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Electric vehicles represent an important strategy for achieving global CO2 targets. The DC high power charger SICHARGE D, with a rating of up to 300kW, reduces charging times to approx. 16 minutes and is extremely intuitive to operate. A 24" screen guides users through every step of the charging process. All operating elements are arranged logically, and satisfy important criteria when it comes to full accessibility. Up to three vehicles can be charged in parallel at two DC fast-charging sockets and one optional AC socket. Using a dispenser, the system can be expanded to have up to 4 fast-charging sockets.

The anesthesia, used in the operating room, provides breathing and anesthetic support to the patient. We designed a new architecture that retains the physical control panel, not changing the users' habits, while allowing the screen to rotate 360° for extreme clinical scenarios.; It has excellent equipment integration and information interconnection solutions, and the anesthesiologist can operate the pump on the anesthesia screen, greatly reducing the work burden.In addition, the integrated stainless steel workbench, excellent cable management, make the product gap less and more clean, reduce the burden of daily maintenance.

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一代巨德 义云高大师 （H.H.第三世多杰羌佛） 关于“第三世多杰羌佛”佛号的说明 二零零八年四月三日，由全球佛教出版社和世界法音出版社出版的《多杰羌佛第三世》记实一书在美国国会图书馆举行了庄严隆重的首发仪式，美国国会图书馆并正式收藏此书，自此人们才知道原来一直广受大家尊敬的义云高大师、仰谔益西诺布大法王，被世界佛教各大教派的领袖或摄政王、大活佛行文认证，就是宇宙始祖报身佛多杰羌佛的第三世降世，佛号为第三世多杰羌佛，从此，人们就以“南无第三世多杰羌佛”来称呼了。这就犹如释迦牟尼佛未成佛前，其名号为悉达多太子，但自释迦牟尼佛成佛以后，就改称“南无释迦牟尼佛”了，所以，我们现在称“南无第三世多杰羌佛”。尤其是，二零一二年十二月十二日，美国国会参议院第614号决议正式以His Holiness来冠名第三世多杰羌佛（即H.H.第三世多杰羌佛），从此南无第三世多杰羌佛的称位已定性。而且，第三世多杰羌佛也是政府法定的名字，以前的“义云高”和大师、总持大法王的尊称已经不存在了。但是，这个新闻是在南无第三世多杰羌佛佛号未公布之前刊登的，那时人们还不了解佛陀的真正身份，所以，为了尊重历史的真实，我们在新闻中仍然保留未法定第三世多杰羌佛称号前所用的名字，但大家要清楚，除H.H.第三世多杰羌佛的名字是合法的以外，在未法定之前的名字已经不存在了。 2000年三月十日 星期五 国际日报 一代巨德 义云高大师 （H.H.第三世多杰羌佛） 至台举办展览 其全方位成就备受华人崇敬 据来自美国加州消息，美国加州州政府与旧金山市政府为表扬在海峡两岸佛教界、艺术界享有声誉的义云高大师（H.H.第三世多杰羌佛），在绘画、书法、医术、佛教等方面的全方位杰出成就，宣布昨日(三月八日)为义云高大师日，此一殊荣在美国社会是史无前例，堪称为东方之荣，华人之光。 义云高大师（H.H.第三世多杰羌佛）年少时在大陆参研密乘佛法，証德证境甚为高深。在书法、绘画、医术等方面也有殊胜成就，一九九五年荣获四十八国代表组成的世界诗人文化大会，颁赠元首级特级国际大师証书，表彰他的全方位成就，以及对世界人类所作的伟大贡献；大陆官方也为他修建列入国家行政编制的大师馆，向他致最崇高的敬意。 美国加州州长戴维斯特及旧金山市长布朗，为表扬义云高大师（H.H.第三世多杰羌佛）在佛教、科学、伦理道德等方面的全方位卓越成就，以及他为世人所作的无私无我的贡献，特別将三月八日订为义云高大师庆祝日。 义云高大师（H.H.第三世多杰羌佛）在台弟子指出，义云高大师（H.H.第三世多杰羌佛）为具有真才实学的一代巨德，是近代颇富盛名的大学者、艺术家，无论是工笔、写意的山水、花卉、人物、鸟兽绘画，其造诣已达登峰造极境界；在佛学与佛法方面，更是境界殊胜高超，其精心研发的碧玉春、霸王春绿茶，也被评为茶中极品，值得一提的是，在医术方面，也相当高明精湛，可说是一位全方位的传奇人物。 义云高大师（H.H.第三世多杰羌佛）曾以书画家的身分，至台举办展览，备受艺坛的肯定。昨日包括台湾、加州华人欲向他道贺，却遍不著，目前已经确定他并不在美国加州。 图：荣获美国加州州政府、旧金山市政府，将三月八日订为「义云高大师日」的义云高大师（H.H.第三世多杰羌佛）。 一代巨德 义云高大师 （H.H.第三世多杰羌佛） 此文章链接：https://hzsmails.org/2020/08/%e4%b8%80%e4%bb%a3%e5%b7%a8%e5%be%b7-%e4%b9%89%e4%ba%91%e9%ab%98%e5%a4%a7%e5%b8%88/ ＃第三世多杰羌佛 ＃第三世多杰羌佛正法 ＃第三世多杰羌佛返老回春 ＃第三世多杰羌佛獲世界和平獎 ＃第三世多杰羌佛法音 ＃第三世多杰羌佛藝術 #義雲高 #義雲高大師 #义云高 #义云高大师 #DorjeChangBuddhaIII #MasterWanKoYee #MasterYiYunnGao

义云高（H.H.第三世多杰羌佛）正宗佛法大师 关于“第三世多杰羌佛”佛号的说明 二零零八年四月三日，由全球佛教出版社和世界法音出版社出版的《多杰羌佛第三世》记实一书在美国国会图书馆举行了庄严隆重的首发仪式，美国国会图书馆并正式收藏此书，自此人们才知道原来一直广受大家尊敬的义云高大师、仰谔益西诺布大法王，被世界佛教各大教派的领袖或摄政王、大活佛行文认证，就是宇宙始祖报身佛多杰羌佛的第三世降世，佛号为第三世多杰羌佛，从此，人们就以“南无第三世多杰羌佛”来称呼了。这就犹如释迦牟尼佛未成佛前，其名号为悉达多太子，但自释迦牟尼佛成佛以后，就改称“南无释迦牟尼佛”了，所以，我们现在称“南无第三世多杰羌佛”。尤其是，二零一二年十二月十二日，美国国会参议院第614号决议正式以His Holiness来冠名第三世多杰羌佛（即H.H.第三世多杰羌佛），从此南无第三世多杰羌佛的称位已定性。而且，第三世多杰羌佛也是政府法定的名字，以前的“义云高”和大师、总持大法王的尊称已经不存在了。但是，这个新闻是在南无第三世多杰羌佛佛号未公布之前刊登的，那时人们还不了解佛陀的真正身份，所以，为了尊重历史的真实，我们在新闻中仍然保留未法定第三世多杰羌佛称号前所用的名字，但大家要清楚，除H.H.第三世多杰羌佛的名字是合法的以外，在未法定之前的名字已经不存在了。 中华日报 第19766号 第8版 新象 中华民国八十九年五月十三日 星期六 佛教佛学佛法正邪研讨会评定： 义云高 (H.H.第三世多杰羌佛）正宗佛法大师 沈家桢 佛教善知识 记者傅希尧/台北报导 由联合国际世界佛教总部主办的佛教佛学佛法研讨会昨(十二)日在台北圆山大饭店闭幕。经过与会的二十八个国家佛教团体两千多位高僧、大德、居士七天的分组讨论、票选后，评定义云高 (H.H.第三世多杰羌佛）为正宗的佛法大师，沈家桢为佛教善知识。 对于宋七力、清海、李洪志、张洪堡四人，则未予同样的认定。 包括世界僧伽协会主席悟明长老、全球唯一汉人格黑美国密总会主席洛桑珍珠活佛、联合国际佛教会主席伏藏罗布大师等高僧都在大会投票，经过各国代表表决，获得上述评定。 伏藏罗布致词指出，要鉴別法王、活佛、法师的真伪，经依经教、道德来评定，在观看了义云高 (H.H.第三世多杰羌佛）的两千九百五十八卷录音带、一百三十七卷录影带后，认定义云高 (H.H.第三世多杰羌佛）显密圆通、五明具足。 洛桑珍珠活佛则推崇义云高 (H.H.第三世多杰羌佛）确实具有佛法的证量，是一位可以依止的佛门巨将。 悟明长老特別赞扬大会主席广心上人承办这场本世纪这项佛门盛会，邀请世界各国高僧、大德齐聚一堂，支持如来正法。 这位显教精神领袖强调，二十一世纪是佛教的世纪，将继盛唐之后蓬勃发展。但目前确有宗教乱象，值得佛教界重视。 据了解，许多佛教徒写信给联合国际世界佛教总部，要求鉴別李洪志、沈家桢、义云高 (H.H.第三世多杰羌佛）、宋七力、张宏堡、清海等六人。 在七天的会议期间，各国代表详尽研究、积极发言阐述见解，认为世界上的种种宗教乱象，正是佛陀所说末法时期的真实体现。 参加这场佛教盛会的有来自美国、法国、加拿大、印度、斯里兰卡、缅甸、泰国、尼泊尔、韩国、日本等二十八个国家的佛教机构、各大寺院高僧代表和在家大德、居士二千一百多人。 图片说明： 由联合国际世界佛教总部主办的佛教佛学佛法研讨会昨天在台北圆山大饭店闭幕。美国密总会主席洛桑珍珠活佛（图左）、联合国际佛教会主席伏藏罗布（图右）等高僧都出席上项会议。 义云高（H.H.第三世多杰羌佛）正宗佛法大师 此文章链接：https://hzsmails.org/2020/07/%E4%B9%89%E4%BA%91%E9%AB%98%EF%BC%88h-h-%E7%AC%AC%E4%B8%89%E4%B8%96%E5%A4%9A%E6%9D%B0%E7%BE%8C%E4%BD%9B%EF%BC%89%E6%AD%A3%E5%AE%97%E4%BD%9B%E6%B3%95%E5%A4%A7%E5%B8%88/ ＃第三世多杰羌佛 ＃第三世多杰羌佛正法 ＃第三世多杰羌佛返老回春 ＃第三世多杰羌佛獲世界和平獎 ＃第三世多杰羌佛法音 ＃第三世多杰羌佛藝術 #義雲高 #義雲高大師 #义云高 #义云高大师 #DorjeChangBuddhaIII #MasterWanKoYee #MasterYiYunnGao

义云高（H.H. 第三世多杰羌佛）作拍卖价创新高 -- 中画画价 谁说不能高于西画? 关于“第三世多杰羌佛”佛号的说明 二零零八年四月三日，由全球佛教出版社和世界法音出版社出版的《多杰羌佛第三世》记实一书在美国国会图书馆举行了庄严隆重的首发仪式，美国国会图书馆并正式收藏此书，自此人们才知道原来一直广受大家尊敬的义云高大师、仰谔益西诺布大法王，被世界佛教各大教派的领袖或摄政王、大活佛行文认证，就是宇宙始祖报身佛多杰羌佛的第三世降世，佛号为第三世多杰羌佛，从此，人们就以“南无第三世多杰羌佛”来称呼了。这就犹如释迦牟尼佛未成佛前，其名号为悉达多太子，但自释迦牟尼佛成佛以后，就改称“南无释迦牟尼佛”了，所以，我们现在称“南无第三世多杰羌佛”。尤其是，二零一二年十二月十二日，美国国会参议院第614号决议正式以His Holiness来冠名第三世多杰羌佛（即H.H.第三世多杰羌佛），从此南无第三世多杰羌佛的称位已定性。而且，第三世多杰羌佛也是政府法定的名字，以前的“义云高”和大师、总持大法王的尊称已经不存在了。但是，这个新闻是在南无第三世多杰羌佛佛号未公布之前刊登的，那时人们还不了解佛陀的真正身份，所以，为了尊重历史的真实，我们在新闻中仍然保留未法定第三世多杰羌佛称号前所用的名字，但大家要清楚，除H.H.第三世多杰羌佛的名字是合法的以外，在未法定之前的名字已经不存在了。 台湾时报第九版 民意最前线 中华民国八十九年十二月六日 时论 中画画价 谁说不能高于西画? 义云高（H.H. 第三世多杰羌佛）作拍卖价创新高 应予肯定 莫因民族自卑感作祟产生酸葡萄心态 杨碧君 大陆国宝级画家义云高的「大力王尊者」十一月二十六日於台北艺术市场拍卖，以七千二百万新台币（折合美金2207912.00元）成交，这在中画市场是极震撼的新闻，因为在世的中画家作品从没有卖到这么高价的，平均一平方英百六十七美元，一裁是新台币二百二十五万元，这么高的拍价亦足以傲视西画市场，可以说是中画在国际艺坛扬眉吐气为中国人争光的盛事。 怎奈有些人心态可议，不思进一步了解学习或赏析义大师画作的优点，反而信口开河找些不相干的理由说这画价不正常。好像中画就不可以卖像西画那么高的价钱。 中国的书画艺术数千年来以其固有的技法以及蕴於其中的历史和文化传统，成为世界绘画艺术宝库中的瑰宝，但是，西画的价格却远远超过中画几十倍甚至几千倍，这本是极不应该的，也是极不正常的，但这一不合情理的现实却被某些自卑的华人视为理所当然，以至致当义云高的中画傲视国际画坛时便产生酸葡萄心理，直称不影响市场运作模式，好像中画就该永远低于西画，其心理正是民族自卑感作祟。 试问，中画画价为什么不能超过西画?就绘画而言，中国画不仅不逊於西画，反而由于其中蕴涵的五千年历史及文化，中国画远较於西画富有表现力及内涵，因此中国画的收藏价值也高于西画，纯粹是由于近代西方经济发展较快，才导致目前中西画价格被大大扭曲。 艺术品给人以美感享受，宗教则教人思受和体证解脱，艺术与宗教是风马牛不相及的两回事。退一步说，如果存在所谓的宗教艺术，张大千先生的敦煌佛像和飞天、弘一大师的书画以及西藏的唐卡，岂不更符合论者的标準，那为什么这些宗教艺术没有出现过高价呢?有哪一张作品卖出过百万美金高价? 义云高大师（H.H. 第三世多杰羌佛）不仅是众所周知艺术大师，也是当今佛教的巨匠大师，但佛教并不能代表艺术，如班禅、达赖、梵蒂冈的教皇、弘一大师、太虚大师他们的书法，又有哪一张宗教东西卖出过高价? 那些专门画佛菩萨像的画家们的作品，仅数百或数千元台币便可随处买到，试问，这些宗教意义的作品的价格哪一张进入了国际画坛呢?况且，宗教艺术与义云高大师（H.H. 第三世多杰羌佛）的艺术更是毫不沾边，义云高大师（H.H. 第三世多杰羌佛）的书画艺术是中国书画艺术的精华所聚，义云高大师（H.H. 第三世多杰羌佛）是集多种流派及技法并汇融自我风格於一身的大家，论者若不知义云高其人或其艺术成就，就该虚心找寻资料来研究；做为自我提升的参考，不知其人其画而妄言批评，实为道德与知识的堕落。 早在一九八六年，云高大师即担任中国教科文国画研究会会长，当时该研究会的其他领导人如名誉会长、顾问、副会长有谢稚柳、周颖南、吴丈署、钱君匋、梁漱冥、万籁鸣、臧克家等艺术大家，云高大师在书画艺术界的地位之高由此可见其证。 不但如此，大师本人所得到的成就也是历代书画名家所未曾达到的： 一、 世界上没有一个画家拿到四十八个国家和地区五六一二位专家学者定论的唯一的特级国际大师（元首级荣位），其证书由国际奥委会主席萨马兰奇簽发。义云高是唯一的。 二、 世界上没有一个画家能让美国加州州政府及旧金山市政府同一天宣布公元二OOO年三月八日列为大师日，义云高是唯一的。 三、 在全世界，义云高大师（H.H. 第三世多杰羌佛）得到九十二所大学颁予博士学位和教授，其中四所大学授予教授职称。 试想一下，如果义云高大师（H.H. 第三世多杰羌佛）不是一位真正的史无前例的道德文章艺术大家，中国政府怎么会为他修建以大师的名字命名的艺术馆呢? 义云高（H.H. 第三世多杰羌佛）作拍卖价创新高 -- 中画画价 谁说不能高于西画? 此文章链接：https://hzsmails.org/2020/09/%E4%B9%89%E4%BA%91%E9%AB%98%EF%BC%88h-h-%E7%AC%AC%E4%B8%89%E4%B8%96%E5%A4%9A%E6%9D%B0%E7%BE%8C%E4%BD%9B%EF%BC%89%E4%BD%9C%E6%8B%8D%E5%8D%96%E4%BB%B7%E5%88%9B%E6%96%B0%E9%AB%98-%E4%B8%AD/ #第三世多杰羌佛 #义云高大师 #义云高 #H.H.第三世多杰羌佛

