I use found botanical material such as leaves, seedpods and feathers to explore human connection to the natural world. By combining these organic objects with traditional craft techniques, I bind nature and the human touch. Cultivating a consciousness about respecting nature and our natural resources has become incredibly important to me in my life and in my art.
I use found botanical material such as leaves, seedpods and feathers to explore human connection to the natural world. By combining these organic objects with traditional craft techniques, I bind nature and the human touch. Cultivating a consciousness about respecting nature and our natural resources has become incredibly important to me in my life and in my art.
I use found botanical material such as leaves, seedpods and feathers to explore human connection to the natural world. By combining these organic objects with traditional craft techniques, I bind nature and the human touch. Cultivating a consciousness about respecting nature and our natural resources has become incredibly important to me in my life and in my art.
I use found botanical material such as leaves, seedpods and feathers to explore human connection to the natural world. By combining these organic objects with traditional craft techniques, I bind nature and the human touch. Cultivating a consciousness about respecting nature and our natural resources has become incredibly important to me in my life and in my art.
I use found botanical material such as leaves, seedpods and feathers to explore human connection to the natural world. By combining these organic objects with traditional craft techniques, I bind nature and the human touch. Cultivating a consciousness about respecting nature and our natural resources has become incredibly important to me in my life and in my art.
I use found botanical material such as leaves, seedpods and feathers to explore human connection to the natural world. By combining these organic objects with traditional craft techniques, I bind nature and the human touch. Cultivating a consciousness about respecting nature and our natural resources has become incredibly important to me in my life and in my art.
I use found botanical material such as leaves, seedpods and feathers to explore human connection to the natural world. By combining these organic objects with traditional craft techniques, I bind nature and the human touch. Cultivating a consciousness about respecting nature and our natural resources has become incredibly important to me in my life and in my art.
I use found botanical material such as leaves, seedpods and feathers to explore human connection to the natural world. By combining these organic objects with traditional craft techniques, I bind nature and the human touch. Cultivating a consciousness about respecting nature and our natural resources has become incredibly important to me in my life and in my art.
I use found botanical material such as leaves, seedpods and feathers to explore human connection to the natural world. By combining these organic objects with traditional craft techniques, I bind nature and the human touch. Cultivating a consciousness about respecting nature and our natural resources has become incredibly important to me in my life and in my art.
I use found botanical material such as leaves, seedpods and feathers to explore human connection to the natural world. By combining these organic objects with traditional craft techniques, I bind nature and the human touch. Cultivating a consciousness about respecting nature and our natural resources has become incredibly important to me in my life and in my art.
I use found botanical material such as leaves, seedpods and feathers to explore human connection to the natural world. By combining these organic objects with traditional craft techniques, I bind nature and the human touch. Cultivating a consciousness about respecting nature and our natural resources has become incredibly important to me in my life and in my art.
I use found botanical material such as leaves, seedpods and feathers to explore human connection to the natural world. By combining these organic objects with traditional craft techniques, I bind nature and the human touch. Cultivating a consciousness about respecting nature and our natural resources has become incredibly important to me in my life and in my art.
I use found botanical material such as leaves, seedpods and feathers to explore human connection to the natural world. By combining these organic objects with traditional craft techniques, I bind nature and the human touch. Cultivating a consciousness about respecting nature and our natural resources has become incredibly important to me in my life and in my art.
I use found botanical material such as leaves, seedpods and feathers to explore human connection to the natural world. By combining these organic objects with traditional craft techniques, I bind nature and the human touch. Cultivating a consciousness about respecting nature and our natural resources has become incredibly important to me in my life and in my art.
I use found botanical material such as leaves, seedpods and feathers to explore human connection to the natural world. By combining these organic objects with traditional craft techniques, I bind nature and the human touch. Cultivating a consciousness about respecting nature and our natural resources has become incredibly important to me in my life and in my art.
I use found botanical material such as leaves, seedpods and feathers to explore human connection to the natural world. By combining these organic objects with traditional craft techniques, I bind nature and the human touch. Cultivating a consciousness about respecting nature and our natural resources has become incredibly important to me in my life and in my art.
Contemporary artists are expanding their creativity and resourcefulness by using unorthodox mediums. Today, anything can serve as a medium to create a work of
Embroidery on Knits by Judit Gummlich is an in-depth guide to contemporary stitching with and on wool, explaining every step of the process. The book includes 18 nature-inspired templates, generously complimented by insightful tips and ideas on how to use them. Tussie-Mussie Nosegays (small posies of flowers) were sent