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About The Artwork Large edition of 10 plus 2 artist proofs with paper size 900 x 1120mm (approx 44 x 30”) Image height 912mm. Printed on archival semigloss heavy weight paper Each edition is signed and numbered by the artist Original Created: 2005 Subjects: Love Materials: Paper Styles: Abstract Mediums: C-type Color Digital Details & Dimensions Photography: C-type on Paper Artist Produced Limited Edition of: 12 Size: 35.4 W x 44.1 H x 0.1 D in Frame: Not Framed Ready to Hang: Not applicable Packaging: Ships Rolled in a Tube
Beach of Monkey Mia, Australia
Have you ever wondered how movies shoot their underwater scenes? In one of the most elaborate sets in the world, British film production company Pinewood
Skógafoss, Iceland | Mark Leddra
Drink with some roos, skydive into the city and visit a rainbow made from shipping containers. Just some of the fun things to do in Perth.
I’m Not There is an ongoing series of portraits by photographer PoL Úbeda Hervàs who lives and works in Barcelona. He says the series came from changes in his life that left him unsure of who he is, but decided to leave the shoes as a small reminder that there was at least some fragment of his personality left behind, more than just a shadow. More
About The Artwork Edition of 10 plus 2 artists proofs with paper size 900 x 1120 (approx 44 x 30”) Image height 912mm Printed on archival semigloss heavy weight paper Signed and numbered by the artist Original Created: 2005 Subjects: Abstract Materials: Paper Styles: Surrealism Abstract Minimalism Mediums: Color Black & White Digital Details & Dimensions Photography: Color on Paper Artist Produced Limited Edition of: 12 Size: 35.4 W x 44.1 H x 0.1 D in Frame: Not Framed Ready to Hang: Not applicable Packaging: Ships Rolled in a Tube
11 places to visit in South Australia for your South Australia holidays. South Australia serves up a diverse mosaic of landscapes.
Photographer Jeffrey Vanhoutte Freezes Dancer In Time, born in Antwerp, Belgium. Jeffrey is an experienced photographer who works mainly for agencies.
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Colorado Fine Art Photography of the American West | Julie Magers Soulen Photography
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Chance to win in the 2014 Western Australia Bucket List Contest plus a recap of my own experiences.
Details Artwork Artist Art Centre Details Artist - Gwenneth Blitner Community - Ngukurr Art Centre/Community organisation - Ngukurr Arts Aboriginal Corporation Catalogue number - 182/17 Materials - Acrylic on canvas Size(cm) - H54 W63 D2 Postage variants - Artwork posted un-stretched and rolled for safe shipping Orientation - As displayed Colour notation - Golden orange around flowers is gold metallic paint. It looks awesome though hard to photograph. Artwork "The cemetery is full of bright plastic flowers. It’s one of the most colourful places in Ngukurr. It’s very pretty, but it’s also one of the saddest places in our community" Artist Beneath the bright colours and detailed markings of Gwenneth Blitner’s magical bush landscapes lies a deep connection to country often tinged with longing, fear and loss. Gwenneth is one of a new generation of artists emerging from the strong painting tradition at Ngukurr Arts, located on the banks of the Roper River in South East Arnhem Land. She uses vibrant colours and bold strokes to capture the local landscape, especially the hills, flowers, animals and billabongs surrounding the small community of Ngukurr. Like Gertie Huddleston and Maureen Thompson, women painters from Ngukurr who came before her, Gwenneth’s paintings are rich, detailed tapestries of luminous acrylic paint on canvas. ‘I paint my country because it’s a magical place,’ she says. ‘It is full of life. You can get every type of bush food. You can go fishing and hunting, and you can collect fruit and seeds to eat.’ Before she starts painting Gwenneth closes her eyes, conjures a picture in her mind’s eye, then uses soft pinks, vivid greens and flashes of gold to depict how beautiful and alive her country is. ‘I want to show everyone how special this place is, how our people use the land to stay strong and healthy using bush medicine and eating bush food,’ she says. But Gwenneth, who only started painting in 2012, isn’t just capturing beauty and abundance. There is often loss, sorrow and danger lurking in the shadows of her radiant works. ‘Painting my country connects me to the spirit of my old people, which is a good thing, but it also makes me think of what we have lost, and that makes me feel sad too,’ she says. ‘The bush can be a scary place too. There are always things hiding in the grass, like snakes, and sometimes buffalo chase us, so you have to watch out and keep your eyes open.’ One of her recent works, a brilliant riot of pretty purples, sunny yellows and hot pinks, is titled ‘Ngukurr Cemetery’ and depicts the local community graveyard. ‘The cemetery is full of bright plastic flowers. It’s one of the most colourful places in Ngukurr,’ Gwenneth says. ‘It’s very pretty, but it’s also one of the saddest places in our community.’ Born on the old Roper River Mission in 1958 and educated at the Bush School, Gwenneth learned to paint watching her brother’s Glen and Donald. ‘I worked in the local Council office for many years but I was always thinking I’d like to paint, and one day I just came down to the Art Centre and started doing it,’ she says. ‘Painting is important to my family because it’s about telling stories and I’m doing it now so my kids and grandkids can learn from me and so I can share my stories.’ Text: Courtesy Ngukurr Arts Aboriginal Corporation, words by Dion Teasdale Art Centre Ngukurr Arts Centre sits a stone’s throw from the banks of the Roper River in South East Arnhem Land. Ngukurr Arts, like the town of Ngukurr itself, is unique – bringing together people of many different clans and language groups. There has never been one distinct school or style associated with Ngukurr Arts but what is typical of the work is boldness – the legacy of artists who have gone before, such as Ginger Riley, Gertie Huddlestone, Sambo Barra Barra and Maureen Thomson. Over time, Ngukurr artists have become renowned for their adventurous styles in interpreting stories and landscapes. Today, artists are supported to explore new techniques. Each artist recontextualises the technique in relation to their own country and culture, to create works that are wholly unique. In this place of many stones diversity is a strength. Many artists of different influences work alongside each other balancing the old and the new, passing on the stories that link us all. Text: Courtesy Ngukurr Arts Aboriginal Corporation
In the 19th century, when photography was developing into a mass medium, a few intrepid early adopters pointed their glass plate cameras at one of the most intimidating natural forces on Earth: the tornado.
A French TV star and the author of the bestseller Self-lifting — Camille Volaire developed a set of exercises for beautiful breasts, which has become popular all over the world. You won’t need any special equipment to do the exercises, so you can start these physical workouts right after reading this article.
