Vine-like colorful coils of material overlap in Claire Lindner’s latest sculpture collection, which blurs the line between organic and human-made forms. Each piece has a vibrancy and motion designed to push the possibilities of the medium. “My ideas are guided by the evocation of the living,” she tells Colossal. “I try through movement and color to combine images of vegetation, the animal or the mineral world, the body as if everything was made of the same substance.” Lindner plays on oppositions when designing her ceramics to “create a visual confusion that triggers our imagination.” She creates tensions between aesthetics and textures, including soft and hard, light and heavy, and attractive and repulsive. More