Andrew Masullo - Since the early 1990s, Masullo’s stated aim has been to produce paintings that have
Historic New York City art gallery showing American painting, works on paper and photography from 1950s New York School to the present.
Andrew Masullo prefers the term ‘stuff maker’ to ‘artist’ as a way of describing his practice. Crowns, teeth, mountain ranges and more come to mind with this tiny 5x7 inch canvas with its zippy orange, ardent red and preppy pink/green color combo. (At Chelsea’s Mary Boone Gallery through April 27th.)…
Andrew Masullo, "5149," 2009�10; oil paint on canvas; 10 x 8� Andrew Masullo, "5242," 2010; oil paint on canvas; 9 x 12� Andrew Masullo, "5244," 2010; oil paint on canvas; 22 x 28� $10,000 The opening reception on The James Kalm Report "If Andrew Masullo�s truculent, hard-won but nonetheless joyful paintings can be said to…
Here’s what you need to know about the uncompromising American painter.
Tibor de Nagy gallery in New York presents 34 colorful works by the American artist Andrew Masullo.
Mitchell-Innes & Nash Katherine Bernhardt, Alfred Jensen, Chris Johanson, Chris Martin, Andrew Masullo and Judith Scott June 30 – August 5 New York - Mitchell-Innes & Nash is pleased to announce a summer group exhibition of painting and sculpture featuring work by Katherine Bernhardt, Alfred Jensen, Chris Johanson, Chris Martin, Andrew Masullo and Judith Scott. A review of Alfred Jensen’s 1979 retrospective at the Albright Knox Art Gallery posited that “Jensen’s work is always ‘about’ something, referential, but it’s also extremely personal in the way the subject is handled.”1 The same could be said of the other artists in the exhibition: with hand-wrought qualities and an aggressively direct use of color, texture, and material, their work provokes cultural and psychological readings as well as aesthetic ones. These artists have been said to work impulsively or intuitively, which is not to detract from the formal power of their work. They suggest and supersede a number of dichotomies: abstraction and representation, skilled and unskilled, polished and crude, innocent and knowing. In paintings and sculptures both self-contained and far-reaching, they hint at systems, structures, or lived experience while letting materiality take the fore. Alfred Jensen’s work often took the form of grids with numbered or colored shapes. The abstract geometrical shapes of his paintings refer to philosophical or numeric systems: from Arabic, Chinese, and other ancient counting systems, to symbols from the I-Ching and Mayan calendars. Chris Johanson’s vivid, abstract paintings on scavenged wood hint at the artist’s deep engagement with issues of environmentalism, pacifism, and anti-materialism. Katherine Bernhardt’s large-scale paintings based on Moroccan rugs take intricate patterns as a starting point for her loose, gestural brushwork. The work is evocative of its source while avoiding a mimetic relationship to it. Judith Scott’s textile-based sculptures, created from wrapping a variety of objects in yarn and string, call to mind forms like totems, cocoons, or human limbs. Their richly textured surfaces allude to an unknowable interior life. In Andrew Masullo’s small-scale paintings, brightly-colored shapes and varied surfaces evoke objects and signs from modern life while remaining elusive. Chris Martin’s painterly vocabulary is vast and heterogeneous in both style and source. His use of unorthodox materials reveals an eye trained on formal idiosyncrasy and alive to visual possibility. Katherine Bernhardt lives and works and New York and is represented by Canada. Alfred Jensen was born in 1903 in Guatemala and died in New Jersey in 1981. His Estate is represented by the Pace Gallery, New York. Chris Johanson lives and works in Portland, Oregon and Los Angeles. He is represented in New York by Mitchell-Innes & Nash. Chris Martin lives and works in Brooklyn, New York and is represented by Mitchell- Innes & Nash. Andrew Masullo lives and works in San Francisco and is represented in New York by Feature, Inc. Judith Scott was born in Ohio in 1943 and died in 2005. The gallery is indebted to Ricco Maresca Gallery and Creative Growth Art Center in Oakland, CA, for their support of this exhibition. For further information please email: [email protected] Upcoming exhibitions: September | Paul Winstanley October | Sarah Braman 1 All The Beautiful Systems: Alfred Jensen, Peter Perrin, artscanada May/June 1979 pp 40-49
A Painter at the Galleries.
Mary Boone Gallery was founded in New York in 1977. The first Gallery was a small ground floor space at the renowned SoHo address 420 West Broadway. From the outset, the Gallery was committed to showing the work of innovative young artists. Today, in addition to artists long-associated with the Gallery – Ross Bleckner, Francesco Clemente, Barbara Kruger, Barry Le Va, Keith Sonnier – the gallery represents internationally established artists such as Ai Weiwei, Robert Barry, Ericka Beckman, Sadie Benning, Tomoo Gokita, Ed Paschke, and Peter Saul. Mary Boone Gallery is actively involved in the secondary market of artists important to its history, including Jean-Michel Basquiat, Jeff Koons, Brice Marden, and Julian Schnabel.
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Andrew Masullo 5297 2011
Andrew Masullo @ Mary Boone Gallery Andrew Masullo March 2 - April 27, 2013 Mary Boone Gallery...
The new paintings of Andrew Masullo, now at Mary Boone Gallery in conjunction with Feature Inc., outwit, defy, and make gallery-going fun again.
Masullo pizza
Drinks - Manaos
Andrew Lincoln