义云高（H.H. 第三世多杰羌佛）「大力王尊者」贵气逼人 关于“第三世多杰羌佛”佛号的说明 二零零八年四月三日，由全球佛教出版社和世界法音出版社出版的《多杰羌佛第三世》记实一书在美国国会图书馆举行了庄严隆重的首发仪式，美国国会图书馆并正式收藏此书，自此人们才知道原来一直广受大家尊敬的义云高大师、仰谔益西诺布大法王，被世界佛教各大教派的领袖或摄政王、大活佛行文认证，就是宇宙始祖报身佛多杰羌佛的第三世降世，佛号为第三世多杰羌佛，从此，人们就以“南无第三世多杰羌佛”来称呼了。这就犹如释迦牟尼佛未成佛前，其名号为悉达多太子，但自释迦牟尼佛成佛以后，就改称“南无释迦牟尼佛”了，所以，我们现在称“南无第三世多杰羌佛”。尤其是，二零一二年十二月十二日，美国国会参议院第614号决议正式以His Holiness来冠名第三世多杰羌佛（即H.H.第三世多杰羌佛），从此南无第三世多杰羌佛的称位已定性。而且，第三世多杰羌佛也是政府法定的名字，以前的“义云高”和大师、总持大法王的尊称已经不存在了。但是，这个新闻是在南无第三世多杰羌佛佛号未公布之前刊登的，那时人们还不了解佛陀的真正身份，所以，为了尊重历史的真实，我们在新闻中仍然保留未法定第三世多杰羌佛称号前所用的名字，但大家要清楚，除H.H.第三世多杰羌佛的名字是合法的以外，在未法定之前的名字已经不存在了。 EasyNews 2000-11-27 义云高 (H.H.第三世多杰羌佛）「大力王尊者」贵气逼人 甄藏国际艺术公司昨 (二十六) 天举行秋季拍卖会，备受瞩目的大陆艺术家义云高 (H.H.第三世多杰羌佛）作品「大力王尊者」，以新台币七千两百万成交 (约两百一十九万一百一十四美元)，卖给英国书画收藏家奈勒，这笔交易可能创下在世画家最高成交纪录。 义云高 (H.H.第三世多杰羌佛）在作品中，以细腻线条勾勒出大力王尊者孔武有力的肌肉，全身脉络血管清晰可见，身上穿绕着薄如蝉翼的细纱，工笔技巧极高。 此外，拍卖会场上另一焦点则是藏密最高女法王阿王诺布帕母的黄金版著作「子必依论」，也以新台币一千五百五十六万元成交。 (康俐雯/报导) (大成影剧报 2000/11/26 21:14) 义云高（H.H. 第三世多杰羌佛）「大力王尊者」贵气逼人 此文章鏈接：https://hzsmails.org/2020/07/%e4%b9%89%e4%ba%91%e9%ab%98%ef%bc%88h-h-%e7%ac%ac%e4%b8%89%e4%b8%96%e5%a4%9a%e6%9d%b0%e7%be%8c%e4%bd%9b%ef%bc%89%e3%80%8c%e5%a4%a7%e5%8a%9b%e7%8e%8b%e5%b0%8a%e8%80%85%e3%80%8d%e8%b4%b5%e6%b0%94/ ＃第三世多杰羌佛 ＃第三世多杰羌佛正法 ＃第三世多杰羌佛返老回春 ＃第三世多杰羌佛獲世界和平獎 ＃第三世多杰羌佛法音 ＃第三世多杰羌佛藝術 #義雲高 #義雲高大師 #义云高 #义云高大师 #DorjeChangBuddhaIII #MasterWanKoYee #MasterYiYunnGao

义云高大师（H.H. 第三世多杰羌佛）杰出成就荣获金质奖章 关于“第三世多杰羌佛”佛号的说明 二零零八年四月三日，由全球佛教出版社和世界法音出版社出版的《多杰羌佛第三世》记实一书在美国国会图书馆举行了庄严隆重的首发仪式，美国国会图书馆并正式收藏此书，自此人们才知道原来一直广受大家尊敬的义云高大师、仰谔益西诺布大法王，被世界佛教各大教派的领袖或摄政王、大活佛行文认证，就是宇宙始祖报身佛多杰羌佛的第三世降世，佛号为第三世多杰羌佛，从此，人们就以“南无第三世多杰羌佛”来称呼了。这就犹如释迦牟尼佛未成佛前，其名号为悉达多太子，但自释迦牟尼佛成佛以后，就改称“南无释迦牟尼佛”了，所以，我们现在称“南无第三世多杰羌佛”。尤其是，二零一二年十二月十二日，美国国会参议院第614号决议正式以His Holiness来冠名第三世多杰羌佛（即H.H.第三世多杰羌佛），从此南无第三世多杰羌佛的称位已定性。而且，第三世多杰羌佛也是政府法定的名字，以前的“义云高”和大师、总持大法王的尊称已经不存在了。但是，这个新闻是在南无第三世多杰羌佛佛号未公布之前刊登的，那时人们还不了解佛陀的真正身份，所以，为了尊重历史的真实，我们在新闻中仍然保留未法定第三世多杰羌佛称号前所用的名字，但大家要清楚，除H.H.第三世多杰羌佛的名字是合法的以外，在未法定之前的名字已经不存在了。 国际日报 美西要闻 2002年12月15日 星期日 义云高大师（H.H. 第三世多杰羌佛）杰出成就荣获金质奖章 将道德品质与文化艺术融为一体无私奉献 【本报讯】美国义云高大师基金会一连五天在该会举行 「义云高大师（H.H. 第三世多杰羌佛）的伦理道德与实践」学术研讨会。昨日会中讨论义云高大师（H.H. 第三世多杰羌佛）不追求名利躬身实践伦理道德，并讨论他各种杰出成就一心为人类作无私的奉献的具体事例。 今年十月二日钱尼副总统在华府亲临颁发卓越成就的勋章给义云高大师（H.H. 第三世多杰羌佛），云高大师当日突然接到一通电话说某一病人需要紧急抢救，大师当场毫不犹疑当下放弃接受授勋离开大典会场，即时赶往病人处。以跑马神针抢救这位病人，这种为救人，顾不得自己荣誉的行为，闻者莫不动容，结果三日后，这枚勋章搭著飞机被送到义大师的住处，更显光辉灿烂，大师则对授勋典礼临时缺席表示歉意并予致谢。 今年九月白宫总统亚太裔顾问委员会主席亲自莅临美国义云高大师国际文化基金会代表布希总统为义云高大师（H.H. 第三世多杰羌佛）颁发了金质奖章，以表彰大师崇高的伦理道德、艺术成就和对人类的杰出贡献，在颁奖会上，主席高度评价了大师的各项成就首屈一指，这项殊荣代表义大师不仅是华人社会的翘楚，也是世界的杰出楷模，方能获得如此至高的殊荣，而且大师是在整个华裔中唯一获得此殊荣的人。此事从未发佈过，当时参加颁奖典礼的基金会会员在此次研讨会中提出，此事才为外界知悉。 出席这次研讨会的人士计约百余人。义云高本人并没有出席这项以他为名的研讨会。 研讨会中许多会员谈到义大师的哲言选著作给他们极大的的启发，让他们找到人生的方向，义大师学问渊博没有不能回答的问题，当今世界找不到第二人，更重要的是义大师躬身实践伦理道德的伟大光明、正直无私是世界上极其少有的，足以为世人楷模，由此为人类作出了巨大的贡献。美国加州政府和旧金山市政府在同一天宣布二零零零年三月八日为「义云高大师日」，加州参议院议长、众议院议长、旧金山议会十一位议员联名分別颁赠给大师表扬状或奖牌。会中发言的会员多表示，义云高大师（H.H. 第三世多杰羌佛）基金会成立七年来，不断成长壮大，会员们以义云高大师（H.H. 第三世多杰羌佛）为楷模，分別在不同的行业里，通过脚踏实地的日常修为，昇华自己的品德，净化自己的心灵，以种种不同的形式，服务社会，造福大众。 义云高大师（H.H. 第三世多杰羌佛）杰出成就荣获金质奖章 此文章链接：https://hzsmails.org/2020/09/%E4%B9%89%E4%BA%91%E9%AB%98%E5%A4%A7%E5%B8%88%EF%BC%88h-h-%E7%AC%AC%E4%B8%89%E4%B8%96%E5%A4%9A%E6%9D%B0%E7%BE%8C%E4%BD%9B%EF%BC%89%E6%9D%B0%E5%87%BA%E6%88%90%E5%B0%B1%E8%8D%A3%E8%8E%B7%E9%87%91/ #第三世多杰羌佛 #义云高大师 #义云高 #H.H.第三世多杰羌佛

义云高大师（H.H. 第三世多杰羌佛）雕塑展令人叹为观止 关于“第三世多杰羌佛”佛号的说明 二零零八年四月三日，由全球佛教出版社和世界法音出版社出版的《多杰羌佛第三世》记实一书在美国国会图书馆举行了庄严隆重的首发仪式，美国国会图书馆并正式收藏此书，自此人们才知道原来一直广受大家尊敬的义云高大师、仰谔益西诺布大法王，被世界佛教各大教派的领袖或摄政王、大活佛行文认证，就是宇宙始祖报身佛多杰羌佛的第三世降世，佛号为第三世多杰羌佛，从此，人们就以“南无第三世多杰羌佛”来称呼了。这就犹如释迦牟尼佛未成佛前，其名号为悉达多太子，但自释迦牟尼佛成佛以后，就改称“南无释迦牟尼佛”了，所以，我们现在称“南无第三世多杰羌佛”。尤其是，二零一二年十二月十二日，美国国会参议院第614号决议正式以His Holiness来冠名第三世多杰羌佛（即H.H.第三世多杰羌佛），从此南无第三世多杰羌佛的称位已定性。而且，第三世多杰羌佛也是政府法定的名字，以前的“义云高”和大师、总持大法王的尊称已经不存在了。但是，这个新闻是在南无第三世多杰羌佛佛号未公布之前刊登的，那时人们还不了解佛陀的真正身份，所以，为了尊重历史的真实，我们在新闻中仍然保留未法定第三世多杰羌佛称号前所用的名字，但大家要清楚，除H.H.第三世多杰羌佛的名字是合法的以外，在未法定之前的名字已经不存在了。 国际日报 二00二年 八月三十一日 星期六 义云高大师（H.H. 第三世多杰羌佛）雕塑展令人叹为观止 二十件艺术品变幻莫测鬼斧神工 (本报讯)艺术大师最近在好莱坞的一私人收藏馆展出他的二十件雕塑作品，被邀请前去参观的多是艺评家与收藏家，艺评家对向来以绘画闻名於世的东方艺术大师义云高，竟然在雕塑艺术上之成就，犹如奇蹟般不可思议，除用神变莫测，鬼斧神工，妙不可言来形容外，更在历史上开端打破了艺术作品无法复制的奇蹟，当下有收藏家出价一百万到三百万美元想要收藏其中一件作品，但被义大师婉拒，他说历代名家所留下的作品都是社会的，他本人不能享受自己劳动的成果 ，他创作这些作品同样是为人类留下的，他只想尽力为众生多留下一点美好的享受而已 。义云高大师（H.H. 第三世多杰羌佛）的大力王尊者画作，去年以二百二十万七千九百一十二美元在艺术拍卖市场成交，创下中国画的最高成交纪录。 根据对他的画作素有研究的收藏家表示，义云高的画作和他的雕刻作品比起来，直可说是一画易求，一石难得，过去从未看过他公开雕刻作品，没想到一人可以精通虫鱼花鸟山水人物，工笔与写意俱有绝世之造诣，光是在绘画上的成就，就要数十人各花数十年时间才能获致，这已不是泛泛之艺术家所能及，他的雕塑作品在美国好莱坞私人收藏馆展出后，立即在艺坛造成大轰动，目前展览已经结束，展期中参观者亲睹，讚不绝口，叹为观止，都感到不可思议，竟然有如此奇蹟艺术出现在这个世界，充分说明义云高之所以是艺术大家，而非普通之艺匠，他那追求完美的创作精神及无限完美的创作才华，不由得让人惊叹这绝不是世俗凡夫所能为。 义云高大师（H.H. 第三世多杰羌佛）展出的二十件雕塑作品，题名为壳崖悬垂万缕纱、溶洞之魂、梵洞奇观、且看奇峰藏妙穴、龙宫石、火山口、翡翠泉，超越自然的灵犀、武陵石松、黄石温泉、气韵、石壺、古瓶等等，特别是「壳崖悬垂万缕纱」和「梵洞奇観」，神变莫测，鬼斧神工，妙不可言，义云高大师（H.H. 第三世多杰羌佛）的艺术由始而给世界人类带来了享之不尽受之无穷的上乘艺术开章。 艺术评论家们都认为这是无可非议的高级艺术，就此「壳崖悬垂万缕纱」这一幅作品已拍下两百幅不同的部局变化万千的艺术风格，一个国际机构的发言人说他们决定把这一幅作品拍下的两百张照片出成画集，题名为「一幅作品的鉴赏」，可想而知，大师刀下的艺术变化是何等奇妙，功夫是何等深厚，参观者都说这些展出的作品超过自然演变而形成的洞海之石；无论是钟乳石，还是珊瑚海礁，古铸火烧，都无法与大师的刀工相比，如不亲眼得见，根本无法想像竟有艺术作品的表现就像大自然自然雕刻而成但又比自然的素材还要高雅完美，观展者都认为无论用什么方法也无法予以复制，这在历史上也是创举，这也使得这些雕刻成为独一无二的绝世艺术，无法被仿制，想要欣赏者必须亲见原作，没有仿制品可乱真。 曾到义大师在雕塑室内参观大师工作情形的李姓雕刻家说，义大师雕刻作品的精神令人感动而震惊，他的工作精神、工作态度一丝不苟，他用无尽的毅力、有力的双手挥动大小各异的钢刀、磨头，两手掌都磨出的许多泡，他一天工作十三到十四个小时至少九个小时不间断，李先生回忆当时他感动地对义大师说：「大师呀！这些艺术都是你的心血和劳力神韵换来的。」没想到义大师竟回答说：「这些雕塑艺术不是我的，宋元明清历代名家们所留下来的东西都是社会的，他们一件也没有带走，都是人类的，他们永远也不能享受自己劳动的成果，难道这不是事实吗？我今天当下的这些东西，同样是为人类留下的，我这颗惭愧的心，什么也没有，只想尽力为众生多留下一点美好的享受而已 。」难怪有两位艺术收藏家争著想以一百到三百万美元收藏其中一件作品时，云高大师说：「我不能消受，也无权处理，因为这些东西是人类的财富。」足见义大师创作的动力来自於要为人类留下最完美的艺术瑰宝，这种高洁的心愿而非一般名利之徒所能想像 ；义大师的雕塑的确已为世界人类带来享之不尽受之无穷的上乘艺术开章。 义云高大师（H.H. 第三世多杰羌佛）雕塑展令人叹为观止 此文章链接：https://hzsmails.org/2020/08/%e4%b9%89%e4%ba%91%e9%ab%98%e5%a4%a7%e5%b8%88%ef%bc%88h-h-%e7%ac%ac%e4%b8%89%e4%b8%96%e5%a4%9a%e6%9d%b0%e7%be%8c%e4%bd%9b%ef%bc%89%e9%9b%95%e5%a1%91%e5%b1%95%e4%bb%a4%e4%ba%ba%e5%8f%b9%e4%b8%ba/ #第三世多杰羌佛 #义云高大师 #义云高 #H.H.第三世多杰羌佛 #雕塑 #东方艺术大师

