Berlin-based artist Anke Eilergerhard makes sculptures from pigmented silicon that take the cake. She transforms Wayne Thiebaud’s Pop cakes into powerful generators of feminine identity (Scott Hove's monstrous, fanged cakes also come to mind). Some pieces look like traditional wedding cakes. Others look like Meret Oppenheim and Leonora Carrington got together to design them. She examines the forms and, especially, the surfaces of these cakes and cake-like objects. The first impression of the work is quirky and idiosyncratic, lighter than air. Upon closer examination, though, some work looks dangerous. These cakes look fluffy and innocuous. In reality, they serve as a weapon to fight obsolete ideas of feminine identity based solely on beauty.