Historical costuming
Historical costuming
Historical costuming
Historical costuming
Historical costuming
Historical costuming
Find great deals on 'Ricotta Eaters by Vincenzo Campi' Giclee Print at AllPosters.com, with fast shipping, easy returns, and custom framing options you'll love!
The gown is all hand sewn from a thin worsted wool. I used linen thread for most of the seams, but silk for hemming, and button hole silk for the lacing holes. Without apron: The construction of the gown is, like my light green damask gown, based on the partly preserved gown of Osanna Andreasi. The bodice is lined in two layers of linen, and to give some extra support the front edges have a row of hemp cord sewn to them on the inside. The sleeves are sewn to the back of the armscyes, inspired mainly by this painting by Sandro Botticelli: The apron and caps are both linen, of different weight. I used a straight piece of fabric for the apron, though I think that a gathered one, as seen on this painting by Ghirlandaio would have looked better. But there are many more images of straight aprons, so I decided to go for that. A green apron over a white gown on Frncesco della Cossa's Allegory of March And a wonderful manuscript with lots of aprons, which all appear to be ungathered: Giovanni cadamosto da lodi's "Libro de componere herbe et fructi" from 1471 Aprons are good for carrying stuff :) The cap is based on several portraits of Italian women from the last quarter of the 15th century: Portraits by Ghirlandaio
The gown is all hand sewn from a thin worsted wool. I used linen thread for most of the seams, but silk for hemming, and button hole silk for the lacing holes. Without apron: The construction of the gown is, like my light green damask gown, based on the partly preserved gown of Osanna Andreasi. The bodice is lined in two layers of linen, and to give some extra support the front edges have a row of hemp cord sewn to them on the inside. The sleeves are sewn to the back of the armscyes, inspired mainly by this painting by Sandro Botticelli: The apron and caps are both linen, of different weight. I used a straight piece of fabric for the apron, though I think that a gathered one, as seen on this painting by Ghirlandaio would have looked better. But there are many more images of straight aprons, so I decided to go for that. A green apron over a white gown on Frncesco della Cossa's Allegory of March And a wonderful manuscript with lots of aprons, which all appear to be ungathered: Giovanni cadamosto da lodi's "Libro de componere herbe et fructi" from 1471 Aprons are good for carrying stuff :) The cap is based on several portraits of Italian women from the last quarter of the 15th century: Portraits by Ghirlandaio
Take your head out of the sand and get to work! This Shirley Italian Ivory Ostrich Embossed Semi-Aniline Top Grain Cow Leather Hide brings a textured class into your home decor designs. This exquisite Italian leather features an embossed ostrich leather pattern with patent tipping that adds a glistening sheen to the high points to enhance the pattern's dimension. Durable and undeniably unique, create accent chairs, upholster stools and ottomans, or add contrasting panels to armchairs and sofas. As this leather demands to be seen, it’s also perfect for fashion projects like statement handbags, wide belts, and accents on jackets and coats.Please Note: In addition to natural differences in grain between hides, these leathers are subject to mild color variations giving each lot a unique look. Every effort will be made to fill orders for multiple hides from the same lot.The color fastness to rubbing of this leather is 500 Cycles Dry, ≥ 4 and 250 Cycles Wet, ≥ 3.5. This leather is compliant with California TB 117-2013.
An image of pure fantasy ! The ‘Kaheesha, The Poetess’ long dress was made in our dreams. The shoulders are left bare as the classic corset cleverly contours the body. A stunning silk georgette makes the top layer that allows the skirt to cascade beautifully along your body. This a delicately decorates by a white French Chantilly lace merging into the flowing hem. Magic is created by this ensemble and it will look enchanting on a summers evening as the sun begins to set.
Vincenzo Campi was a 16th-century Italian painter working in Cremona during the Late Renaissance. Campi is best known as one of the first northern Italian artists to work in the Flemish style of realist genre painting.