Published by Taschen, F. L. Wright provides a compact insight into the career of the great American architect Frank Lloyd Wright (1867–1959). His masterful work ranges from bold skyscrapers to humane, organic architecture, such as the Fallingwater house in Pennsylvania. Written by Wright’s apprentice Bruce Brooks Pfeiffer, the book is part of Taschen's Basic Architecture series that presents life and work of internationally renowned architects with approximately 120 photographs, sketches and drafts. The series has been edited by German art historian Peter Gössel. From prairie houses to skyscrapers and the Guggenheim Museum, explore the life and work of one of the greatest pioneers in the history of architecture, Frank Lloyd Wright. Sketches, plans, and photographs chronicle all of Wright’s major works, celebrating his organic architecture philosophy, innovative use of industrial materials, and vision for a new way of American living.

Frank Lloyd Wright is renowned for his long and successful career where he has been widely credited for bringing American architecture to a wider audience.

Published by Taschen, F. L. Wright provides a compact insight into the career of the great American architect Frank Lloyd Wright (1867–1959). His masterful work ranges from bold skyscrapers to humane, organic architecture, such as the Fallingwater house in Pennsylvania. Written by Wright’s apprentice Bruce Brooks Pfeiffer, the book is part of Taschen's Basic Architecture series that presents life and work of internationally renowned architects with approximately 120 photographs, sketches and drafts. The series has been edited by German art historian Peter Gössel. From prairie houses to skyscrapers and the Guggenheim Museum, explore the life and work of one of the greatest pioneers in the history of architecture, Frank Lloyd Wright. Sketches, plans, and photographs chronicle all of Wright’s major works, celebrating his organic architecture philosophy, innovative use of industrial materials, and vision for a new way of American living.

This film by Eric Bricker, is to be shown at Palm Springs Modernism Week, at the Architecture and Design Film Festival, sponsored by Design Onscreen

For every existent building in your city, there are a dozen that never came to be. Some plans were abandoned for good reasons (see: LA's 5,000-foot

Los Angeles Times interviews Curator / Historian Emily Bills on photographer Pedro E. Guerrero, who is known as Frank Lloyd Wright's photographer. Exhibition and the talk by the artist are not to be missed. The exhibit runs April 5 to 25 at Woodbury University Hollywood Gallery...

An apprentice to Frank Lloyd Wright early in his career, John Lautner eschewed the cool, severe geometry of his midcentury minimalist peers. Instead, he spent a lifetime as an iconoclast, alternately overlooked or miscast by critics. Several of his best-known projects — including the iconic Googie coffee shop on Sunset Boulevard — have been wrongly celebrated as Atomic Age or Hollywood kitsch.

On the occasion of his 150th birthday, we celebrate architect Frank Lloyd Wright’s life by looking deeper into the lesser-known aspects of his legendary life.

Dimensions (Overall): 9.9 Inches (H) x 7.9 Inches (W) x .9 Inches (D)Weight: 2.45 PoundsSuggested Age: 22 Years and UpNumber of Pages: 464Genre: ArchitectureSub-Genre: Individual Architects & FirmsPublisher: Princeton University PressFormat: PaperbackAuthor: Frank Lloyd WrightLanguage: EnglishStreet Date: February 28, 2010TCIN: 85175207UPC: 9780691146324Item Number (DPCI): 247-61-9274Origin: Made in the USA or Imported

