Designed by Sienna BoschThis piece was my first experience using Theo Moorman’s inlay technique. Once I got going, I couldn’t stop—there are endless possibilities. I always find that every weaving idea brings a million more.As with all my weaving projects, there is a creative process that I go through:I start by researching and beginning to understand the technique if it is new to me.I sketch my ideas and possible designs to start exploring all the possibilities.Next, I sample, which I find extremely valuable. I was able to try out a variety of different yarn types, as well as experiment with the possibilities of creating a design. With this particular technique, I learned that fine yarn was important for creating the inconsistencies and wavelike forms in the inlay that I wanted to achieve. This got me thinking about how I could begin to contrast this inconsistency with a geometric design.With my new samples and ideas, I went back to my sketchbook. At this point, I also added color to my sketch to think about how the colors would interact with each other.Throughout the weaving of the final piece, my ideas changed slightly and I adjusted my plans as new ideas came about. I hope you have as much fun as I had exploring and experimenting with this technique!Project SpecsFinished size: 8-3/4" x 11"Weave structure: Theo Moorman inlay techniqueNumber of warp ends: 300Warp length: 2 ydsWidth in reed: 10"EPI: 30PPI: 15

Designed by Sienna BoschThis piece was my first experience using Theo Moorman’s inlay technique. Once I got going, I couldn’t stop—there are endless possibilities. I always find that every weaving idea brings a million more.As with all my weaving projects, there is a creative process that I go through:I start by researching and beginning to understand the technique if it is new to me.I sketch my ideas and possible designs to start exploring all the possibilities.Next, I sample, which I find extremely valuable. I was able to try out a variety of different yarn types, as well as experiment with the possibilities of creating a design. With this particular technique, I learned that fine yarn was important for creating the inconsistencies and wavelike forms in the inlay that I wanted to achieve. This got me thinking about how I could begin to contrast this inconsistency with a geometric design.With my new samples and ideas, I went back to my sketchbook. At this point, I also added color to my sketch to think about how the colors would interact with each other.Throughout the weaving of the final piece, my ideas changed slightly and I adjusted my plans as new ideas came about. I hope you have as much fun as I had exploring and experimenting with this technique!Project SpecsFinished size: 8-3/4" x 11"Weave structure: Theo Moorman inlay techniqueNumber of warp ends: 300Warp length: 2 ydsWidth in reed: 10"EPI: 30PPI: 15

Designed by Sienna BoschThis piece was my first experience using Theo Moorman’s inlay technique. Once I got going, I couldn’t stop—there are endless possibilities. I always find that every weaving idea brings a million more.As with all my weaving projects, there is a creative process that I go through:I start by researching and beginning to understand the technique if it is new to me.I sketch my ideas and possible designs to start exploring all the possibilities.Next, I sample, which I find extremely valuable. I was able to try out a variety of different yarn types, as well as experiment with the possibilities of creating a design. With this particular technique, I learned that fine yarn was important for creating the inconsistencies and wavelike forms in the inlay that I wanted to achieve. This got me thinking about how I could begin to contrast this inconsistency with a geometric design.With my new samples and ideas, I went back to my sketchbook. At this point, I also added color to my sketch to think about how the colors would interact with each other.Throughout the weaving of the final piece, my ideas changed slightly and I adjusted my plans as new ideas came about. I hope you have as much fun as I had exploring and experimenting with this technique!Project SpecsFinished size: 8-3/4" x 11"Weave structure: Theo Moorman inlay techniqueNumber of warp ends: 300Warp length: 2 ydsWidth in reed: 10"EPI: 30PPI: 15

Designed by Sienna BoschThis piece was my first experience using Theo Moorman’s inlay technique. Once I got going, I couldn’t stop—there are endless possibilities. I always find that every weaving idea brings a million more.As with all my weaving projects, there is a creative process that I go through:I start by researching and beginning to understand the technique if it is new to me.I sketch my ideas and possible designs to start exploring all the possibilities.Next, I sample, which I find extremely valuable. I was able to try out a variety of different yarn types, as well as experiment with the possibilities of creating a design. With this particular technique, I learned that fine yarn was important for creating the inconsistencies and wavelike forms in the inlay that I wanted to achieve. This got me thinking about how I could begin to contrast this inconsistency with a geometric design.With my new samples and ideas, I went back to my sketchbook. At this point, I also added color to my sketch to think about how the colors would interact with each other.Throughout the weaving of the final piece, my ideas changed slightly and I adjusted my plans as new ideas came about. I hope you have as much fun as I had exploring and experimenting with this technique!Project SpecsFinished size: 8-3/4" x 11"Weave structure: Theo Moorman inlay techniqueNumber of warp ends: 300Warp length: 2 ydsWidth in reed: 10"EPI: 30PPI: 15

