How to create your landscape? Do you have a vision of it in your head? You've begun. First visions are mostly quaintly wrong, with a sweetness of effort, childlike in obvious desire, with no awareness of the complexities, across myriad layers, yet within, your deepest soul knows what is good, and can create a beautiful landscape, once it informs the brain, "unlearn your assumptions." . Describing myself, above. . What happened? Went back to college for a horticulture degree, still not learning how to design pretty gardens, instead 'the-machine' taught how to design residential gardens with every layer, lawn-shrubs-annuals-fertilizers-chemicals, saturated in the hype they must be tended by a man in a truck arriving weekly, and you pay him monthly. Landscape as commodity, Nature removed. . Decades later, after studying beautiful historic gardens across Europe, the patterns/templates/math/simplicities of beautiful good gardens, surfaced, and spoke. With pride, I can say, no garden I design is original they've all been done before, and proven themselves across centuries, and cultures. More than working with the owners of gardens, long dead, and their garden designers, I know I am working with their muse. Landscape design is not voodoo or 'feelings' it is a path of science, elevated into art. Simplicities strung together. . Then, a big event, teaching me, after years of delighting within gorgeous landscapes, they are merely sparkly ephemerals, pure amusement. Beloved gave me 8 heirloom chics, less than a week old, for my birthday, along with a custom built Chinoiserie coop/run. Once they were large enough they were taken from their garage kennel and put into their coop in my lovely mature garden. Walking away, that first time, a new awareness made me stop and look at my garden with fresh eyes. A new concern, the chicks. I had to keep them alive, healthy, happy. Stewardship. Yet it was hardly one sided. The chicks, aside from eggs, give pleasure in their antics, sounds, even how they walk, yet more. Somehow, they work in stewardship of me, greater than I for them. Finally, Nature's circle. Took me a few decades, but I connected the dots. G*d almighty first planted a garden. Men come to build sooner than to garden finely as if gardening were the greater art..... for sure. . Metaphors of the bible are writ large tending livestock. Who knew? Rare I'm in the chicken coop and they don't make me laugh. Hen pecked, pecking order, the cliches roll deeper, but chickens aren't my topic, will stop here with the chics. Getting back to simplicities. . Gardens are designed in order of garden math. An equation, Trees + paths/lawn/meadow/hardscape + focal points + shrubs + perennials/herbs/groundcovers = Beautiful easy landscape. Trees/large shrubs, especially, must be placed to reduce HVAC expenses. Include blooms/berries/fall color to cover entire year, add mystery & delight. Gardens are installed in this order too. Contrast every element, big leaves next to small leaves, rustic/formal, etc. Create garden rooms, start your garden design from inside, looking into your garden. Know how to break the rules of the garden design equation. Don't choose plants you love/adore, choose plants that love/adore the site. Your home is involved too, paint colors, lighting, views into windows, style of interior/exterior furnishings must flow. There you have it, every garden design simplicity. . The genius involved is trusting the simplicities and ignoring the genius-of-the-lizard-brain. A client's farm gave the opportunity to site a barn into a similar setting, below. And, guess what we did? The view remains the same, no barn in view. We created mystery, and delight sighting the barn into its own world, ever so close to the pristine pasture. Via Pentreath-Hall, above. Can you 'read' the perennial garden below? Total formulaic, in use for centuries. Perennials backdropped with large shrubs, and low meadow/lawn in front, contrasting flower shapes spikey/round, and the obligatory focal point urn/sundial/bench. . About a decade ago I stopped doing so many perennials, using flowering shrubs instead. Why? Deer, drought/flood, dead-heading, dividing, down time. Perennials seemed gorgeous, but not able to pay their rent. Want to enjoy your garden, keep it low maintenance? Shrubs instead of perennials, mostly. Pic by Clive Nichols, above. Poems are an intensification of reality, hence, good landscapes are poems. There was a lovely poem in Women's Voices for Change recently, I know nothing about writing poems or poetry, including this wonderful description, of a poem, below. Really, iambic pentameter, hexameter, traditional sonnet meters, the poem turns like a sonnet, proportionately correspondent, patterned end rhyme, and more, just really? How I would love to have a long leisurely lunch in a cafe garden with a real poet. Paper/pen at hand. Connecting the formation of a poem into its parallel of a garden. Might as well invite a musician to that lunch, poems & gardens are songs too. Would want the chef at table in conversation with us good landscapes are a recipe.....you get the idea. From, Women's Voices for Change, below. Although this poem is written in modern free verse, my (admittedly sensitive) sonnet-radar detects in it a ghost of that centuries-old form. To begin with, anytime a poem is close to 14 lines (this one is 16), I have to wonder. Although “Kanpur” is not strictly metered, I found myself able to scan the first ten lines as iambic pentameter and the last six as hexameter, both traditional sonnet meters. More compellingly, the poem turns in the same places I’d expect a sonnet to turn. Lines 10 and 11 (proportionately correspondent with the 8th or 9th lines where voltas reside in Petrarchan sonnets) express a turn in consciousness, a shocked recognition that events once deemed “trivial” actually have “vast importance.” The poem’s last two lines (analogous to a Shakespearian sonnet’s closing couplet) contain an actual, physical turn in the phrase describing how Leo “turned on us.” Finally, the poem does make very subtle use of the patterned end-rhyme conventionally seen in sonnets. Lines 1, 6, 11, and 14 terminate in near-rhymes (late/not/night/out), with exactly five lines between the second and third instances and three lines between the third and last instance. The end word “night” gains resonance from another near-rhyme in that line, “late” in “late at night.” A second series of end rhyme occurs in lines 13 and 16, concluding with “know” and “Leo,” respectively. Moreover, as in line 11, line 16 saturates and