Un véritable petit bijou et une excellente plante tapissante pour les jardins de rocailles, elle s'étale par des rhizomes traçants et ramifiés. Elle révèle en été, portées par des tiges grêles, des fleurs très doubles, bleu pâle, poudrées, comme d'improbables petites roses d'une finesse extrême.
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A door can make or not make an impression that the person who is coming to your house for the first time will tend to carry with him or her. Plus a door is
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For those homeowners who wish to make a contemporary design statement and prefer a style of minimalism, we have developed a glamorous model with a beautiful glass-metal focal point.
Gates can lend security, massive charm and personalization to our properties. And when we think of the classic picket fence and gate, it is indeed white. Isn't this setting fabulous? Black is typically tailored taking a formal turn But what if you added a sense of whimsy with color? Attention getting color This is Reese Witherspoons Ojai, Ca. home. See the cat and the dog? Ahhhhh..... Iron, particularly vintage, does not always have to be in black Turquoise in the garden is breathtaking Subtle shades of champaign But what if you looked around and decided to pull from a nearby color? See the color of the roof, the shutters? Should you have pink dormers, this would be appropriate! Or opt to add elements such as the flowers One of my clients in Glen Ellyn, Il. Aubergine.......foliage, house trim, ornamentation Have a great week! Debra
A Man with High Coloring, Egypt, 161-180 A.D., encaustic on wood. This photograph of a panel painting, a funerary portrait meant to go on a mummy, is far from perfect, but it does give some sense of the presence and power of this modest work. Painted with wax and pigment, the brush strokes are visible as solid marks and add to the life of the image. The direct luminous gaze of dark eyes with the dark mass of curls enhance a vivid encounter. Last week, in the blog post "The Paintings on My Refrigerator", I wrote a brief comment on a Egyptian Fayum funerary portrait postcard that is hanging there. So when I went to the Met this week I visited their collection of Fayum portraits, which then gave me the idea to photograph a few other portraits in the museum. Marble Bust of the Emperor Hadrian, Roman, A.D. 118-120 (detail). I usually don't care for Roman sculptural portraits, finding them too realistic and cool, but as I was wandering through the Roman sculpture court, I noticed this very lively image of the emperor Hadrian. The flesh looks soft and mobile, the features animated, even the mannered handling of the hair is fresh; it is a wonderfully alive depiction. Marble Portrait Bust of a Woman with a Scroll, Byzantine, late 300s-early 400s, probably carved in Constantinople. The form of this portrait is much more reserved and simplified, with the mass of headdress setting off a sensitive rendering of a determined and thoughtful woman. The head covering, scroll and robe mark her as of the aristocracy. I love the way the circular lines and mass of the head covering contrast with the delicate features of her face. Donor figure, possibly Blanche of Navarre, wife of King Philip VI Valois; ca. 1350, French, marble with traces of paint and gilding (detail), 14 7/8 inches. This small sculpture, a kneeling figure, probably came from an altar or a tomb. The carving is delicate and refined, with the same clarity and simplicity of form found in French medieval manuscript painting; the portrait is not generalized, but describes a particular woman. Attributed to Aelbert van Outwater, Head of a Donor, Netherlandish, mid 15th century, oil on wood. Rogier van der Weyden, Netherlandish, Francesco d'Este, ca. 1460, oil on wood, (detail). Hans Memling, Portrait of an Old Man, Netherlandish, late 15th century, oil on wood. The Netherlandish painters have magic in their art. How they are able to paint with such precision and so much realism every fold of skin and cloth, and still have an essence of living being emerge is a mystery to me. So often precise realism can deaden a work, but these portraits are rich and vulnerably human. The gentle touch on the head of a donor by Outwater is so tender that it allows us to feel the soul of the elderly man. Francesco d'Este seems a much more reserved person, but it could be his youth that makes him seem distant. The Memling portrait is so full of kindness and thoughtfulness that he becomes a pure expression of the wisdom of age. Edgar Degas, Portrait of the artist Tissot, ca. 1867-68; oil on canvas, 59 5/8 x 44 inches (detail). Leaping into the 19th century, here is a detail of a painting I've long loved. The artist Tissot is surrounded by the objects in the studio; in this detail we see a painting hanging on the wall which looks like a northern European portrait from the 16th century. I love the casual energy of this portrayal, as the artist leans towards us, a tilt of the head indicating interest in what we might have to say.
A fashion look from February 2016 by n-abagnale featuring MSGM, Aquazzura, Alexander Wang, Givenchy, Blue Nile, Chanel, women's clothing, women, female, woman,...
3D artist Francesca Forzoni explains the process behind and most important aspects of creating mechanical objects or characters.
Discover captivating walkway ideas to elevate your outdoor space. From garden paths to modern designs, find inspiration for a stunning landscape.
A fashion look from August 2014 featuring high heel shoes, halo diamond ring and crystal earrings. Browse and shop related looks.
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A fashion look from December 2016 by duda7-1 featuring R13, WithChic, River Island, Valentino, John Hardy, Daniel Wellington, Blue Nile, LULUS, Ray-Ban, Casetif...