Designed by Sienna BoschThis piece was my first experience using Theo Moorman’s inlay technique. Once I got going, I couldn’t stop—there are endless possibilities. I always find that every weaving idea brings a million more.As with all my weaving projects, there is a creative process that I go through:I start by researching and beginning to understand the technique if it is new to me.I sketch my ideas and possible designs to start exploring all the possibilities.Next, I sample, which I find extremely valuable. I was able to try out a variety of different yarn types, as well as experiment with the possibilities of creating a design. With this particular technique, I learned that fine yarn was important for creating the inconsistencies and wavelike forms in the inlay that I wanted to achieve. This got me thinking about how I could begin to contrast this inconsistency with a geometric design.With my new samples and ideas, I went back to my sketchbook. At this point, I also added color to my sketch to think about how the colors would interact with each other.Throughout the weaving of the final piece, my ideas changed slightly and I adjusted my plans as new ideas came about. I hope you have as much fun as I had exploring and experimenting with this technique!Project SpecsFinished size: 8-3/4" x 11"Weave structure: Theo Moorman inlay techniqueNumber of warp ends: 300Warp length: 2 ydsWidth in reed: 10"EPI: 30PPI: 15

Designed by Sienna BoschThis piece was my first experience using Theo Moorman’s inlay technique. Once I got going, I couldn’t stop—there are endless possibilities. I always find that every weaving idea brings a million more.As with all my weaving projects, there is a creative process that I go through:I start by researching and beginning to understand the technique if it is new to me.I sketch my ideas and possible designs to start exploring all the possibilities.Next, I sample, which I find extremely valuable. I was able to try out a variety of different yarn types, as well as experiment with the possibilities of creating a design. With this particular technique, I learned that fine yarn was important for creating the inconsistencies and wavelike forms in the inlay that I wanted to achieve. This got me thinking about how I could begin to contrast this inconsistency with a geometric design.With my new samples and ideas, I went back to my sketchbook. At this point, I also added color to my sketch to think about how the colors would interact with each other.Throughout the weaving of the final piece, my ideas changed slightly and I adjusted my plans as new ideas came about. I hope you have as much fun as I had exploring and experimenting with this technique!Project SpecsFinished size: 8-3/4" x 11"Weave structure: Theo Moorman inlay techniqueNumber of warp ends: 300Warp length: 2 ydsWidth in reed: 10"EPI: 30PPI: 15

Designed by Sienna BoschThis piece was my first experience using Theo Moorman’s inlay technique. Once I got going, I couldn’t stop—there are endless possibilities. I always find that every weaving idea brings a million more.As with all my weaving projects, there is a creative process that I go through:I start by researching and beginning to understand the technique if it is new to me.I sketch my ideas and possible designs to start exploring all the possibilities.Next, I sample, which I find extremely valuable. I was able to try out a variety of different yarn types, as well as experiment with the possibilities of creating a design. With this particular technique, I learned that fine yarn was important for creating the inconsistencies and wavelike forms in the inlay that I wanted to achieve. This got me thinking about how I could begin to contrast this inconsistency with a geometric design.With my new samples and ideas, I went back to my sketchbook. At this point, I also added color to my sketch to think about how the colors would interact with each other.Throughout the weaving of the final piece, my ideas changed slightly and I adjusted my plans as new ideas came about. I hope you have as much fun as I had exploring and experimenting with this technique!Project SpecsFinished size: 8-3/4" x 11"Weave structure: Theo Moorman inlay techniqueNumber of warp ends: 300Warp length: 2 ydsWidth in reed: 10"EPI: 30PPI: 15

