Under strip lighting in a box, like a delicate white meat item in a supermarket, lies Giuseppe Giorgetti's masterpiece, the martyred St Sebastian (1671). Giorgetti worked on the restoration of the infamous Barberini Faun, and I think you can see its (somewhat inappropriate) influence here. The dead Sebastian looks post-coital, rather than post-mortem. Basilica di San Sebastiano ad Catacumbas, Via Appia Antica, Rome.