Starting with the question, ‘Why do bad guys live in good houses?’, architect Chad Oppenheim explored 15 highly secretive dwellings of Hollywood’s supervillains.
Starting with the question, ‘Why do bad guys live in good houses?’, architect Chad Oppenheim explored 15 highly secretive dwellings of Hollywood’s supervillains.
Starting with the question, ‘Why do bad guys live in good houses?’, architect Chad Oppenheim explored 15 highly secretive dwellings of Hollywood’s supervillains.
Starting with the question, ‘Why do bad guys live in good houses?’, architect Chad Oppenheim explored 15 highly secretive dwellings of Hollywood’s supervillains.
Starting with the question, ‘Why do bad guys live in good houses?’, architect Chad Oppenheim explored 15 highly secretive dwellings of Hollywood’s supervillains.
John Lautner's beyond-groovy Elrod House is nothing short of concrete poetry.
Julius Shulman, "Chemosphere," photograph of Malin Residence, John Lautner architect, 1961. Why is it that the bad guy always inhabits an incredible spread? It seems every self-respecting movie villain needs a strategic hideaway to devise all their evil plans, so let’s take stock of some memorabl
The Vandamm House moved movie villains inside the sleek spaces of modern architecture.
A new book seeks to answer the eternal question: “Why do bad guys live in good houses?”
Julius Shulman, "Chemosphere," photograph of Malin Residence, John Lautner architect, 1961. Why is it that the bad guy always inhabits an incredible spread? It seems every self-respecting movie villain needs a strategic hideaway to devise all their evil plans, so let’s take stock of some memorabl
The word "lair" doesn't technically have a negative connotation, yet most people immediately relate it to villains. The structures featured in Lair: Radical Homes and Hideouts of Movie Villains have a lot to do with that. Across its black pages,...
File this under "potential hideaways for the villain in the next James Bond movie."
Julius Shulman, "Chemosphere," photograph of Malin Residence, John Lautner architect, 1961. Why is it that the bad guy always inhabits an incredible spread? It seems every self-respecting movie villain needs a strategic hideaway to devise all their evil plans, so let’s take stock of some memorabl
A new book seeks to answer the eternal question: “Why do bad guys live in good houses?”
A new book seeks to answer the eternal question: “Why do bad guys live in good houses?”
Julius Shulman, "Chemosphere," photograph of Malin Residence, John Lautner architect, 1961. Why is it that the bad guy always inhabits an incredible spread? It seems every self-respecting movie villain needs a strategic hideaway to devise all their evil plans, so let’s take stock of some memorabl