intensifies its end-rhyme with a proximate internal rhyme: “Leo was the first to go. It began with Leo.” How fascinating—and devastating—that the sound emphasized here at the end of the poem is the archetypal human utterance of shock and grief: “O.” The poem describes an event that is a turning point in the larger journey, the moment when things begin to fall apart, and this function is supported by its placement almost exactly in the middle (34th of 63 poems) in the book. As such, it performs a dramatic function in the larger text. Is this function also reflected in the poem’s genre or mode? I see it as predominantly narrative, with the speaker looking back and telling a story about an event in his or her past, but with lyrical (those sound repetitions) and dramatic elements (the foreshadowing and suspense that close the poem). In the end, “Kanpur” defies characterization as lyric, narrative, or dramatic and reminds us that when done well, the blending of poetic genres can produce an amalgam of story, music, and tension as compelling as any work of fiction, and I admire the poem for the way it makes me want to read on, to keep turning the pages of the book, SERIES / INDIA." Pic, above, by Clive Nichols Formal meeting rustic, above. Mystery. I want to see the house belonging to this gate, and investigate its meadows/woods. Delight. "The game is just to copy things, no more." — Matt Ridley in Mendel's Demon First rule of landscape design, copy. I thought this rule, horrible, because my garden designs must be original. Glad I got over myself and 'original'. Here's the thing about copying, no 2 sites are the same, hence you get original each time you copy. Pic, above, by Clive Nichols. Create garden rooms, above. Welcome, come in. Have a talk with your future landscape. Seriously. Frame the negotiation, below. Time, money are constraints to each landscape, lose this excuse, everyone has it. How can you overcome lack of time/money? Frame the negotiation. You are the deal maker, and your landscape is making a deal with you in return. What do you each bring to the table? Zero difference here between designing a garden or making a business deal. From the Harvard Business Review, below. Control the Negotiation Before It Begins by Deepak Malhotra "...the costliest mistakes take place before negotiators even sit down to discuss the substance of the deal. That’s because people fall prey to a seemingly reasonable—but ultimately faulty—assumption about deal making. Negotiators often take it for granted that if they bring a lot of value to the table and have sufficient leverage, they’ll be able to strike a great deal. While those things are certainly important, many other factors influence where each party ends up." Pic, above, Clive Nichols. At the start I thought landscapes were about plants. Partially, landscapes are about plants. Landscapes are about you living your life. Focal points, pots, furnishings, above, are part of the landscape. Beauty is a landscape component, so is comfort. And entertaining friends, with ease. ********************************************** I've never had a client who couldn't tell me exactly what they want in their garden. Though they could not tell themselves. Does this make sense? All my clients/students understand the language of a beautiful easy landscape, yet cannot speak it. Why? Mostly, the lizard brain. They've turned from listening to their heart and listened to the lizard brain mentioning a landscape needing significant upfront expense plus a man in a truck coming each week. What kind of thinker are you? Keep the lizard brain in check, let the knowledge of your heart speak and be heard. COLLABORATION What Kind of Thinker Are You? Mark Bonchek and Elisa Steele For example, on the big picture or macro orientation: Explorer thinking is about generating creative ideas. Planner thinking is about designing effective systems. Energizer thinking is about mobilizing people into action. Connector thinking is about building and strengthening relationships. Across the micro or detail orientation: Expert thinking is about achieving objectivity and insight. Optimizer thinking is about improving productivity and efficiency. Producer thinking is about achieving completion and momentum. Coach thinking is about cultivating people and potential. Pic, above, Clive Nichols. Loving a meadow mowed at different heights, above, has been a chief pleasure. Decades later I discovered having this type meadow in landscapes increases pollinator habitat, increasing crop/fruit tree yields, healthier livestock. More, I discovered, having trees, meadows & garden rooms combined, or this could be said as 'high density/low density', are maximum pollinator habitat. Then chickens arrived, and I learned Nature had been using me in her methodologies all along. The ultimate bit of humor, I have been no greater, or less, than a bee, or possum, going about their lives, part of the bigger picture of Nature. When Nature is healthy, we are. I find my greatest pleasure, and so my reward, in the work that precedes what the world calls your success. Thomas Edison Pic, above, Clive Nichols. Clive Nichols photography has been used with intent in this post. Aside from his skills with the camera, he chooses the best gardens to use those skills. Rusticities of the foreground, above, contrast perfectly with the formal stone folly focal point. Low meadow encircled with trees/shrubs, maximum pollinator habitat of high density/low density. . How to take charge of your landscape? Copy. Use the best ideas proven over centuries. Use plants loving your zone/micro climate not plants you love. Choose plants deer resistant and needing little water and zero chemicals. Follow the Landscape Design Equation, above, and install in that order too. After copying, repetition is a potent tool. Choose a minimal team of plants, repeat, repeat, repeat. Include your home in the plan, its paint colors, light fixtures, views into windows, hardware, interior furnishings style & colors. . And, if you're planting bulbs or annuals, the rule is this, If you can count the number of flowers you do not have enough. . I've taught a 4 week class for decades at the Atlanta Botanical Garden, all of the above, and more, are in those 4 weeks, slide shows included. Taught horticulture at the local college for years too. . Nothing about taking charge of your landscape is difficult. Nothing. It's merely an assimilation of all the right things. . Now, with the, above, you have the macro tools needed to take charge of your landscape. . Garden & Be Well, XO Tara