Egyptian-figure-vase New Kingdom, mid-Dynasty 18 1435–1380 B.C. I am featuring Lindy Lawler first up in this article because her ceramic art has recently been inclined toward a mother/goddess orientation and the act of honoring the feminine principle that pervades most ancient cultures. Lindy Lawler uses the matriarchal dynamic, ancient teachings, traditions and philosophies to explore various artistic interpretations of the mother in her clay sculptures and imbibes them with her subtle understanding of this principal. Using the language of art she honours feminine wisdom and rites of passage while maintaining a connection to the universality of
