May 5-8 I attended a Mel Stabin workshop in Cape May, third year in a row--and I've already signed up for next year. So I guess I don't need to say that if you have a chance to, you should take one of Mel's workshops: he's a wonderful teacher and a sweet person. These are the paintings--all not quite finished--I did the first two days, trying to follow Mel's advice to connect shapes and pay attention to values. And also his oft-repeated admonishment, Don't screw it up. (11x15) This fisherman needs a face, and Mel thought I separated the hat from the head too much--he'd prefer to see one wash flowing into the next rather than a hard line since the values were so similar. (12x18) This one still need a lot of work: I have to finish the stairs and the large palm, then add shadows and darken the space behind the palm. I think some of the greens could use some darks too, but I should've added them when the paint was wet ... Below is a close up of one of Mel's palm trees. he painted the fronds with four of five swipes of a flat brush, then dropped some color into the center and drew in just a couple of leaves. (12x18) The fence isn't done. (12x18) I think this is done, though, because I'm not too happy with them, I'm tempted to try to "fix" the trees in the upper left. As in previous years, we had a great group--excellent painters and a lot of fun to hang out with when we adjourned to the bar for happy hour after our daily critique.
