In this article from Domus Archive we rediscover the drawings of the designer and architect Ettore Sottsass: buildings that are impractical but certainly very political and provocative.
In questo articolo dall’Archivio Domus riscopriamo i disegni del designer e architetto Ettore Sottsass: edifici poco pratici ma certamente molto politici e provocatori.
In this article from Domus Archive we rediscover the drawings of the designer and architect Ettore Sottsass: buildings that are impractical but certainly very political and provocative.
In this article from Domus Archive we rediscover the drawings of the designer and architect Ettore Sottsass: buildings that are impractical but certainly very political and provocative.
In this article from Domus Archive we rediscover the drawings of the designer and architect Ettore Sottsass: buildings that are impractical but certainly very political and provocative.
In this article from Domus Archive we rediscover the drawings of the designer and architect Ettore Sottsass: buildings that are impractical but certainly very political and provocative.
In this article from Domus Archive we rediscover the drawings of the designer and architect Ettore Sottsass: buildings that are impractical but certainly very political and provocative.
In this article from Domus Archive we rediscover the drawings of the designer and architect Ettore Sottsass: buildings that are impractical but certainly very political and provocative.
Avec sa tête de canard et son ramage façon cocktail de couleurs, la lampe Tahiti du grand Ettore Sottsass (1917-2007) est devenue l’une des icônes du groupe Memphis. IDEAT vous emmène dans la Polynésie du design !
Sottsass labored over the project in multiple dimensions and mediums, but always with a flair for style, as seen here in a vivid watercolor painting of the home.