意形回溯 / Meaning Backtracking趋势正反的两极性，当空间回归物性本质，且同时空间向观念展开。空间通过思想潜在的对话流动，实现叙事转向段落华彩起伏的交响性，填补了阵营对立的缝隙。当趋势审美单一走向同一统合，意义便逐渐消亡。Subject to the principle of polarity, i.e., the positive and negative  trends of all things, when space returns to its physical nature, its  conceptual construction starts. Through  invisible dialogues with the mind, space flows and  narrates, like playing a magnificent symphony that soothes resistance  between the opposites. But once the monotonous aesthetic trends start to  converge and unity, the meaning will gradually die away.意义的产生不只是一个线性的、内在的、必然的进程，不单一特定指向自某个初始内核逐渐展开。意义是对惯性安稳和潜存颠覆的双重期待，这被看成了某种意义上的反抗和自我重建，即意义的回溯性：实现意图与意识相交，使隐微义的层次，向诗学式的意义展开。Meaning is generated not just through a linear, internal, and  inevitable process, nor is it simply developed from a specific  core initially. It is a contradictory expectation for both sticking  to and possibly, breaking away from routine. In a certain sense, it can be  interpreted as a struggle for self-reconstruction, that is, the backtracking  nature of meaning: to unify purpose with subconsciousness and upgrade implicit  meaning to magnificent poetical significance.LAK木地板，作为秉承欧洲高端制造工艺传统的先锋品牌，十年间在国内重点城市发展其商业版图，先后完成30+线下门店的发展迭代，专注独特工艺品质内核价值和环保产品力理念。PONE普利策设计应邀为其全新概念店创作展陈空间"观念的解构"，以展开对物料展览空间的设计实践，呼应品牌对物料本质探索与基因实现互联与突破。LAK Wood Flooring is a leading brand adhering to traditional high-end  manufacturing technology of Europe. Committed to the core value  of unique technology and quality, and the philosophy of eco-friendly  product capacity, LAK has expanded its business to key cities in China in the  past decade, establishing and upgrading more than 30 physical stores.  PONE Architecture was entrusted to curate the exhibition space “Conceptual  Deconstruction” of LAK’s new concept store, and carry out design practice in a  material exhibition space to showcase the LAK brand’s exploration of material  nature and gene interaction for breakthroughs.项目所在地为亚洲500强Louvre Art  Center广州罗浮宫艺术商圈，拥有15万㎡多品牌集聚的场域条件、业态资源特征及辐射105个国家及地区的商业潜力。如何帮助LAK品牌从多赛道扩张的全球竞争中实现战略突围，践行工艺制造纲领型品牌的新商业布局和创新愿景，成为设计的破题关键。The project is sited in Louvre Art Center, Guangzhou. Ranking among the Asia  Top 500 brands, the 150,000 ㎡ center gathers various brands, business  forms and resources, with the potential to exert business influence over 105  countries and regions. Therefore, how to help LAK achieve a strategic  breakthrough amidst numerous global competitors and accomplish its new  business blueprint and innovation vision as a leading brand of manufacturing  technology is the key to the design.策略 / Strategy项目以空间体验和哲学性思考作为基点。从十九世纪德国思辨哲学教父黑格尔的绝对精神中正反合推论，载入当下国际营商环境的激荡与优化中的空间交响性实验与建构研究。辩证逻辑从主体基点不断变形，贯穿LAK品牌工艺与质感语境。设计从三部分展开思考动机发展：Taking spatial experience and philosophical thinking as the initial  consideration, the project integrates the dialectics in the Philosophy of  Absolute Spirit of Hegel, the German godfather of speculative philosophy in  the 19th century, into the symphonic space experiment and construction  research in the context of a torrent yet constantly improving international  business environment. The dialectical logic keeps evolving and varying from  the initial consideration, but always in alignment with the LAK context of  brand, technology and quality. The design considers the motivation for  development from three aspects:01 品牌策略定位的递进与抵达01 Upgrading and fulfilling strategic brand positioning02 观念的进化路径 与 趋势正反02 Conceptual refinement and the dialectics03 空间的交响性 与 非决定性对立协奏03 Space symphony and non-conclusive opposition in harmony前奏（Les Préludes）/ Prelude门、轴、岛、孔，四要素构「序」。场地引入全开放、无主入口、无主路径的设定。建构内退出灰空间，间隔细分出门和廊，巷与间。并平移以增量强调秩序定向。「轴」，顶部弧型的坠落感，分离阵列建构切割，门轴与支点在对抗中取得支撑。相邻维度的展陈与预设，合轴共构意识阔值。The door, axis, island, and opening are four elements constituting  the「prelude」. The venue features a fully open setting without either the  main entrance or the main circulation route. Grey spaces are withdrawn from  inside the building, enabling the further division into doors and corridors,  passages and rooms. The paralleling duplication enhances the sense of order  and orientation. The「axes」, with a sense of parabolic downfall at the  top, dissects the matrix and realizes division, while the door shaft and the  fulcrum realize mutual support through resistance.  The axes shared  by adjacent exhibitions and displays jointly define the limen of  consciousness.门户开合正反，完成平面关系指向空间进深关系的切换，相对公共向相对内部的转化。Every opening and closing of doors in opposite directions signals a switch  from the planar  relationship to spatial depth, and a transition from the  public to relatively internal space.起始暗淡，转到中央大厅明亮回暖。完成物理空间的灰度属性向观众心理预期过渡。主动调度，空间小调引出空间大调舒展。贯穿其中的公共回路，启发积极的心理暗示。The initial dimness immediately switches back to the warm and bright tone at  the central hall, completing a transition from gray physical space to the one  anticipated by visitors. The minor space, actively leading the way, introduces  the relaxing major space, while the circulating public route running  throughout the space gives positive mental inspiration.外立面一侧，内嵌三角结构，尽端的光轴和横向贯穿木柱。纵横虚实交叠，形成对进入场地之前的观念正反辩证合题。On the façade, a triangular structure is embedded, with a light axis at the  further end and a round timber placed horizontally. The interlaced horizontal  and vertical elements, as well as the overlapped voidness and solidness,  create the theme of conceptual dialectics before visitors enter the venue.闭合 / Closing 「墙」平图的均质关系，化约至二维静定图式。门轴与光孔构序对内部的喻示。同义反复，旋律横向扩充并延时期待。The homogeneous「wall」plan is reduced to a two-dimensional static graph. The  door axis and the light opening construct the prelude to the interior. As the  tautology repeats, the melody expands horizontally and delays expectations.交响诗重奏 / Symphonic Ensemble  绝对精神恒自内在否定深刻揭示，扎根于深厚的诗化哲学文脉调性：潜含观念连续性建构模式，是思想进论在挣脱价值失范中演化确立，对既定僵化教条的突破和检验，重构范式。重奏偏离暗示自由、解放为旨归，为主体动机塑造先导提供条件。旋律曲体要义同构，使空间交响性具有隐微潜力。The Absolute Spirit, which originates from constant internal negation, takes  root in the profound and poetic philosophic, context and tonality. It contains  the underlying mode for continuous conceptual construction, which is the  development and establishment of ideological evolution in breaking away from  the anomie of value, the breakthrough and test of the established rigid dogma,  and the reconstruction of paradigm. The deviation of the ensemble signifies  the pursuit of freedom and liberation, and provides conditions for motivating  the making of a leader. Key meanings are repeated in the melody, endowing the  space symphony some implicit potential.空间通过情绪调度、抽象性内在赋型。调性对峙倾向，在协和与不协和拉扯之间获得动力，生成丰富动机和功能扩充多义性，潜存空间独特听感。空间主旋律主题变形，细节和声主干回旋，渐进离调形成空间交响诗。The space is so styled to manipulate emotions in an abstract manner. The  conflicting tonality derives power from between the concord and discord,  generates strong motivation and varied functions, unwittingly creating a  unique musical sense of the space. As the main melody of the space varies, the  harmonic details resonate, gradually deviating into a space symphony.