Megaliths of Carnac: Introduction The Carnac stones are an exceptionally dense collection of megalithic sites around the French village of Carnac, in Brittany, consisting of alignments, dolmens, tumuli and single menhirs. The more than 3,000 prehistoric standing stones were hewn from local rock and erected by the pre-Celtic people of Brittany, and are the largest […]
Hello all, Today I will talk about another costume which was acquired by my friend Joan. The costume is commonly known as Giz-Foen [or Giz-Fouen]. It is also known as the costume of the regions of Fouesnant, Rosporden, Concarneau, or Pont-Aven. In fact, it is found in all of these, and over a relatively large area along the coast of the southeast corner of the province of Bro-Gernev, or Cornouialle, Brittany, as far north as Elliant. [But is not found in the communities of Moelan on the sea or Clohars Carnoet, in the extreme southeast corner.] Here is a map of Lower Brittany with the subject area shown in red. Below is a map showing the province of Cornouialle in the context of all Brittany. Brittany, or Little Britain, was settled by people from the southwest of the Island of Great Britain, who were driven out of their homeland by the invading English, [Anglo-Saxons]. The province of Kernev [in Breton] or Cornouialle [in French] is named after their homeland in Britain, Kornog or Cornwall, just as the next province to the east, Bro-Wened, or Vannes, is named after Gwynedd.They brought their language with them, and it is still spoken in Brittany today, being closely related to both Cornish and Welsh. On the map above, you can see the black and white flag of Brittany, and the flag of Kernev (Gernev)or Cornouaille with the white ram on blue. For more information on Brittany, see this article. http://en.wikipedia.org/wiki/Brittany Brittany, especially the western part, has a very rich history of folk costumes. This is one of the better known ones, with its elaborate coif. I found the costume on auction from an Estate Sale, among a lot of stage costumes, and i was able to buy it quite cheaply, as noone knew what it was. My Friend Joan, for whom i more recently made a Provencal costume, was very happy to acquire it. Here is the costume as we received it. Below that is a photo of Joan wearing it, along with myself in an Indian Kurta, Jennifer in her Hungarian, from the Great Plain, and Rita in her Goral. Since Pont-Aven, one of the villages where this costume is worn, has a long history of hosting famous artists, this costume has been well documented in art. Here is a painting by Sartre from his time there of the innkeeper where he stayed, followed by a sketch from another artist. Here is a photo showing a more contemporary version of this costume. The base of the garment is a chemise, which does not show, except for some lace on the ends of the sleeves. Over this is a full petticoat, or more than one. Then there is the famous collerette, which you can see in the above images. This is attached to a sort of dickey, which hangs over the torso front and back, I think it was originally secured by ribbons, as similar garments in Dutch and German costumes are, we pinned it to the waistband of the petticoat.. The collar itself is very wide, and has lace attached to the front edges. The top edge of the front overlapping pieces is also decorated with lace. The rest of the collar is goffered, like the ruffed collars in Elizabethan costume, but each curl is much smaller. These are made by gathering the collar material into a neckband. Then for each curve, a straw is placed either on the top or bottom, the cloth is wrapped around it, and then the whole thing is starched and ironed to keep the ruffle. [Needless to say, she has not washed it since she acquired it.] The effect is quite stunning, especially when considers the amount of work it takes to make and set. In some variants of the costume, the collarette has quite a curve to it. I do not understand how this is achieved, but it is impressive. Over the collarette, a 'jacket' of heavy wool is worn, called blouse or gilet. It opens down the front, the two sides overlap, and the neckline is cut square and edged with ribbon, trim, and/or rows of embroidery. This is pinned closed. It also has matching rows of ornament on the ends of the sleeves. Lace may be added, or the lace may be attached to the ends of the sleeves of the chemise. Over the blouse, or gilet, a vest or bodice is worn. It is made of the same heavy wool. It has armholes cut large in back, and it is laced tightly in front. It is again decorated with matching ornament around the armholes, the neck, and the front edge. Here is a woman wearing an older form of the costume. You can see rows of embroidery between the rows of sewn on trim and ribbon. In the photo of the rear of the vest above, you will notice a sort of padded 'shelf' on the lower back. A full skirt of the same wool is worn over the bodice, and this helps hold it in place. The hem of the skirt is ornamented in the same way as the blouse and the bodice. The length of the hem varies. Over all of this, an apron is worn. Occasionally you will see one that hangs from the waist. But most commonly, there is a triangular bib attached to the top, which is pinned to the bodice. In England, this was called a 'pin-afore'. It is usually white, off white, or blue, and often trimmed with lace. The length of the apron also varies. It is unfortunately sometimes made of satin today. Open-work gloves, 'mitaines', and black velvet ribbons around the neck elegantly accessorize the outfit. The ribbons sometimes have sequins attached, and often support crosses. What truly sets this costume apart, as is so often the case, is the unique coif. While at first glance it may appear to be bizarre and rather inexplicable, consisting of a pillbox with one or two wide strips of lace attached, in fact it developed from the standard mob cap with long side lappets. If you look at the painting by Sartre above, you will see an early form of this cap. Here is a woman wearing the old-style cap of Pont-Aven that he painted. And here is the cap as worn in Pont-Aven today. The hair is gathered up into a bun on top of the head, or more likely, braided and then pinned up, as in Arles. The cap is then fitted on top of the hair. You may have noticed