Geisha Art Wall Hangings, Japanese Figurine Wall Decor, House Warming Wooden Intarsia Japanese Art, Japanese Culture, Japanese Tattoo, Japanese Sword Introducing our stunning Handcrafted Wood Intarsia Geisha Wall Decor, featuring a captivating geisha with beautiful flowers adorning her hair and an intricate tattoo on her back. This exquisite piece, measuring 40 cm in height, showcases the artistry of wood intarsia technique. Made with meticulous attention to detail, this wooden geisha figure is a true masterpiece. The floral arrangement in her hair and the intricately designed back tattoo add an enchanting touch to this wall decor. Crafted from high-quality wood, this piece is a testament to the beauty of traditional craftsmanship. Hang this unique geisha wall decor in your home or office to create a striking focal point. It adds elegance and charm to any space, whether it's a living room, bedroom, or even a salon or studio. The versatility of this piece allows you to express your appreciation for Japanese culture and art in a stylish and meaningful way. Each wood intarsia geisha wall decor is handmade with love and care, ensuring that it is truly one-of-a-kind. The natural variations in wood grain and color make each piece unique and distinct. This wall decor is not only a beautiful addition to your space but also a conversation starter and a reflection of your individual style. Enhance your interior with this handcrafted geisha wall decor, which combines the beauty of wood artistry with the grace and allure of Japanese culture. It also makes a remarkable gift for art enthusiasts, collectors, or anyone who appreciates the timeless elegance of geisha symbolism. No stains or dyes are used in this product. Finished with natural wood wax. If you have further questions you can e-mail us whenever you want. Be sure that we will prepare your product in the best way and deliver it to you as soon as possible. We work with DHL Express for safe shipment to serve you better and faster. We are always ready to help you with your special orders and questions, there will also be some additional discounts for your multiple purchases, namely three or more, so please review our products by just clicking: https://www.etsy.com/shop/ChipilWood Thank you so much for your visit !

This beautiful Stain Glass Suncather lighthouse is a very expressive window or wall hanging home decor! Or a unique colorful wallhanging which attract everyone’s attention (in favour of nature lovers!). Stained glass suncatcher completely handmade using the copper foil technique: each little glass piece individually cutted, grinded and foiled. Then soldered together and finish it with cleaning and polishing with lots of care and love. Looks great on the window. Or where there will be access to light. Handcrafted in Ukraine with love. How to keep: Do not drop the product. Do not push it. If necessary, wipe with a cloth in a circular motion. Stain mirror for your home design is here - https://www.etsy.com/shop/ScloGlassStudio?ref=simple-shop-header-name&listing_id=806061454§ion_id=27290362 If you have any questions or need more information, please contact me. If you want add your favorite color, please write us and we will help you. Send a photo, we will make it for you. How to get a 60 percent discount? Repost our post on Instagram or Facebook, tagging us so we can see it. We will sent a code. Thank you for your support. 💛GLORY TO UKRAINE💙

Welcome to woodarsia!! My corner on the internet where I exhibit my projects .I enjoy woodworking especially making intarsia or segmentation projects.I have mixed the above techniques with acrylic colours and the result is a painting made using a saw not a brush!!I use reclaimed wood and birch or poplar plywood. I also make projects using technology just like the bar top arcade machine you can see in my blog.Comments, questions and tips are very welcome.

By Jane Patrick; designed and woven by Betty PaepkeAs we head to Convergence 2016 in Milwaukee, we have been getting our show looms warped up and woven! We'll be bringing some gorgeous fabrics with an Americana theme featured on our Baby Wolf, Wolf Pup, and Standard Floor Loom. Look for our posts to come for our other Convergence fabric designs, along with the drafts and color palettes over the next few weeks.This week, we have a gorgeous fabric for home decor! We chose a small block design, Johann Schleelein's No. 171, in Marguerite Davison's Handweavers Pattern Book (page 121), and used off white, navy blue and an orang-y red for an old-timey fabric that looks both traditional and current at the same time. We think it would make a terrific fabric for an accent pillow. We've provided the fabric details but not the specifics for making the pillow.All of our fabrics have been designed, warped, and woven by our shipping clerk, Betty Paepke—so wonderful to have weavers on staff! And such good ones at that.Project SpecsTotal warp length: 2-2/3 yards for a finished pillow about 15" square.Number of warp ends: 205 (*includes floating selvedges), 189 ends of Aran and 16 ends of Fog Blue.Width in reed: 16-3/4"EPI: 12PPI: 13