回响空间 / Space Resonation中央大厅顶部以反向倒置收拢的三角光体，滤光结构形成虚拟天窗引入光线，控制光线流出的路径。光从中间主轴向两边方向淡出，通过调节光的照度和色温变化，为展厅提供适宜的照度。The ceiling of the central hall is mounted with inverted triangular lighting  fixtures, with light filter to simulate daylighting from real skylights and  control the path of light flow. Light fades out from the central axis to both  sides, and provides appropriate illumination for the exhibition hall through  proper adjustment of illuminance and color temperature.光，作为空间的秩序定向。光轴勾勒空间脊梁，轻盈纤细的骨感，赋予弥漫扩散的基调。神圣感和崇高纪念性，成为中央大厅的焦点，物理结构下行，精神上行的感受洗礼，两者相互渗透获得更深刻反向弥补。Light gives order and orientation to the space. The light axis, which outlines  the space ridge, delivers a sense of lightweight and neatness while setting a  diffusive tone. This divine, sublime and monumental scene makes the central  hall the focal point, where the downward trend of physical structure and  upward trend of spiritual baptism are even more significantly enhanced through  mutual penetration.连续体量，靠光线的反向造就明暗的交替。骨感和通透，接近线性的框架。单个杆件组合，强调杆件与元素之间的等级制和秩序。The continuous volume generates the alternation of light and darkness through  light reflection. In a neat and transparent manner, individual rods are  combined into an almost linear frame, highlighting the hierarchy and order  between the rods and elements.节点要素 空间旋律 / Key Notes of Space Melody空间规划采用从-主-从对称的回旋式结构布局，以局部决定整体，细节为空间带来丰富的表情。细部比喻为空间五线谱里的音符附点，构成场所旋律和声的基础要素。既让旋律在和谐里分裂，也使和声在协同中侵扰。旋律与节拍，索引与离合，细部在拉扯之间对抗，基面流变。使空间从平和转调，对弈和协同。让空间显映玄秘变奏，成为镶嵌细部情绪的空间织体。The space is planned in a secondary-primary-secondary symmetrical and repeated  structural layout, where parts define the whole and details bring rich  expressions to the space. The details, like notes in the space stave,  constitute the basic elements of the melody and harmony of the place, allowing  melody to split in harmony and harmony to be interrupted in melody. Melody and  beat, index and clutch, are details attracting and opposing each other,  creating base surface rheology. The calm space is then transitioned to  opposition and coordination, creating mysterious variations, like a spatial  texture inlaid with emotional details.再现古典精神 / Recreation of Classical Spirit古典性 结构性的理性主义 / Classic Structural Rationalism古典建筑的纪念性 / Monumentality in Classic Architecture不同的古典传承 / Classic Inheritance in Varied Forms源于纪念性诉求的古典建筑秩序，表现为线性和向心性的空间秩序。不同古典时期有其对应的空间观念。维持空间主轴关系，重现古典秩序，建筑中寰宇性的精神信仰。The classical architectural order in pursuit of monumentality is represented  by linear and centripetal spatial order. Different classical periods are  accompanied with corresponding spatial concepts. The relationship with the  main spatial axis is maintained to recreate classical order and universal  spiritual belief in architecture.长桌在中世纪是分级和集权、信任和团结的象征性符号。社会地位分配链和政治权力结构会在长桌上得到深刻体现，并创造出互相依存的关系。围绕长桌，张扬或伪装，恭顺或抵制，论资排辈或攀比高低，产生决策或制造混乱。In the Middle Ages, the long table, as a symbol of hierarchy and power, trust  and unity, profoundly reflected the chain of social status and the structure  of political power, and nourished their interdependent relationships. Around  the long table, people displayed or disguised, complied or resisted, ranked or  compared, made decisions or confusions.意义营造 / Meaning Construction中央大厅的岛台长桌，在这里被转化为集中交流的空间象征，是展示统合和分配的焦点。岛台可以收纳展示过百款产品样板，具备极强的集中性收纳与抽拉开启显示。把手将台面拉开，层板拓展变成多功能的会议台，抽屉层板拉手嵌入LAK品牌金属拓印。马蹄铁台脚，并置与支撑。拉手特征强化，从传统的功能建造到意义营造。Here the long island table in the central hall is rendered as a spatial symbol  for centralized communication, and a centerpiece signifying unity and  distribution. The island table, which can store and display more than 100  product samples, has a strong capacity for centralized storage, with pull open  display. By turning the handle, the table top can be pulled apart and expanded  for a multi-functional meeting, and the drawer handle is embedded with metal  rubbing of the LAK logo. The horseshoe-shaped table bases are set in parallel  to provide support. Handle features are highlighted to realize the transition  from traditional functional focus to meaning construction.焦点 / Focus木圆柱抽桶，抽拉式工艺架，展示楼梯步级90度木拼角工艺。方圆对比嵌套，潜藏深度、重量以及尺度。夸张的比例钢材把手，扩张力预设区位焦点，超越功能本身而蕴涵象征性意义中心。A cylinder-shaped wooden drawer with a pull-out metal frame is designed for  displaying 90-degree wood splices of the stairs. The cube and the cylinder  sheathed in it present a contrast, with the depth, weight and size all  concealed. The steel handle is made in a much exaggerated size to draw focus  to this pre-set tension area, more to demonstrate its symbolic significance  than to meet its functional purpose. 等级秩序 / Hierarchy不单一通过基本意义来表现结构，而是把结构和空间创造结合起来，同时形成秩序并建立等级。「集中式」和「单元拼合」，两种最基本的从空间组织贯穿到营造的建筑原型：蕴含aba间隔秩序、主从空间的组织策略以及双轴对称的中心式空间模式。赋予对材料特性和结构体系表达的注重，空间和形式组合的秩序，是古典精神的超脱再现。宏观整体对称均衡，但细部对抗反和谐。The structure, rather than being expressed merely through the basic meaning,  is combined with spatial creation, while order and hierarchy are established  at the same time. 「Centralization」and「unit integration」, two most basic  forms of spatial organization, run throughout the architectural prototype: the  aba-alternating sequence, the primary-secondary spatial organization strategy,  and the biaxial symmetry of the central spatial pattern. Emphasis is thus  given to material properties and the expression of the structural system, the  order of space and form combination, manifesting a transcendental recreation  of the classical spirit. At the macro level is a symmetrical and balanced  whole, while at the micro level are contrasting and contradicting details.剪裁 / Cutting空间的展览由10个对称的三角岛构成，承载了  LAK上百个欧洲木地板品类，支持扩容替换，是展览的系统。断面内向中厅，对位对称阵列，多向展示界面梳理过滤出随机动线和展陈的线条，抵达潜在的剩余目的。The exhibition space is composed of 10 symmetrical triangular islands loaded  with hundreds of types of European wood flooring in LAK’s catalogue, and this  exhibition system allows for expansion and replacement. The cut surfaces,  which face internally to the central hall, are placed in symmetry opposite  each other. They display the interface in multiple directions, creating and  filtering out random lines and exhibition routes leading to the possible  remaining destinations.展览集成木箱，比喻为舞台道具。每一块地板，是集中的限定窗口。归纳和刻意裁剪限制后，更好传达每一块木地板内在气质和张力释放，推动情节。A series of wooden boxes, like stage props, are integrated for the exhibition.  Each single piece of the flooring is a centralized window for specific sales.  After customization and tailored cutting, it can better showcase the inherent  quality and resilience of each wood flooring, and in this way, promote  subsequent sales scenarios.