Dijanne Cevaal exposait quelques unes de ses oeuvres au salon tendances créatives de Toulouse Artiste australienne, Dijanne fabrique des tampons, teint et imprime ses tissus. Ses panneaux textiles sont ensuite quiltés à la machine et brodés à la main...
Tracing the diffusion of Neolithic, Chalcolithic and Bronze Age cultures and peoples from the Middle East to Europe through DNA.
Another blog post that's been a long time coming.... As I lurch around erratically from site to site on the internet, I find myself landing frequently on Pinterest. I bet you do too....understandable really, because it's very seductive. At first, I didn't see the point of it: but then it bit me - deeply! The point of no return is reached when you create those boards that obsess you - the ones where you will search within and without Pinterest to create a collection that satisfies that hoarding, collecting, ready to be inspired soul. Then you have be careful that you don't dive too often down that rabbit hole of your own creation! Honestly, it's best that I don't collect too much at the moment. I'm mainly interested in (as in - obsessing over ) 3 boards at the moment for different reasons. I work a lot with colour, but am slowly amassing for myself a collection of black and white designs/drawings/images/doodles that reminds me that all that colour needs a 'skeleton' to hang on. I am constantly amazed by what can be done with light and dark, pattern and texture and obviously need to be reminded of this daily. Look here...my black and white board. Black and white so much with so little Bit of overlap here as you'll see later...... Minnie Pwerle I also follow a number of people who have jewelry boards, but one of the people whose boards I look at most often are those of my friend Genevieve Williamson (Jibby and Juna on Etsy). It's highly likely that anyone who reads this blog already knows her wonderful blog and shop, but hey, I'm not taking any chances here.... I appreciate her boards for their unwavering aesthetic, their curiosity and a certain sense of indefinable calm which makes me so receptive to their visual message. These boards help me a lot in my constant struggle to not complicate everything I make, something I battle with daily. I am grateful for the amount of time Genevieve spends on finding and pining all these amazing artists, because I don't want to do it (there, I admit it...). I just want to be wowed by them and - I am! I also don't want to pin the stuff she's pinned, except in rare instances, because I can just go there and look at what she's done. I think I'm going to start a board called "Pins from Amazing Boards", or something like that. Go here if you want to see! Genevieve Williamson on Pinterest There were so many I could have chosen ....Lena Olson, Necklace 2009 When I want to be re-vitalized, overwhelmed, inspired, drowned, buzzed (all at once) and gone for a long time, I visit the boards of Kintsugi on Pinterest. She has the most comprehensive and well documented boards on Australian aboriginal art - art that I've been in love with for 4 decades, thanks to my Australian mother. Early on, I wrote to her to thank her for this wonderful cataloguing effort. I was surprised and sad to hear in her reply that I was the first person to write and thank her for these many, many pins! Of course, we collect for ourselves, but there's no doubt that collections as extensive as these inspire countless people. Kintsugi has made it a valuable resource that should be remarked on! At first I was curious about why this person - who was she? What is her motivation? Why this particular genre? Other websites, blogs - any information! We wrote a little back and forth, and then I realized that I didn't really want to know and I certainly didn't want to tell. I just wanted to preserve the mystery of this wonderful otherworldly art presented by someone I would never know (unless she wanted me to...) All I can say is if you want colour and pattern inspiration and an awe-inspiring sense of the complexity of life, please, visit here and prepare to stay for a while. Kintsugi on Pinterest. To clarify: this link goes directly to Kintsugi's aboriginal favourites board - only ONE of over a hundred different boards devoted to this genre - board devoted to individual artists, colours, and other sub-groups....the link 2 paragraphs up goes to her whole collection. She has 261 boards and the aboriginal boards are the last 100(!) or so....I haven't even dared to look through the other boards! Other art to discover, I'm certain! Maureen Hudson Nampitjinpa / Fire Dreaming Betsy Lewis Napangardi ~ Jinti-parnta Jukurrpa (Edible Fungus Dreaming), 2005 Tommy Mitchell / Ngurra Pirni 2011 Impossible to choose, you'll see.... As I use Pinterest more, I realize that I find and follow people who have a great eye so that I can visit periodically - the way I would a museum. Not necessarily to pin vast swaths of their collection. I can then focus on the one or two boards that really interest me and make those useful to me without feeling scattered. So let's enjoy the mystery of why people are inspired to collect and catalog and I won't tell you how much time I spend looking. I hope you find these boards as fascinating as I do! Please write and tell me how you use Pinterest.....I've been out of the blog loop too long!
Polly Becker travaille régulièrement pour des magazines, des journaux et des maisons d’édition. Elle a été récompensée par une médaille…
The garden of the Third Landscape proposed for the Roof of the Submarine Base of Saint Nazaire is made up of species belonging to the Third Landscape of
In 1883, after ten years of brewing beer, Heineken was awarded the diplôme d’honneur at the colonial exhibition. To this very day, the brewery uses the label on its beer bottles. The ‘Interna…
De l’obsolescence, on a tort de ne retenir que la « programmée », soit la mise à mort planifiée des biens de consommation. Mathias Rollot, dans son essai sur cette notion difficile à définir, l’étend à de nombreux domaines, de la bioéthique à la philosophie en passant par l’architecture. Et montre que l’obsolescence recèle un potentiel pour nous porter vers l’impossible.
Aboriginal dreaming. I'm reading a really fascinating book "Color~ a natural history of the palette" by Victoria Finlay . And right aft...
Кашигата (kashigata) традиционно изготавливается из древесины сакуры (вишневого дерева). Древесину сушат в течении трех лет и лишь после этого делают из нее резные формы. Первые упоминания об этих кондитерских формах относятся к середине 17-го века. Эти формы из дерева…
Il giardino del Terzo-Paesaggio proposto per il Tetto della Base sottomarina di Saint Nazaire è composto da specie che appartengono al Terzo-Paesaggio del
Richard Greaves turned his back on the city in 1984. In Montreal he had studied hotel management, graphic design and then theology. Unfulfilled, he packed his bags and settled on a mile-long strip …
