Download Image of Dutch School Portrait of a Young Girl. Free for commercial use, no attribution required. Portrait of a Young Girl standing in an interior and holding a bunch of roses. She wears a lace apron and a gold chatelaine hanging from a gold ropework belt.. Dated: 1650. Topics: 17th century oil on canvas paintings in the united kingdom, 17th century oil portraits of standing girls at full length, 17th century paintings in private collections, 17th century portrait paintings of unidentified people, 17th century portrait paintings artist location and year missing, aprons in art, chatelaines, females with pearl necklaces in art, lace in paintings, portraits holding flowers, tables in portrait paintings, portrait, girl, aristocracy, female portrait, paintings

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A nimbed Lucy of Syracuse, is seated on floor holding an open book on her lap. She is in front of a patterned hanging and beside a colonnade, beyond which is a courtyard inhabited by figures. A potted flowering plant is in the colonnade. The scene is framed by a border decorated with flowers, including an iris in a vase, a pink, and a sweet pea, and inhabited by a butterfly.

German fashions during the fourteenth century. The dress in Germany underwent the same transformation as in France.

Unknown Artist from Detail of a miniature of Ancient Greek artist Thamyris (Timarete) painting her picture of the goddess Diana, N. France,(Rouen) . The original is in the British Library collection ID 43537. c1400-25. Unknown Artist Marcia Painting Self-Portrait using Mirror (from Giovanni Boccaccio (1313-1375) De claris mulieribus, Anonymous French Translantio, Le livre de femmes nobles et renomees, France c 1440 British Library Artiste faisant son autoportrait De mulieribus claris (Famous Women or On Famous Women or Of Famous Women) is a collection of biographies of historical and mythological women by the Florentine author Giovanni Boccaccio (1313-1375) published in 1374. It is notable as the first collection devoted exclusively to biographies of women in Western literature. Unknown Artist from Boccaccio (1313-1375) De claris mulieribus, Anonymous French Translantio, Le livre de femmes nobles et renomees, France c 1440 British Library When creating the female artist character of Marcia for his book, Boccaccio 1313-1375 used as his prototype, the famous female painter of ancient Greece called Iaia of Kyzikos (late 2nd – early 1st century BC; from the city which is currently Cyzicus. Unknown Artist from Giovanni Boccaccio (1313-1375) De claris mulieribus, Anonymous French Translantio, Le livre de femmes nobles et renomees, France c 1440 British Library Autoportrait sur bois Unknown Artist from Giovanni Boccaccio (1313-1375) De claris mulieribus, Anonymous French Translantio, Le livre de femmes nobles et renomees, France c 1440 British Library Autoportrait sur bois Unknown Artist from Giovanni Boccaccio (1313-1375) De claris mulieribus, Anonymous French Translantio, Le livre de femmes nobles et renomees, France c 1440 British Library Artiste préparant une fresque Unknown Artist from Giovanni Boccaccio (1313-1375) Des cléres et nobles femmes, Spencer Collection MS. 33, f. 37v, French, c. 1470 Artist in her Atelier Unknown Artist from Giovanni Boccaccio (1313-1375) De claris mulieribus, Anonymous French Translantio, Le livre de femmes nobles et renomees, France c 1440 British Library Femme Sculpteur Roman des Girart von Roussillon, Cod. 2449, f. 167v, Flemish, 1447, Österreichishe Nationalbibliothek, Vienna. Women Building From Tabula Picta, Painting & Writing in Medieval Law, Marta Madero. From Tabula Picta, Painting and Writing in Medieval Law, Marta Madero. Royal 16 G V f. 73v Irene Giovanni Boccaccio (1313-1375) De claris mulieribus, Anonymous French Translantio, Le livre de femmes nobles et renomees, France c 1440 British Library Livre de la Cité des dames, c. 1401-1500, Français 607, f. 2r, Bibliothèque nationale de France, Département des manuscrits. Marcia sculpteert een beeld, miniatuur uit Boccaccio, La Louange et Virtue des Nobles et Cleres Dames, 1493 Bibliothèque Nationale de Paris Thamar painting Diana. Boccacio, de mulieribus claris Le livre de femmes nobles et renomées (trad. anonyme), 15-16th century, France (Cognac). Bibliothèque Nationale MS Français 599 fol. 50.

Men's styles - great coats box coats paletot (now this term is funny sounding to me. It says it is a short great coat, which sometimes has a single breast or double breasted front. Also it has a small flat collar and lapels.) chesterfield mackintosh Top hats are worn, sometimes called derby hats or bowlers. The men work stockings and shoes were square toed, low heels. Boots were worn for riding. Their accessories were gloves out of leather, worsted wook or cotton for day wear. Pocket hankerchiefs Canes Umbrellas Jewelry - men did not wear alot of jewelry during this period other than pins and brooches, watches with gold chains. from Historic Costume in Pictures by Dover found at http://www.historyinthemaking.org/index.html (all the drawings above) found at http://www.historyinthemaking.org/index.html

England is home to some of the world’s best and most beautiful castles. Considering that England has had a long royal history that is still ongoing these days, it comes ... Read more

“Until things change, stay away from New York City if you possibly can.”

In about 1797, Belley's portrait was painted by Anne-Louis Girodet de Roussy-Trioson (1767–1824), a former pupil of Jacques-Louis David, and...

: nom masculin, bande en fibres naturelles ou synthétiques, plate et étroite servant d'ornement ou d'attache. Je ne vous apprends rien, mais je vous laisse découvrir ces belles illustrations, tableaux et strophes de poésie. En ce temps fait pour les...