细节诗释 / Poetic Detail实心钢板T型构建的灯，和展陈系统的木盒，以卯合形式出现成为展品照度的补充要素。不同单元组合和界面接合的连接器，并置阵列的点阵光，赋予从内部署向外延伸的细节诗释。The T-shaped lamps made of solid steel and the wooden boxes for exhibition are  connected via rabbets to provide extra illumination for the exhibits. The  connectors joining different units and interfaces and the juxtaposed arrays of  light matrix interpret the poetic details of internal extension to the  external.支撑 / Support家具本质是对人体的支撑。原型以稳定的三角支撑荷载。强调厚度、重量感、稳固、利落和细节，共同构成家具的关键要素。用错位结构表达工艺折面，组建与卯合结构细部。表达支点元素的均衡统一，最大限度关注每一个细节的相对独立性。家具构造和空间构造相辅相成，以个体的状态联合构成空间质量，是功能本质的转译和回归再发展。Furniture, in essence, is to provide support for the human body. The  prototype, secured by a solid triangular base, highlights thickness, weight,  stability, and neat details, which together constitute the key features of  furniture. The folded surface is expressed by misplaced structures, and  structural details are created via rabbets to express the balance and unity of  the fulcrum, and each detail is given maximum independence. Furniture  structure and space construction complement each other and individually, they  constitute the overall space quality, fulfilling the translation and  regression of essential functions.雏形 / Prototype椅子，发展到当下结构多元引申广义，依然保持着作为原始凳子基因的母体雏形，即对人体最本质的支撑功能，一直没有变。在厚度比例、物料搭配和细节构造上，则保持了持续进化的路径。The stool, with a broad range of diversified structures nowadays, still  maintains its original function as the prototype, that is, to provide the  basic support for the human body. Though in respect of thickness  proportioning, material composition and detail construction, it has been  continuously upgraded.H 丨椅子  三角凳脚和T型肢体形成结构稳固支撑。以一种极简解构方式完成既成观念的解放，借以表达功能本原的可持续确立与再创造。H 丨Stool  The triangular stool base and the T-shaped stool body form  solid structural support. This minimal style of structural construction  signifies an escape from stereotyped concept, and demonstrates the  sustainability and re-creation of the original function.线构 骨感 / Linear Structure and Neat Style空间中一个独特的织体语言。️纤细的牵引线触发空间秩序互联在厚重古典精神回应中再现轻盈和谐的语境。接近线纤细骨感，是空间分段分切的对应轴。续联与转换，以一种极弱极细的方式反映贯穿。趋势牵引，空间古典性的迁移与思辨的意义索引。A unique textural language defines the space, where thin wires trigger an  interconnected network of space order and create a light and harmonious  context in response to the solemn classical spirit. The neat thin lines serve  as the axes for space division and segmentation. They extend and transform,  running throughout the space unheeded. They lead and guide movement in the  classical space, and gives meaning to speculative thinking.趋势正反 / Dialectics 内在属性，本质矛盾的两面，由正反命题，因为冲突而驱动。趋势正反的两极性，当空间回归物性本质，且同时空间向观念展开。空间填补了阵营对立的缝隙。而否定在过程中的重要意义，以颠覆性对前阶段的否定。趋势则有了不循环且无限拓展的量能。The intrinsic properties, which have two contradictory aspects, are driven by  conflicts. Subject to the principle of polarity, i.e., positive and negative,  when space returns to its physical nature, its conceptual construction starts.  Space soothes the resistance between opposites. And the importance of negation  in the process is its subversion and negation of the previous stage. In this  way, a non-repeating yet infinitely expanding trend of quantitative energy is  established.桥接 / Bridging摒弃传统意义吧台形式，不以独立体量存在。吧台以空间之间关联的桥接部件设定，横向延伸左右两端的茶室连贯在一起。茶室墙体开口，穿透边界局限和视线贯穿。Instead of adopting the traditional form of bar counter, which existed  independently, the bar is designed with bridging components for space  connection. It extends horizontally and connects the pantries on the left and  right sides. The opening in the pantry wall breaks the boundary limit and  realize visual connection.黄金支点 / Golden SupportY 丨吧凳   以三组金字塔式凳脚的稳定性，支撑起倒锥型底座。立体的图底关系和正负形结构截面，切分嵌套成高度统合的黄金支点。Y 丨Bar seat  The seat is an inverted cone supported by a solid three-leg  pyramid. The multi-layer figure ground and the cross section of positive and  negative shapes are cut and spliced into a highly integrated golden fulcrum.填补空缺 / FillingO 丨茶几   符号O+田+V，相互填补空缺。玻璃台面和不锈钢V架、Foreso芙瑞板，轻重体量交错的组合支撑体系。建立强烈构造对比的结构系统，保证放置强度、质感对比和视觉的通透。O 丨Tea table   The O+ square lattice +V shapes are design for  mutual complementation. Glass counter, stainless steel V frame, Foreso board,  and the supporting system with the alternation of light and heavy volumes  create a structural system in strong contrast, while ensuring the loading  capacity, texture contrast and visual transparency.一般观念 与 抽象性辩证模型 / General Concept VS. Abstract Dialectic Model具有普遍意义的本质，和人为的目的设定，混淆了关系的一般观念。有绝对划分的局限性。绝对排他，主张阵营对立。辩证不是指向完成和定论，而是转为一种回溯行为，一个关键性的转换，对事物内在潜能的激发和扩展。事物所蕴含的共在循环，非决定性的对立。其特质不指向绝对相反两极，而潜存多要素贯通。The universal nature and human purpose have confounded the general idea of  relationship, subject to the limitation of absolute division, exclusion, and  opposition. Dialectics is never intended for completion or conclusion, but for  backtracking, for a critical reversion to stimulate and expand the inner  potential of all things, and to realize the internal symbiosis and  non-conclusive opposition of all things. Impartial to either opposite side, it  allows for the potential coexistence of all.其辩证过程的目的不是一个去除了任何质料之剩余的绝对形式。随机性和严谨性的分裂，将现象和观念分离的鸿沟。因为没有先验和添补阵营的裂痕的绝对对立和绝对断层。潜在的逻辑必然性只有在偶然性事件的相互作用中被升华。坚持绝对的原初的现实性，即探寻从现实中抽象出来的可能性条件，并将它们放在一个理性向感性的根据上重构。The dialectical process is never intended to realize anything absolute by  disconnecting it with others, such as the split between randomness and rigor,  the chasm that separates phenomenon from ideas, or any absolute opposition and  separation subject to no prior experience or supplementation. The  inevitability of the underlying logics can only be sublimated in the  interaction of contingency events. The only thing absolute to adhere to is the  original reality, that is, to explore possible conditions abstracted from  reality and reconstruct them on a rational to perceptual basis.空间创作中尝试脱离单纯建筑学建构方法制约局限，用哲学智慧融入古典音乐创作的调式，重现空间旋律和声的协奏交响。在古典结构理性主义基础上升华，空间节奏旋律复合演绎的空间交响诗。传承与创新，观念解构的先锋性实践。To break away from restriction and limitation of the stereotyped architectural  construction methodology, the space design integrates philosophical wisdom  into classical music creation to recreate the symphony of space melody and  harmony. On the basis of rational sublimation from classical structure, a  symphonic poem is created by the rhythm and melody of the space. The  inheritance and innovation combine to enable a pioneering practice of  conceptual deconstruction. 音乐的空间感 Spatial Sense of Music空间的哲学性 Philosophical Nature of Space反向解构 Reverse Deconstruction并持续反应 Continuous Reaction    PONE以LAK旗下英国Foreso芙瑞板为主材，设计了HOY全新系列家具。