Designed by Sienna BoschThis piece was my first experience using Theo Moorman’s inlay technique. Once I got going, I couldn’t stop—there are endless possibilities. I always find that every weaving idea brings a million more.As with all my weaving projects, there is a creative process that I go through:I start by researching and beginning to understand the technique if it is new to me.I sketch my ideas and possible designs to start exploring all the possibilities.Next, I sample, which I find extremely valuable. I was able to try out a variety of different yarn types, as well as experiment with the possibilities of creating a design. With this particular technique, I learned that fine yarn was important for creating the inconsistencies and wavelike forms in the inlay that I wanted to achieve. This got me thinking about how I could begin to contrast this inconsistency with a geometric design.With my new samples and ideas, I went back to my sketchbook. At this point, I also added color to my sketch to think about how the colors would interact with each other.Throughout the weaving of the final piece, my ideas changed slightly and I adjusted my plans as new ideas came about. I hope you have as much fun as I had exploring and experimenting with this technique!Project SpecsFinished size: 8-3/4" x 11"Weave structure: Theo Moorman inlay techniqueNumber of warp ends: 300Warp length: 2 ydsWidth in reed: 10"EPI: 30PPI: 15

Our Baby Wolf loom is the most uncompromising small loom available today. It has all the advantages of portability while maintaining the best big loom features. If compactness and portability are what you are looking for, you’ll be interested in this thoughtfully engineered loom. The weaving width of the Baby Wolf is 26″. You have your choice of 4 or 8 shafts (also called harnesses), or the 4 Now-4 Later model. The X-frame design is exceptionally stable and can be folded to a depth of 18″. The adjustable beater allows the position of the shuttle race to be raised or lowered if necessary. The Baby Wolf employs a friction brake on the warp beam that lets you advance the warp smoothly.

This mosaic art piece was sold here on Etsy but we would more than happy to make something similar for you. It is presented to you as an example of our craftsmanship. We can customize the color palette and design to suit your needs or created something original specifically for you. MADE-TO-ORDER VIBRANT FLOWER GARDEN MOSAIC MURAL size / pricing examples 18x48 - $3000 24x60 -$5000 (shown) Custom sizes available. Pricing includes: metal inlay frame with hanging points on back (in your choice of color finish) and FREE SHIPPING! The mosaic shown has been sold here on ETSY! _________________________________ HOW TO PLACE A ORDER: This original mosaic has recently been sold here on Etsy. If you would like a similar design it can be created as shown or customized in a size and color palette of your choice. A custom order can be made by placing a 50% DEPOSIT To place an order contact us with the desired size and we will create a custom listing in our shop specifically for your 50% deposit. Balance due upon approved completion (typically 6-8 weeks) _______________________________________ SUITABLE FOR INDOOR OR OUTDOOR INSTALLATION We use high quality stained glass and create our mosaics on cement fiber board. This allows the panels to be installed in areas where moisture is present without worries of warping and/or water damage. The grout is coated with a penetrating sealer to help prevent discoloration and allow for easy cleaning with a damp rag. We take great pride in our work and build 'em to last! ….for more original mosaic artwork VISIT OUR ETSY STORE! https://www.etsy.com/shop/ParadiseMosaics

Part of a collection of night sky paintings, this piece is engraved with a forest landscape and is stained and painted with acrylic paint. You will not receive this exact piece, but each one is made using the same techniques and will be a one-of-a-kind artwork. It features visually pleasing hardware with a faux leather cord to hang. This landscape looks great on it's own, and stunning if hung as a trio. Take a look at our other landscapes, and please feel free to reach out if you would like something custom made!•SPECIFICATIONS•-crafted from 1/8" birch wood-engraved-10" x 10"-stained a dark walnut-acrylic paint with metallic gold accents-painted gold back-two hooks with faux leather cordTake a look at the FAQ section for more product information, and the shop announcement will have an up to date production lead time. All items are created and painted in our shop.

Buddha bowls, meal prep bowls, veggie bowls, whatever you want to call them, these recipes are easy, healthy and full of flavor.