'Idaho Lily' Kim Diehl Simple Whatnot 28" x 28" A few months ago I made a small quilt which was part of the Kim Diehl Simple Whatnots series called 'Idaho Lily'. This week I took time out between customer quilts to get this small quilt quilted on the longarm quilting machine. I had been mulling a few ideas over in my head and decided that I would use a combination of longarm ruler work, free motion patterns and a few digital patterns.  'Idaho Lily' Kim Diehl Simple Whatnot 28" x 28" A key part of the design are the traditional lilies which were hand appliqued onto the quilt. I wanted them to stand proud giving them a similar effect to trapunto. To help achieve this I used Hobbs Polydown wadding, which has a good loft, between the fabric layers. DeLoa's Appliguide - Longarm Quilting Ruler Firstly, I used my longarm rulers to stitch in the ditch around the key elements of the quilt. I used a straight ruler for the borders, but for the applique shapes I used this nifty little 'Appliguide' ruler available at Deloa's Quilt Shop. Slipping the longarm machine hopping foot into the hole allows you to follow the edge of detailed work more closely, and this is the first stage of getting that trapunto look. Next I used the rulers again to do a continuous curve pattern on the half square triangle border. They were only 1" square, but as always, the devil is in the detail. 'Idaho Lily' Kim Diehl Simple Whatnot To make the flowers pop out further I then did some free motion stitching on the cream background using a 'clamshell' design. There are occasions when free motion stitching is the only way to ensure that you get into all the 'nook and crannies' of a quilt and is a great technique if there are areas of a quilt, like applique, which you don't want any stitching on. The texture this gave to the background, against the texture-free applique was just the effect I was looking for. 'Idaho Lily' Kim Diehl Simple Whatnot - Quilting Ideas To finish off the borders I used some of the digital designs available on my APQS Quilt Path system. I was aware that any complex work on the borders would be competing with the busy fabric patterns, so I chose the corner block design because it echoed the pattern of the leaves on the applique and supplemented the border design with some further ruler work. All that is left to do is to get the binding on and give a label.