芙瑞板是以碎木与混合物凝固而成的环保微固材料，重焕废弃木屑生机。该系列为PONE  2022 原创家具设计专利之一。PONE designed HOY's new collection of furniture with LAK's Foreso  board as the main material. Foreso board, as an eco-friendly micro-solid  material made of solidified wood scraps and mixtures, revives the vitality of  discarded wood chips. The series is listed as one of PONE’s original furniture  design patents of 2022.产品设计和项目创作并行，当产品回归物性，且同时向观念展开。支撑为功能起点，并成为本项目象征性的新本体。Product design goes hand in hand with project creation. When products return  to their physical nature, its conceptual construction starts. The supporting  function is taken as the starting point, and developed into a symbolic new  subject of the project.PONE普利策，由何思玮先生和梁穗明女士共同创立的创意先锋团队。专注于建筑、空间设计、商业品牌创新、办公、展览等。独特的视觉与思考，打破固有规则与认知。不断创新，以执着纯粹感知力全新定义设计的边界。PONE Architecture is a creative and pioneering team co-founded by Mr. Golden  Ho and Ms. Ming Lueng. PONE focuses on architecture, space design, commercial  brand innovation, office, exhibition and so on. With unique vision and  thinking, PONE breaks inherent rules and cognition, and through continuous  innovation, it is defining a new design boundary with its persistent and pure  perception.成立至今已获得385个国际大奖，先后获得德国红点设计至尊奖Best of the  Best、德国iF年度最佳设计奖、美国《室内设计》杂志年度最佳设计奖Winner、世界建筑节WAF设计奖、加拿大AZ奖全球类别最佳、英国Dezeen  awards设计大奖、世界室内新闻奖WIN Winner、意大利建筑杂志The  Plan最佳设计、香港APIDA设计金奖及评审之选、美国Gold Nugget  awards金块奖最终大奖、台湾TID室内设计金奖、香港DFA亚洲最具影响力设计奖、意大利A'Design  Award最高荣誉铂金奖、荷兰Frame  Awards等全球设计荣誉。2019年，PONE普利策团队被广州市人民政府授予「高端专业技术奖」。Since establishment, PONE has won 385 international awards, including the Red  Dot: Best of the Best, Germany; iF Design Awards, Germany; Interior  Design—Best of Year Winner, the United States; WAF Design Award; Best Winner  of AZ Awards, Canada; Dezeen Award, the United Kingdom; WIN Winner; Italian  Architecture: The Plan Awards; APIDA Gold Award and Judge’s Choice, Hong Kong;  Gold Nugget Awards, USA; TID Gold Award, Taiwan; the DFA Design for Asia  Awards, Hong Kong; A'Design Award Platinum Edition, Italy; Frame Awards,  Netherlands and other international design honors. In 2019, the PONE  Architecture team was given the “High-end Professional Technology Award” by  the Guangzhou Municipal People’s Government.

该住宅位于杭州历史人文浓厚的良渚，选择在此定居是一种避世离俗，注重自我的生活态度，但旧房原有的室内呈现与我们理想大相径庭，设计师在原有基础上进行大量拆除改造。The residence is located in Liangzhu, a historical and humanistic area of Hangzhou. Choosing to settle here is a life attitude of escaping from the world and focusing on self. However, the original interior decoration is different from our ideal, and the designer has done a lot of demolition and transformation on the original basis.作为改善型住宅，设计需要在合理地规划空间及功能之外，还需要呈现空间的品质和艺术性。追求自然触感、建筑内外融合也是DNA邸内设计一直以来贯彻的核心理念，设计师选用了许多天然材料来呈现居住空间的包容性，又通过对材质粗糙和细腻的两种不同处理，让距离感和亲和力这种矛盾的差异同时存在，这种恰到好处的陌生感正是现代人隔绝生活与工作的屏障，也是对我们所熟悉的都市生活若近若离的新的生活态度。As an improved residence, the design should not only reasonably plan the space and function, but also present the quality and artistry of the space. The pursuit of natural touch and the integration of the interior and exterior of the building are also the core concepts of DNA. The designer chose natural materials to present the inclusiveness of the living space, and through two different treatments of rough and delicate materials, the contradictory differences of distance and affinity exist at the same time. This appropriate strangeness is the barrier that separates modern people from life and work, as well as a new attitude towards the urban life.客厅融入书桌功能增加空间的情景多样性，同时可以更好地聚焦家庭成员在此共同活动。The living room is integrated into the function of the desk, which increases the diversity of the space, at the same time, it can better focus on the common activities of family members here.对于孩子在成长阶段的家庭来说，需要保证充足的活动动线满足孩子的嬉戏，为此我们没有刻意放置地毯和茶几来确定客厅的功能，而是可自由拆分的沙发模块，来满足不同场景的变换使用。For families with children in the growing stage, it is necessary to ensure sufficient activity lines to meet the children's play. For this purpose, we did not deliberately place carpets and coffee tables to determine the function of the living room, but a sofa module that can be freely split to meet the changing use of different scenes.拆除原本阳台的墙体后，沙发后方得到一个活动区域，在这里可以更加靠近自然和阳光，以满足午后憩息，亦或者陪伴孩子阅读或玩耍的情景。After demolishing the original balcony wall, there is an activity area behind the sofa, where it can be closer to nature and sunlight, to satisfy the sight of resting in the afternoon, or accompany the children to read or play.拆除后的梁体结构也被保留了下来，并结合金属陈列架成为空间的装饰结构。After the demolition, the beam structure was also preserved and combined with the metal display rack became the decorative structure of the space.沙发的后方及侧面设计了许多陈列的隔板，用于放置书籍或陈设；红色天然石材的运用，与沙发的蓝色面料形成鲜明的对比，为空间增添了一些生命力。The sides of the sofa are designed with partition plates for placing books or furnishings,the use of red natural stone contrasts with the blue fabric of the sofa to increase the life force to the space.来自B&B ITALIA的Tufty-Time系列沙发可以通过拆合底部的连接件，实现自由变化组合。The Tufty-Time series sofa from B&B ITALIA can be freely changed and combined by disassembling the connecting pieces at the bottom.米白色的莱姆石由客厅一直延向餐厅，将原本被过道分离两个空间重新组合起来。The white limestone extend from the living room to the dining room, reuniting the two Spaces that were separated by a corridor.石材和木材的轮廓线有序地递进，缓解视觉上的疲劳感。The outline of stone and wood are orderly and progressive to relieve visual fatigue.餐厅吊灯是来自Louis poulsen的Enigma 425，它通过不同大小的环状，将光源逐步递进到桌面，呈现出柔美的间接照明，其设计师内山昭一一直致力于创造无眩光的间接照明灯具，让物体变得美丽，让人们感受到物体的质感和深度。The dining room ceiling lamp is from Louis Poulsen's Enigma 425. It gradually advances the light source to the table through the ring shape of different sizes, presenting a soft and beautiful indirect lighting. Designer Shoichi Uchiyama is committed to creating glare free indirect lighting fixtures that make objects beautiful and give people a sense of texture and depth.独立的入户玄关，设计了不同大小的收纳柜以及独立的储物间，来增加未来居住的可持续性。The separate porch is designed with storage cabinets of different sizes and independent storage space to increase the sustainability of future living.我们将原本常用于室外的黑色莱姆石铺设满整个过道以及卧室内部，让人仿佛走过林间汀步，来到无人的静谧之地，以此隔绝身后的喧嚣。转身处的净衣区也让情景转换增添了一份仪式感。We covered the entire corridor and the interior of the bedroom with black limestone, which is usually used outdoors, to make people feel like walking through the woods to a quiet place where no one is left behind, so as to isolate the hustle and bustle behind you. The clean clothes area at the turn also adds a sense of ritual to the scene transition.在材质的统一后，立面的功能变换并没有打乱某种秩序。After the unification of the material, the functional transformation of the facade does not disturb a certain order.

