paintings, Painters, Prints, Printmakers, Illustration, Illustrators

KARIN LARSSON (1859-1928) was de echtgenote van de bekende Zweedse schilder CARL LARSSON (1853-1919). Zij studeerde aan de Kunstacademie in Stockholm en was ook schilder maar zette dit opzij toen haar kinderen werden geboren. Karin begon te weven en te borduren, zij maakte de mooiste spullen voor in hun huis. Kleding maakte zij ook zelf. Ze ontwierp ook meubels o.a. een schommelstoel en een planten-etagère. In 2009 was het 150 jaar geleden dat Karin geboren werd. Ter gelegenheid daarvan werd er een groot deel van het originele textiel tentoongesteld in GALLERI KVARNEN in Sundborn. Het textiel dat je in CARL LARSSON-GÅRDEN (het huis van Carl en Karin Larsson) ziet, als je er een rondleiding volgt, is grotendeels nagemaakt. Het originele textiel is gedeeltelijk in slechte staat. In de tuin van de galerie stond een tent in de vorm van een blauw wit gestreepte jurk zoals Karin die vaak droeg. In de tent hing haak- en borduurwerk van dames uit Sundborn, dat was een prachtig gezicht. Gelijktijdig met de tentoonstelling is er ook een nieuw boek uitgegeven over Karin Larsson, KARIN LARSSONS VÄRLD (inkijkexemplaar), helaas alleen in het Zweeds. Dat boek heb ik niet gekocht want ik ben al in het bezit van twee boeken over Karin, DIE LUST AM ALLTAG - LEBEN WIE DIE LARSSONS IN SUNDBORN. In dit boek staan veel foto's van Carl Larsson-gården en de handwerken van Karin. Ook staan er recepten van Karin in. Het andere boek Karin Larsson och blommarna i Sundborn is Zweedstalig. Meer over Carl en Karin Larsson vind je in DEEL 1, DEEL 2 en DEEL 3. Een deel van de foto's via de WEBSITE.

For years I had been inspired by the home of Carl and Karin Larsson. I had collected books and images about the house and I even had a friend who designed their home based on the Larsson home. One rainy...

Artikel jag skrivit för Hufvudstadsbladets bilaga, Livsstil, som utkom i fredags, den 29.11.2019. I mitt barndomshem, ett hus från slutet på 1800-talet, på Västra Kyrkogatan i Karleby vilade en Carl och Karin Larsson anda, redan då man kom in i kvisten. Med alla rosa pelargoner på fönsterbrädena, trasmattorna och möblemangen. Den nationalromantiska inredningen i huset

Explore Carl Larson's 75 photos on Flickr!

Carl Larsson (1853 – 1919) was a Swedish artist representative of the Arts and Crafts movement. His many works include oils, watercolours and frescoes. He considered his finest work to be Midvinterblot (Midwinter Sacrifice), a large wall mural now displayed in the Swedish National Museum of Fine Arts. For full biographical notes on Larsson see part 1. For earlier works see parts 1 - 3 also. This is part 4 of a 7-part post on the works of Carl Larsson: 1900 Brita as Idun lithograph, title page for the Christmas edition of "Idun" 1901 Private Collection 1900 Esbjörn pencil and watercolour 1900 Hide and Seek pencil and watercolour 1900 Lisbeth as the Evil Princess in P.D.A. Atterbom's Adventure "Blue Bird" pen and watercolour 62.2 x 94.3 cm National Gallery of Denmark, Copenhagen 1909 Lisbeth puts on a Theatre Show etching 11.8 x 16.3 cm ( plate ) © Finnish National Gallery, Helsinki 1900 Little Lie-A-Bed's Sad Breakfast graphite and watercolour 51 x 35.8 cm Art Institute of Chicago, IL 1900 Portrait of Casimir Laurin pencil and watercolour 1900 Required Reading watercolour and ink 46.5 x 64.5 cm © Finnish National Gallery, Helsinki 1900 Ruth pencil and watercolour 1900 Signe Thiel pencil and watercolour 1900 Sunday Rest watercolour 68 x 104 cm Nationalmuseum, Stockholm 1900 The Fairy Tale of Lilli's Nose indian ink on paper 41 x 31 cm 1900 Viking Expedition pencil and watercolour 1901 Getting Ready for a Game oil on canvas 68 x 92 cm Nationalmuseum, Stockholm 1901 Kersti's Sleigh Ride pencil and watercolour 1901 My Cook and my Washer Woman etching 1901 Papa, I'm eating the Waffle! ink on paper 1901 Peek-a-Boo pencil and watercolour 1901 Raking pencil and watercolour 1901 Wilhelm and Emelie Josephson pencil and watercolour 1901? Leontine Sitting in the Atelier pencil and watercolour 1902 Chess Game pencil and watercolour 1902 Hakon, Daga and Edgar watercolour 1902 My Father Olof pencil and watercolour 1902 Selma Lagerlöf 1902 Seventeen Years pencil and watercolour 1902 Ulf and Lisa 1902 Under the Birches watercolour 1903 Barbro pencil and watercolour 1903 Esbjörn the Philosopher pencil and watercolour 1903 The First Lesson pencil and watercolour 1903 Grandfather watercolour 1903 Mother and Daughter pencil and watercolour 1903 Mrs Dora Lamm and Her Two Eldest Sons oil on canvas Länsmuseet Gävleborg, Sweden 1903 My Father Olof Larsson pencil and watercolour 1904 Axel Tallberg, Art Professer India ink on paper 25 x 16 cm 1904 Brita's Cactus pencil and watercolour 1904 By the Fence pencil and watercolour 64 x 63 cm 1904 Karin and Esbjörn 1904 Karin Peeling Apples pencil and watercolour 1904 Karin Reading watercolour 1904 Lisbeth Reading watercolour 1904 Martina carrying a Breakfast Tray etching 23.5 x 15.8 cm ( plate ) © Finnish National Gallery, Helsinki 1904 Martina carrying a Breakfast Tray pencil and watercolour 1904 My Eldest Daughter, Suzanne with Milk and Book watercolour 1904 "Spad-Arfvet" (My Little Farm): Front Cover 1903 The Apple Harvest watercolour Private Collection 1904 Esbjörn and the Farmer's Daughter pencil and watercolour 1904 The Slaughter watercolour * * * * * 1904 Star Boys call at the Larsson's pencil and watercolour 1904 Thorsten Grill pencil and watercolour 62 x 54 cm 1904-05 Christmas Eve pencil and watercolour Nationalmuseum, Stockholm 1905 Anna-Stina Alkman pencil and watercolour 1905 At Church pencil and watercolour 1905 Coal Kiln pencil and watercolour 1905 Erik pencil and watercolour 1905 Esbjörn by his own Apple Tree pencil and watercolour 1905 Esbjörn Fishing watercolour 1905 Esbjörn on Skis watercolour 1905 Fairy Tales pencil and watercolour 1905 Fishing pencil and watercolour 1905 Gladys watercolour 1905 Harvesting Ice pencil and watercolour 1905 Harvesting the Rye pencil and watercolour 1905 In Sundborn Church pencil and watercolour 1905 In the Carpenter Shop pencil and watercolour 1905 Kaj pencil and watercolour

Marge Thorell takes a peek inside the home of a Swedish designer whose own artistic legacy has freed her from the shadow of her celebrated husband.

Ceramic Tile ~ Trivet ~ Hot Pad. Measures 6". Has a cork backing and 3/4" triangle hanger to hang it on the wall. Artwork by Carl Larsson. We print all the designs using dye sublimation. Back side of the tile is shown.