that there are variations on this basic coif. For example, in Pont-Aven, there is one strip of lace. In Concarneau and some other communities, they have two, like this. Joan bought her coif seperately, on French Ebay, and it is closer to the Concarneau style. In fact, because this basic coif is worn in so many communities, several variations have developed. And that covers the Pont-Aven costume. However, there is in fact another variant, which reflects something that is often seen in the historical development of folk costume. In some communities where they wear this costume, the women at a certain point looked at it and muttered something under their breath probably best not recorded for history. They then decided to simplify. They took the blouse, vest, and skirt and made it all in one piece, thus creating a dress in the modern sense. This has become the costume of these communities, and is still worn with the collarette, coif and apron. It is often of velvet or a rich dark fabric, and an entirely different type of embroidery, often including beadwork has developed for this dress. Some of these communities include Quimperle, Querrien, Benodet, and Tremeven. This is the same woman photographed in 1913 and 1915. One could wish to see her embroidery more clearly. Thank you for reading, i hope you have found this interesting and perhaps inspiring. I will close with just a couple more images which i found on the internet, and one of Joan wearing her costume. Just a couple of videos to show the costume, and let you experience Breton Music. The music is clearly of the Celtic Tradition. This is a group of people doing An Dro, one of the commonest dances of Brittany. Every town does it a little differently. This is how it should be done, in one long line with everybody. This is from a festival, a fest noz, in Riec The costumes are very visible. They are accompanied by a pipe and drum corps. http://www.youtube.com/watch?v=f4D2BngPIS4&feature=related This is a gavotte in the style of Fisel, extensively choreographed for the stage. The music is very good, being a form of Mouth-Music in call and response. http://www.youtube.com/watch?v=NGF8IwhojRA&feature=related And another group doing An Dro. http://www.youtube.com/watch?v=PdSIbI5QWJM&feature=related Feel free to contact me with requests for research. I hope to eventually cover all of Europe and the Former Russian Empire/Soviet Union. I also gratefully accept tips on source materials which i may not have. I also accept commissions to research/design, sew, and/or embroider costumes or other items for groups or individuals. I also choreograph and teach folk dance. Roman K. [email protected] Source Material: Joseph Jigourel - Yanna Fournier, 'Costumes de Bretagne', Brest, 2000 Pierre Jakez Helias, 'Coiffes et Costumes de Bretagne', 1983 Bruno Helias, 'Breton Costumes', Florence, Italy, 1997 V. Hetet-Roudaut et al, 'La Broderie en Bretagne', Morlaix, 1989 Andre Sainsard, 'Costumes Folkloriques Provinces Françaises', Paris, 1972 Royere, Gardilanne, Moffat et al, 'Les Costumes Regionaux de la France', New York, 1929 Charles-Brun, 'Costumes des Provinces Françaises', Paris, 1937 P. Leroux, 'Costumes Regionaux', Paris, 1940
Megaliths of Carnac: Introduction The Carnac stones are an exceptionally dense collection of megalithic sites around the French village of Carnac, in Brittany, consisting of alignments, dolmens, tumuli and single menhirs. The more than 3,000 prehistoric standing stones were hewn from local rock and erected by the pre-Celtic people of Brittany, and are the largest […]
Brittany Signature Script consisting of a fashionable sophisticated signature-style script with its own unique curves and an elegant inky flow. Brittany Signature Script is perfect for branding projects, logo, wedding designs, social media posts, advertisements, product packaging, product designs, label, photography, watermark, invitation, stationery and any projects that need handwriting taste.
Biography Brittany Venti Dier Latte (born September 21, 1997), socially known as Brittany Venti, is a controversial YouTuber and video…
A lovely posthumous painting of Anne of Bretagne. Duchess of Brittany and later Queen of France, mother to Queen Claude of France. Queen of France twice, a feat rarely accomplished in any kingdom, she was a consort only in name. She was very active when it to came politics, especially those concering her beloved Bretagne and her daughters, Claude in particular. Anne is also credited for the 'French Hood' which quickly became popular.
Photographs of storms are always some of the most emotive and strong images that somebody can take as a photographer. They are basically an ideal subject. We have covered photos of storms before on Light Stalking, but the great thing is (for photographers) that there will always be more which means more great images. Here are some great ones from the last year or so that we think are worth checking out! Ciel menaçant (une autre variante) Porz Poulhan - Finistère - Brittany - France by blue eyes photographies, on Flickr #024 | Lightning by terrypresley, on Flickr River Road
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Made from pure cotton, our Breton red base and navy stripe top is a regular fit with a wrist length sleeve. First worn back in 1858 by the navy in Northern France, these sea blue stripes are named after the region they were created in: Brittany. These tops are revered for the French elegance they exude - that nonchalance and je ne sais quoi, on adore. The Australian Newspaper Feature- "No casual top could be more suited to sailing than a 100 per cent cotton Breton striped nautical number from Australian based Jac Cadeaux. Based on the style first worn by navel crew in 1858 in Northern France, the design is a regular fit with wrist length sleeves." Model wears size S-8. She is 5' 10" tall. Bust 86cm. Waist 67cm. Hips 93cm. 100% cotton. Wrist length sleeve Timeless French style Gentle machine wash Size Chart SIZE Bust cm Waist cm Length cm XS-6 83 81 58.5 S-8 88 86 60 M-10 93 91 61.5 L-12 98 96 63 XL-14 103 101 63 XXL-16 108 106 63
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Living in a rural French village is about neighbours, friendship and sharing life together. Read our story of life in a farming village deep in Brittany.
