The other day I found a stack of devotional leaflets from the 1920s, 'The Passion of Our Lord According to Saint Mark', in a cupboard in the north vestry. They're interesting because they show the sort of liturgical experiments Swanvale Halt was trying out at that time (if indeed we did try it out, I shall have to check through the old service books), but also because of the illustrations. This is obviously just what the Last Supper was like. Like Mass. Of course. It's a surprise Jesus isn't wearing a maniple. But this illustration of the Agony in the Garden is gorgeous. The artist was Thomas Noyes Lewis, a very prolific painter and book illustrator of the late 1800s and early 1900s, who was born in 1862 and died in 1946. If you go searching online you can find quite a bit of his stuff, including illustrations of Nordic legends and good manly inspirational cards for young Scouts. However I expect even more people actually encounter his work without knowing it's his, as I discover I've done over the years. Here, for instance, is a lovely example from a booklet describing the rituals of the Mass for Anglo-Catholic laypeople, at least laypeople worshipping in churches which use the Book of Common Prayer according to the Percy Dearmer model. This latter booklet is called Through the Veil: Communion Book, and in Noyes Lewis's determination to display not just what actually happens but the inner significance of what happens - so in this picture you see Jesus hovering over the altar as the veil is quite literally lifted to show the heavenly reality of our earthly acts - it's dotty to modern sensibilities, but rather moving. I know nothing more about Thomas Noyes Lewis. I wonder how he discovered his faith, and got into the business of painting it.