Pricing Guide of Antique ethnic postcards. Sold through Direct Sale: Salamanca. charro y charra. dos postales, blanco y negro, años 20. sa. antr. . Lot 27467208
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Bernard-Romain Julien (1802–71) "Etude aux deux crayons N° 33” (after Raymond Auguste Quinsac Monvoisin [1790–1870]) Lithograph on cool grey heavy wove paper (vellum) Size: (sheet) 45.2 x 31.1 cm Inscribed in the plate below the image with the artist's signature, the title and publication details: (lower left) "Paris (Mon.Elumont [?]) FRANCOIS DELARUE Succ, rue JJ Rousseau 10"; (lower right) "Imp. Lemercier a Paris / London pub. By Gambart, Junin 8 Cr [?], 25 Berners St. Oxf. St." Condition: strong impression in excellent condition for its age but with surface dust and signs of handling. Verso has a light pencil drawing that traces the image recto and surface soiling. I am selling this superb (and rare) lithograph exemplifying the highest order of drawing for a total cost of [deleted] at the time of posting this print) including postage and handling to anywhere in the world. If you are interested in purchasing this remarkable original lithograph, please contact me ([email protected]) and I will send you a PayPal invoice to make the payment easy. This print is sold As is the case with most of Julien’s lithographs, this beautifully executed study of a saint was designed for budding artists to copy. Julien’s early training under Baron Antoine-Jean Gros (1771–1835) could have led him down the path following in the stylistic footsteps of his master as a grand history painter. Fame as a lithographer who could draw like an angel, however, led Julien on the different artistic trajectory. Like this print, Julien focused his considerable talent on executing highly finished images that lightly touched the imagination of a public that was eager to subscribe to ongoing publications of his lithographs.. This lithograph is based on a drawing by the French artist, Raymond Auguste Quinsac Monvoisin (1790–1870). Monvoisin’s reputation was forged when he travelled to Argentina and later briefly settled in Chile. In Chile, Monvoisin became the director of the newly created Chilean “Academy of Painting.” As a man of his time, Monvoisin invested in Chilean mines, established a ranch and was a fashionable painter in the local society. Sadly, when Monvoisin returned to France his fame in Chile did not return with him and he died in poverty at Boulogne-sur-Mer.
New JOKKER typeface family is out now! Subtle details are noticeable in several glyphs which could be inktraps, smiles or even haunting faces. https://jokker.displaay.net #displaay #typeface #jokker #type #best #font #type #typography #typographic #graphic #design #graphicdesign
In 1973, Michael Lesy was a young scholar whose first book had just been published. In the soon-legendary Wisconsin Death Trip he combined 1890s photographs and newspaper clippings to evoke a devastatingly tragic epoch, the real-world antithesis of the fanciful Gay Nineties. It startled readers then and remains a touchstone of modern photographic interpretation. That year Lesy met and became close friends with the great photographer Walker Evans, who in the 1930s had collaborated with writer James Agee to create another towering landmark in the American photo-essay, Let Us Now Praise Famous Men. Old, frail, with just two years left to live, Evans was still urgently and obsessively photographing. Outside the rooms he inhabited, Lesy writes, the world was scattered with objects on their way to oblivion. He photographed them in their passage. Brief as their friendship was, it was intense and rewarding. Each admired the other; each saw himself reflected in the other: aesthetic visionaries who shared a radical belief that photographs were not flat and static documents—that the plain truth of the images . . . wasn’t as plain as it seemed, Lesy explains. Meanings, beliefs, and emotions lay crisscrossed under the surface of the most plainspoken photographs. Throughout his career in the classroom and in more than a dozenbooks, Lesy has continually inspired us to open our eyes, our minds, and our hearts to those many layers of meaning and feeling in photos, from seemingly ordinary snapshots to majestic landscapes. In this unconventional, lyrical biography, Lesy traces Evans’s intimate, idiosyncratic relationships with men and women—the circle of friends who made Walker Evans who he was. Wonder and scrutiny produced the portraits Walker made in his prime, Lesy writes. Evans’s photographs of Agee, Berenice Abbott, Lady Caroline Blackwood, and Ben Shahn, among others, accompany Lesy’s telling of Evans’s life stories. Wonder and scrutiny, suffused with desire and dread, produced the portraits he made in his last years, Lesy notes. In the 1970s, Evans became enthralled with the Polaroid SX-70 and its colorful instant images, and he used it to take his last photographs—portraits of people, in extreme close up, and portraits of objects. Good clothes and good conversation, wit and erudition, originality and inventiveness, the charms of smart and pretty women—Walker took pleasure in being alive, Lesy writes. He photographed objects as if they were people and people as if they were souls. All the while, he never forgot Blind Joe Death. The annihilations of the First War, the extinctions of the epidemic that followed it, the pyres and the pits—these he never forgot. The still silence of his images was, to the very last, transcendental, and always he remembered the skull beneath the skin.