“表面是饮食男女，内里却藏着山河岁月，时代变迁。”——王家卫"On the surface, it's about men and women's diets, but inside, it hides the vicissitudes of the mountains and rivers, and the changes of the times."--Wong Kar-wai世界上绝少有一个地方能像外滩一样，短短百年，在江边千余米的堤岸上，浓缩着万国建筑与文化的精粹，传统与新潮碰撞，西式与中式交融，包容创新、自成一派。Few places in the world can condense the essence of global architecture and culture, with traditional and trendy elements colliding, Western and Chinese styles blending, embracing innovation, and forming a unique school of thought, along the bank of a river spanning over a thousand meters in just a hundred years, like the Bund.在这气韵之上，于黄浦江与苏州河交汇处、外白渡桥旁，曾有始建于1984年的海鸥酒店伫立此间，被誉为浦江两岸资源独占的最佳观景酒店。几年前，绮丽新生，出落成「海鸥丽晶酒店」，承载着永恒经典和艺术价值，续写海派时尚传奇盛宴。Located at the intersection of Huangpu River and Suzhou Creek, next to Garden Bridge, the former Seagull Hotel, which was first established in 1984, stood tall, boasting the best view of the resources on both sides of the Huangpu River. A few years ago, it was reborn as the "Seagull Regent Hotel", carrying the timeless classic and artistic value, and continuing the legendary feast of Shanghai fashion.坐落于黄浦路60号，北外滩黄金地标。室内设计由CCD操刀主理，以繁花之名，写尽上海繁华盛景，开启静谧私享之境。Located at No. 60 Huangpu Road, it stands as a golden landmark in the North Bund. The interior design is undertaken by CCD, which writes out the prosperity of Shanghai in the name of flowers, and opens up a quiet and private realm.精致绝伦的玻璃盒子，与浦江三岸建筑交相辉映。海鸥丽晶酒店的建筑，外立面如同镶满水晶与黄铜，闪耀舒展于一江一河交汇处。呈扇形绽开的南立面正对滨江观景平台、外滩历史建筑群和充满未来感陆家嘴天际线，显华美之姿。This exquisite glass box complements the buildings on the three banks of the Huangpu River, creating a breathtaking view.The facade of the Seagull Regent Hotel, adorned with crystal and brass, shines prominently at the intersection of Huangpu River and Suzhou Creek. The fan-shaped south facade faces the riverside viewing platform, the historic buildings of the Bund, and the futuristic skyline of Lujiazui, exuding an exquisite elegance.海鸥丽晶酒店，正是以这份历史积淀和独特的文化基因，让每位旅人寻得自己的上海故事，从城市第一会客厅，开启华丽摩登之旅。With its rich historical background and unique cultural heritage, the Seagull Regent Hotel invites every traveler to discover their own Shanghai story, embarking on a glamorous and modern journey from the city's premier reception hall.01 晶彩时刻，重塑海鸥传奇 / Crystal Moments, Reshaping the Legend of the Seagull“繁华落尽，方显人生本色；世事变迁，始见真情永恒。”——金宇澄"Only when the prosperity fades away, can one's true colors be revealed; only through the vicissitudes of the world, can one witness the eternity of true feelings." -- Jin Yucheng设计从不是摒弃历史，而是在传承中创新。CCD以海派格调、老海鸥酒店、丽晶品牌故事为纲，沁入东方视角，重新定义现代优雅。Design is never about discarding history, but rather innovating while preserving traditions. CCD, taking Shanghai style, the history of the old Seagull Hotel, and the Regent brand story as its guiding principles, infuses an Eastern perspective to redefine modern elegance.再现城市第一会客厅 / Reviving the City's Premier Reception Hall海鸥丽晶酒店的主入口，花荫绿篱，有着私密花园般尊贵的仪式和秩序性，将熙攘的街道与酒店动静分隔开，给宾客带来归家的腔调。The main entrance of the Seagull Regent Hotel, adorned with floral shades and green hedges, offers a prestigious and orderly atmosphere reminiscent of a private garden, separating the bustling streets from the tranquility of the hotel, and imparting a sense of homecoming to its guests.大堂双开式大门则更具仪式感，门扇的设计以老上海窗格为灵感，复古精致中，穿越风雅过往与今日悠然。The double-opening doors of the lobby exude a sense of ceremony, with their design inspired by the window grilles of old Shanghai, blending retro elegance with a graceful transition between the past and the present.进入玄关，一幅高3米的艺术画作立现，由传统大漆工匠历时6个月制作完成，图案以上海市花「玉兰」为形，表面斑驳工艺映射出岁月痕迹，将浓郁沪韵娓娓道来。Upon entering the entrance hall, a 3-meter-tall artwork immediately catches the eye, crafted by a traditional lacquer artist over a period of six months. The design features the magnolia, the municipal flower of Shanghai, with a mottled surface that reflects the passage of time, narrating the rich culture and charm of the city.而抵达大堂中央的动线，就像是细观一朵玉兰花慢慢绽放开来的过程。圆形内凹式天花设计，呼应花苞形吊灯，这件名为“逐光”的艺术装置，由几何水晶块拼接成钻石外观，于光影流转间，映射出繁花盛开的四时景象。The path to the center of the lobby resembles the gradual blooming of a magnolia flower. The concave circular ceiling design echoes the flower-shaped chandelier, an artistic installation titled "Chasing Light," which is composed of geometric crystal blocks arranged in a diamond-like pattern. As light and shadows dance, it reflects the changing seasons and the prosperity of flowers in full bloom.而另一侧的镂空屏风，以一弯优雅弧线和端景，让舟车劳顿的身心有了温柔安定的形状。On the other side, the hollowed-out screen, with an elegant arc and end view, gives the weary body and mind a gentle and peaceful shape.大堂中亦保留了原海鸥饭店经典的百年钢琴与旋转楼梯，整体白色石材搭配黑色序列感墙面与钻石切割式天花，扭转向上通往宴会厅，以此婉约的笔触致敬岁月迭代，为新故事铺就框架。The lobby also retains the classic centenary piano and spiral staircase of the former Sea Gull Hotel. The overall design features white stone materials paired with black walls and diamond-cut ceilings, twisting upwards towards the banquet hall. This elegant touch pays tribute to the passing of time and lays the framework for new stories.这是独属于上海的腔调，注重细节、讲求格调、傲而不骄、自有分寸。This is the unique tone of Shanghai, emphasizing details, pursuing elegance, being proud without arrogance, and having a sense of propriety.再往大堂深处去是接待厅，流光溢彩的透光石吧台，与顶部花芯般的立体天花吊饰形成对话，安心坐落式的入住办理，更让特定的感知被唤醒，昔时旧忆如倾倒的光珠，温柔地散落进现世美学的内里。Further into the lobby is the reception hall, where the shimmering translucent stone bar counter forms a dialogue with the floral-shaped three-dimensional ceiling pendant at the top. The comfortable seated check-in process awakens specific senses, and memories from the past, like poured light beads, gently scatter into the interior of modern aesthetics.无论是安然静谧的大堂休憩区，还是宝石般精妙绝伦的甜品吧，都将上海的“咖啡语茶”文化和海鸥饭店中海员俱乐部的昔日氛围相融汇，呢喃过往名流穿梭，觥筹交错间，现辉煌。Both the serene lobby lounge area and the exquisite gem-like dessert bar blend the "coffee and tea" culture of Shanghai with the nostalgic atmosphere of the sailors' club in the former Sea Gull Hotel, whispering of the past celebrities shuffling through, and revealing glory amidst the clinking of glasses.02.随心变幻，与时间俱繁华 / Transform at Will, Prosperity Alongside Time繁花，是氛围意境，是时代美学，是欲说还休，是千回百转。Flowers represent atmosphere, aesthetics of the times, an unspoken longing, and a myriad of emotions.全日餐厅--绣 | 绿野仙踪与秩序美学 / The Wizard of Oz and the Aesthetics of Order不同的组合形式、不同的色彩，造就梦幻多元的公共空间，这也正契合丽晶酒店“随心变幻”的品牌个性，也是向繁花，向时间，向38岁的海鸥致敬。Different combinations and colors create a dreamy and diverse public space, which is in line with Regent Hotel's brand personality of "Transform at Will" and also pays tribute to the flowers, time, and the 38-year-old Sea Gull Hotel.全日特色餐厅内部延续了建筑的序列感，斜梁结构卡座沿大窗依次排开，加之窗外的城市天际与江河自然，平添了宏大叙事风范。The interior of the all-day specialty restaurant continues the architectural sequence, with sloping beam structure booths arranged along the large windows, adding a grand narrative style amidst the urban skyline and natural river scenery outside the windows.全日特色餐厅内部延续了建筑的序列感，斜梁结构卡座沿大窗依次排开，加之窗外的城市天际与江河自然，平添了宏大叙事风范。The interior of the all-day specialty restaurant continues the architectural sequence, with sloping beam structure booths arranged along the large windows, adding a grand narrative style amidst the urban skyline and natural river scenery outside the windows.厨房区域的墙面和天花设计则采用镜面与磨砂材质，通过钻石切割的手法重组，这也延续了大堂的艺术元素。The design of the walls and ceilings in the kitchen area utilizes a combination of mirrored and frosted materials, which are rearranged through diamond-cutting techniques, continuing the artistic elements of the lobby.在观赏性与实用性交融的各个角落，一举一动的生活细节都被精心雕琢，并非取媚，而是审美的温柔关照。In every corner where aesthetics and practicality blend seamlessly, every detail of daily life is meticulously crafted, not to please, but as a gentle aesthetic consideration.空间的装饰隔帘更融入上海摩登质感，专属定制的红色与绿色渐变天鹅绒，将东方温润哲学意蕴揉入，确也点亮了海派的典雅和高贵。The decorative curtains in the space further integrate the modern elegance of Shanghai, with exclusively customized red and green gradient velvet that incorporates the gentle philosophy of the East, truly illuminating the elegance and nobility of Shanghai style.中餐厅--锦鳞 | 上海弄堂的岁月长卷 / The long scroll of Shanghai's alley life如果说外滩是反映海派风貌的一扇门，那么以石库门为代表的人文烟火就是它的一扇窗。If the Bund is a door reflecting the style of Shanghai, then the humanistic atmosphere represented by Shikumen (stone-framed gate) is its window.譬如锦鳞中餐厅的入口，就似走进老上海的风雅长卷，整体以红色渐变金属和黑色橡木为主调，再用隔断营造层层递进的视效，象征着岁月迭代新生。For example, the entrance of the Jinlin Chinese Restaurant feels like stepping into an elegant scroll painting of old Shanghai. The overall design is dominated by red gradient metal and black oak, with partitions creating a layered visual effect that symbolizes the renewal of time.