Chair designed by Frank Lloyd Wrigh in 1908, relaunched in 1986. Manufactured by Cassina in Italy. The rigorous design of this chair is a perfect exemplar of Frank Lloyd Wright’s design ethos. This can be seen in the tall backs and the strong uprights, the use of wood, typical of the furniture he designed for his prairie houses. This chair was created for the dining room of Frederick C. Robie’s home, one of the most important houses in American architectural history. The designer’s intention was that the chair define the area around the dining table, making it more intimate than the rest of the room. The austere elegance of the Robie 1 has been reproduced by Cassina in the total respect of the original drawings, with the able assistance of the furniture-making mastery typical the craftsmen of the Cassina tradition, the quality of which is world-renowned. Important information regarding images of products: Please note that some of the images show other colors and variations of the model, these images are only to present interior design proposals. The item that is selling is on the first image. Important information regarding colour(s) of products: Actual colours may vary. This is due to the fact that every computer monitor, laptop, tablet and phone screen has a different capability to display colours and that everyone sees these colors differently. We try to edit our photos to show all of our products as life-like as possible, but please understand the actual colour may vary slightly from your monitor About the designer: During his 70-year career, American architect Frank Lloyd Wright championed a personal belief that architecture should address the physical, social, and spiritual needs of the inhabitant while remaining in harmony with the landscape. Wright, who punctuated nature with a capital “N”, placed great importance on the unity of man and nature and strived to compose environments where the architecture and land formed a unified whole, as in Fallingwater (1935), the house he built atop a waterfall. Throughout his career, Wright continually embraced the social and technological advancements of the 20th century and successfully aligned new opportunities with his values. In 1991, the American Institute of Architects named Wright “the greatest American architect of all time,” and in the same year, his Fallingwater home was voted “the best all time work of American architecture.” About the manufacturer: In a continuing dialogue between past, present, and future, Cassina has created the I Maestri collection, revisiting furnishing designs by the twentieth century’s best-known architects, including Le Corbusier, Pierre Jeanneret, Charlotte Perriand, Charles Rennie Mackintosh, Gerrit Thomas Rietveld, Franco Albini, Frank Lloyd Wright and Marco Zanuso. While the designs and functional concepts have been precisely preserved, the models have been manufactured using evolved technology. This is also the company that has manufactured iconic pieces of contemporary design from the 1950s to the present day, ideated by some of the most important international designers. Today Cassina continues to look to the future of design with audacious, passionate curiosity and an open, holistic approach. It affirms its exclusive ability to furnish a home’s living and dining spaces completely and iconically with The Cassina Perspective: a concept, a philosophy, an informed, futuristic thought. A detailed, expansive horizon of combinations; when placed together, the products have an innovative soul and the modern icons create authentic, welcoming, personal atmospheres involved in a conversation dominated by a code of design excellence, formal sensitive awareness, solidity and cultural authority.

Built by Frank Lloyd Wright in San Rafael, United States with date 1957. Images by Flickr User C.M. Keiner. The Marin County Civic Center was Frank Lloyd Wright's last commission and largest public project, including several ...

This week, we have a FREE Unit Study about Frank Lloyd Wright. Learn about his life, the buildings he designed, and different types of architecture.

From historic restaurants in New York and Boston to charming rowhouses in Philadelphia, these sites are worth a trip

Despite the numerous studies of Frank Lloyd Wright’s life and architecture, little has been published about his life in relation to the communities that dominated his life. Wright, a fervent believer in individualism and an ardent advocate of democracy, worked in communities throughout his career of more than six decades. These communities, which he led with unquestioned authority, made possible his extraordinary productivity. They also helped sustain his genius, provided him with crucial social outlets, and made it possible for him to remain a creative force outside the mainstream of American architecture until his death at age 91. Almost immediately after arriving in Chicago in 1887, Wright began working in the company of architects and draftsmen, most notably Joseph Lyman Silsbee, Dankmar Adler, and Louis Sullivan. In 1893 he opened his own practice in downtown Chicago and formed relationships with communities of young architects and draftsmen there. Five years later Wright moved his venture to his home and studio in Oak Park. Although his community of coworkers there was highly productive, in 1909 he abandoned them, his practice, and his family, turned his projects over to others, and left for Europe with his mistress. In the next twenty years he formed incidental communities wherever his work took him, including Europe, Japan, California, and Arizona, while maintaining his base at Taliesin, his home near Spring Green, Wisconsin. In 1932, after years of hardship, Wright and his third wife, Olgivanna, founded the Taliesin Fellowship, a community of apprentices and assistants. Five years later the Fellowship began to spend winters at Taliesin West, a camp he designed in Scottsdale, Arizona. When Wright died in 1959, his widow became the Fellowship’s unchallenged leader, and she remained so until her death 26 years later. Marty’s groundbreaking work is neither a biography of Wright nor a study of his architecture; rather, it is the story of his life in communities, particularly the Taliesin Fellowship. This study will be of interest to Wright scholars and enthusiasts, architects, architectural historians, and architecture students.

An apprentice to Frank Lloyd Wright early in his career, John Lautner eschewed the cool, severe geometry of his midcentury minimalist peers. Instead, he spent a lifetime as an iconoclast, alternately overlooked or miscast by critics. Several of his best-known projects — including the iconic Googie coffee shop on Sunset Boulevard — have been wrongly celebrated as Atomic Age or Hollywood kitsch.