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The author, Yury Filippovich, learned what armor is at the age of three, thanks to a gift from his great-grandfather—a set of postcards with images of Russian armor. By the age of ten, he had reconstructed in his home workshop his first helmet and suit of armor, all from metal, while his friends were still playing with wooden weapons. Yury created his first scholarly reconstruction—a lamellar medieval suit of armor—while studying at the university, as a visual aid for students. Since then, he has been pursuing the idea to explore the history of warfare by reconstructing the equipment of ancient warriors. Over the years, he has created dozens of unique scholarly historical reconstructions of armor and weapons used by nomadic peoples of Central Asia, South Siberia and the Far East, which we are happy to present to our readers

Images of an exhibition of photographs of Indian women, taken between the 1850s and 1950s.

Maharajah Umaid Singh of Jodhpur, 1920 Today I want to tell you about the dress and jewelry of the Indian Maharajahs. Those guys liked to dress up and were not shy of wearing necklaces, armlets, bracelets and ornamental belts. The purpose of such grandeur was to show their majesty and to indicate the richness of their treasury. Often their costumes and accessories were more elaborate than those of their wives. Most of them had an astounding collection of jewelry. Many of them had access to private diamond and gold mines and, thanks to that, over the years built up incredible and unique collections of jewels . Maharajah of Udaipur, 1877 The dazzling jewels were matched by the rich brocades and velvet costumes. That is how the costume of Maharaja of Tagore is described in 1907's "India Through the Stereoscope" book: "[His Highness] was dressed in his splendid Durbar costume - that is, his state dress - with jewels and jeweled sword and other precious badges of rank, and a turban of costly fabric with a tuft of finest plumes tipped with rare gems. The front of his turban gleams with a cluster of brilliants. His side-arms and the scabbard of his state sword are encrusted with old diamonds of the first water. His necklace of several strands includes many shells and stones rare and precious. The robe is satin, edged with gold and his sash is a miracle of needle-work." Maharajah Bhupinder Singh of Patiala Maharaja Bhupinder Singh of Patiala was famous for his love of beautiful women and his exquisite taste in gemstones and jewelry. It was he who placed the biggest order Cartier has ever received. The second biggest was also from him. These were two enourmous diamond necklaces. The first consisted of three strands of large uncut diamonds embellished with diamond pendants. The second consisted of five strands of diamonds with the light yellow 234.69 carat De Beers diamond as its central pendant. Maharajah Bhupinder Singh of Patiala The famous "Patiala necklace" mounted with 2930 diamonds Necklace, platinum set with rubies, diamonds and pearls. Made by Cartier for Maharajah of Patiala, 1928 Only three years later, in 1928, the Maharajah sent six iron chests of precious stones to Louis Boucheron. As well as numerous sapphires, rubies and pearls, the collection included seven thousand diamonds and more then fourteen hundred emeralds. These were worked into one hundred and forty-nine pieces of jewelry. Maharajah and maharani of Patna Maharaja of Baroda, Sayaji Rao Gaekwad, was also known for his fabulous jewels, among which was the famous pearl necklace set with priceless diamonds, such as the Star of Dresden and the Star of the South. It had seven strings of natural pearls each the size of a marble. As pearls of this size were found only once a year it must have taken hundreds of years to assemble such a necklace. The largest and richest collection of jewels however belonged to the Nizams of Hyderabad. In 1995 the Indian government bought the jewels for 218 crore (about US$70 million). There are 173 jewels, including over 25 thousand diamonds, weighing over 2.4 kg. There are also 2000 emeralds, some of them Colombian, which weigh over 2.0 kg. Turban ornament from the Nizams collection The collection includes gemstones, turban ornaments, necklaces and pendants, belts and buckles, earrings, armbands, bangles and bracelets, anklets, cufflinks and buttons, watch chains, and rings, toe rings, and nose rings. Among them is the seven-stringed Basrah pearl necklace, known as Satlada, which has 465 pearls embedded in it. Maharani of Patiala, 1920 Now about the costume of the wives of those magnificent maharajas. In the morning maharanis wore simple cotton saris (to encourage the Indian handloom industry) and in the evening those were changed for more expensive georgette or chiffon ones, sometimes embellished with embroidery or decorated with a golden border. From the late 19th century they began wearing western garments as well: dresses made of silk and muslin and new jewelry pieces as tiaras and brooches. Maharani of Cooch Behar, 1900 Every maharani had her own jewelry given to her at the time of her marriage by her relatives and gifted to her by husband from his personal purse. But in addition there was also the state jewelry and the personal jewelry belonging to her husband's family. This was kept in a strong-room and looked after by a state treasurer which was a hereditary profession handed down from father to son. Jewelry worn on state and public occasions nearly always belonged to the state and was guarded and rationed in use by its guardians. Bhupinder Singh of Patiala with wives and dauthers. One of them wearing the above mentioned ruby necklace In Baroda the state treasurer possessed a book that was ten feet long giving the description of every piece down to the smallest detail. Every time an item of state jewelry was worn a prescribed routine had to be followed. The treasurer would take it out and hand it to the maid who had to sign for it by putting her thumb-mark in the book. There was no "I'd like this" or "I'll wear that". All the things were worn according to turn: one group of earrings, necklace and bangles one evening, the next evening another set. The next morning the maid took it back to the treasurer. Rather boring I would say... Related posts Dress and jewelry of the Ranas of Nepal Kandyan aristocrat dress of the 19th century If you enjoyed this post, please like my page on Facebook. Thank you!

Explore imperial, exotic Samarkand, home to one of the world’s most feared conquerors and kings.

Tolquhon Castle, Aberdeenshire www.historic-scotland.gov.uk/index/places/propertyresults... Castle