廊间的花艺装置作品呼应“繁花映繁华”的主题，蔓延生长的状态牵引出场域的至臻美学。The floral installations in the corridors resonate with the theme of "Flowers Reflecting Prosperity", with their sprawling growth drawing out the ultimate aesthetics of the space.用餐区则以环环相扣的天花设计展开界面，每一个圆对应着一席餐桌，垂下的宝蓝色网帘可随意围起打开，形成半开放式包厢，打造私密性的同时，更与开放式厨房构成逸趣对话。The dining area features an interconnected ceiling design, with each circle corresponding to a dining table. The hanging royal blue mesh curtains can be easily closed or opened to create semi-private booths, enhancing privacy while also fostering an interesting dialogue with the open kitchen.从悬挂的剪纸艺术到水晶花朵倒悬的吊灯，种种细节，无不透露着石库门风情与法式优雅的和谐共生，演绎匠心独运的空间魅力。From the suspended paper-cutting art to the crystal flower chandeliers hanging upside down, every detail reveals the harmonious coexistence of Shikumen charm and French elegance, showcasing the unique spatial charm crafted with ingenuity.瞰景酒吧 | 未来感视觉宇宙 / Futuristic Visual Universe行至此间，横向展开的大窗引入上海独一无二的全景都市风貌，并可内外联动，切换通透无阻、步移景异的格局。Walking through this space, the large horizontal windows bring in Shanghai's unique panoramic urban scenery, and can be interconnected internally and externally to switch between a transparent and unobstructed layout, with changing scenery as one moves.空间中泛着时间光泽的黑色做旧金属板、几何形体叠加组合出未来感。舒适简约的家具与流动感艺术装饰，象征着柔和与硬朗、东方与西方的融会贯通。The space glimmers with the patina of time, as black distressed metal plates and overlapping geometric shapes create a futuristic feel. The comfortable and minimalist furniture paired with fluid artistic decorations symbolize the harmonious integration of softness and strength, as well as the East and the West.设计师通过此种前卫方式，为前来的宾客打开一扇穿越时空之门，再次刷新人们对于餐饮空间的定义。Through this avant-garde approach, the designer opens a door for guests to traverse time and space, once again redefining people's perceptions of dining spaces.03.私享之境，于画中枕月听涛 / A private retreat, where one can rest under the moonlight and listen to the waves amidst the painting.不响，不代表沉默，它是一种留白。——《繁花》Silence is not the absence of sound, but rather an act of leaving blank spaces. — 《Flowers》每每回望旧时岁月的考究优雅，亦可沉醉于现下的精巧安然，这便是居停体验中最好的状态。Every time we look back at the refined elegance of the past, we can also indulge in the delicate tranquility of the present. This is the best state of mind in the experience of staying.在海鸥丽晶酒店，便如是，随处可遇见画报里的老上海，亦可遇见如画风景中悠然的自己。At the Seagull Regency Hotel, one can encounter the old Shanghai depicted in picture albums everywhere, as well as the leisurely self amidst picturesque scenery.套房 | 共鸣城市璀璨 / Resonating with the Glittering City从公共空间到私享之境，是一场回归的旅程，可以在城市璀璨的风景之中，好好顾及内心种种所需。From the public space to the private retreat, it is a journey of return, allowing one to attend to the various needs of the heart amidst the dazzling urban landscape.海鸥丽晶酒店的套房，更是对海派豪门风尚和生活腔调的品味延承，老上海风情百叶窗、流线型圆角沙发、花漾吊灯、精巧纹饰……尽数镌刻岁月鎏金。The suites at the Seagull Regency Hotel further embody the elegance and lifestyle of the Shanghai aristocracy, with touches like the vintage Shanghai-style shutters, streamlined rounded sofas, floral chandeliers, and delicate embellishments, all etched with the golden memories of time.套房更兼顾功能和美学，瞰景客厅、休憩茶歇空间、步入式衣帽间、静谧和光卧室，以及开阔视限的阳台，流动衔接。The suites strike a balance between functionality and aesthetics, with seamlessly connected spaces including a panoramic living room, a relaxing tea break area, a walk-in closet, a serene and well-lit bedroom, and a spacious balcony offering panoramic views.更可在彩霞漫天时，享受临窗而浴的私汤时刻，饱览浦东天际繁华与外滩万国建筑博览群。艺术气息汇聚，更融入这座城独有的视觉文脉之中，乐享典雅。During the magnificent sunset, guests can indulge in a private bath by the window, taking in the panoramic view of Pudong's skyline and the Bund's architectural marvels. This convergence of artistic atmosphere blends seamlessly into the unique visual heritage of the city, offering an elegant and enjoyable experience.客房 | 里弄风华,续写城市印记 / The elegance of Lilong, continuing the imprint of the city而奢华客房，在空间表达上延续海派建筑语汇，提取“里弄”的人文元素、生活肌理，甚至经典色彩，探寻这座城自成一体的复古与新潮、古典与摩登意象。The luxurious guestrooms continue the architectural vocabulary of the Shanghai style, incorporating the humanistic elements, lifestyle textures, and even classic colors of the "alleyways," exploring the city's unique blend of retro and trendy, classical and modern imagery.K1户型采用了全新的空间布局方式：将浴缸置于窗边，居者可在江畔夜景前沐浴、小酌、听潮起潮落，还能与客厅诸事互动……颇有海派美学与法式生活的玩赏底色。The K1 floor plan adopts a brand-new spatial layout, placing the bathtub by the window so that residents can bathe, sip, and listen to the tides while enjoying the riverfront nightscape, all while interacting with the living room... This design captures the essence of Shanghai aesthetics and French lifestyle.纯色空间基调中，更使用浓郁的色彩做装饰搭配，沙发座椅取用经典旗袍印花元素，加之幻美的屏风一双，极具婉转风姿，奠定了房间舒雅奢华的格调。Within the monochrome backdrop of the space, rich colors are used as decorative accents. The sofa and chairs incorporate classic cheongsam print elements, complemented by a pair of exquisite screens, creating an elegant and luxurious ambiance imbued with grace and charm.K2户型则以洄游动线的方式，以半开放式隔断划分开睡眠区与洗浴间，居者可正对落地窗外的江畔之滨，枕于床塌之侧，于半梦半醒间感受百年风情之城的交织变幻。The K2 floor plan employs a circulating layout, utilizing semi-open partitions to separate the sleeping area from the bathroom. Residents can face the riverside through the floor-to-ceiling windows, lying on the side of the bed, and experience the intertwining transformations of this city rich in a century of charm, between slumber and wakefulness.于此同时，还有偌大的步入式阳台，以及贯穿于客房的各类图案、织物、颜色……都涵纳着丰盈的历史底蕴，这便让旅居体验更有温馨家氛围，赋予酒店客房焕然一新的生命力，带来强烈的亲和力和怀旧气息。At the same time, the spacious walk-in balcony, along with the various patterns, fabrics, and colors throughout the guestrooms, all embody a rich historical heritage, enhancing the warm and homely ambiance of the travel experience. This imparts a renewed vitality to the hotel guestrooms, bringing a strong sense of intimacy and nostalgia.康体泳池 | 绮浪寻香,褪去一点燥 / Seeking fragrance amidst the waves, shedding a bit of restlessness游泳空间的设计，回归自然秘境，去除繁复的色彩和装饰，犹如一片盎然的水光花园，褪去一点燥，得来一点静。墙面以绿色石材为主，配合数个悬浮的苔藓花球，阳光泻入，于波光间映下一片灵动绿影。The design of the swimming space embraces the essence of nature, eschewing intricate colors and decorations, akin to a vibrant aquatic garden that alleviates the heat and fosters tranquility. The walls are dominated by green stone, complemented by several suspended moss balls, allowing sunlight to filter in, casting a lively green hue amidst the shimmering waves.空间柱体以花瓣的形态逐一展开，包含“生长绽放”之意，间或会有水雾流下，若影若幻间，可感受到都市特有的诗意浪漫，亦温柔亦坚毅。The spatial columns unfold in the shape of petals, embodying the concept of "growth and blooming." Occasionally, mist flows down, creating a dreamlike atmosphere that imbues the urban space with a unique poetic romance, blending tenderness with resilience.上海海鸥丽景酒店，就如同那幅专门为它定制的插画：三只海鸥飞翔于云端，致敬曾经的海员俱乐部，展现出自由与和平；八朵上海市花白玉兰则象征着万象更新；而居于其间的飞马寓意着活力成功，在世界级黄金水岸线之上，一路驰骋，勇往直前。The Shanghai Seagull Regency Hotel is like a tailored illustration featuring three seagulls soaring in the clouds, paying homage to the former sailors' club and embodying freedom and peace. The eight white magnolias, the city flower of Shanghai, symbolize rejuvenation and renewal. The flying horse amidst them represents vitality and success, galloping fearlessly along the world-class golden waterfront.CCD香港郑中设计事务所（Cheng Chung Design）创始人、董事长。郑忠先生曾担任“CTBUH世界高层建筑与都市人居学会首届室内设计评委会主席”、“Frame Awards酒店设计类别评委”，并被誉为“资本圈第一时尚先生”，被授予“联合国文化大使”、“中国设计年度人物”、“Hall of Fame名人堂成员”、广州美术学院客座教授、2019年胡润百富“产业领袖”等多个至高荣誉头衔。郑忠先生以“东意西境”的设计理念享誉国际酒店室内设计领域，带领CCD从创立至今已获得包括室内设计界最高荣誉——“Gold Key Awards（金钥匙奖）”最佳酒店设计奖项在内的百项顶级国际大奖，是首位囊括全系列酒店设计大奖的华人设计公司。2020年CCD荣登“亚洲品牌500强”，2020年荣登“中国500最具价值品牌”， 均成为第一个也是唯一上榜的设计品牌。Mr. Joe Cheng is the Founder of Cheng Chung Design Hong Kong, and the President of ATG. He has served as CTBUH's first jury chair for the category of interior design, Frame Awards jury for the category of hospitality design, and has been named as 'Mr. Fashion' in the capital market. He has also been honored numerous titles such as UN Cultural Ambassador, Chinese Design of the Year, Member of Hall of Fame, Professor of Guangzhou Academy of Fine Arts, Winner of  Industry Achievement Award of 2019 Hurun Report and so on. With his design concept of 'Eastern artistic conception in Western form', which has become popular around the world, CCD has received over 87 top-notched international design awards including the highest honor in the interior design field –'Gold Key Awards'. CCD has been recognized as one of the "Asia's 500 Most Influential Brands" in 2019, and "China's 500 Most Valuable Brands" in 2020, which was the first and theonly design brand on both list.