AMP is a pretty engaging sci-fi short written and directed by Adam Marisett for Triton Films. It's set in a world where giant robots can be your best
Riscaldamento tecnica podalica, uscite basse, prese e rinviiIg: Riccardo piscitelli #allenamento #goalkeeper
Sehr realistisches weichen antrieb aus billigem Speicherkabel.Dieser Film zeigt, wie Sie mit Speicherkabeln sehr realistische und kostengünstige Weichen Antr...
Identifier: monkhangmansdaug01bier Title: The monk and the hangman's daughter Year: 1892 (1890s) Authors: Bierce, Ambrose, 1842-1914? De Castro, Adolphe Danziger, b. 1866 Voss, Richard, 1851-1918 Subjects: Publisher: Chicago, F. J. Schulte Contributing Library: Duke University Libraries Digitizing Sponsor: Duke University Libraries View Book Page: Book Viewer About This Book: Catalog Entry View All Images: All Images From Book Click here to view book online to see this illustration in context in a browseable online version of this book. Text Appearing Before Image: eside it. Norhad the thoughtful youth forgotten to prejiare mysupper of bread and milk. He had also shakenup the grass on my hard bed, and covered it with awoolen cloth, for which I was truly grateful tohim. Refreshed by my long sleep, I remained outsidethe cabin till late in the evening. I said myprayers in view of the gray rocks beneath the 103 Cije i»onk 104 antr pc felack sky, iu which the stars blinked merrily.51^anflmans rpj^^y seemed much more brilliant up here thanjsaufil) ex. ^|-jgj^ ggg^ from the valley, and it was easy to imag-ine that, standing on the extreme summit, onemight touch them with his hands. Many hours of that night I passed under thesky and the stars, examining my conscience andquestioning my heart. I felt as if in church,kneeling before the altar and feeling the awfulpresence of the Lord. And at last my soul wasfilled with a divine peace, and as an innocent childpresses its mothers breast, even so I leaned myhead upon thine, 0 Nature, mother of us all! XXIII. Text Appearing After Image: HAD not before seen a dawnso glorious ! The mountainsAvere rose-red, and seemedalmost transparent. Theatmosphere was of a silverylucidity, and so fresh andpure that with every breathI seemed to be taking new life. The dew, heavyand white, clung to the scanty grass-blades likerain and dripped from the sides of the rocks. It was while engaged in my morning devotionsthat I involuntarily became acquainted with myneighbors. All night long the marmots hadsquealed, greatly to my dismay, and they werenow capering to and fro like hares. Overheadthe brown hawks sailed in circles with an eye tothe birds flitting among the bushes and the wood-mice racing along the rocks. Now and again atroop of chamois passed near on their way to thefeeding-grounds on the cliffs, and high above all Isaw a single eagle rising into the sky, higher and 105 Cijc ittonfe 106 antr ti)c JQanflmans33au2l)tcr. higher, as a soul flies heavenward when purged ofsin. I was still kneeling when the silence was brokenby the soun Note About Images Please note that these images are extracted from scanned page images that may have been digitally enhanced for readability - coloration and appearance of these illustrations may not perfectly resemble the original work.
